Santa Clara University Scholar Commons Music College o Arts & Sciences 2004 Ventania Bruno Ruviaro Santa Clara University, bruviaro@scu.edu Follow this and additional works at: htt://scholarcommons.scu.edu/music Part o the Coosition Commons Recommended Citation Ruviaro, Bruno, "Ventania" (2004). Music. Paer 2. htt://scholarcommons.scu.edu/music/2 Flute, clarinet, violin, cello, iano and ercussion. [ca. 1 00] Premiered by Ruckus Ensemble: Frank Cox (cello), Lisa Cella (lute), E. Michael Richards (clarinet), Tom Goldstein (ercussion), Thomas Moore (iano), Brian Stone (conductor), Airi Yoshioka (violin). Stanord University, Aril 22, 2005. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike.0 Unorted License. This Score is brought to you or ree and oen access by the College o Arts & Sciences at Scholar Commons. It has been acceted or inclusion in Music by an authorized administrator o Scholar Commons. For more inormation, lease contact rscroggin@scu.edu.
Bruno Ruviaro Ventania (2004) or lute, clarinet in Bb, violin, violoncello, iano and ercussion
NOTATION Resectively: /4-tone lat, 1/2-tone lat, 1/4-tone lat, natural, 1/4-shar, 1/2-tone shar, /4-tone shar. Accidentals are valid only or the note beore which they aear. Excetion: in assages with immediate reetitions o one same note, the irst accidental alies to all consecutive reetitions o that note. [Measures 57-60 are an extended case o this excetion, alying the accident to a reeated igure]. Fermatas: long, regular, short, resectively. Dynamics: n = niente Play one o the highest notes ossible (layer s choice). Trills (tr) and tremolos (trm) are always made to the note indicated in arentheses. Traditional tremolo notation is ocasionally used in siler assages. Marimba and vibrahone: dead stroke. Percussion mallets: - sot - medium - hard (lus one bow or the vibrahone) Flute and clarinet: Flutter tongue (latterzunge) Glissandi u or down. When it occurs at the end o a hrase (irst exale above), it should be a very short glissando, starting only at the last moments o the indicated note (in other words, it should NOT start right ater the attack). Piano rearation (middle C = C4): Strings: izzicato behind the bridge ( x ) and izzicato Bartók * Highest three notes must be taed inside. Use a Duck tae to daen the strings on notes Bb7, B7 and C8. A very short ercussive sound is obtained. A7 and below should remain untouched. * A screw should be inserted between two o the Bb4 strings at aroximately hal the length. A tone close to a G natural, a tenth below Bb4 is exected. I this is hard to achieve in a seciic iano, the layer should look or a similar resonant low sounding eect.
Ventania Flute Clarinet in Bb Violin Fast q = 10 Enigmatic q = 75-80 Bruno Ruviaro December 2004 Violoncello Vibrahone Marimba :2 meno sot yarn motor on: slow vibrato izz. ( ) 2: Fast q = 10 Enigmatic q = 75-80 Piano deress silently (sostenuto)
2 6 2: m :2h m sto note with violoncello; kee edal down meno
14 m sto with violoncello :2h meno 2: m 2:
4 2 Very rhythmic q = 75 m sec izz. m 6 m Very rhythmic q = 75 6 7:8y m medium yarn m 6 7:8y m 7:8y 7:8y
28 5 s sub. 7:8y arco (ord.) s.. izz. (ord.) arco sub. 5 m 7:8y s
6 0 s.. izz. ord. dolce 5 m arco ricochet..... Fluid, luent molto vibrato con sordina (medium yarn) legato (ord.) Fluid, luent... oco a oco meno vibrato... arco sul tasto, oco vibrato m slow vibrato always gliss. (clean u or every new chord)
2... meno vibrato... a little more breathy breath only n 7 m m s.t. s.. ord. s.t. n... oco a oco iù vibrato... m esressivo :2q
8 7 Rhythmic again decresc. :2q m sul C l.v. s senza sordina izz. ricochet...... hard mallets 5 dolce Rhythmic again arco s.. s s
9 4 m loco 7:8y reeze gesture or a moment! izz. arco s.. ord. trem. rit. izz. m arco reeze gesture or a moment! m m 5 7:8y medium yarn reeze gesture or a moment and quickly change mallets
10 47 Oen, resonant static m 7:8y oco a oco sul onticello quasi Oen, resonant s m (static tremolo, no nuances) 7:8y static s oco cresc.
