S4C Guidelines on Credits. 1 May 2015

Similar documents
EDITORIAL POLICY GUIDELINES FOR BBC WORLD SERVICE GROUP ON EXTERNAL RELATIONSHIPS AND FUNDING

EDITORIAL POLICY GUIDANCE NOTE PROPS: : THE SUPPLY AND USE OF PROPS IN DRAMA, COMEDY AND ENTERTAINMENT PROGRAMMES

Credits. Guidance Note. Status of Guidance Note. Key Editorial Standards. Issued: 11 April 2011

Broadcasting Authority of Ireland Rule 27 Guidelines General Election Coverage

Broadcasting Authority of Ireland Guidelines in Respect of Coverage of Referenda

BBC S RELEASE POLICY FOR SECONDARY TELEVISION AND COMMERCIAL VIDEO-ON-DEMAND PROGRAMMING IN THE UK

S4C Clips and Rushes Policy. July 2016

S4C S TERMS OF TRADE SECOND ISSUE / FOR PROGRAMMES COMMISSIONED UNDER THE S4C CODE OF PRACTICE.

BBC Distribution Policy June 2018

EDITORIAL POLICY GUIDANCE TICKETING FOR BBC EVENTS AND PROGRAMMES

DATED day of (1) THE BRITISH BROADCASTING CORPORATION

Policy on the syndication of BBC on-demand content

The BBC s Draft Distribution Policy. Consultation Document

Channel Four Television Corporation. Code of Practice for Commissioning Programmes from Independent Producers

Context The broadcast landscape

Guidelines for University Collaborative Partner Institutions: Use of the University logo

UKTV response to Ofcom consultation: Notice of proposed change to L-DTPS licence obligations of ESTV Limited (the local TV Licensee for London)

MCPS IPC Music Programme Terms and Conditions

EXHIBIT H Emmy Usage Policy

A GUIDE TO COMMISSIONED PROGRAMMES

Ofcom's proposed guidance on regional production and regional programming

Broadcasting Ordinance (Chapter 562)

EDITORIAL SPECIFICATION FOR NON-SCRIPTED PRODUCTIONS

The new BBC Scotland Channel: Proposed variation to Ofcom s Operating Licence for the BBC s public services. BBC Response

Accreditation Guidelines. How to acknowledge support from Creative Scotland and the National Lottery.

Review of the cross-promotion rules Statement

DIGITAL TELEVISION: MAINTENANCE OF ANALOGUE TRANSMISSION IN REMOTE AREAS PAPER E

Motion Picture, Video and Television Program Production, Post-Production and Distribution Activities

Monty s Rewards Gift Card Terms and Conditions. activate means that initial loading of value onto a Monty s Rewards Gift Card.

THE PAY TELEVISION CODE

VIVO INDIAN PREMIER LEAGUE 2019 REGULATIONS FOR NEWS AND CURRENT AFFAIRS BROADCASTERS FOR AUDIO VISUAL BROADCASTING

BERMUDA STATUTORY INSTRUMENT BR 25/1987 TELEVISION BROADCASTING SERVICE REGULATIONS 1987

Service availability will be dependent on geographic coverage of DAB and digital television services 2

BCCI ACCREDITATION TERMS & CONDITIONS FOR MEDIA

Independent TV: Content Regulation and the Communications Bill 2002

WORKSHOP GUIDELINES Casting Director Workshops USE OF THESE GUIDELINES IS FOR GUIDANCE ONLY. IT DOES NOT CONSTITUTE CGA ENDORSEMENT OF ANY WORKSHOP

ICA Publications and Publication Policy

Licence for the transmission of digital terrestrial television multiplex service

Broadcasting and on-demand audiovisual services Regulations (No. 153 of 28 February 1997)

FREE TIME ELECTION BROADCASTS

Australian Broadcasting Corporation. Department of Broadband, Communications and the Digital Economy

RIDER CATCH-UP RIGHTS 1

TERMS AND CONDITIONS OF THE OFFER FORM. Meredith Corporation (COMPANY) WSMV Nashville, TN (MARKET)

