Determination of Sound Quality of Refrigerant Compressors

Similar documents
Results of a Semantic Differential Test to Evaluate HVAC&R Equipment Noise

Psychoacoustic Evaluation of Fan Noise

Loudness and Sharpness Calculation

Study on the Sound Quality Objective Evaluation of High Speed Train's. Door Closing Sound

Sound design strategy for enhancing subjective preference of EV interior sound

DAT335 Music Perception and Cognition Cogswell Polytechnical College Spring Week 6 Class Notes

Mr. Chris Cocallas University Architect and Director Capital Planning and Construction Colorado School of Mines th St. Golden, Colorado 80401

Interior and Motorbay sound quality evaluation of full electric and hybrid-electric vehicles based on psychoacoustics

Proceedings of Meetings on Acoustics

inter.noise 2000 The 29th International Congress and Exhibition on Noise Control Engineering August 2000, Nice, FRANCE

A SEMANTIC DIFFERENTIAL STUDY OF LOW AMPLITUDE SUPERSONIC AIRCRAFT NOISE AND OTHER TRANSIENT SOUNDS

Concert halls conveyors of musical expressions

DIFFERENCES IN TRAFFIC NOISE MEASUREMENTS WITH SLM AND BINAURAL RECORDING HEAD

Sound Quality Analysis of Electric Parking Brake

inter.noise 2000 The 29th International Congress and Exhibition on Noise Control Engineering August 2000, Nice, FRANCE

Progress in calculating tonality of technical sounds

Table 1 Pairs of sound samples used in this study Group1 Group2 Group1 Group2 Sound 2. Sound 2. Pair

Using the new psychoacoustic tonality analyses Tonality (Hearing Model) 1

Transporting NV Standardized Testing from the Lab to the Production Environment

Psychoacoustics. lecturer:

INSTRUCTION SHEET FOR NOISE MEASUREMENT

ADVANCED PROCEDURES FOR PSYCHOACOUSTIC NOISE EVALUATION

inter.noise 2000 The 29th International Congress and Exhibition on Noise Control Engineering August 2000, Nice, FRANCE

BACKGROUND NOISE LEVEL MEASUREMENTS WITH AND WITHOUT AUDIENCE IN A CONCERT HALL

Loudness of transmitted speech signals for SWB and FB applications

Predicting annoyance judgments from psychoacoustic metrics: Identifiable versus neutralized sounds

Tentative Study of Asymmetry Wraps Scroll Compressor

The Effects of Tones in Noise on Human Annoyance and Performance

Analysing Room Impulse Responses with Psychoacoustical Algorithms: A Preliminary Study

Musical Acoustics Lecture 15 Pitch & Frequency (Psycho-Acoustics)

Modeling sound quality from psychoacoustic measures

Loudness of pink noise and stationary technical sounds

The Physics Of Sound. Why do we hear what we hear? (Turn on your speakers)

Acoustical Noise Problems in Production Test of Electro Acoustical Units and Electronic Cabinets

Measurement of overtone frequencies of a toy piano and perception of its pitch

Soundscape and Psychoacoustics Using the resources for environmental noise protection. Standards in Psychoacoustics

A PSYCHOACOUSTICAL INVESTIGATION INTO THE EFFECT OF WALL MATERIAL ON THE SOUND PRODUCED BY LIP-REED INSTRUMENTS

Implementing sharpness using specific loudness calculated from the Procedure for the Computation of Loudness of Steady Sounds

Consonance perception of complex-tone dyads and chords

Quarterly Progress and Status Report. An attempt to predict the masking effect of vowel spectra

EXPLORING PSYCHOACOUSTIC INDICATORS TO ASSESS CLOSE PROXIMITY TYRE-ROAD NOISE

Music Representations

Effect of room acoustic conditions on masking efficiency

Characterization of sound quality of impulsive sounds using loudness based metric

Preference of reverberation time for musicians and audience of the Javanese traditional gamelan music

