P A R T I - P R E V I O U S. B r a n c h V ( A ) - E n g l i s h. P a p e r I - S H A K E S P E A R E

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P A R T I - P R E V I O U S B r a n c h V ( A ) - E n g l i s h P a p e r I - S H A K E S P E A R E 1. There are old fond paradoxes to make fools laugh i 'th' alehouse. What miserable praise hast thou for her that's foul and foolish? No; for I hold him to be unworthy of his place that does those things. Well, God's above all; and there be souls must be saved, and there be soul's must not be saved. To confess, and he hang'd for his labour first, to be hang'd, and then to confess. 1 tremble at it. Nature would not invest herself in such shadowing passion without some instruction. (e) (f) I am your wife, if you will marry me If not, I'll die your maid.. To he your fellow You may deny me; but I'll be your servant, whether you will or no. We are such stuff As dreams are made on; and our little life Is rounded with a sleep. Sir, I am vex'd; Bear with my weakness; my old brain is troubled; Be not disturb'd with my infirmity. I should sin To think but nobly of my grandmother: Good wombs have borne bad sons. If he fall in, good night, or sink or swim. Send danger frbm the east unto the west, So honour cross it from the north to south, And let them grapple. 0, the blood more stirs To rouse a lion than to start a hare! A king's son! If I do not beat thee Out of thy kingdom with a daggar Of lath, and drive all thy subjects afore thee lik a flock of wild geese,

I'll never wear hair on my face More. 2. Write short notes on any FOUR of the following : Gross animality of Trinculo and stephano in The Tempest Role of Isabella in Measure for Measure. Manipulative. nature Of Iago in - the play Othello.. Falstaff s unheroic egotism in Henry IV Part I. (e) Stock Elizabethan dramatic characters. (f) Clown in Twelfth Night.' Pathos in Julius Caesar.' Women in Shakespeare. SECTION -- A Answer any TWO.olthe following in words not exceeding 300 each. (Marks : 2 x 12 = 24)- 3. Trace the reasons for gago's intent to destroy Othello. 4.. The killing of Desdemona in Othello makes the play unbearably painful justify. 5. Discuss the intricacies in the relationship between. prospero and caliban in The Tempest. 6. Explain how you rate miranda's innocence in the play The Tempest and for what effect? 7. Discuss theme of honour in the play Henry IV Part I. 8. Comment on the 'high political', 'low comic' and 'politically immoral' actions in the play. Henry IV Part I.

. SECTION B Answer any TWO of the following in words not exceeding 300 each. (Marks : 2 x 12 = 24) 9. Write an essay, on how the - comic elements, enrich and comment on the romantic elements in the play Twelfth Night. 10. Analyse the character and predicament of Malvolio in Twelfth Night. 11. Do you agree with the view that Brutus in Julius Caesar is destroyed. largely by his own virtues? Elaborate. 12: Discuss Julius Caesar as a political tragedy involving private and public virtues. 13. Trace three importance themes. in the play Measure for Measure. IA. Explain how. Christian: moral of mercy triumphs over strict justice in 'Measure for measure.

(e) The Ode (1) Epistle Symbolism Negative, capability. SECTION - A Answer any TWO of the following in words not exceeding 300 each. (Marks: 2 x 12 = 24). 3. In what sense is Donne precisely a metaph y sical poet? Discuss poems you have read; 4. Bring out the political allegory in Abslom and Achitophel. 5. Keats was a Greek ; and is nothing more so than in his treatment of nature. Explain with reference to the poem 'Ode on a Grecian Urn'. G. How does Wordsworth expresses the views of childhood in his poem 'Ode on Intimations. of Immortality'? 7. Examine critically the merits and demerits of Wordsworth's poems. "Ode to the Intimations of Immortality" and Tintern Abbey. 8. Discuss 'Ode to a Nightingale' as a Romantic Ode.. SECTION - B Answer any TWO of the following in words not exceeding 300 each. (Marks: 2 x 12 = 24) 9. Consider Satan as hero of Paradise Lost, Book. Explain with suitable illustrations. 10. Describe Shelley's poetic art in the poem 'Toaskylark' and explain how poet's heart IS enraptured by the melodious -music of the Skylark. 11. What aspects of Coleridge's romanticism do you find in "The Rime of the Ancient Mariner"? 12. Critically examine the theme of 'An Epistle' to Dr. Arbuthnot'? 13. Explain the purpose of using imagery by Spenser in 'Epithalarnion' and elaborate with illustrations. 2

110-28 M.A. DEGREE EXAMINATION JANUARY/FEBRUARY 2014 P A R T I - - - P R E V I O U S B r a n c h V ( A ) E n g l i s h P a p e r I I I N O V E L 1. (0) SECTION - A Answer any FOUR of the following not exceeding 1 page each. Domestic novel Psychological novel Social realism Psychological realism Symbolism in fiction Epynomous novel Bildungsroman Interior monologue. S E C T I O N - B Write short notes on any FOUR of the following. 9 (e) (f) Handling. of time in novel Narrative strategies Women characters Point of view Leitmotifs Epiphonies Telling and showing. Typical characters. [P.T.01