In accordance with the Trust s Syndication Policy for BBC on-demand content. 2

THE USE OF ARTWORKS IN BOOK PUBLISHING. Shane Simpson LLB (Hons) M Jur. partner SIMPSONS SOLICITORS

Contract Details, and Delivery Requirements

TERMS AND CONDITIONS OF THE OFFER FORM. Lin Television Corporation (LICENSEE) for the Station(s) WANE-TV (STATION(S)) broadcasting in

VIDEO-ON-DEMAND DOWNLOAD AND STREAMING

South Plainfield Governmental & Educational Television Station. Standard Operating Procedures

Metuchen Public Educational and Governmental (PEG) Television Station. Policies & Procedures

Applying to carry BBC content and services: a partners guide to process

Guidelines for using Which? Best Buy logos July 2014

House of Lords Select Committee on Communications

Survey on the Regulation of Indirect Advertising and Sponsorship in Domestic Free Television Programme Services in Hong Kong.

EDITORIAL SPECIFICATION for SCRIPTED PRODUCTIONS

The BBC s services: audiences in Northern Ireland

Strategic Partnership Deed of Agreement between the BBC and S4C

BBC Radio 5 live Sports Extra

I R I S H M U S I C R I G H T S O R G A N I S A T I O N

City of Rialto California

THE RADIO CODE. The Radio Code. Broadcasting Standards in New Zealand Codebook

POLICY ON FAIR REGULATION OF BROADCASTERS

143 rd Annual Westminster Kennel Club All Breed Dog Show Monday-Tuesday, Feb , 2019 / Piers 92/94 and at Madison Square Garden

Re: Broadcasting Public Notice CRTC Item 1 Application No , The Sports Network Inc.

CHARLOTTE MECKLENBURG PUBLIC ACCESS CORPORATION

Analogue Commercial Radio Licence: Format Change Request Form

Working with BBC Radio 4 Extra 2017/18

Australian Broadcasting Corporation Submission to the Senate Standing Committee on Environment, Communications and the Arts

Contract for Services (self-employed)

Download of classical music in the form of incidental music or signature tunes is permitted 4

PARLIAMENTARY RECORDING UNIT Westminster House, 7 Millbank, London SW1P 3JA T: E: W:

Jersey Competition Regulatory Authority ( JCRA ) Decision M799/11 PUBLIC VERSION. Proposed Joint Venture. between. Scripps Networks Interactive Inc.

The scale of fees you charge will be determined to some extent by the category.

AUSTRALIAN SUBSCRIPTION TELEVISION AND RADIO ASSOCIATION

TERMS AND CONDITIONS OF THE OFFER FROM. TRIBUNE TELEVISION COMPANY (COMPANY) WXIN/WTTV (STATION) Indianapolis, IN (DESIGNATED MARKET AREA)

CLEAR CHANNEL BROADCASTING, INC. (COMPANY) WHP/WLYH (STATION) HARRISBURG, PA (MARKET)

Sacred Mysteries Distribution PO Box Boulder, CO or

BUFORD COMMUNITY CENTER, TOWN PARK & THEATRE THEATRE AND STAGE RENTAL AGREEMENT

Programming Policy. Policy Reviewed 2013 Scheduled review date 2016

MEDIA CREDENTIAL APPLICATION

Operating licence for the BBC s UK Public Services

ACCESS CHANNEL POLICY NORTH SUBURBAN COMMUNICATIONS COMMISSION JANUARY 14, 2019

Charter Communications of NW CT Community Access Rules

DTG Response to Ofcom Consultation: Licensing Local Television How Ofcom would exercise its new powers and duties being proposed by Government

BBC tariff range of indicative prices for the supply of commissioned television programmes

MEDIA KIT. Your Sponsorship Supports Education. To Our Friends,

Must-Carry and Retransmission Consent 2017

The social and cultural purposes of television today.

THE MINACK THEATRE. Notes for Playing Companies. Please note 2016 amendment to Section 5 - Public Liability & Employer Liability Insurance

OPERATING GUIDELINES Cape Elizabeth Television Adopted April 10, 1989 (revised effective June 8, 2009.) Introduction

Ratification of Terms of Settlement reached in the CBC Television and Radio Agreements.

