Dust and Roses. electricsatori.

Similar documents
Sam Gregory. By Callan Woodhouse. Copyright (c)

On Hold. Ste Brown.

MAN'S VOICE (V.O.) Today I will find it. Today I will get her back.

The Salon by Okonkwo Johnson Stephen

Admit One. Mike Shelton

PUNCTURE WOUNDS. Written by. Tim Wolfe

THE GOOD FATHER 16-DE06-W35. Logline: A father struggles to rebuild a relationship with his son after the death of his wife.

The Girl without Hands. ThE StOryTelleR. Based on the novel of the Brother Grimm

LORD HEAR ME ERIC CHANDLER

LUNCH WITH JOHN. Written by. Max Landis

FADE IN: A dimly lit, musty, basement. Water drips from old rusted pipes. Rats scurry across the room.

Confessions. by Robert Chipman

GUS. Written by. Daniel Walker. Second Draft February 22nd, 2018

Ronnie & Julie. Simon Colligan.

"A Place of Whispers" by Mark Newton. Current Revision: Dated February 15, :48:54 AM

Lit Up Sky. No, Jackson, I reply through gritted teeth. I m seriously starting to regret the little promise I made

Pennies on the Dollar. by Ryan Warren.

CHANGING TUNE. Written by. Baron Andrew White

(C) Copyright 2011 MAY THE BEST MAN WIN

I fell into consciousness with a sudden, frightening, crash. My CHAPTER 1 THE CASE OF THE INFINITE BLACKTOP. Oakland, 2011

Worth Saving. Jeff Smith

INT. PAINTBALL AND PARK OFFICE - AFTERNOON

Marriner thought for a minute. 'Very well, Mr Hewson, let's say this. If your story comes out in The Morning Times, there's five pounds waiting for

We ve Only Got Forever. By William Everett Putnam. William Everett Putnam NE 108th St. Redmond, WA

The Ten Minute Tutor Read-a-long Book Video Chapter 20 TREASURE ISLAND. Author - Robert Louis Stevenson

PUTTING ME DOWN. Written by. Sam Thomas

BEFORE I GO TO SLEEP. S J Watson LONDON TORONTO SYDNEY AUCKLAND JOHANNESBURG

Mike Schlemper Fade. Fade. 1. my hair

ALEX COOPER S CHRISTMAS CHEER. Written by Alex Cooper

IT GAZES BACK. Jon Barton. April 2010

TWISTED THIEF. Written by. David Black

RICKEV & AMOS. Written by. Robert Saldivar

A THANKSGIVING TO REMEMBER. Adam Rocke.

With This Ring. Calvin J Walker

THE ROOM OF DOORS. by Writer 161

2014 Hippo Talk Talk English. All rights reserved.

THE BENCH. Shawn Martin

Copyright Thinking Back by

Emerging Cocoon Order the complete book from

Library of Congress Cataloging-in-Publication Data available

Section I. Quotations

The Last Stalker. Paul Donnelly. (808) A Holomua Place Honolulu, HI 96816

FOR NOW. Paul Knauer.

The Arms. Mark Brooks.

Have You Seen Him? Jason Bullock

BLACK SHADOW by John Francisco Navas

The following interview appeared in Vibe Magazine. In it Tupac describes the shooting at the Quad Studios.

A Monst e r C a l l s

RSS - 1 FLUENCY ACTIVITIES

YOU'LL MISS ME WHEN I'M GONE. Written by. Richard Russell

A Change of Heart. Christiaan Barnard

A Bleak November Day. Marty Gillan

Happy/Sad. Alex Church

A PACT. Richard F. Russell Copyright 2014

POSTCARDS. by The Mailman

Welcome Home Brew. Tom Levesque

Re(t)con. written by. Moustache de Plume

Christina Farley. new york

Chapter One The night is so cold as we run down the dark alley. I will never, never, never again take a bus to a funeral. A funeral that s out of town

(c) Copyright QUESTIONS

ANKOU. written by. Anica Moore

Time We Have Left. Episode 6 "First Day Back" Written By. Jason R. Harris

I HAD TO STAY IN BED. PRINT PAGE 161. Chapter 11

MISERY LOVES COMPANY. James McClung.

I start walking toward the bus stop,

As Requested Author : Kitex989. As Requested

A trip to Zoo (short) by Anthony Hudson 'alffy' Third Draft Copyright All Rights Reserved

Sketch. pussycat, pussycat, where have you been? Thom Pigaga. Volume 35, Number Article 6. Iowa State College

The Plan Episode 2. by Tom Pascal

You flew out? Are you trying to make a fool of me?! said Miller surprised and rising his eyebrows. I swear to God, it wasn t my intention.

