CONTRACT RIDER Current July 11, 2007

CONTRACT RIDER Current July 11, 2007 RIDER TO BE ATTACHED TO AND MADE PART OF CONTRACT DATED BETWEEN Jason Moran (HEREINAFTER REFERRED TO AS ARTIST ) AND (HEREINAFTER REFERRED TO AS PURCHASER ). IN THE EVENT OF ANY INCONSISTENCY BETWEEN THIS RIDER AND THE CONTRACT TO WHICH IT IS ATTACHED, THE TERMS OF THE RIDER SHALL PREVAIL. 1. GENERAL PROVISIONS: The following rider represents the requirements of the ARTIST on the attached contract. PLEASE READ IT CAREFULLY. By signing it, you are agreeing to supply the ARTIST with certain equipment and working conditions which are essential to their performance. Any breach of the terms of this rider is a breach of the contract and may cause the ARTIST to refuse to perform, without releasing you from the obligation to pay them. We look forward to a smooth and successful engagement and would be happy to assist you in any way. If there are any problems in fulfilling any of these requirements, please call as soon as possible. DO NOT MAKE ANY CHANGES WITHOUT PERMISSION FROM MANAGEMENT. Thank you for your cooperation. Vision Arts Management Contact: 16 Clint Finger Road Louise Holland Sauerties, NY 12477 Tel: (845) 247-8969 Fax (845) 247-8970 e-mail: Louise@VisionArtsMgmt.com 1. Deposit / Payment Unless prior arrangements have been made: A. The agreed upon deposit must be mailed as soon as possible to: B. All monies due the night of the performance shall be paid in U.S. cash dollars. C. All monies shall be paid directly to Artist or Artist s designated representative prior to the final performance. 2. Billing / Other Artists The correct billing for Artist, applicable in all promotional materials shall be: Jason Moran presents: IN MY MIND: Monk at Town Hall 1959

The Artist will be given 100% top/star billing (see above) in any and all paid advertisements and publicity, including, but not limited to posters, fliers, programs, signs, marquees and banners. Purchaser will notify Artist of any other artist(s) that may appear at the same engagement. The Artist reserves the right to appear before or after any other artist (s) performance and has the right to determine the length of any other artist(s) performance. In program notes for the concert, PURCHASER must include the following language; The use of W. Eugene Smith's photographs and tapes in IN MY MIND is made possible to the Jazz Loft Project at the Center for Documentary Studies at Duke University and the Reva and David Logan Foundation of Chicago, in association with the Center for Creative Photography at the University of Arizona, and the estates of W. Eugene Smith and Thelonious Monk. More about this project can be found at www.jazzloftproject.org 3. Transportation / Hotel In addition to the agreed transportation/hotel accommodations in the contract, PURCHASER shall provide (at no expense to ARTIST) all local transportation needs. This includes airport/hotel/sound check/performance/ hotel and return to airport and any promotional events, such as radio, TV, etc. by 2 mini-vans and one cargo van or suitable vehicles to accommodate eleven (11) people with luggage and instruments. All hotel accommodations will be in a minimum four star hotel near the place of the performance, and will consist of one junior suite for Mr. Moran, and ten (10) single rooms (for the band and crew) nightly for the entire engagement, with a telephone and television in each room and a fax machine and a restaurant in the hotel. If hotel accommodations are not included in the contract, Purchaser will make the necessary arrangements for the above, taking full advantage of Purchaser s performer/corporate rates on behalf of Artist. Hotel information should be faxed or emailed to management AS SOON AS POSSIBLE: 4. Setup / Rehearsal On the first day of the performance, the venue will be made available to Artist for technical setup and rehearsal for the entire day of the first performance. Purchaser will provide the house electrician, house sound technician, house lighting operator and a minimum of one stagehand/loader/unloader at that time. One loader/unloader will also be made available to Artist during load-out following the performance. The audience will not be permitted into the room of the performance until setup/rehearsal is completed. Purchaser will provide all equipment per the attached plot. No instruments other than those provided by/for Artist will be allowed on the stage. 5. Dressing Rooms / Security Purchaser will provide at least one dressing room adequate for use by ten people during Artist s entire performance. Room(s) shall be clean, dry, well-lit, heated or air-conditioned and shall have a mirror and comfortable seating for eight persons. Dressing room(s) shall have easy access to clean bathrooms, be locked or suitably secured and shall contain the following: 22 clean towels 5 gallons non-carbonated spring/distilled water

