OCT 22, 2018 Monday 古風合唱團 pm. Three-time GRAMMY Nominee

Co-presented by Three-time GRAMMY Nominee 古風合唱團 Some of the most stunningly beautiful and moving choral singing I have ever heard. American Record Guide Photo: Marco Borggreve OCT 22, 2018 Monday 8pm Concert Hall, Hong Kong City Hall 香港大會堂音樂廳 Premiere Performances of Hong Kong is financially supported by the Art Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region 飛躍演奏香港獲香港特別行政區政府 藝術發展配對資助計劃 的資助 Partner PR Partner Collaborator www.tallisvocalis.com www.pphk.org

Photo: Marco Borggreve 場地規則為了令大家對今次演出留下美好印象, 我們希望各位切勿在場內攝影 錄音或錄影, 亦請勿吸煙或飲食 在節目進行前, 請關掉手提電話 其他響鬧及發光的裝置 多謝各位合作 今晚的音樂會由香港電台第四台 (FM97.6-98.9 兆赫及 www.rthk.hk) 錄音, 並將於 12 月 14 日 ( 星期五 ) 晚上 8 時播出及 12 月 19 日 ( 星期三 ) 下午 2 時重播 HOUSE RULES In order to make this performance a pleasant experience for the artists and other members of the audience, please refrain from recording, filming, taking photographs, and also from smoking, eating or drinking in the auditorium. Please ensure that your mobile phones and any other sound and light emitting devices are switched off before the performance. Thank you for your kind co-operation. Thank you so much for joining us at this concert. It will be greatly appreciated if you could take a minute to fill out the electronic survey after the concert. Tonight s concert is recorded by RTHK Radio 4 (FM Stereo 97.6-98.9 MHz and www.rthk.hk) and will be broadcast on 14th Dec (Fri) at 8 pm with a repeat on 19th Dec (Wed) at 2 pm.

古風合唱團 - 天籟神韻 Stile Antico With The Voice Of Melody 節目 Programme 威廉 拜爾德 警醒 4' William Byrd Vigilate 雅各布 克萊門斯 農 帕帕 我是沙崙的玫瑰花 6' Jacob Clemens non Papa Ego flos campi 塞瓦斯蒂安 德 維萬柯 來吧, 我的良人 5' Sebastián de Vivanco Veni, dilecte mi 羅伯特 拉姆西 睡吧, 孩子 6' Robert Ramsey Sleep, fleshly birth 奧蘭多 紀邦斯 萬民哪, 你們都要鼓掌! 6' Orlando Gibbons O clap your hands 威廉 拜爾德 耶和華, 求你不要大發震怒 10' William Byrd Ne irascaris, Domine 中場休息 Intermission 尼古拉斯 貢貝爾 第一調式尊主頌 12' Nicolas Gombert Magnificat Primi Toni 祖士昆 德普瑞 千種遺憾 2' Josquin des Prez Mille regretz 阿德里安 維勒特 惹人厭的老太婆 2' Adrian Willaert Vecchie letrose 皮埃爾 桑德林 甜美的回憶 3' Pierre Sandrin Doulce mémoire 霍 韋健士 鳳凰和斑鳩 6' Huw Watkins The Phoenix and the Turtle 克里斯托巴爾 德 莫拉萊斯 萬福, 十字架 4' Cristóbel de Morales O crux, ave 湯馬斯 路易斯 德 維多利亞 所有過路的人哪 4' Tomás Luis de Victoria O vos omnes 弗朗西斯科 格雷羅 抹大拉的馬利亞 7' Francisco Guerrero Maria Magdalene 節目內容並不反映香港特別行政區政府的意見 The content of this programme does not reflect the views of the Government of the Hong Kong Special Administrative Region 1

塔利斯合唱團致辭 Message from Tallis Vocalis Dear friends, Tallis Vocalis takes great pride in bringing to Hong Kong the leading exponents of Renaissance polyphony, Stile Antico, in partnership with our co-presenter, Premiere Performances of Hong Kong. Personally, tonight marks another step in an interesting and productive musical relationship with Stile Antico. My first encounter with the ensemble was in 2010 at their Kings Place concert in London. Their enthralling performance inspired me to create Tallis Vocalis, the first group in Hong Kong dedicated to the performance of Renaissance vocal music. For Tallis Vocalis inaugural concert in 2014 we invited Andrew Griffiths, one of the founding members of Stile Antico, to be our guest conductor. Four years on, we are thrilled to welcome him back to Hong Kong together with the entire group to showcase some of the best Renaissance polyphony ever written. I wish you all a most enjoyable evening filled with the voice of melody. Raymond Choi Founder, Chairman and CEO Tallis Vocalis 2

飛躍演奏香港致辭 Message from Premiere Performances of Hong Kong Dear friends and music lovers, We are delighted to be collaborating for the first time with Tallis Vocalis to bring renowned early music ensemble Stile Antico to Hong Kong for their debut performance. Since 2009, Premiere Performances has been a pioneer in bringing chamber music to the audiences of Hong Kong. Just like chamber musicians, the twelve members of Stile Antico work together without a conductor, with no single dominant voice. So they are the perfect ensemble to be our very first choral concert. We are grateful for the continued support of the Hong Kong Government through the Art Development Matching Grants Scheme. We would also like to thank Hysan for being our Partner this year, the British Council for their marketing support and Fleishman Hillard for their PR support. Please be sure to check our website for details of our upcoming concerts. We have a stellar lineup including famed mezzo-soprano Joyce DiDonato s In War & Peace with Il Pomo d Oro baroque orchestra coming in January. Enjoy the music! Andrea D Fessler Executive Director and Founder Premiere Performances of Hong Kong 3

