200 Selected Bibliography PRIMARY SOURCES Albee, Edward. The Zoo Story. The Collected Plays of Edward Albee. Overlook Duckworth Press. NY. 1958. Brecht, Bertolt. The Caucasian Chalk Circle. Trans. Eric Bentley. 1965. Parables for the Theatre. Penguin books. London. 1966. Brecht, Bertolt. The Good Woman of Setzuan. Trans. Eric Bentley. 1965. Parables for the Theatre. Penguin books. London. 1966. Pirandello, Luigi. Each In His Own Way. Each In His Own Way and Two Other Plays. Trans. Arthur Livingston. n.p. 1925. Pirandello, Luigi. Six Characters in Search of an Author. Trans. Edward Storer. Dover Publications, Inc. Mineola, NY. 1998. SECONDARY SOURCES Abel, Lionel. Tragedy and Metatheatre. Ed. Martin Puchner. Holmes & Meier. NY. 2003. Theatre of the Absurd. The American Heritage Dictionary of the English Language. 4th ed.2000. Houghton Mifflin Company. Web. Abrams, M.H. Modernism and Post-Modernism..A Glossary of Literary terms. 8th ed. 2005. Cengage learning India Pvt. Ltd. 175-177.
201 Ahmed, Kaniz Khawaja. The Pirandellian Grotesque: A Re-assessment. Uppal Publishing House. New Delhi. 2006. Baker, George Pierce. Dramatic Technique. H. O. Houghton & Co. USA. n.d. Barnet, Sylvan, et al. Types of Drama: Plays and Context. Longman, Inc. 1997. Bentley, Eric. The Playwright as Thinker: A Study of Drama in Modern Times. Harcort, Brace & World, Inc. NY 1967. Bentley, Eric. The Theory of Modern Stage: An Introduction to Modern Theatre and Drama. Kingsport Press. USA. 1968. Bishop, Thomas. Pirandello and the French Theatre. NY Univ. Press. 1960. Block, Haskell M. and Robert G. Shedd. Masters of Modern Drama. Random House, Inc. 1961. Bloom, Harold, ed. Luigi Pirandello. Chelsea House. NY. 1989. Bottoms, Stephens. The Cambridge Companion to Edward Albee. Cambridge Univ. Press. 2005. Boulton, Marjorie. The Anatomy of Drama. Routledge & Kegan Paul Ltd. London. 1960.
P ed. 202 Brecht, Bertolt. The Good Person of Szechwan. Trans. John Willet. Methuen & Co. Ltd. London. 1965. Brown, John Mason. Dramatis Personae A Retrospective Show. Hamish Hamilton Ltd. London. 1963. Brustein, Robert. The Theatre of Revolt. Methuen & Co. Ltd. London. 1965. Caesar, Ann Hallamore. Characters and Author in Luigi Pirandello. Oxford Univ. Press. 1998. Camus, Albert. The Myth of Sisyphus. Trans. Justin O Brien. 1955. Penguin Books. England. 2000. Cerf, Bennett A and Van H. Cartmenn. Sixteen European Famous Plays. Random House, Inc. NY. 1943. Cole, Toby, ed. Playwrights on Playwriting: The Meaning and Making of Modern Drama from Ibsin to Eliot. Hill & Hang. NY. n.d. Cooper, Charles W. Preface to Drama: An Introduction to Dramatic Literature and Theatre. The Ronald Co. Press. NY. 1955. Cuddon, J.A (ed.). Metatheatre.A Dictionary of Literary Terms and Literary Theory.4P th 1998. Maya Blackwell Publishers Pvt. Ltd. New Delhi. 509.
203 Demetz, Peter, ed. Brecht: A Collection of Critical Essays. Prentice Hall, Inc. NJ. 1962. Dickson, Keith A. Towards Utopia: A Study of Brecht. Clarendon Press. Oxford. 1978. Esslin, Martin. Brecht - The Man and His Works. Doubleday & company, Inc.NY. 1961. Esslin, Martin. Introduction 11-28. The Theatre of the Absurd. Anchor Book.USA.1961. Ewen, Frederic. Bertolt Brecht: His Life, His Art, And His Times. Calder & Boyers. Ltd. London. 1970. Fergusson, Francis. The Idea of Theatre. Princeton Univ. Press. 1977. Fuegi, John. The Essential Brecht. Hennessey & Ingalls. Los Angeles. 1972. Gassner, John. Masters of Drama. Dover Publications. NY. 1954. Gould, Jean. Modern American Playwrights. Popular Prakashan. Bombay. 1966. Jacobus, Lee. The Bedford Introduction to Drama. St. Martin s Press, Inc. New York.1989. Kayser, Wolfgang. The Grotesque in Art and Literature (trans.) Ulrich Weisstein. Indiana Univ. Press. Bloomington.1963.