6 bottles of wine; three (3) red and three (3) white 16 bottles of beer 1 bottle McCallan Whiskey (12 year) 6 liters Coca-Cola 8 quarts real/100% fruit juice 4 liters salt-free club soda Deli trays for sandwiches with assorted meats and cheeses. Condiments on the side (for 10 people) Chips/crackers and dip (for 10 people) Purchaser will also provide a hot meal (NO FAST FOOD) for eleven (11) on each night of the engagement. The meal is to be served after soundcheck and before showtime at the venue. All menus should contain an entrée and variety of healthy side dishes Purchaser will guarantee proper security to all musicians, instruments and their personal property before, during and after the performance(s). Special attention is to be paid to the dressing room(s), stage areas and all entrances and exits. Proper security will commence upon Artist s arrival. 6. Ancillary Sales Purchaser agrees to supply Artist with adequate space (and if necessary a sales person) for the Artist or his representative to sell recordings, photos, apparel, souvenir books, etc. at the place of performance. The Artist retains the sole and exclusive right to sell such material and no other such sales will be permitted at the place of performance without the expressed written permission of Artist. 7. Use of Artist Name / Interviews The name of Artist may not be used or associated, either directly or indirectly, with any product or service without Artist s prior written permission. Pre-tour interviews will be granted to individuals representing major print or electronic media wherever possible. All requests for interviews should be submitted to management. Requests must include the following information: - Name of person who will perform the interview - Name of publication or radio/tv station - Phone number/address of interviewer/publication - Type of interview (phoner/live) - Length of interview Artist availability for interview cannot be guaranteed. The Artist retains the right to approve or disapprove of any interviews for print or electronic media in conjunction with the performance. Day of performance interviews and/or autograph sessions will take place only if time permits. Purchaser agrees that it will not commit Artist ti any personal appearances, interviews or any other type of promotional appearance without Artist or Artist s representative giving prior consent. Such arrangements shall be made through Artist s representative. 8. Complimentary Tickets Upon request, Purchaser will provide Artist with a reasonable number of complimentary tickets.

9. Recording / Photography There will be absolutely NO AUDIO RECORDING, VIDEO RECORDINGS OR RADIO BROADCASTS during the performance unless prior written permission is granted by Artist or Artist s representative. All cassette recorders, DAT machine or other unauthorized taping equipment shall be confiscated by Purchaser and held until completion of the performance. There will be no flash photography of Artist during the performance. Non-flash photography will only be permitted with consent from Artist or Artist s representative. If such permission is granted, the photographer must provide Artist s representative with contact sheets and agree to provide Artist with one photograph of Artist s choice gratis, to be used for publicity purposes. 10. Miscellaneous Artist has 100% control of the performance. Artist s obligations hereunder are subject to detention or prevention by sickness, inability to perform, accident, transportation delays, acts of God, labor difficulties, epidemics, or any act or order of a public authority or any other cause, similar or dissimilar, beyond Artist s control. In the event of a breach by Purchaser of any of the terms, covenants or conditions of this contract, Artist shall not be required to perform hereunder and Purchaser shall pay to Artist the full amount of fixed payments required hereunder. A breach of any clause contained in this rider by Purchaser shall be deemed a material breach. If Artist elects to perform notwithstanding a breach of this agreement by Purchaser, the performance by Artist shall not constitute a waiver of any claim Artist may have for damages or otherwise. Purchaser shall provide Artist s representative with ORIGINAL copies of all press releases, fliers, posters, articles and reviews pertaining to said performance. In case of any conflict of terms, the terms contained in this rider shall prevail over any others. All terms of this render are specifically accepted by Purchaser unless they are waived by Artist or Artist s representative. Such waiver shall only be effective if initialed by both Artist or his representative and Purchaser. 11. Sound / Musical Equipment Supplied by Purchaser The attached Schedule A is made fully a part of this agreement. 12. THE ATTACHED STAGE PLOT IS MADE FULLY A PART OF THIS AGREEMENT. AGREED AND ACCEPTED BY: PURCHASER DATE Jason Moran DATE

Jason Moran In My Mind Tech Package AUDIO: We require a professional system of high quality (Meyer, Adamson, L Acoustic, d & b, nexo, VerTec), run in STEREO; mix position near center of house (not under balcony and absolutely no enclosed booths). The system should be able to cover the venue adequately and uniformly at each seat in the venue within plus or minus 3 db. Front fills and additional speaker coverage of wings and balconies are required. All front fills, sub auxiliary sends or delay lines to be equipped with a separate 31 band graphic EQ same as FOH EQ spec. The FOH console should be minimum 32 inputs and should be the quality of Midas, Soundcraft or Yamaha. No Yamaha MC7 digital console are acceptable. FOH main Equalizers must be available to Jason Moran s representative. Effects rack should include 8 compressors 4 gates 2 reverb units (Lexicon PCM series preferred). NO Behringer effects are acceptable. One CD playback unit and talk back mic to stage. Monitors: ON STAGE MONITOR MIX is required. The monitors CANNOT be run from FOH console. Monitor console should be minimum 32 inputs 8 mixes all with separate EQ s on mix outputs. We require six identical bi-amped wedges (small profile, 12 ) NO Behringer EQ s acceptable. ALSO to include additional headphone amp (8 channels out) with 10 pairs of (same brand - closed headphones w/ extension cable) to be run from monitor console to each musician. One CD playback unit is also required for monitor system. Mic, input list and stage plot are included. VIDEO: The In My Mind production requires video projection equipment to be provided by presenter. This video is run from FOH position and requires a 40 long table, AC power outlet and a stool. The computer output to the projector is DVI. The projector should be at least 5,200 lumens with a DVI input and a DVI cable of the length to reach the FOH computer position. The projection screen should be hung upstage Center from the DRUM risers. The video has an aspect ratio of 4:3 and the image should be projected on a 16 x 12 screen. JM MONK MASTER RIDER 2007 5 of 9