Photo: Marco Borggreve 古風合唱團 Stile Antico 古風合唱團是全球最出色並最具創意 的合唱組合之一 合唱團由十二位成 員組成 在沒有指揮的帶領下已走遍 全球四大洲 以清新 活潑和動人的 演繹為聽眾獻上文藝復興時期的複調 合唱音樂 他們在樂滿地唱片公司推 出的暢銷作品大獲好評 曾獲獎項包 括留聲機早期音樂獎 金音叉獎 愛 迪生古典音樂獎和德國唱片評論家 獎 他們曾三度獲提名格林美獎 又 曾在麥迪遜廣場花園的第六十屆格林 美獎中現場表演 Stile Antico is firmly established as one of the world s most accomplished and innovative vocal ensembles. Working without a conductor, its twelve members have thrilled audiences on four continents with their fresh, vibrant and moving performances of Renaissance polyphony. Its bestselling recordings on the Harmonia Mundi label have earned accolades including the Gramophone Award for Early Music, Diapason d or de l année, Edison Klassiek Award, and Preis der deutschen Schallplattenkritik. The group has received three Grammy nominations, and performed live at the 60th Grammy Awards at Madison Square Garden. 來自倫敦的古風合唱團經常在享譽國 際的場地和音樂節演出 他們與威格 摩音樂廳的聯繫特別緊密 又曾在英 國廣播公司逍遙音樂節 白金漢宮 阿姆斯特丹皇家音樂廳 里爾美術 宮 巴黎音樂城 盧森堡愛樂音樂廳 和萊比錫布業大廈音樂廳演出 合唱 團經常被邀請於歐洲各大音樂節表 演 如琉森復活音樂節 及在安特衛 普 布魯日 烏得勒支和約克舉行的 早期音樂節 Based in London, Stile Antico has appeared at many of the world s most prestigious venues and festivals. The group enjoys a particularly close association with the Wigmore Hall, and has performed at the BBC Proms, Buckingham Palace, Amsterdam Concertgebouw, the Palais des Beaux-Arts, Cité de la Musique, Luxembourg Philharmonie, and Leipzig Gewandhaus. Stile Antico is frequently invited to appear at Europe s leading festivals: highlights include the Lucerne Easter Festival and the Antwerp, Bruges, Utrecht and York Early Music Festivals. 合唱團自2009年藉波士頓早期音樂 節踏足北美後 經常到訪美加各地 他們常到波士頓和紐約演出 又曾在 華盛頓的國家大教堂和國會圖書館 溫哥華陳氏表演藝術中心 魁北克聖 樂音樂節 和美國二十四個州的音樂 會系列表演 合唱團又曾參與墨西哥 塞萬提斯音樂節演出 2018年 他 們在哥倫比亞作南美首演 Since making its North American debut at the Boston Early Music Festival in 2009, Stile Antico has enjoyed frequent tours to the US and Canada. The group performs regularly in Boston and New York, and has appeared at Washington s National Cathedral and Library of Congress, Vancouver s Chan Centre, the Quebec Festival of Sacred Music, and in concert series spanning twenty-four US states. Stile Antico has also appeared at the Cervantino festival in 5 Stile Antico_House programme_1018_op.indd 5 18/10/2018 5:04 PM

古風合唱團的演繹以直接而具表演力見稱, 對歌詞有敏銳的觀察及充滿想像力的詮釋 這些特質來自團員的合作風格 : 成員像室內樂一樣排練 演出, 各人對整體效果都有藝術貢獻 他們的節目編排亦極具感染力, 經常在作品之間找出主題的聯繫, 為文藝復興時期的音樂添上新色彩 除了核心曲目外, 古風合唱團曾為約翰 麥凱布和霍 韋健士的作品進行首演, 最近亦首演了尼可 穆利為記念合唱團成立十周年所寫的 酣睡 古風合唱團常與不同領域的藝術家合作, 包括紋飾合奏團 霍爾格合奏團 鋼琴家馬利諾 福爾門蒂 巴 羅克樂團和史汀 除了舉辦音樂會和灌錄唱片之外, 古風合唱團亦熱衷與廣大聽眾接觸, 分享他們的作品和工作風格, 合唱團舉辦的大師班和工作坊都廣受歡迎 他們定期在達廷頓國際暑期學校舉辦課堂, 又曾任塞諾維亞音樂暑期學校的駐校合唱團, 並經常獲邀到各大學 音樂節和早期音樂論壇與其他合奏團合作 在古風合唱團慈善基金的支持下, 合唱團能進一步栽培年輕人, 為具潛力的合奏歌唱家提供年度獎學金 2018 至 19 年樂季, 古風合唱團的演出多姿多彩, 包括首次踏足香港 澳門和南韓演出 ; 於倫敦國王廣場音樂廳的 展現維納斯 音樂節中首演喬安娜 馬修的新作 ; 又會再次參與波士頓早期音樂節 合唱團將於 2019 年初推出在樂滿地的第十三張唱片 在異地中 中譯 : 張婉麗 Mexico, and in 2018 made its South American debut with performances in Colombia. Stile Antico s performances are often praised for their immediacy, expressive commitment, and their sensitive and imaginative response to text. These qualities arise from the group s collaborative working style: members rehearse and perform as chamber musicians, each contributing artistically to the musical results. The group is also noted for its compelling programming, which often draws out thematic connections between works to shine new light on Renaissance music. In addition to its core repertoire, Stile Antico has premiered works by John McCabe, Huw Watkins, and, most recently, Nico Muhly, whose Gentle Sleep was written to mark the group s tenth birthday. Stile Antico s diverse range of collaborators includes Fretwork and the Folger Consort, pianist Marino Formenti, B Rock Orchestra, and Sting. Alongside its concert and recording work, Stile Antico is passionate about sharing its repertoire and working style with the widest possible audience, and its masterclasses and workshops are much in demand. As well as leading regular courses at the Dartington International Summer School, the group has been resident at Zenobia Música, and is often invited to work alongside ensembles at universities, festivals, and early music forums. The support of the charitable Stile Antico Foundation has enabled Stile Antico to expand its work with younger people, and to offer annual bursaries to talented consort singers. Highlights of Stile Antico s 2018 19 season include the group s first concerts in Hong Kong, Macau, and South Korea, the premiere of a new work by Joanna Marsh as part of the Venus Unwrapped festival at London s Kings Place, and a return to the Boston Early Music Festival. The group s thirteenth recording for Harmonia Mundi, In A Strange Land, is released early in 2019. https://www.stileantico.co.uk/ 6