Software Package WW 9038 for the Sound Intensity Analysing System Type 3360 or the Digital Frequency Analyzer Type 2131

FC Cincinnati Stadium Environmental Noise Model

MASTER S THESIS. Sound Quality Evaluation of Floor Impact Noise Generated by Walking. Payman Roonasi

Reciprocating Machine Protection

Instrument Recognition in Polyphonic Mixtures Using Spectral Envelopes

CSC475 Music Information Retrieval

DETECTING ENVIRONMENTAL NOISE WITH BASIC TOOLS

Musicians Adjustment of Performance to Room Acoustics, Part III: Understanding the Variations in Musical Expressions

REPORT DOCUMENTATION PAGE

We realize that this is really small, if we consider that the atmospheric pressure 2 is

ANALYSING DIFFERENCES BETWEEN THE INPUT IMPEDANCES OF FIVE CLARINETS OF DIFFERENT MAKES

Development of Expert System for Design Optimization of the Scroll Compressor

Features for Audio and Music Classification

19 th INTERNATIONAL CONGRESS ON ACOUSTICS MADRID, 2-7 SEPTEMBER 2007 VIBRO-ACOUSTIC BEHAVIOR OF SPANISH BELLS WITH METALLIC AND WOODEN YOKE

Experiments on tone adjustments

Audio Feature Extraction for Corpus Analysis

ACOUSTIC ANALYSIS OF R.E.E.L. SEMI-REVERBERANT SOUND CHAMBER. A Thesis SEAN DAVID ELLISTON

BBN ANG 141 Foundations of phonology Phonetics 3: Acoustic phonetics 1

Barwa dźwięku i jej podcechy. II rok reżyserii dźwięku AM_3_2017

FLOW INDUCED NOISE REDUCTION TECHNIQUES FOR MICROPHONES IN LOW SPEED WIND TUNNELS

Noise assessment in a high-speed train

Basic Considerations for Loudness-based Analysis of Room Impulse Responses

Pitch. The perceptual correlate of frequency: the perceptual dimension along which sounds can be ordered from low to high.

Localization of Noise Sources in Large Structures Using AE David W. Prine, Northwestern University ITI, Evanston, IL, USA

Noise evaluation based on loudness-perception characteristics of older adults

CTP 431 Music and Audio Computing. Basic Acoustics. Graduate School of Culture Technology (GSCT) Juhan Nam

CLASSROOM ACOUSTICS OF MCNEESE STATE UNIVER- SITY

AN ARTISTIC TECHNIQUE FOR AUDIO-TO-VIDEO TRANSLATION ON A MUSIC PERCEPTION STUDY

REPORT issued by an Accredited Testing Laboratory

Lecture 1: What we hear when we hear music

On the strike note of bells

I. LISTENING. For most people, sound is background only. To the sound designer/producer, sound is everything.!tc 243 2

Rhona Hellman and the Munich School of Psychoacoustics

Coopers Gap Wind Farm AGL Energy Ltd 23-Aug-2016 Doc No AC-RP-02- Facade Sound Insulation Test Report

Calibration of auralisation presentations through loudspeakers

Application Note #63 Field Analyzers in EMC Radiated Immunity Testing

An Introduction to the Spectral Dynamics Rotating Machinery Analysis (RMA) package For PUMA and COUGAR

Detecting and Analyzing System for the Vibration Comfort of Car Seats Based on LabVIEW

IP Telephony and Some Factors that Influence Speech Quality

SIDE CHANNEL BLOWERS. Voltage Δ / Y 2 V 230/ / / / / /460 - Current Δ / Y Revolutions

Perceptual assessment of water sounds for road traffic noise masking

Audio Engineering Society Conference Paper Presented at the 21st Conference 2002 June 1 3 St. Petersburg, Russia

SUBJECTIVE EVALUATION OF THE BEIJING NATIONAL GRAND THEATRE OF CHINA

DERIVING A TIMBRE SPACE FOR THREE TYPES OF COMPLEX TONES VARYING IN SPECTRAL ROLL-OFF

Simple Harmonic Motion: What is a Sound Spectrum?