Before the Storm. Diane Chamberlain. excerpt * * * Laurel. They took my baby from me when he was only ten hours old.

THERE WERE THREE. Written By. Brandon Hawkins. Based on, if any

WAR STORIES BRANCHING NARRATIVE SPEC SCRIPT SAMPLE WRITTEN BY ASCOT SMITH BASED ON FABLES# 28 (2004)

Explorers 6 Teacher s notes for the Comprehension Test: Treasure Island

1 I Join the Robber Gang

DELUSION. Justin Swartz

THE BADEST. twitter.com/sttitus

CAESAREAN FICTION. Written in. Subliminal Messages Designed to Make You Do Terrible Things!

black movie Danez Smith

OPERATION FREEDOM. Written by. James Zeman

ARIA for voice(s) //Alexis Porfiriadis //2010/11

KARMA AND THE KING Brian Ingram

COPYRIGHT 2017 THE LAST WISH

Trying to Find My Way Home December 2010

THE WEIGHT OF SECRETS. Steve Meredith

56 Fiction Prose Red Lighting and Some Jazz Ryan Woods

No Clowning Around. Jeffrey Dean Langham

BURIED SECRETS. P.H Cook.

street below. They d warned everyone that the sea wall was likely to go. It was built years ago before the sea level rose, and it wasn t going to

Part Two Chapter 29 To Kill a Mockingbird

Letterland Lists by Unit. cat nap mad hat sat Dad lap had at map

Ari Castillo - poems -

WHO AM I? by Hal Ames

run away too many times for me to believe that anymore. She s your responsibility, Atticus says. His clawhands snap until the echo sounds like a

DOMESTIC TRANQUILITY. An excerpt from. a comedy by Rich Orloff. Characters

Little Jack receives his Call to Adventure

A Lion in the Bedroom

HAUNTED MASKED SERIAL KILLER. Written by. D. R. Whiteley

THE OLD HOUSE WRITTEN BY ROB GROTNICK

Transcription:

Dust and Roses By electricsatori electricsatori@gmail.com

FADE IN: EXT. NEVADA DESERT TOWN - DAY - EST. SUPER: 1847 Wind whips sand across the faded buildings. Not a single person strolls through the streets. INT. S SALOON - DAY A single patron, CURTIS, sits at the bar. He holds an amber glass to the light and admires the scars on his fingers. He exhales a long stream of cigarillo smoke. The saloon door flaps open, but no one enters. His hand slips down to the revolver on his hip. He relaxes and downs the whiskey. EXT. SALOON - E A HORSE lays dead on the ground. A flap of its skull hangs open from a bullet wound. A BOY (12) steps brazenly into the street. His voice drolls slowly, he is mentally disabled. BOY You yellow coward, quit yer hiding! INT. S SALOON - E The sound of the Boy s voice startles Jim. He looks away from the bar mirror. Lightening quick, his hand yanks the revolver from his hip. He thumbs the hammer in a single shot. EXT. SALOON - CONTINUOUS A red hole, like a third eye, opens in the Boy s forehead. He coughs once, falls backwards and dies. A WOMAN screams from behind a door.

2. INT. S SALOON Three shots ring out. Each one strikes randomly within the saloon. The stool next to Jim splinters as a bullet strikes it. He runs his fingers over the lump where the bullet has lodged. Hmph. Dull footsteps on the planks outside. Jim keeps his gun trained on the door. (O.S.) Jim, don t shoot. It s Harold, Harold Rich. You know I ain t got a gun. RICH, skinny like a preacher, steps in. Harold s shirt is covered in blood stains. Connor didn t make it. Jim pours himself another shot. Good. Jim replaces his spent shell and retrains the gun on Harold. Oh, come on. You know me, I m no fighter. I m a talker. He spies the whiskey bottle. You want a nip? Harold shrugs and accepts the bottle. He takes a long pull. Never a dry day for you, eh? Not since we lost Margaret. He hands the bottle back to Jim.