節目簡介 Programme Notes 今晚的音樂會集合若干我們鍾愛的曲目, 展示出文藝復興時期歐洲不同風格種類的合唱音樂 上半場的節目中, 來自英國的曲目佔據大半, 開篇與結尾的作品均為威廉 拜爾德 (c.1540 1623) 所寫的經文歌 拜爾德是英國最偉大的複調音樂作曲家, 他為信奉新教的英女皇伊利沙白一世服務, 在皇家禮拜堂中供職, 而他本人私底下卻是天主教社區的活躍成員 在伊利沙白一世治下, 天主教處於被查禁的狀態 割裂的忠誠因此成為拜爾德的創作特徵, 他的音樂時常間接表達對於天主教的支持 在當時頗具顛覆性的 聖歌曲集 (1589 年出版 ) 中, 再清楚不過地體現出來 今晚演唱的兩首拜爾德作品, 均出自這部曲集 兩首樂曲的歌詞雖取自聖經經文, 但對他那些受迫害的天主教友人卻有明顯的共鳴 在 警醒 中, 歌詞規勸真正懷有信仰的人留意天主的重臨, 祂將歸來審判一切 拜爾德施展渾身解數, 把公雞的鳴叫丶信仰者因失望而垂頭喪氣的模樣丶以及因天主忽然重臨而產生的驚詫, 以牧歌方式生動地呈現出來 耶和華, 求你不要大發震怒 是作曲家最令人讚歎的創作之一, 以苦痛與悲喜參半交纏的音樂, 哀悼被毀的耶路撒冷城以及流亡的以色列人, 亦是對當時天主教徒精神流亡的暗喻 Tonight s concert brings together some of our favourite works, and provides a fascinating window onto the different styles and genres of choral music in Renaissance Europe. English music predominates in the first half of our programme, which begins and ends with motets written by the greatest of all the English polyphonists, William Byrd (c.1540 1623). Byrd served the Protestant Queen Elizabeth I as a Gentleman of the Chapel Royal, but himself remained an active member of the undercover Catholic community, which was banned under her regime. This split loyalty characterised his career, and his music often expresses coded support for the Catholic cause never more clearly than in the subversive Cantiones sacrae publication of 1589, from which both of tonight s Byrd works are taken. Each has words which, whilst scrupulously Biblical, would have carried obvious resonance for his persecuted Catholic friends. In Vigilate, the text exhorts true believers to keep watch for the return of the master who will judge all; here Byrd pulls out all the stops, depicting the crowing of the cockerel, the drooping head of the lethargic believer, and the sudden panic at the unexpected return of the master, in vivid madrigalian fashion. Ne irascaris, Domine is one of Byrd s most sublime creations, lamenting the destruction of Jerusalem and the exile of the Israelites (a common metaphor for the spiritual exile of the Catholics) in music alternately anguished and exquisitely bittersweet. 奧蘭多 紀邦斯 (1583 1625) 是拜爾德之後那一代英國作曲家中的佼佼者 他創作的 萬民哪, 你們都要鼓掌! 取材自 詩篇 第四十七篇 樂曲熱情洋溢, 且有著令人難以置信 Orlando Gibbons (1583 1625) was the leading English composer of the generation following Byrd. His exuberant setting of Psalm 47, O clap your hands together, has an unlikely history: two accounts relate that Gibbons wrote it for his friend 7

的創作歷程 據傳紀邦斯創作這首作品, 是為幫助他的朋友威廉 希瑟於 1622 年獲取牛津大學頒授的音樂博士學位 依照慣例, 博士學位候選人必須先呈上一首八聲部的作品才能獲頒學位, 可是希瑟雖然是一位知名歌唱家, 但似乎不太懂得作曲 然而, 這個傳聞不太可能屬實 另一個較可信的版本是, 希瑟獲得的是榮譽博士學位, 紀邦斯創作這首讚美詩只不過是例行公事罷了 希瑟後來贊助牛津大學的首個音樂講座教席 作曲家羅伯特 拉姆西 (c.1590 1644) 較少為人所知, 才華卻並不遜色 他可能出生在蘇格蘭的一個宮廷音樂家族, 跟隨蘇格蘭國王詹姆士六世來到英格蘭 ( 詹姆士六世於 1603 年繼承英格蘭的國王, 稱詹姆士一世 ) 在拉姆西為數不多的作品中, 最為人熟悉的是為紀念在 1612 年英年早逝的威爾士親王亨利 ( 詹姆士一世兒子 ) 所創作的樂曲 其中牧歌 睡吧, 孩子 尤其優美, 展示出他對於和聲以及修辭技巧的絕佳掌控力 上半場餘下的樂曲是兩部來自歐洲大陸的作品, 取材自舊約中的情詩 雅歌 文藝復興時期的經文歌, 常以此為藍本創作 西班牙作曲家塞瓦斯蒂安 德 維萬柯 (c.1551 1622) 的雙合唱團經文歌 來吧, 我的良人 的應答輪唱式寫法, 預示了早期巴洛克音樂風格 的確, 人們無須費力便能想象出這首樂曲以通奏低音 短號及長號演奏的情形 維萬柯將文本中感性且世俗的一面呈現出來, 傳遞出一種令人震顫的興奮 相比下, 佛萊德作曲家雅各布 克萊門斯 農 William Heyther to present in order to supplicate for his DMus at Oxford in 1622. Convention dictated that in order to receive the doctorate, an 8-part composition be presented, but Heyther although a renowned singer was apparently no composer. That a genuine subterfuge occurred, however, is unlikely: it seems most probable that Heyther s DMus was an honorary degree, and Gibbons anthem served to fulfil a formality; Heyther later went on to endow the first chair in music at Oxford. Less familiar, though hardly less talented, is Robert Ramsey (c.1590 1644), who probably hailed from a family of Scottish court musicians who travelled to England with James VI of Scotland when he assumed the English throne as James I in 1603. Best-known amongst his relatively small output are the works he wrote in honour of James son, Henry, Prince of Wales, who had tragically died in 1612. The exceptionally fine madrigal Sleep, fleshly birth is one such work, showing a powerful and affecting mastery of harmony and rhetoric. Completing the first half of this evening s concert are two Continental settings of the beautiful Old Testament love poem, the Song of Songs one of the most often-set sources of motet texts in the Renaissance. The thrilling double-choir motet Veni, dilecte mi, by the Spaniard Sebastián de Vivanco (c.1551 1622), heralds the early baroque with its antiphonal writing indeed, one could easily envisage the piece performed with basso continuo, cornets and trombones. Vivanco brings out the sensual and worldlier qualities of the text, thrillingly conveying its heady excitement. Ego flos campi by the Flemish composer Jacob Clemens non Papa (c.1510 1555/6) is equally masterful, though far more chaste in character: here it is the static harmonies, never straying far 8