Acoustic concert halls (Statistical calculation, wave acoustic theory with reference to reconstruction of Saint- Petersburg Kapelle and philharmonic)

9.35 Sensation And Perception Spring 2009

Absolute Perceived Loudness of Speech

The acoustics of the Concert Hall and the Chinese Theatre in the Beijing National Grand Theatre of China

S. S. Stevens papers,

Statement Of Results For Sound Transmission Loss Tests Performed By Acoustics Laboratory At RMIT University On Behalf Of Polyphen.

Music Representations

MASTER'S THESIS. Listener Envelopment

The quality of potato chip sounds and crispness impression

Roots * RAS-J Air & RGS-J Gas Blowers. GE Energy

Transcription:

Purdue University Purdue e-pubs International Compressor Engineering Conference School of Mechanical Engineering 1994 Determination of Sound Quality of Refrigerant Compressors S. Y. Wang Copeland Corporation Follow this and additional works at: https://docs.lib.purdue.edu/icec Wang, S. Y "Determination of Sound Quality of Refrigerant Compressors" (1994). International Compressor Engineering Conference. Paper 987. https://docs.lib.purdue.edu/icec/987 This document has been made available through Purdue e-pubs, a service of the Purdue University Libraries. Please contact epubs@purdue.edu for additional information. Complete proceedings may be acquired in print and on CD-ROM directly from the Ray W. Herrick Laboratories at https://engineering.purdue.edu/ Herrick/Events/orderlit.html

DETERMINATION OF SOUND QUALITY OF REFRIGERANT COMPRESSORS SimonY. Wang Copeland Corporation, 1675 West Campbell Road, Sidney, Ohio 45365, U.S.A. ABSTRACT Residents of quiet neighborhoods are often disturbed by the noise radiated from the air conditioning or heat pump units installed in their neighbors' or their own yard. In many cases, the sound of the compressor used in the unit is considered annoying while similar sound radiated from the fan of the same unit can be perceived as acceptable. The annoying sounds of the compressors described by consumers as "metalic", "fluctuating", "not smooth", or "rattling" are not necessarily of high acoustical intensity. Instead, these descriptors are often related to the quality of the sound. This paper reviews the validity of several sound quality parameters such as loudness, roughness, sharpness, tonality, and fluctuation strength when they are applied to compressor noises. Comparisons of these sound quality parameters to a widely used "tone corrected sound power" method in ARI 270 84 are also addressed. INTRODUCTION The HVAC system has been one of the major noise sources in the residential neighborhood [1]. In a quiet neighborhood, noise radiated from the air conditioning or heat pump unit is not only heard outdoors but also transmitted into the house through windows and walls. Typical outdoor unitary equipment consists of a fan which radiates a broad band low frequency noise and a compressor that often radiates multiple tone higher frequency noise. As the significant progresses have been made in recent years by the HVAC system manufacturers in reducing the fan noise by means of either reducing speed of the fan or better design of the fan orifice, compressor noise becomes the dominant source of the outdoor air conditioning or heat pump unit. Two distinct types of sound can be identified from the compressor noise. One is the steady state sound and the other is the time varying sound. Among the sound quality parameters examined below, the descriptors of loudness, sharpness, and tonality are applicable to the steady state sound while the roughness and fluctuation strength are related to the time varying sound. MEASURING THE COMPRESSOR AND HVAC SYSTEM NOISE Two widely used measurement standards to quantify refrigerant compressor sound and HVAC system sound in the North American market are the ARI 270 84 [2] and ARI 530 89 [3], published by the Air Conditioning and Refrigeration Institute. Used for refrigerant compressors, ARI 530 89 specifies a method to measure the airborne noise radiating from a compressor under a load. The measurement results are reported as sound power levels in one third octave bands between 100 Hz and 1 0,000 Hz and as A weighted sound (power) level. For the outdoor unitary equipment, ARI 270 84 measures the sound power in a very similar manner. But it also attempts to penalize "discrete tones" radiated from the unitary equipment. When a one third octave band projects above the linear average of the two adjacent bands by 1.5 db, a "discrete tone" is determined to be residing in this one third octave band, some amount of penalty is then applied. The penalties for "discrete tones" are often severe; it is not uncommon to see a penalty of 3 to 5 db added to certain one third octave bands. In fact, units with an average level of fan noise are often assessed with the penalty of this Standard just because the spectrum shape of their compressors noise is not "smooth" or "flat". The question becomes can the "discrete tone" be heard when these units are running. The sound of compressors is generally composed of very widely spread multiple tones. A typical narrow band spectrum from a compressor is shown in Figure 1. Many tones (harmonic orders) can be found within a single one third octave frequency band especially in the high frequencies. On the basis of several laboratory 241