AUTHORIZATION (and ASSIGNMENT)

Meet The Composer Commissioning Music: A Basic Guide

CALL FOR APPLICATIONS EUROVISION SONG CONTEST A DAL 2019 (THE SONG 2019)

ARTICLE 23. OTHER USES OF TELEVISION PROGRAMS

Publishing India Group

Staff Report: CenturyLink Cable Franchise

GUIDELINES FOR APPLICANTS 2016 SUBMISSION DEADLINE

BBC Three. Part l: Key characteristics of the service

POLICIES AND PROCEDURES For Channel 17 Community Cable Television Programming Town of Sandown May, 2004 Revised July 10, 2017

Transcription:

S4C Guidelines on Credits 1 May 2015

Index 1 Introduction 2 Programmes or films commissioned or financed entirely or mainly by S4C o Closing credits o Production and copyright credits o Opening credits o Further notes and guidelines 3 Programmes or films jointly produced or financed 4 Bought-in programmes 5 Programme clips within other programmes for S4C 6 Merchant based on S4C programmes 7 Sponsorship o Sponsoring programmes for broadcast on S4C o Sponsored Events o Product placement/reciprocal contracts

1. Introduction 1.1 S4C recognises that it is fair and appropriate to acknowledge, through appropriate credits, the main creative contributions made by individuals to programmes which are broadcast on S4C. Additionally, some contributors, such as authors and producers, have a legal right to such acknowledgement. Credits are intended, however, to be for the benefit of, and to provide information to, viewers. Research suggests that viewers become bored with, or ignore, a very lengthy series of credits. As a result, S4C can lose viewers to other broadcasters or to other types of entertainment. Also, lengthy credits can use valuable broadcasting time which could be used more beneficially to promote S4C's programmes or other services, or to earn advertising revenue for S4C which can in turn be used to finance further programmes. 1.2 Therefore S4C requires that credits should be used only when they can be fully justified, and that the total sequences of credits should be brief. In general, it is for the individual to decide which contributors should be acknowledged, and the size, format, and presentation of such credits as long as, of course, the general principles in these Guidelines are respected. In this context, it should be noted that these Guidelines are not intended to be comprehensive, and in any case of doubt or uncertainty suppliers should consult with the relevant Content Editor. 1.3 Within the industry there is more than one name in the Welsh language for closing credits for cast and crew at the end of a programme Closing credits, Production credits, End of programme credits, etc. The Welsh language term used in the Welsh version of this document is cydnabyddiaethau i gloi (closing credits). 2. Programmes or films commissioned or financed entirely or mainly by S4C 2.1 Every programme, with the exception of programmes commissioned for transmission during the Cyw and Stwnsh slots, should include closing credits. Any variation of the guidelines should be approved by the Director of Commissioning or her deputy. 2.2 All the closing credits should run over the screen at an appropriate speed; the timing of the credits will start from the second that the first relevant credit appears on the screen 2.3 Unless otherwise agreed with the Director of Commissioning or her deputy the minimum allowed for closing credits in all programme categories (apart from those referred to specifically in paragraph 2.4 below) is 15. The table Actual Programme Length on S4C s production website shows the longest period in the total allowed for closing credits (unless it differs in the commissioning agreement). Programmes which are commissioned to be broadcast during a branded programme slot (such as Cyw or Stwnsh) may choose not to offer full credits for the programmes but rather to display the credit for the production and the copyright notice only. 2.4 The following are exceptions to the above: Category Length of slot Maximum length of credits Drama 1 hour 60 seconds Television drama 1 hour 60 seconds Soap operas 30 minutes 30 seconds Feature films According to the agreement 90 seconds