JASON MORAN: IN MY MIND BACKLINE REQUIREMENTS: SCHEDULE A PIANO One (1) Acoustic Grand Piano (preferably STEINWAY) TUNED DAILY (for multi-night engagements) BASS One (1) ¾ size Acoustic Bass. One (1) Gallien Krueger 400 or 800 bass Amp with a 15" JBL or SWR speaker cabinet. DRUMS GRETSCH, YAMAHA or SONOR 18" Bass Drum ( NO HOLE IN BASS DRUM HEAD) 12", 13" & 14" Inch Tom Toms Five (5) Cymbal Stands One (1 ) High Hat Stand Snare Drum & Stand Bass Drum Pedal Drum Throne Area Floor Rug for Drum Kit All Drums Should Have Double Sided Coated AMBASSADOR Heads JM MONK MASTER RIDER 2007 6 of 9

JASON MORAN In My Mind - Stage and Inputs Projection screen or cyc 16 feet wide minimum 8x8 riser DRUMS MIX 4 TRUMPET 12 TROMBONE 11 TUBA 10 MIX 3 1 kick 2 snare 3 hat 4 rack 5 floor 6 OH sl 7 OH sr PIANO (small stick) MIX 5 Bass Amp BASS stool and stand, light 8 bass DI 9 bass mic TENOR SAX 13 ALTO SAX 14 15 Schertler hi 16 Schertler lo 12x8 riser MIX 2 17 lo 18 hi MIX 6 3 3 chairs and MIX 1 stands with lights 12x8 riser 2 chairs and stands with lights 19 talk mic Monitor desk small wooden desk, chair 20 talk mic lamp JM MONK MASTER RIDER 2007 7 of 9

JASON MORAN In My Mind - Stage and Inputs Audience Ch Input Mic/DI Insert FOH Stage needs 1 Kick M88 3 risers: 2 Snare SM57 Drum riser: 8 x 8, 16 high, (or 24 w/ step) 3 Hat cond. Risers stage left and stage right: 8 x 12, 8 high (or 16 ) 4 Rack e604 5 chairs, no arms, one stool 5 Floor e604 7 music stands with lights 6 OH sl KSM32 6 monitor wedges on 6 mixes 7 OH sr KSM32 Small wooden desk with chair and study lamp 8 Bass DI Active DI Comp. 8 headphones and distribution from monitor desk or FOH** 9 Bass mic RE20 Comp. ** We need CD playback for the musicians in headphones only, 10 Tuba lg. diaphragm Comp. no monitor mix required and no FOH, just the CD in headphones. 11 Trombone lg. diaphragm Comp. 12 Trumpet lg. diaphragm Comp. 13 Tenor Sax lg. diaphragm Comp. 14 Alto Sax lg. diaphragm Comp. 15 Piano inside hi Schertler* 16 Piano inside lo Schertler* 17 Piano Hi MK4* or 414 18 Piano Lo MK4* or 414 19 Voc piano SM58 20 Voc desk SM58 21 22 23 24 25 JM MONK MASTER RIDER 2007 8 of 9

INFORMATION LIST JASON MORAN The following information list is to be completed ASAP and sent with the contracts 1) DATE OF PERFORMANCE CITY a. Name of venue b. Address c. Production Phone # d. Production Fax # 2) Name and Contact info. for PRODUCTION MGR 3) Name and Contact info. for TECHNICAL DIR. 4) Name and Contact info. for SOUND ENGINEER ` 5) Name and Contact info. for ELECTRICIAN 6) Name and Contact info. for ARTIST SERVICES 7) STAGE DIMENSIONS: Depth Width Height: Stage to Ceiling Height: Stage 8) Time of Performance Time of Soundcheck (if scheduled) 9) Other bands playing before and after ARTIST Their Show and S/C times 10) Please provide detailed information regarding loading dock / backstage door for arrival of ARTIST on back of information sheet. Please send / fax Technical Information and Artist Guide if available. A map of the area is also MOST HELPFUL. THANK YOU IN ADVANCE FOR HELPING TO MAKE THE SHOW A GREAT SUCCESS! JM MONK MASTER RIDER 2007 9 of 9