studies [4] a prominent tone can be effectively detected by instrumentation using a procedure called tone to noise ratio" computation. The "tone to noise ratio" is defined as the difference in acoustical power between the tone under the examination and all other tones co-existing in the same critical band. The method requires a narrow band (FFT) analysis. Since the ARI 270-84 Standard does not specify the measurement of narrow band information, the effectiveness on detecting a "discrete tone" using the one-third octave band data alone can be questionable. Consequently, the mistakes to penalize some "discrete tones" of none existence may be unavoidable. Someone might argue that the idea of "discrete tone" referred by the ARI 27Q-84 Standard is not intended to identify prominent tones but to promote the "sound quality". The method measures the degree of the smoothness or flatness of the one-third octave band spectrum and one might interpret the smooth spectrum as smooth or better qulity sound. Unfortunately, this argument may not be a valid one for compressor noises. As discussed below, the compressor noise with a smooth or flat one-third octave band spectrum can be quite annoying and poor on sound quality because it tends to have a higher sharpness level. LOUDNESS OF THE COMPRESSORS A refrigerant compressor is a multiple-tone noise source. It is suggested by ISO 532 Standard (5] that loudness level of this noise type be calculated with the Method 8 ("Zwicker's method") instead of the Method A ("Stevens' method"). Loudness level measured in the unit of Sones simulates the human perceived loudness which can be different from the objective acoustical energy level measured in decibels. Figures 2 and 3 show the one-third octave band spectrum of Compressors A and 8, respectively. Although the spectra of these onethird octave bands for Compressors A and B look very different, the difference between the A-weighted sound power levels of Compressors A and 8 is just 1.3 d8a. The loudness level is calculated as 18.25 SOnes for Compressor A and 19.41 Sones for Compressor 8, an insignificant 6% difference. A total of 26 compressors, ranging from 1.5 to 1 0 tons in capacity, differing from reciprocating piston (two-cylinder and four-cylinder), rotary, to scrolls in design, were evaluated for the loudness levels and the A weighted sound power levels. Figure 4 shows both the A-weighted sound power level and the loudness level, calculated from sound pressures measured at 2.0 meters distance from the compressors. The results clearly indicate that using the loudness in Sones may not have significant advantages over the currently used A weighted sound power method of ARI 530-89 in ranking the loudness of the compressor noise. SHARPNESSOFTHECOMPRESSORSOUND Clearly. some compressors have a smoother sound than others. Many people may refer this complex auditory sensation as the sensory pleasantness of the sound. Sharpness examines the envelope of the spectrum [6]. The above example of Compressors A and B showed approximately equal loudness and A weighted sound levels but significantly different sharpness levels were identified because of the different shapes of the spectrum. Sharpness of Compressor A measures 1.55 Acums and Compressor 8 measures 2.25 Acums, a 45% difference. In this case, the sound of Compressor B is much "harsher" and Jess pleasant than the sound of Compressor A. This seems to correlate well with the observations made by Zwicker and Fastl [6] that the sensory pleasantness depends more on sharpness than any of the other sound quality parameters such as roughness, tonality, and loudness. In our second example, illustrated in Figures 5 and 6, Compressors C and D are almost identical in their A-weighted sound power levels and similar on their loudness levels. Compressor D's spectrum is rather flat as shown in Figure 6. But the sharpness of Compressor D measuring 2.05 Acums is worse than that of Compressor C at 1.65 Acums. Interestingly, the sound with a flat spectrum of Compressor D is judged as worse in sound quality than the sound with an uneven spectrum of Compressor C. 242