2.5 Unless otherwise noted in these Guidelines, or unless S4C provides otherwise in the commissioning agreement with the programme suppliers, it will be the responsibility of the producer to decide who receives a credit within the maximum period permitted for the closing credits, to ensure that the credits are appropriate, and to ensure that all of the credits are consistent with the requirements of these Guidelines. 2.6 We urge that closing credits are kept to less than the maximum time permitted whenever that is reasonably possible. 2.7 When S4C has commissioned a film with the intention or the possibility of arranging distribution through theatres or DVD, or making other use of the film (in addition to broadcasting it on the S4C television service) and where the closing credits for such a film will be longer for theatre, DVD, or other use, S4C may insist on having a television version of the film with credits which conform to these Guidelines, and with closing credits no longer than 90 seconds. 2.8 Closing credits may not be incorporated in the end of the programme or run over the content, unless (and to the extent that) the Director of Programmes and Head of Content have agreed specifically to that. 2.9 After the closing credits in each programme, closing Production and Copyright Credits should be included that complies with the following Guidelines: http://www.s4c.cymru/media/media_assets/english_s4c_brandguidelines_end_credits_only_2 015V2.pdf 2.10 No credit, whether static or animated or in any other form specifically approved by the Content Editor, many remain on the screen for more than 10% of the total length of the closing credits. Opening credits 2.11 Opening credits are permitted in specific cases only as follows:- Type of programme Factual programmes and outside broadcasts Entertainment programmes Drama programmes and S4C films Opening credits permitted Programme title (or series and episode title) only Programme title (or series and episode title), and the author, and any cast members as agreed by S4C Programme/film title (or series and episode title), and the author, and any cast members as agreed by S4C, and the producer and director 2.12 S4C reserves the right to move opening or closing credits, or to produce its own credits, if these Guidelines are breached, or if there is a need to do so for operational reasons. 2.13 Opening credits are not permitted unless specifically approved by the Content Editor. 2.14 Films which are commissioned by S4C as the only funder should always show an introductory opening credit, as the first credit on the screen and on a single card which does not include any other credits or names, in the format, 'S4C presents'. The format, presentation, size, and prominence of credits such as 'Presentation' and 'In cooperation with' shall be in the format agreed by S4C in the commissioning agreement.

2.15 S4C reserves the right to include an introductory credit and/or the S4C logo at the start of every programme/film. Further notes and guidelines 2.16 These Credits Guidelines (including but not limited to the maximum permitted length for closing credits in every category of programme or film) will be incorporated, by being referenced, in every commissioning agreement for programmes or films which are funded entirely or mainly by S4C. The commissioning agreement will make it mandatory to conform with the provisions of these Credits Guidelines, excluding where, and to the extent that, the commissioning agreement provides otherwise or permits variations to them. 2.17 Failure to comply with the provisions of these Guidelines and/or the provisions of the commissioning agreement may lead to delay in accepting the programme concerned, leading to costs for the producer, who will have to pay or repay the cost of redoing or editing any unacceptable set of credits. S4C itself will omit and/or change such credits if the broadcast date is close at hand. 2.18 S4C will not be responsible to its programme suppliers (or to any third party to whom the producer has contractually committed to give a credit) if the credit is omitted from the programme before broadcast by S4C because of a failure to conform to the provisions of these Guidelines (or the commissioning agreement if different). 2.19 S4C will try to broadcast every credit which conforms to the provisions of these Guidelines and with the provisions of the commissioning agreement, but it reserves the right to cut or change credits if the Guidelines are breached, or because of operational needs of the broadcasting service. 2.20 S4C may at its discretion edit or adapt programmes (and the credits) in order to: (i) enable the inclusion of advertisements, public service announcements, programme promotion material, and other similar material associated with the programmes; (ii) meet the requirements of the S4C broadcasting schedule; (iii) meet the reasonable requirements of S4C's policies and broadcasting standards; (iv) conform to the relevant regulatory and/or statutory provisions which may be in force from time to time. 2.21 No one may have more than one credit on the screen, and programme producers should use combined credits ('written and directed by ') where an individual has more than one function or contribution. If such a combined credit is difficult to achieve, (for example, because another party shares one of the functions in the credit), then the matter shall be referred to the Content Editor. 2.22 In general (and unless otherwise requested by the Content Editor), S4C commissioning staff must not be credited in programmes, and it is not permitted to 'thank' any other staff on screen. 2.23 Before agreeing to give 'thank you' credits or agreeing to use them in place of an appropriate payment for services (such as to car hire companies, owners of stately homes or other locations), the producer of the programme should contact S4C to obtain approval and guidance. 2.24 The Outside Broadcast Unit, studio, postproduction facilities, individual camera unit producers, and VTR facilities should not be credited unless agreed otherwise by the Content Editor.

