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NEW ESSAYS ON SEIZE THE DAY The American Novel series provides students of American literature with introductory critical guides to great works of American literature. Each volume begins with a substantial introduction by a distinguished authority on the text. giving details of the work's composition, publication history, and contemporary reception, as well as a survey of the major critical trends and readings from first publication to the present. This overview is followed by a group of new essays, each specifically commissioned from a leading scholar in the field, which together constitute a forum of interpretative methods and prominent contemporary ideas on the text. There are also helpful guides to further reading. Specifically designed for undergraduates, the series will be a powerful resource for anyone engaged in the critical analysis of major American novels and other important texts. This book provides a multifaceted introduction to Noble Prize-winner Saul Bellow's most widely read and taught work of fiction, Seize the Day. This tragicomic story of one day in the life of an average man on the brink of failure and despair is a prime example of the Jewish novel of the 1950s. The essays in this volume examine the thematic, stylistic, and critical elements of Bellow's masterpiece and offer different approaches to how the novel mayor may not be thought of as "ethnic." Michael P. Kramer is Associate Professor of English at Bar-Ilan University. in this web service

in this web service

* The American Novel * The Scarlet Letter The Great Gatsby Adventures of Huckleberry Finn Moby-Dick Uncle Tom's Cabin The Last of the Mohicans The Red Badge of Courage The Sun Also Rises A Farewell to Arms The American The Portrait of a Lady Light in August The A wakening Invisible Man Native Son Their Eyes Were Watching God The Grapes of Wrath Winesburg, Ohio GENERAL EDITOR Emory Elliott University of California, Riverside Other works in the series: Sister Carrie The Rise of Silas Lapham The Catcher in the Rye White Noise The Crying of Lot 49 Walden Poe's Major Tales Rabbit, Run Daisy Miller and The Turn of the Screw Hawthorne's Major Tales The Sound and the Fury The Country of the Pointed Firs Song of Solomon Wise Blood Go Tell It on the Mountain The Education of Henry Adams Go Down, Moses Call It Sleep in this web service

in this web service

New Essays on Seize the Day Edited by Michael P. Kramer 'N~"'" CAMBRIDGE ::: UNIVERSITY PRESS in this web service

CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao Paulo, Delhi, Mexico City The Edinburgh Building, Cambridge CB2 8RU, UK Published in the United States of America by, New York Information on this title: /9780521559027 1998 This publication is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of. First published 1998 A catalogue record for this publication is available from the British Library Library of Congress Cataloguing in Publication Data New essays on Seize the day I edited by Michael P. Kramer. P. cm. - (American novel) Includes bibliographical references. ISBN 0-521 -55129-3. - ISBN 0-521 -55902-2 (pbk.) 1. Bellow, Saul. Seize the day. 2. Failure (Psychology) in literature. 3. Jews in literature. I. Kramer, Michael P., 1952- II. Series. PS3503.E4488S4 1998 ISBN 978-0-521-55129-8 Hardback ISBN 978-0-521-55902-7 Paperback has no responsibility for the persistence or accuracy of URLs for external or third-party internet websites referred to in this publication, and does not guarantee that any content on such web sites is, or will remain, accurate or appropriate. Information regarding prices, travel timetables, and other factual information given in this work is correct at the time of first printing but does not guarantee the accuracy of such information thereafter. in this web service

Contents Series Editor's Preface page ix Introduction The Vanishing Jew: On Teaching Bellow's Seize the Day as Ethnic Fiction MICHAEL P. KRAMER page 1 2 "Who's he when he's at home?": Saul Bellow's Translations HANA WIRTH-NESHER page 25 3 Manners and Morals, Civility and Barbarism: The Cultural Contexts of Seize the Day DONALD WEBER page 43 4 Imaging Masochism and the Politics of Pain: "Facing" the Word in the Cinetext of Seize the Day SAM B. GIRGUS page 71 vii in this web service

Contents 5 Yizkor for Six Million: MOllrning the Death of Civilization in Saul Bellow's Seize the Day EMILY MILLER BUDICK page 93 6 Death and the Post-Modern Hero/Schlemiel: An Essay on Seize the Day JULES CHAMETZKY page III Notes on Contributors page 125 Selected Bibliography page 127 viii in this web service

Series Editor's Preface In literary criticism the last twenty-five years have been particularly fruitful. Since the nse of the New Criticism in the 1950s, which focused attention of critics and readers upon the text itself - apart from history, biography, and society - there has emerged a wide variety of critical methods which have brought to literary works a rich diversity of perspectives: social, historical, political, psychological, economic, ideological, and philosophical. While attention to the text itself, as taught by the New Critics, remains at the core of contemporary interpretation, the widely shared assumption that works of art generate many different kinds of interpretations has opened up possibilities for new readings and new meanings. Before this critical revolution, many works of American literature had come to be taken for granted by earlier generations of readers as having an established set of recognized interpretations. There was a sense among many students that the canon was established and that the larger thematic and interpretative issues had been decided. The task of the new reader was to examine the ways in which elements such as structure, style, and imagery contributed to each novel's acknowledged purpose. But recent criticism has brought these old assumptions into question and has thereby generated a wide variety of original, and often quite surprising, interpretations of the classics, as well as of rediscovered works such as Kate Chopin's The Awakening, which has only recently entered the canon of works that scholars and critics study and that teachers assign their students. The aim of The American Novel Series is to provide students of American literature and culture with introductory critical ix in this web service

Series Editor's Preface guides to American novels and other important texts now widely read and studied. Usually devoted to a single work, each volume begins with an introduction by the volume editor, a distinguished authority on the text. The introduction presents details of the work's composition, publication history, and contemporary reception, as well as a survey of the major critical trends and readings from first publication to the present. This overview is followed by four or five original essays, specifically commissioned from senior scholars of established reputation and from outstanding younger critics. Each essay presents a distinct point of view, and together they constitute a forum of interpretative methods and of the best contemporary ideas on each text. It is our hope that these volumes will convey the vitality of current critical work in American literature, generate new insights and excitement for students of American literature, and inspire new respect for and new perspectives upon these major literary texts. Emory Elliott University of California, Riverside x in this web service