ROUGHNESS AND FLUCTUATION STRENGTH OF COMPRESSOR SOUND Differing in the modulation frequencies, both roughness and fluctuation strength influence the sound quality from the time variation of loudness levels. Based on the work of Zwicker and Fastl [6], the sensation of the fluctuation strength reaches the maximum near 4 Hz frequency modulation. For the compressor noise, the fluctuation is often referred as a "beating" sound. On the other hand, when the modulation frequency increases, the sensation reaches another maximum due to the time variance of the sound at 70 Hz modulation; this is called the roughness of the sound. One of the concerns about the roughness of the compressor noise is its relation to the cyclic noises generated by gas pulsations. For example, a scroll compressor generates a one per cycle gas pulsation sound while a two-cylinder reciprocating piston compressor generates a noise of two gas pulsations per revolution. The fundamental frequency of gas pulsating noise from the scroll compressor for Hz line frequency is at 58 Hz while the reciprocating compressor is at 116 Hz. Will 58 Hz gas pulsation noise be determined rougher than the 116 Hz gas pulsation noise because the 58 Hz is closer to 70 Hz? The answer is, not necessarily. Figure 7 illustrates the radiated noise of a typical scroll compressor and a typical 2-cylinder reciprocating compressor. Analyzing the noise with loudness plots, the roughness of the scroll compressor shows a 0.013 Asper roughness and the reciprocating compressor shows a 0.014 Asper, the reciprocating compressor in this case is insignificantly "rougher" in sound. The fluctuation strength, on the other hand, might be a good indicator of the beating phenomena generated between the fan noise and the compressor noise in an HVAC system. As shown in Figure 8, the outdoor condensing unit has an audible beating sound and the fluctuation strength was measured as 0.14 Vacils, considerably higher than other smooth sounding units where the fluctuation strength measured in the range of 0.05 to 0.08 Vacils. CONCLUSIONS The sound of refrigerant compressors is quite complex. In the frequency domain, it consists of a large number of harmonic tones, and sound energy between harmonic tones is generally small. In the time domain, some compressor sound can be more noticeable due to a higher fluctuation strength. The major conclusions of this paper regarding the sound quality of the compressors are summarized as follows: a. Using the A-weighted sound power level to measure compressor noise as suggested in ARI 530-89 gives a very good correlation to the loudness level measured in accordance to ISO 532 Standard. To measure the loudness of the compressor noise, A-weighted sound power level is a sufficient indicator. b. The method of comparing a single one-third octave band data to its adjacent bands on the sound of HVAC systems, as suggested by ARI 270-84, does not sufficiently identify the tonality of the HVAC system sound. Tonality can be determined more effectively with the narrow band analysis data. c. The most relevant parameter to the sound quality of compressors is found to be the sharpness. A high sharpness reading of the compressor noise generally indicates a poor sound quality and poor sensory pleasantness. d. The speed of rotation of the compressors and the number of cylinders of a reciprocating compressor do not seem to influence the roughness of the compressor sound significantly. e. The beating sound of the compressor or the beating sound between the compressor and the fan of the condensing unit can be very noticeable. On these, the fluctuation strength (Vacils) can be a good measure to quantify the beating sound of the HVAC systems. 243