CONTINUED: 3. Jim, you got everybody scared crazy. The whole town s shut up and boarded down. No one meant her no harm, it was just an accident - An accident? Then where the fuck s her marker, huh? We were gonna tell you, I swear - THREE MEN rush through the door, guns drawn. They begin firing wildly at Jim. A bullet strikes Harold in the back. He flails forwards into Jim s arms. Jim fires three precision shots. Two of the Men fall against each other. The last Man spins wildly through the window. Jim quickly drops three fresh rounds into his gun. He sets Harold s dead body onto a stool. He feels his stomach. A small spot of blood begins to slowly spread on his shirt. INT. S SALOON - DAY Jim has his shirt open and is examining the wound on his gut. He reaches into the hole and PULLS a slug out. He groans and takes a long pull from his cigarillo. He pours some whiskey on the wound and cinches up his shirt. The bleeding has slowed. INT. S SALOON He CRAWLS across the floor towards the dead Men. He retrieves their revolvers and fresh shells from their belts. He scoots back over to the bar and fills a shot glass. Oh, sorry Harold. He fills another glass and wraps Harold s dead fingers around it.

CONTINUED: 4. To Rosy. He downs the shot. What? He pokes Harold s chest with his gun. I don t never wanna hear you say nothing like that about her again. He cocks the trigger. Harold s dead body remains still. Hmph. I guess dead men don t have much use for fear. INT. GENERAL STORE - NIGHT A group of Men are gathered in the store. All of them continually glance back through the window where the Saloon sits. In the center of them stands the. He fumbles with loading his gun. ROSE, a sturdy ranch owner, slams his fist down. What re you gonna do, Sheriff? Well, me, uh, we don t know who killed that whore? Nobody says anything. SHANNY, toothless, dumb, and drunk, stumbles forward. SHANNY You re our damn sheriff, sheriff. Why don t ya act like it? Shut up. He pushes him.

CONTINUED: 5. Anybody see what he s doing? No one moves to the window, except Shanny. SHANNY Damn fool s passed out at the bar. Now s our chance if we got one. In the corner sits CARLOS. He calmly loads his rifle. CARLOS He z jez one dirty gringo, bullets make holes in him the same as us. The Sheriff turns to him. You don t know. He s the best I d ever seen with a pistol. I only had one occasion seeing him use it, and he did it in defense. Wendall Locke, that was the guy s name. He fell for Jim s woman, Rosy. Now, Wendall had him more than something of a reputation, killed upwards of a dozen men. He was fast, quick as a flick, but he never stood nothing close to a chance gainst Jim. Jim killed him without flinching...over Rosy. The Sheriff looks out the window. EXT. S SALOON - E Light flickers in the bar next to Jim. He sits quietly at the bar. (O.S.) And now she s dead. Dumb thing it was, an accident. But we knew Jim would wanta know when he got back. So, we made quick work and buried her without a marker. A wolf howls in the lonely night.

CONTINUED: 6. (O.S.) And sweet Jesus help us, he found her. He found her. INT. GENERAL STORE The Sheriff SWALLOWS audibly in the silent room. I ain t gonna die for this. CARLOS Me neither, let s go kill us a killer, boys. Everybody unholsters their guns and files out into the street. Shanny stays behind and watches them go. INT. S SALOON - NIGHT Jim SLEEPS at the bar. His head resting next to a bottle of whiskey. The air is deathly still. The Men scream and RUSH into the bar. They FIRE wildly as they enter. Smoke billows into the air. Bullets strike Jim and his body FLIPS from the stool. It lands on the floor, legs SPLAYED. They gather around him, still firing. Bullets pound into his dead flesh in tufts of blood and skin. The battle frenzy dies down and they stop firing. The Sheriff kneels down and turns the body over. Well, that was eas - It is Harold dressed in Jim s clothes. Jim SPRINGS up from behind the bar. A gun in each hand. He begins firing into the crowd. Carlos is shot. He staggers forward and accidentally shoots Sam in the groin. Sam begins to scream but Jim fills his mouth with a bullet.

CONTINUED: 7. MAN 3 gets a lucky shot and strikes Jim s hip. It spins him around, but does not slow him down. He FLINGS a spent gun to the ground and YANKS another from his waistband. He is SCREAMING in blind rage as he fires. One by one the men fall in a scattered circle. In the end only the Sheriff is left. I m sorry, Jim, I m so sorry. Yes, you are. The Sheriff closes his eyes. BLACK A shot rings out. The Sheriff opens his eyes. Jim lays on the floor before him. His throat is TORN open. He GAGS as he tries to breathe. Shanny stands in the doorway. He shakily holds the revolver in front of him. Smoke leaks from the barrel. The Sheriff stands up as Jim gasps his last breath. Shanny, let me buy you a drink. SHANNY How about two? FADE OUT