帕帕 (c.1510 1555/6) 的作品 我是沙崙的玫瑰花 儘管在性格上遠較高潔雅緻, 卻同樣精彩 此曲的和聲是靜態的, 一直停留在溫暖的 熟悉的主和弦, 營造出豐盈的美感 對於克萊門斯而言, 這首作品的歌詞與他有特別的關聯 : 作品似乎是他為斯海爾托亨博斯的聖母兄弟會所寫 ( 作曲家 1550 年曾在那裡短暫工作 ), 歌詞中出現了兄弟會的箴言 荊棘裏的百合花, 而克萊門斯為了突出此箴言, 在樂曲中段的主調音樂用了這句唱詞三次 大致說來, 歐洲大陸的作曲家與他們的英國同行相比, 遊歷的經驗更多, 尼古拉斯 貢貝爾 (c.1495 c.1560) 也不例外 像許多來自低地國家的音樂家一樣, 他最終選擇在西班牙皇家禮拜堂供職 提到貢貝爾, 不禁令人想起他曾因侵犯一名男童這件不道德的事件, 而被定罪並送去苦役 據說, 他是憑藉出色的作曲技巧, 創作出一套八首的 尊主頌, 才得到皇帝查理五世的赦免, 於 1540 年代回到皇帝身邊服務 教會調式共有八個, 他為每個調式都創作了一首 尊主頌, 華麗的 第一調式尊主頌 以典型的 輪唱 手法創作 : 單數行的詩節以素歌的方式誦唱, 而雙數行的詩節則配上複調音樂 在最末的四個複調音樂部分, 貢貝爾由三個聲部順序增加至六個聲部, 建立起一個總體結構的感覺, 效果扣人心弦 from the warm, familiar tonic chord, that lend it such an opulent beauty. For Clemens, this text had a very particular association: he probably wrote his setting for the Marian Brotherhood in 's-hertogenbosch, where he worked briefly in 1550. The motto of the Brotherhood sicut lilium inter spinas appears as part of the text, and Clemens makes sure that it is given pride of place, sung three times in homophony at the centre of the piece. Continental composers were generally bettertravelled than their English counterparts, and Nicholas Gombert (c.1495 c.1560) was no exception; like many musicians from the Low Countries, he ended up working for the Spanish Royal Chapel. It is perhaps inevitable that the thing most often remembered about him is the most unsavoury that he was convicted of violating a young boy, and sent to the galleys. It is said that it was through his exceptional skills as a composer, demonstrated through his cycle of eight Magnificat settings, that he was able to earn his pardon from Emperor Charles V, to whose service he returned in the 1540s. The sumptuous Magnificat primi toni ( on the first tone Gombert wrote one Magnificat for each of the eight church modes) is composed in typical alternatim fashion: the oddnumbered verses are sung to plainchant, whilst the even-numbered ones are set as polyphony. Gombert provides a sense of overarching structure by building up the texture in the final four polyphonic sections sequentially from three to six parts, to thrilling effect. 佛萊德樂派作曲家祖士昆 德普瑞 (c.1450 1521) 所寫的一首憂鬱的香頌 千種遺憾, 相傳是查理五 The melancholy chanson Mille regretz by the Franco-Flemish composer Josquin des Prez (c.1450 1521) is reputed to have been Charles V s favourite 9