ACKNOWLEDGMENTS The computer program used in the loudness calculation based on the ISO 532 Method B and the sharpness calculation based on Zwicker and Fastl was supplied by Mr. John Masciale of Bruel and Kjaer. REFERENCES [1] Bradley, J.S "Disturbance Caused by Residential Air Conditioner Noise," J. Acoust. Soc. Am 94 (4), 1993. [2] ARI270-84, "Sound Rating of Outdoor Unitary Equipment," Air-Conditioning & Refrigeration Institute, 1984. [3] ARI 530-89, "Method of Measuring Sound and Vibration of Refrigerant Compressors," Air-Conditioning & Refrigeration Institute, 1989. [4] Nobil, M.A "Identifying Prominent Discrete Tones in Machine Noise Emissions Using an FFT Analyzer," Proceedings Inter-Noise 86, 1986. [5] ISO 532-1975(E), "Acoustics- Method for Calculating Loudness Level," 1977. [6] Zwicker, E and Fastl, H "Psychoacoustics. Facts and Models," Springer-Verlag, 1990. 50 AO 1;1 ""30 N 20 "1;1 10 0 AOO 0 800 1000 1200 IAOO 10 11100 2000 Frequency (HI:) Figure 1. Narrow Band Spectrum of a Typical Compressor. 100 200 AOO 800 10 3150 6300 A Fr«JU8ncy (HZ) Figure 2. Spectrum of Compressor A. 244

. i..:. 70... so... -g 30..m 1,111' II, 'ji r- : "),, IJt.Rl IP u l.: } r:j:1 ;:li 7:' r::: ""' ',, f,' : I \,h' :: I, (1 1; i% I' tfi fi I'' ' : II: ;:. C:f. [:7,,,; J :S'.,I lt',i,,_ ki ;::. \ < '?{I /, < )< J> >\1.s T \ <: \i "flj '" ;i:: \i s f; v 11 1: jil :;rt H ' :v: "'.'.;i' }1>: :( : r- - 'I: I -";;:. i(.? 1' :: }: 'iii',, ")(" :1 jl :1:): ;I J I 0 I : ;li i,,\ 0 g-: -1' J 1'7 l,.., 100 200 800 10 3150 6300 Frequency (HZ) '-,_. r tj: < v y, ;:: ;,_k,') ; ) " \,? ji -n < '? * (f, f.. q 1): -'}' A 1>.-, Rgure 3. Spectrum of Compressor B. ;g 1 J:. i. 85 80 75 70 65 G:JJ dba -so fl )j 11 r+. /( 1/. t..,,, ) ' 1t ' il.;?.. ;r N. 'lj' i.; <:, ;,,,; I,, -, ' \.1' {i ; - : i li :-:..., :i' j, l:t,;;:.;: J::,i i'' i if *,, ji' \ 11 *::; "' i i tj - t; ll " ; "I,,, i:i' < ' '1: t f :1' :.: I y il" ;)J r Jl :,; ' >l ;.1 )r ::1' t 7 ) <.;j - T ' ' ' 1,, \ 3 5 7 9 11 13 15 17 19 21 23 25 Compr...or Mocltilt s 25 20 'ii" 15... 10 I 5 0 Figure 4. Comparisons of Compressor Noise Measured in A wighted Sound Power and Loudness Levels i. 50 :.a "".... 30 20 ;J, 100 800 10 3150 6300 Fqu.ncy (HZ) Itt :; «W '\' ' '.?:,, ; :};; Figure 5. Spectrum of Compressor C. 245

Freq... ney (Hl) Figure 6. Spectrum of Compressor D. 20 0 0.5 I 1.5 2 2.5 3 3.5 A A.5 5 5.5 6 6.5 7 7.5 8 nme (Secondl) Figure 7. Comparison of Time Varying Loudness Levels between a Reciprocating Compressor and a Scroll Compressor. 70 ;a:65 :g ii1... "Ill jss 50 0 0.5 I 1.5 2 2.5 3 3.5..5 5 5.5 6 6.5 7 7.5 8 n o;.condl> Figure 8. Time Varying Sound Pressure Levels of an HVAC System When a Beating Sound was Heard. 246