11 51 sul ont. oco molto cresc. ord. (no cresc.) molto cresc. molto cresc. 7:8y 9:8y
12 54 Frenetic 10:8y 5:4y 10:8y 10:8y scratch tone :2q Frenetic
A bit slower (q = 65-70) 1 55 (F is shar throughout the hrase; same logic or ollowing hrases) 10:8y 11:8y 5:4y :2x n n (E is lat throughout the hrase; same logic or ollowing hrases) izz. ( ) "x" = luck arco behind the bridge (ord.) 5:4x izz. 5:4x arco (C is shar throughout the hrase; same logic or ollowing hrases) 9:8y n A bit slower (q = 65-70)
14 57 5:4y n m n m Slowing down 5:4y 5:4y :2x rall. trill seed alternate D and D# as trill's uer note 6:4y ( ) sustain oen D, 6:4y trill on low G n m 6:4y rall. trem. seed insert G in the middle o trill only once or twice Slowing down (sostenuto)
60 Fast q = 10 Moderate q = 75 (don't rush) 5:4y 5 m 15 medium yarn motor o (medium yarn) 5:4y daen with mallet m 5 Fast q = 10 (sost. edal) Moderate q = 75 (don't rush) 5 in loco 5
16 66 7:8y 5:4x 7:8y m 7:8y 9:8y s :2e 5:4y :2e :2e 9:8y m 9:8y 9:8y subito, tremolo oco rit. 5:4x 5:4y 7:8y
Flowing 17 71 molto vibrato oco vibrato :2 iù vibrato m con sord. izz. arco m ( ) ( ) izz. m arco ord. gliss. s.. ord. m Flowing (medium yarn) (no vibrato, motor o) iassively, "loating" over the others (no edal)
18 76 oco vibrato molto m m senza vibrato molto vibrato gliss. :2e col legno battuto izz. m arco col legno tratto (use some hair) izz. :2e arco (martelé) (m) :2q gliss.
81 senza vibrato m quasi solo m molto vibrato oco vibrato m molto All layers "reeze" or a moment with vibrahone's last chord, then attacca next section 19 s gliss. m izz. 5 gliss. m m senza sord. arco :2q
20 85 Dry sub. s.. ricochet then trem. m.... ord. sub. kee edal down (i ossible) until resonances disaear Dry senza hard mallets :2x let hand m daen resonance with inger on strings shortly ater the attack.
89 Continuous, colorul, delicate q = 60 oco All glissandi as slow as ossible. 5:4y vibrato Overall texture as continuous as ossible. 9:8y 5:4y (sub tone) gliss. gliss. 5:4y 5:4y () 9:8y 21 con sord. 6:4x oco vibrato con sord. arco sot yarn gliss. sub. slow vibrato (Pedal down throughout this section) Continuous, colorul, delicate q = 60 loc. (ord.) s.. ord. 5:4y highest notes taed inside; middle Bb with a screw (see instructions) loc. 5:4y daen with inger on string (not so strong) 5:4y 5:4y 5:4y 5:4y () 5:4y () 9:8y (loc.) (loc.)
22 94 ( ) gliss. gliss. 7:8y gliss. more vibrato less vibrato gliss. oco cresc. 5:4y oco a oco iù vibrato (aster and wider, but irregular) m with molto vibrato 5:4y 5:4y norm. breath arco 5:4y (ord.) s l.v. m m s.. ord. vibrato m senza vibrato narrower vibrato (and not so ast) l.v.