S E C T I O N C Answer any FOUR of the following in words iot exceeding 300 each. (Marks: 4 x 12 = 48) 3. Discuss how in Torn Jones the individual finds fulfillment and harmon y within the accepted social pattern. 4. Do you agree with the view that in novel after novel Jane Austen made manners, morality and marriages of louded gentry of 191h century her main concern? Elaborate. 5. Discuss the portrayal of Stephen Blackpool as a representative of the poor hands in 1-lard Times. 6. Can you account for Hardy's pessimistic vision by using examples from Tess of the Durbervill.es? 7. How far is it justified to consider the mother and son relationship as an Oedipus complex? Give your reasons. 8. Discuss the character of Whiskey priest in The Power and the glory. 9. Consider Evelyn's Wangh's The Decline and Fall as a greedy comedy. 10. How does William golding dramatize the conflict between rationalism and savagery in Lord of the Flies? ii. Discuss the narrative technique by which Virginia Woolf brings out Mrs. Dalloway's inner alienation. 2 110-28

P A R T I - P R E V I O U S B r a n c h V - A - E n g l i s h Paper IV - PROSE AND LITERARY CRITICISM rilile polite are always catching modish innovations, and the learned depart from established forms of speech, in hope of finding or making better; those who wish for distinction foresake the vulgar, when the vulgar is right; but there is a conversation above grossness and below refinement, where propriety resides and where this poet seems to have gathered his comic dialogue. No poet, no artist of any art, has his complete meaning alone. His significance, his appreciation is the appreciation of his relation to the dead poets and artists. The possible interests of a poet are unlimited; the more intelligent he is the more likely that he will have interests; our only condition is that he turn them into poetry, and not merely meditate on them poetically. We are nothing; less than nothing, and dreams. We are only what might have been,. and must wait upon the tedious shores of Lethe millions of ages before we have existence, and a name'. (e) Pig-Let me speak his praise- is no less provocative of the appetite, than he is satisfactor y to the criticalness of the censorious palate. The strong man may batten oil and the weakling refuseth not his mild juices. (f Truth may perhaps come to the price of a pearl, that showeth best by day; but it will not rise to the price of a diamond or carbuncle, that showeth best in varied lights. A mixture of a lie doth ever add pleasure. As fot. equivocations, or oraculous speeches, they cannot hold out long. So that no man can be secret, except he give himself a little scope of dissimulation; which is, as it were, but the skirts or train of secrecy. Young men are fitter to invent, than to judge, fitter for execution, than for counsel; and fitter for new projects, than for settled business. For the experience of age, in things that fall within the compass of it, directeth them; but in new things, abuseth them. 2. Write short notes on any FOUR of the following: (4 x 4 16) (r) Aphoristic element in Bacon's essays. Samuel Johnson's defence of tragicomedy of Shakespeare. T.S. Eliot's 'objective correlative'.

B r a n c h V A E n g l i s h Paper V HISTORY OF ENGLISH LANGUAGE AND PHONETICS (Revised Regulations from 2009-2010) SECTION A L Answer any TWO of the following. Discuss the influence of French on English language, giving suitable examples. What are the factors that influenced modernization of English? Write a note on- any four processes of change of meaning. What are the characteristic features of American English? 2. Write short notes on any FOUR - of the following : Back-formation Reversal of meaning - Scandicurious influence Latin words in English. (e) Suffixes. (f) Noah Webster Derivation Abbreviations. SECTION B 3. Write brief notes on any TWO of the following : Central vowels. Diphthongs. Plosives. Wear forms.. (e) Falling tone. - 4. Transcribe any FIVE of the following into phonetic script.. Drive cautiously and you'll get a remission on your insurance. The train v r histled as it stood at thelevel crossing. There is a registered parcel for sita of the post office.

(e) (f) Put some salt in the salad. Her garden got dozens of roses. Whose bag is that in the hail? I don't know wh y he painted hi garage red and white? rillie tiger is the king of the jungle. SECTION - C 5. Write a brief essay on any ONE of the following: Write a critical note on Chaucer's use of irony and humour in The Prologue The Canterbur y Tales. What do you know about Chaucer the man from Prolo g ue to The Canterbur y Tales. Why is Chaucer regarded as the Father of English poetry? 6. Translate into modern English any TWO of the following passages and comment on them. (2x4=8) Whan that Aprille with his shoures sante the droughte of March hath perced to the roote and bothod every heyne in swich licour of which vertu engendered is the flour. - There was also a none a puioresse that of his surylying was ful syurple and coy, hir gretteste ooth was but by seint dog, and she was cleped madame Eglentyue Ful wel she soong the service dyoyne. A good man was ther of religion and was a poore presuom of a town and rich be was of holy though and were he was also a learned man a clerk.. To ferne haiwes, couthe in sondry londes, and specially, from ever y shires ende of Engelond. to Caunterbury they wende, the holy blisliful martir for to seke. That hem hath holpen, wharm that they were seke.