世最喜歡的樂曲, 不久更得到一個副標題 皇帝的歌 今晚我們演唱的另一首熱門香頌 ( 指法語世俗歌曲 ) 法國作曲家皮埃爾 桑德林 (c.1490 c.1561) 的作品 甜美的回憶, 與 千種遺憾 擁有相似的哀婉氣質 在十六世紀, 這兩首作品擁有眾多複製與改編的版本, 證明它們在當時廣受歡迎 祖士昆與桑德林常常前往意大利工作, 荷蘭作曲家阿德里安 維勒特 (c.1490 1562) 亦然 維勒特曾經擔任威尼斯聖馬可大教堂的樂正, 頗具影響力 惹人厭的老太婆 是他創作的一首那不勒斯風格的 維拉內拉 ( 指鄉村歌曲 ) 樂曲, 置於兩首哀傷的香頌之間, 就像一劑徹㡳不恭不敬的解藥 鳳凰和斑鳩 是作曲家霍 韋健士 ( 生於 1976 年 ) 新近為我們創作的樂曲, 取材自莎士比亞一首迷般的詩作, 表面上看是描述兩隻雀鳥的葬禮, 但肯定另有寓意 有些學者認為莎士比亞可能是一名天主教的支持者, 而詩作的文本應解讀為影射天主教中的人物 或許是一位名叫安蘭 萊尼 (c.1563 1601) 的殉道者 ( 她的丈夫於 1594 年死在佛蘭德斯 ) 要是這樣, 詩歌開首第一節 讓那歌喉最響亮的鳥雀 則肯定是指拜爾德 ( 鳥雀與拜爾德的英文讀音相同 ), 因他與天主教的關聯已是公開的秘密 韋健士生動地描摹葬禮現場的忙亂景象, 繼而為莎士比亞詩末的 哀歌 配以溫柔抒情的音樂 我們以西班牙作曲家的三首作品, 為整場音樂會作結 每一首樂曲均適合 piece of music it soon acquired the subtitle La canción del emperador. We pair it with another hit chanson in similarly plangent vein: Doulce mémoire by the Frenchman Pierre Sandrin (c.1490 c.1561). Both of these works exist in numerous sixteenthcentury copies and arrangements, attesting to their widespread contemporary popularity. Josquin and Sandrin each worked extensively in Italy, as did the Netherlander Adrian Willaert (c.1490 1562), who was hugely influential in his role as maestro di cappella at St Mark s in Venice. His Vecchie letrose, a Neapolitan-style villanescha, provides a thoroughly irreverent antidote to the mournful chansons which surround it. The Phoenix and the Turtle was recently composed for Stile Antico by Huw Watkins (b.1976). It is a setting of an enigmatic poem by William Shakespeare, which ostensibly tells of the funeral rites of two birds, but is surely allegorical. Some scholars have contended that Shakespeare might have been a Catholic sympathiser, and that this text should be read as referring to Catholic figures perhaps the Catholic martyr Anne Line (c.1563 1601) whose husband had died in Flanders in 1594. In that case, the bird of loudest lay of the opening stanza is surely a reference to William Byrd ( lay is an old word for a song), whose Catholic connections were an open secret. Watkins depicts vividly the bustle of the funeral arrangements, before clothing Shakespeare s concluding threnos in music of tender lyricism. We conclude with three works by Spanish composers, each appropriate to the season of Passiontide. Cristóbal de Morales (c.1500 1553) was the first great composer of the Spanish Renaissance, working in Ávila, Toledo and Málaga, as well as for the papal 10

在受難期演出 克里斯托巴爾 德 莫拉萊斯 (c.1500 1553) 是西班牙文藝復興時期第一位傑出的作曲家, 曾在阿維拉 托萊多以及馬拉加等地工作, 也曾受聘於教廷西斯汀教堂合唱團 音樂理論家胡安 伯姆多曾在 1555 年稱讚莫拉萊斯是 西班牙的音樂之光 他的作品 萬福, 十字架 是面向十字架的沉思, 以精煉的技巧展開綿長的對位線條, 營造出不可擋的激動情感 湯馬斯 路易斯 德 維多利亞 (c.1548 1611) 創作生涯的大部分時期都居住在羅馬, 是當代最優秀的作曲家之一 所有過路的人哪 選自他的 受難經禮儀對答經, 是為耶穌受難日之禮儀所作 在此禮拜儀式中, 被釘在十字架上的耶穌之口道出 耶利米哀歌 中苦澀的話, 維多利亞則以極戲劇性的音樂回應 整場音樂會的最後, 帶來復活節早晨的歡愉 : 弗朗西斯科 格雷羅 (1528 1599) 以晴朗朝氣的 抹大拉的馬利亞 講述兩位女子來到耶穌的墓穴, 卻發覺裡面空空如也 choir in Rome; writing in 1555, the theorist Juan Bermudo called him the light of Spain in music. His O crux, ave, a meditation on the cross of Christ, unfolds long contrapuntal lines with masterful control, building inexorable emotional intensity. Tomás Luis de Victoria (c.1548 1611) spent a large portion of his career in Rome, gaining a reputation as one of the finest composers of his day. O vos omnes is taken from his Tenebrae Responsories and was intended for performance on Good Friday. The liturgy places anguished words from the book of Lamentations into the mouth of the crucified Christ, and Victoria responds with music of great rhetorical impact. Finally comes the joy of Easter morning, in the form of the sunny Maria Magdalene by Francisco Guerrero (1528 1599), telling of the arrival of the two women to find Christ s tomb empty. Programme Notes by Stile Antico 節目簡介由古風合唱團提供中譯 : 李夢 11