3. Programmes or films jointly financed or produced (including programmes or films which have been bought in advance where S4C is the sole or main financer) 3.1 The credits to be incorporated in any film or programme which is jointly produced or jointly financed by S4C will be for discussion and agreement between the co-producers or the cofinancers in every individual case, and this should be noted in detail in the relevant coproduction agreement. 3.2 If S4C and the co-financers or co-producers cannot agree on a standard list of credits (including the number, length, size, and prominence of such credits) to be incorporated in every version of the programme or film, S4C may insist that the Producer provides a different version for S4C. The Producer should anticipate such issues when setting his budget. 4. Bought-in programmes 4.1 The credits to be broadcast on S4C in relation to any bought-in programme shall be a matter for individual negotiation between S4C and the seller of the programme. 4.2 Specific details will be identified in the brief, but in general: No opening credits will be permitted in the Welsh language version, with the sole exception of the programme title (or series and episode title). Any closing credits for the Welsh language version should be noted after the credits for the original version The wording of the production credits and copyright should follow that identified in the brief. 5. Programme clips within other programmes for S4C 5.1 The producer should identify credits for any programme clips which appear within programmes for S4C. 6. Merchandise based on S4C programmes 6.1 S4C will have the right to be credited in any merchandise based on S4C programmes. 6.2 S4C will have the right to approve any merchandise such as the cover of a DVD, the logo etc and adequate time will be allowed for obtaining such approval. 6.3 S4C should be contacted in order to sign a licence if a choice is made to use the S4C logo. 7. Sponsorship Sponsoring programmes for broadcast on S4C 7.1 Applications for sponsoring programmes to be broadcast on S4C must be approved by S4C in each individual case. Any proposed arrangements to sponsor a programme or film, and any proposals for credits or names on screen or any other benefits for sponsors of programmes, must be referred to S4C for guidance and obtain approval. Sponsored Events 7.2 A television broadcast from a sponsored event is covered by the requirements of the Ofcom Broadcasting Code and in force from time to time. S4C will give advice about screen titles, banners, and similar means of giving onscreen prominence to the sponsor of an event, and

about the commentary and other means of marketing and merchandising which may benefit the sponsor of an event and the extent to which these may be included in the programme. S4C insists that producers conform to all its requirements for credits, and other requirements, in this context. In addition, it is a requirement that suppliers contact the Content Editor at S4C early, before starting the production. Product Placement / Reciprocal Contracts 7.3 Producers will already be aware that 'product placement' is forbidden by the Ofcom Broadcasting Code. "Product placement" is defined as including goods or services, or referring to them, within a programme in exchange for payment or other consideration to those making the programme or to S4C (or any representative of the one or the other). 7.4 However, when goods or services are an essential element in the programme, the producer of the programme may, as an exception, receive those goods or services at no cost, or for less than full cost. That is not product placement, and it is acceptable as long as inappropriate prominence is not given to the goods or services concerned. No promotional reference must be made within the programme itself to the sponsor or to any of the sponsor's goods or services. 7.5 The difference between product placement, which is forbidden, and provision of goods or services as an essential element of a programme (rights, services, facilities, soundtrack, etc), and sponsorship of a programme in its widest meaning may not always be clear to the producer. In any such case (for example, where a record company or a music publisher permits the recording or the rights to be used for less than a full commercial fee, but in expectation of receiving a credit and/or promotional coverage within and around the broadcast of the programme), written consent from S4C will be required in advance for the commercial arrangement and any proposed arrangements for credits. For further information, please contact: Broadcast and Distribution Directorate Head of Presentation Services Channel Supervisor (On Screen): Anwen Thomas Anwen.Thomas@s4c.cymru 02920 741453 Head of Content Management: Jen Pappas jen.pappas@s4c.cymru 02920 741431 Business Affairs Directorate Unit Manager: Angharad Thomas angharad.thomas@s4c.cymru 02920 741396