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Oxford Cambridge and RSA Friday 23 June 2017 Morning A2 GCE CLASSICS: CLASSICAL CIVILISATION F389/01 Comic Drama in the Ancient World *6879042024* Candidates answer on the Answer Booklet. OCR supplied materials: 12-page Answer Booklet (OCR12) (sent with general stationery) Other materials required: None Duration: 2 hours * F 3 8 9 0 1 * INSTRUCTIONS TO CANDIDATES Complete the boxes on the Answer Booklet with your name, centre number and candidate number. Use black ink. Answer one question from Section A and one question from Section B. Read each question carefully. Make sure you know what you have to do before starting your answer. Start your answer to each question on a new page. Write the number of each question answered in the margin. Do not write in the barcodes. INFORMATION FOR CANDIDATES The number of marks is given in brackets [ ] at the end of each question or part question. The total number of marks for this paper is 100. Quality of written communication will be assessed in this paper. This document consists of 8 pages. Any blank pages are indicated. INSTRUCTION TO EXAMS OFFICER / INVIGILATOR Do not send this Question Paper for marking; it should be retained in the centre or recycled. Please contact OCR Copyright should you wish to reuse this document. [T/500/8454] DC (KN) 138722/2 OCR is an exempt Charity Turn over

2 Answer one question from Section A and one from Section B. SECTION A Commentary Questions Answer either Question 1 or Question 2. 1 Read the passage and answer the questions. PHEIDIPPIDES: PHEIDIPPIDES: PHEIDIPPIDES: PHEIDIPPIDES: Ah, holy Clouds, that s harsh but you re right: I shouldn t have tried to cheat my creditors out of their money. [To Pheidippides] My dear, dear son come with me and let s murder that villain Chaerephon and Socrates for the way they swindled both of us. No, no! I couldn t harm my teachers! Aye, aye! Revere the great Paternal Zeus! Paternal Zeus indeed! How out of date you are! Do you mean you think Zeus exists? He does. No, he doesn t, he doesn t! Vortex is king now; he s driven Zeus from power. No, he hasn t. I only believed that because of this image here [pointing to a whirlpool-shaped cup standing on a pillar in front of the Thinkery]. How stupid could I be, to take a piece of earthenware like you for a god! If you want to yammer to yourself, you can do it on your own. [He goes inside.] How mad, how insane I was, to let Socrates persuade me to discard the gods! [Addressing the image of Hermes on a pillar in front of his house] Dear Hermes, don t be cross with me, don t destroy me. Have pity on me, if a set of clever windbags made me take leave of my senses for a time. Give me some advice. Should I launch a prosecution against them, or what do you think? [He pauses for a reply and fancies he can see the image moving its head to signify no.] You re right. I shouldn t bother cooking up lawsuits I should go right away and set this school for slick talkers on fire. [Calling into his house] Xanthias, come here, and bring a ladder and a mattock with you! [His slave XANTHIAS comes out, carrying the items requested.] Now get up on the roof of that Thinkery and hack it down, if you love your master, until you ve brought the whole house down on them! [XANTHIAS climbs up the ladder and sets to work.] And someone bring me a lighted torch. I m going to make this lot pay for what they ve done; it ll take more than big talk to save them this time! Aristophanes, Clouds 1462 1492 5 10 15 20 25 30 35

3 (a) During the course of the play, Strepsiades changes more than Pheidippides. Using the passage as a starting point, discuss whether you agree with this statement. [25] (b) Which play do you feel has the more serious message, Clouds or Lysistrata? You should support your answer with evidence from both plays. [25] Turn over

4 Do not answer this question if you have answered Question 1. 2 Read the passage and answer the questions. Item removed due to third party copyright restrictions. Plautus, The Brothers Menaechmus 1000 1030

5 (a) How typical is this passage of the different ways in which Plautus creates comic drama in The Brothers Menaechmus? [25] (b) The slave Messenio in The Brothers Menaechmus is more believable than Palaestrio in The Swaggering Soldier. This makes him a more interesting character than Palaestrio. How far would you agree with this opinion? [25] [Section A Total: 50] Turn over

6 SECTION B Essays Answer one question. Start your answer on a new page. 3 Theatre buildings, machinery, costumes, props and masks are more essential to the comedy of Plautus than to the comedy of Aristophanes. Using evidence from the plays of Aristophanes and Plautus, assess how accurate you consider this statement to be. [50] 4 Successful comedy holds the audience s attention throughout and always leads to a happy ending. To what extent do you feel this statement is true of the plays of Aristophanes and Plautus? [50] [Section B Total: 50] END OF QUESTION PAPER

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8 Oxford Cambridge and RSA Copyright Information OCR is committed to seeking permission to reproduce all third-party content that it uses in its assessment materials. OCR has attempted to identify and contact all copyright holders whose work is used in this paper. To avoid the issue of disclosure of answer-related information to candidates, all copyright acknowledgements are reproduced in the OCR Copyright Acknowledgements Booklet. This is produced for each series of examinations and is freely available to download from our public website (www.ocr.org.uk) after the live examination series. If OCR has unwittingly failed to correctly acknowledge or clear any third-party content in this assessment material, OCR will be happy to correct its mistake at the earliest possible opportunity. For queries or further information please contact the Copyright Team, First Floor, 9 Hills Road, Cambridge CB2 1GE. OCR is part of the Cambridge Assessment Group; Cambridge Assessment is the brand name of University of Cambridge Local Examinations Syndicate (UCLES), which is itself a department of the University of Cambridge.