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Cho-Liang Lin Avi Avital Joyce DiDonato Dover Quartet Julian Steckel David Shifrin In War & Peace: Harmony through Music Joyce DiDonato, mezzo soprano Il Pomo d Oro, chamber orchestra Maxim Emelyanychev, conductor & harpsichord JAN 16 Wed 8pm HK City Hall Concert Hall $180-$980 Satoshi Takeishi Yura Lee JAN 18 Fri 8pm JC Cube, Tai Kwun $380-$480 The Colour of Sound JAN 20 Sun 8pm Concert Hall, HKAPA $100-$380 Outside Elements Paul Huang Li-Wei Qin Tianwa Yang R. Strauss: Sextet from Capriccio Paul Huang, Joel Link, Yura Lee, Milena Pajaro-van de Stadt, Li-Wei Qin, Camden Shaw David Bruce: Cymbeline (Asian Premiere) Avi Avital, Dover Quartet Tsintsadze: Six miniature folk songs Avi Avital, Dover Quartet Intermission Dvořák: Quartet in Ab major, Op 105 Dover Quartet Mark-Anthony Turnage: Slide Stride Martin Beaver, Cho-Liang Lin, Lise Berthaud, Julian Steckel, Andreas Haefliger Bartók: Romanian Folk Dances Avi Avital, Dover Quartet, George Lomdaridze George Tsontakis: Portraits by El Greco (Asian Premiere) David Shifrin, Paul Huang, Yura Lee, Li-Wei Qin, Evelyn Chang Intermission Korngold: Suite for 2 violins, cello and piano, Op 23 Martin Beaver, Cho-Liang Lin, Julian Steckel, Andreas Haefliger Lise Berthaud Andreas Haefliger Alex Brown Martin Beaver Hector del Curto Pablo Aslan JAN 22 Tue 8pm HK City Hall Concert Hall $100-$480 Forward Movement Vivaldi: Mandolin Concerto in C major, RV 425 Avi Avital, Dover Quartet, George Lomdaridze Dvořák: Terzetto, Op 74 Paul Huang, Tianwa Yang, Yura Lee Spohr: Double Quartet in D minor, Op 65 Tianwa Yang, Andrew Ling, Lise Berthaud, Li-Wei Qin, Dover Quartet Intermission Elgar: Piano Quintet in A minor, Op 84 Cho-Liang Lin, Martin Beaver, Lise Berthaud, Julian Steckel, Andreas Haefliger JAN 24 Thu 8pm HK City Hall Concert Hall $100-$580 Viva Tango! The Music of Schifrin & Piazzolla Lalo Schifrin: Letters from Argentina Tango del Atardecer, Pampas, Tango Borealis, Danza de los Montes, Tango a Borges, Malambo de los Llanos Intermission Astor Piazzolla: Selected Tangos Michelangelo 70, Verano Porteño, Adios Nonino, La Muerte del Angel, Oblivion, Libertango Hector del Curto, bandoneon Alex Brown, piano Cho-Liang Lin, violin David Shifrin, clarinet Pablo Aslan, bass Satoshi Takeishi, percussion Evelyn Chang George Lomdaridze Andrew Ling beare's premiere music festival 比爾斯飛躍演奏音樂節 Tickets are available from 25 October 2018 Premiere Performances of Hong Kong www.pphk.org Programme Enquiries 節目查詢 9545 6851 / info@pphk.org Premiere Performances of Hong Kong HK Ticketing www.hkticketing.com Ticketing Purchase Hotline 購票熱線 31 288 288 Only for Jan 20 concert at HKAPA URBTIX www.urbtix.hk Ticketing Enquiries 票務查詢 3761 6661 Credit Card Telephone Booking 信用咭電話購票 2111 5999 For concerts at Hong Kong City Hall and JC Cube, Tai Kwun

歌詞 Song Text William Byrd (c.1540 1623) Vigilate Vigilate, nescitis enim quando dominus domus veniat, sero, an media nocte, an gallicantu, an mane. Vigilate ergo, ne cum venerit repente, inveniat vos dormientes. Quod autem dico vobis, omnibus dico: vigilate. Watch ye therefore for you know not when the lord of the house cometh, at even, or at midnight, or at the cock crowing, or in the morning: Watch therefore, lest coming on a sudden, he find you sleeping. And what I say to you, I say to all: Watch. Mark 13:35-37 Jacob Clemens non Papa (c.1510 1555/6) Ego flos campi Ego flos campi et lilium convallium; sicut lilium inter spinas, sic amica mea inter filias: fons hortorum et puteus aquarum viventium; quæ fluunt impetu de Libano. I am a flower of the field and a lily of the valley; as a lily among the thorns, so is my beloved among the daughters: a garden fountain and a well of living water, flowing streams from Lebanon. Song of Songs 2:1-2, 4:15 Sebastián de Vivanco (c.1551 1622) Veni, dilecte mi Veni, dilecte mi, egrediamur in agrum, commoremur in villis. Mane surgamus ad vineas. Videamus si floruit vinea, si flores fructus parturiunt, si floruerunt mala punica: ibi dabo tibi ubera mea. Come, my beloved, let us go out into the field, let us lodge in the villages. Let us arise early and go into the vineyards. Let us see if the vines have flourished, if the flowers have put forth their fruit, if the pomegranate is in bloom; There I will give you my breasts. Song of Songs 7:11-12 14

Robert Ramsey (c.1590 1644) Sleep, fleshly birth Sleep, fleshly birth, in peaceful earth And let thine ears list to the music of the spheres, While we around this fairy ground Thy doleful obit keeping, make marble melt with weeping. With num rous feet we ll part and meet. Then chorus-like in a ring thy praises sing, While show rs of flow rs bestrew thee, We ll thus with tears bedew thee. Rest in soft peace, sweet youth, and there remain Till soul and body meet to join again. Anon Orlando Gibbons (1583 1625) O clap your hands O clap your hands together, all ye people; O sing unto God with the voice of melody. For the Lord is high and to be feared; he is the great king upon all the earth. He shall subdue the people under us, and the nations under our feet. He shall choose out an heritage for us, even the worship of Jacob, whom he loved. God is gone up with a merry noise, and the Lord with the sound of the trumpet. O sing praises, sing praises unto our God; O sing praises, sing praises unto our king. For God is the king of all the earth; sing ye praises with the understanding. God reigneth over the heathen; God sitteth upon his holy seat. For God, which is highly exalted, doth defend the earth as it were with a shield. Photo: Marco Borggreve Glory be to the Father, and to the Son, and to the Holy Ghost; as it was in the beginning is now, and ever shall be, world without end. Amen. 15