2 99 Sudden q = 70 s :2x :2x s izz. col legno battuto s s :2x l.v. hard mallets cresc. molto Sudden q = 70 10:8y m sub. 10:8y molto s daen string with inger (l.v.)
24 101 10:8y senza decresc. () molto
25 10 10:8y 10:8y 10:8y 10:8y sub. s
26 105 Frenetic q = 70-75 10:8y 5:4y 10:8y 10:8y senza sord. scratch tone :2q n Frenetic q = 70-75
106 (attacca) (attacca) Restless, with some urgency n cresc. oco a oco () n () n insert B in the middle o trill 1 or 2 times 27 izz. ( ) 5:4x arco (ord.) izz. 5:4x arco (attacca) cresc. oco a oco Restless, with some urgency
28 110 (attacca!) 10:8y s molto sub. alternate trill's uer note sub. Slowing down a bit m m 11:8y 5:4y :2x (attacca!) 9:8y m n (attacca!) n n Slowing down a bit
116 Quasi arlando I q = 75 izz. m m sere sere arco 5 molto (d) () (as sot as ossible) (as as ossible) (d) 29 izz. arco izz. Quasi arlando I q = 75 (senza edal) m in loco
0 118 () (m) m sub. izz. sub. (sere ) (oco dim.) m (kee A-Eb ressed while changing edals) (sost.)
121 Fast q = 10 arco sord. Quasi arlando II q = 75 izz. 5 m sere molto (a) m sere izz. sere (as sot as ossible) 1 Fast q = 10 Quasi arlando II q = 75 (sost.) senza ed.
2 124 () (g) m sub. izz. (oco dim.) sub. m arco con sordina arco izz. m (Bb still has the screw) m in loco
127 Calm, sacious q = 46 A little slower (arco, sord.) m cedendo :2 gliss. Calm, sacious q = 46 Silently remove the screw rom Bb strings A little slower
4 1 delicate, very legato, esressivo arco con sordina s.t. gliss. joining the solo very discreetly oen D, trill on G on G and D m
Unexectedly, q = 75 140 Wandering q = 50 Somewhat obstinate q = 60 7:8y clarinetist leaves the stage (without the clarinet) ater the cello layer violinist leaves the stage (without the violin) 5 cellist leaves the stage hard mallets 7:8y :2e s (without the cello), ater the violinist ercussionist stays as i there is still more to lay ossia (small hand) Unexectedly, q = 75 9:8y 9:8y :2e :2e Wandering q = 50 meno oco dim. Somewhat obstinate q = 60 m m (m)
6 146 Un oco esante ercussionist "gives u" waiting and leaves the stage at this moment. Conductor may leave right ater the ercussion layer. crescendo oco a oco 5 loco (loco) (clean u hal edal or arox. each new chord; more mixture is better than too dry) Un oco esante
150 Slower, lexible loco Slower, lexible (C#) molto vibrato Nostalgic q = 46 Nostalgic q = 46 ianist leaves the stage ater notes die out 7 158 meno vibrato m molto vibrato senza vibrato Digression: agile (q 60) accel. 166 [] () [] gliss.: gradually "detune" tremolo hal-shar u gliss. [] ()
8 oco rit. A teo 169 5 (jet) random, loud key clicks (no decresc.) 6:4y (breath only) short burst o air on this trill, connecting with breath-only continuation molto accel. 171 [] [t] [] [t] [] [t] 7:4e rit. izz. key clicks Nostalgic, disaearing (q 46) (whistle tones) distant (lautist may choose other itches or the whistle tones, as long as a similar descending shae is maintained; seciic intervals may be slightly altered) 2 4 2 4 C# vibrato - - senza vib. END OF PIECE: Flute layer may walk o the stage while laying last ew measures. Or he/she can inish laying, ut the lute aside and leave the stage as the others did. I ossible, the lights should ade out as the lutist goes away. Bruno Ruviaro Setember-December 2004. Last revision: January 24th 2005