204 Lumley, Frederick. Trends in Twentieth Century Drama. Oxford Univ. Press. NY. 1960. Mariani, Umberto. Living Masks: The Achievement of Pirandello. Univ. of Toronto Press. London. 2008. Matthaei, Renate. Luigi Pirandello. Frederick Ungar Publishing Co. NY. 1973. Mitra, Mita. The Role of Silence in Edward Albee s Plays. Diss. The City Univ. of NY. 1997. Ann Arbor: UMI. 2007. Mumford, Meg. Bertolt Brecht. Routledge, Taylor & Francis. London & NY. 2009. Nicol, Bernard de Bear, ed. Varieties of Dramatic Experience. Univ. of London Press. 1969. Nicoll, Allardyce. English Drama: A Modern Viewpoint. George G. Harrap& Co. Ltd. Gt. Brit. 1968. Ould, Hermon. The Art of the Play.Sir Isaac Pitman & Sons Ltd. London. 1948. Pickering, Kenneth. Key Concepts in Drama and Performance. Palgrave Mac Millan. NY. 2005.
205 Politzer, Heinz. How Epic is Bertolt Brecht s Epic Theatre?. Modern Drama: Essays in Criticism. Ed. Travis Bogard and William I. Oliver. Univ. of California. 1965. Richards, Jeffrey H. Drama, Theatre, and Identity in the American New Republic. Cambridge Univ. Press. 2005. Spalter, Max. Brecht s Tradition. Johns Hopkins Press. Baltimore, Maryland. 1967. Starkie, Walter. Luigi Pirandello. Univ. of California Press. Berkeley& LA. 1967. Steiner, George. The Death of Tragedy. Faber& Faber. London. 1961. Strong, L.A.G. Common Sense About Drama. Thomas Nelson & Sons. Ltd.n.d. Styan, J. L. The Dark Comedy: The Development Of Modern Comic Tragedy. Cambridge Univ. Press. London. 1968. Styan, J.L. Modern Drama in Theory and Practice I: Realism and Naturalism. Cambridge Univ. Press. 1981. Styan, J.L. Modern Drama in Theory and Practice II: Symbolism, Surrealism, and the Absurd. Cambridge Univ. Press. 1981. Styan, J.L. Modern Drama in Theory and Practice III: Expressionism and Epic Theatre. Cambridge Univ. Press. 1981.
206 Styan, J.L. The Elements of Drama.Cambridge. Univ. Press. 1967. Szondi, Peter. Theory of Modern Drama. Univ. of Minneapolis. Minneapolis. 1987. Tennyson, G.B. An Introduction to Drama. Holt, Rinehart & Winston. NY. 1967. Vittorini, Domenico. The Drama of Luigi Pirandello. McCleeland & Stewart Ltd. Canada. 1957. Theatre of the Absurd. Webster s College Dictionary. 1991. Random house Inc. Web. Wellwarth, George. The Theatre of Protest and Paradox. NY Univ. Press. 1971. Willet, John. The Theatre of Bertolt Brecht: A Study from Eight Aspects. Methuen & Co. Ltd. London. 1959. Williams, Raymond. Drama From Ibsen to Eliot. Chatto &Windus Ltd. London. 1954. Zaidi, Zahida. Modes of Communication (Essays and studies in Modern Drama). Dabshar Publications. 2005.
207 PERIODICALS Ahmed, Kaniz Khawaja. The Glass Menagerie and Its Dream Technique. The Aligarh Journal of English Studies.Vol.XXV.No.1 & 2.2003.29-46. The Absurd and Beckett - A Brief Encounter.n.d. Web. 6 Dec 2013. Boje. David M. Metatheatre. n.d. Web. 15 March 2013. Brown, Russel E. Bertolt Brecht s Exception and the Rule: It Doesn t Say What It Says It Says. Modern Drama. Vol. XXXI. No.3. Sept. 1988.317-329. Culik, Jan. Theatre of the Absurd-The West and The East. 2000. Web. 10 Dec 2013. Gallant, Desmond. Brechtian Sexual Politics in the Plays of Howard Barker. Modern Drama. Vol. XL.No.3. Fall 1997. 403-413. Grande, Maurizio. Pirandello and the Theatre Within the Theatre: Threshold and Frames in Ciascumo a SuoModo. n.d. Web. 28 Dec 2012. Hopkin, Anthony. Conventional Albee: Box and Chairman Mao. Modern Drama. Vol. XVI. No.2. Sept. 1973.141-147. Isherwood, Charles. Theatre Review.n. d. Web. 6 Jan 2009. Lepore, Traci. On Metatheatre.2009.Web. 3 March 2013.
208 Parker, Gerald D. The Modern Theatre as Autonomous Vehicle. Modern Drama. Vol. XVI. Sept 1973.373-387. Tarannum, Shaheena. Brecht on Verfremdungseffekt. The Aligarh Journal of English Studies. Vol. XXIII. 2001. 100-111.