William Byrd (c.1540 1623) Ne irascaris, Domine Ne irascaris, Domine satis, et ne ultra memineris iniquitatis nostrae. Ecce respice populus tuus omnes nos. Civitas sancti tui facta est deserta. Sion deserta facta est, Jerusalem desolata est. Be not very angry, O Lord, and remember no longer our iniquity: Behold, see we are all thy people. The city of thy sanctuary is become a desert, Sion is made desert, Jerusalem is desolate. Isaiah 64: 9-10 Nicholas Gombert (c.1495 1560) Magnificat primi toni Magnificat anima mea Dominum Et exultavit spiritus meus in Deo salutari meo. Quia respexit humilitatem ancillæ suæ: ecce enim ex hoc beatam me dicent omnes generationes. Quia fecit mihi magna qui potens est, et sanctum nomen eius. Et misericordia eius a progenie in progenies timentibus eum. Fecit potentiam in bracchio suo, dispersit superbos mente cordis sui. Deposuit potentes de sede et exaltavit humiles. Esurientes implevit bonis et divites dimisit inanes, Suscepit Israel puerum suum recordatus misericordiæ suæ, Sicut locutus est ad patres nostros, Abraham et semini eius in sæcula. Gloria Patri, et Filio, et Spiritui Sancto: Sicut erat in principio, et nunc, et semper, et in sæcula sæculorum. Amen. My soul doth magnify the Lord and my spirit hath rejoiced in God my Saviour. For he hath regarded the lowliness of his handmaiden. For behold, from henceforth all generations shall call me blessed. For he that is mighty hath magnified me and holy is his Name. And his mercy is on them that fear him throughout all generations. He hath showed strength with his arm he hath scattered the proud in the imagination of their hearts. He hath put down the mighty from their seat and hath exalted the humble and meek. He hath filled the hungry with good things and the rich he hath sent empty away. He remembering his mercy hath holpen his servant Israel as he promised to our forefathers, Abraham and his seed, forever. Glory to the Father, and to the Son, and to the Holy Spirit: As it was in the beginning, is now, and will be forever. Amen 16

Josquin des Prez (c.1450 1521) Mille regretz Mille regretz de vous abandonner, et d'eslonger vostre fache amoureuse. J ay si grand dueil et peine douloureuse, qu on me verra brief mes jours definer. A thousand regrets at leaving you and being parted from your loving face. I have such great sadness and painful sorrow, that it seems to me my days will shortly come to an end. Adrian Willaert (c.1490 1562) Vecchie letrose Vecchie letrose, non valete niente Se non a far l aguaito per la chiazza. Tira, tira, tir alla mazza, Vecchie letrose, scannaros e pazze! Spiteful old hags, you are good for nothing, Only for lying in wait in the thicket. Beat, beat, beat with your canes, Spiteful old hags, murderous and mad! Pierre Sandrin (c.1490 1560) Doulce mémoire Doulce mémoire en plaisir consommée, O siècle heureux qui cause tel sçavoir. La fermeté de nous deux tant aymée Qui à nos maux a su si bien pourvoir. Or maintenant a perdu son pouvoir Rompant le but de ma seulle espérance, Servant d exemple à tous piteux a voir. Fini le bien, le mal soudain commence. Sweet memory consummated in joy, O happy time of such understanding; The loving steadfastness of our united love, Which knew so well how to attend our ills. But now alas has lost its former strength Severing the thread of my only hope. A sad example all afflicted see, Cease therefore joy, for sudden evil comes. Attrib. Francis I 17

Huw Watkins (b.1976) The Phoenix and the Turtle Let the bird of loudest lay, On the sole Arabian tree, Herald sad and trumpet be, To whose sound chaste wings obey. But thou shrieking harbinger, Foul procurer of the fiend, Augur of the fever s end, To this troop come thou not near? From this session interdict Every fowl of tyrant wing, Save the eagle, feather d King: Keep the obsequy so strict. Let the priest in surplice white, That defunctive music can, Be the death-divining swan, Lest the requiem lack his right. And thou, treble-dated crow That thy sable gender mak st With the breath thou giv st and tak st, Mongst our mourners shalt thou go. Here the anthem doth commence: Love and constancy is dead; Phoenix and the turtle fled In a mutual flame from hence. So they lov d, as love in twain Had the essence but in one; Two distincts, division none: Number there in love was slain. Hearts remote, yet not asunder; Distance, and no space was seen Twixt the Turtle and his queen: But in them it were a wonder. So between them love did shine, That the turtle saw his right Flaming in the Phoenix sight; Either was the other s mine. Property was thus appalled, That the self was not the same; Single nature s double name Neither two nor one was called. Reason, in itself confounded, Saw division grow together, To themselves yet either neither, Simple were so well compounded, That it cried, How true a twain Seemeth this concordant one! Love hath reason, reason none, If what parts can so remain. Whereupon it made this threne To the Phoenix and the Dove, Co-supremes and stars of love, As chorus to their tragic scene. THRENOS Beauty, truth, and rarity, Grace in all simplicity, Here enclos d in cinders lie. Death is now the Phoenix nest; And the Turtle s loyal breast To eternity doth rest, Leaving no posterity: Twas not their infirmity, It was married chastity. Truth may seem, but cannot be; Beauty brag, but tis not she; Truth and beauty buried be. To this urn let those repair That are either true or fair; For these dead birds sigh a prayer. William Shakespeare 18

Cristóbal de Morales (c.1500 1553) O crux, ave O crux, ave, spes unica, O redemptoris gloria, auge piis justitiam reisque dona veniam. O cross, hail, our only hope, O glory of the redeemer, grant justice to the faithful and mercy to those awaiting judgment. from Vexilla Regis (Venantius Fortunatus) Tomás Luis de Victoria (c.1548 1611) O vos omnes O vos omnes qui transitis per viam, attendite et videte si est dolor similis sicut dolor meus. Attendite, universi populi, et videte dolorem meum, si est dolor similis sicut dolor meus. O all ye that pass by the way, attend and see if there be any sorrow like to my sorrow. Attend, all ye people, and see my sorrow, if there be any sorrow like to my sorrow. Lamentations 1:12 Francisco Guerrero (1528 1599) Maria Magdalene Maria Magdalene et altera Maria emerunt aromata ut venientes ungerent Jesum. Et valde mane una Sabbatorum veniunt ad monumentum orto iam sole. Alleluia. Et introeuntes in monumentum viderunt juvenem sedentem in dextris coopertum stola candida et obstopuerunt. Qui dicit illis: 'Jesum quem queritis Nazarenum cruxifixum: surrexit, non est hic. Ecce locus ubi posuerunt eum.' Alleluia. Mary Magdalene and the other Mary brought spices so that they might anoint Jesus's body. And very early on the Sabbath, just after sunrise, they came to the tomb. Alleluia. Entering the tomb, they saw a young man sitting on the right side dressed in a white robe. He said to them: You are looking for Jesus of Nazareth, who was crucified: he has risen, he is not here. Look, there is the place they laid him. Alleluia. Mark 16:1-2, 5-6 19

塔利斯合唱團簡介 About Tallis Vocalis 塔利斯合唱團是香港首個致力演繹早期及文藝復興音樂的合唱團體, 由本地資深合唱界工作者蔡明翰先生創立 合唱團主力演繹十五及十六世紀文藝復興複調音樂, 亦會間中演唱早期巴洛克和現代作品 合唱團於 2014 年舉行了創團音樂會, 在英國古風合唱團的安德魯 格里菲斯指揮下演唱英國文藝復興音樂 ;2015 及 2016 年分別與英國指揮家克里斯多夫 華生及傑佛里 韋伯合作演出 ;2017 年在法國五月藝術節中首度亮相, 於愛德華 域咸指揮下演唱文藝復興佛萊德樂派音樂 ; 同年十月與世界著名的早期音樂合唱組合塔利斯學者的總監彼得 菲利普斯合作, 演唱拜爾德及帕特的合唱作品 合唱團近期亦擴闊表演領域, 與其他表演團體合作, 包括本地著名當代舞蹈家 Christine He 及香港城市室樂團 Tallis Vocalis is Hong Kong s first vocal ensemble dedicated to the performance of early and Renaissance music. Founded by local choral enthusiast Raymond Choi, the ensemble focuses on Renaissance polyphony of the 15th and 16th centuries, with the occasional foray into early Baroque and contemporary works. In 2014 Tallis Vocalis gave its inaugural concert with British conductor Andrew Griffiths from Stile Antico in a programme of English Tudor works. In subsequent years there have been collaborations with British conductors Christopher Watson and Geoffrey Webber. In 2017 the ensemble made its debut in Le French May Festival with a Franco-Flemish programme featuring Josquin des Prez conducted by Edward Wickham. Later that year the ensemble worked with Peter Phillips, director of the worldfamous Tallis Scholars, in a concert of music by William Byrd and Arvo Pärt. Recently they have expanded their horizons by collaborating with renowned contemporary dancer Christine He and with the City Chamber Orchestra of Hong Kong. 20

支持我們 Support Us 塔利斯合唱團是一個非牟利的藝術表演團體 我們沒有政府的資助, 經費僅依賴我們合唱團之友和個人贊助的支持 若你想收到關於贊助我們的資料, 請電郵 info@tallisvocalis.com 作為註冊慈善機構, 凡捐款 HK$100 或以上可憑收據申請扣稅 Tallis Vocalis is a non-profit-making performing arts organisation and receives no government funding. We rely solely on the support of our Friends and the sponsorship of individual donors. If you would like to learn more about our Friends Circle Scheme and how to sponsor us, please email info@tallisvocalis.com. As a registered charity, any donation of HK$100 or more to Tallis Vocalis is tax-deductible with receipt. 合唱團之友 Tallis Vocalis Friends Circle Tallis Members ($2,000 or above) Mr Edward Bagnall Mr & Mrs Gus Choi The Hung Family Ms Caroline Raggett Mr & Mrs Raymond Tang Ms Yim Chui Chu 塔利斯合唱團有限公司 Tallis Vocalis Limited 創辦人 主席兼行政總裁蔡明翰 Founder, Chairman & CEO Raymond Choi 聯合創辦人及董事 Co-Founder & Director 總經理 General Manager 何珮姗 Sandy Ho 郭穎愉 Isabel Kwok Palestrina Members ($1,000 $1,999) Dr Samuel Choi Dr Jerome Hoberman 21

飛躍演奏香港簡介 About Premiere Performances of Hong Kong 飛躍演奏香港旨在把國際著名音樂家和演奏新星帶到香港演出及舉辦外展活動 在這個充滿活力的城市裡, 引入文化藝術的氣氛, 以音樂啟發大眾 費詩樂女士於 2007 年成立飛躍演奏香港並註冊為慈善機構, 旨在為這個充滿活力的城市, 引入文化藝術的氣氛, 讓香港成為國際文化發展的重要城市 我們的節目豐富及多樣化, 包括不同樂器的組合 獨特的演出風格及音樂類型, 並由廣受歡迎的國際演奏家和耀眼的新晉音樂家擔綱演出 飛躍演奏香港每年約主辦 100 個活動, 當中包括 : 比爾斯飛躍演奏音樂節 ( 前身為香港國際室內樂音樂節 ) 五至六場音樂會及超過 20 個外展及教育活動 演奏系列 ( 每年四至六場音樂會 ) 親子系列 ( 每年四場音樂會 ) 校園室內樂教育計劃 ( 每年超過 50 場校園音樂會 ) 我們的活動適合香港所有階層, 不論有特殊需要的學生或是香港的精英分子也是我們的觀眾 我們相信每個人不論其身份地位 種族或語言, 都會被世界級的音樂會感動 Premiere Performances brings internationally celebrated artists and the world s brightest rising stars to Hong Kong for solo recitals, chamber music and community outreach, building a vibrant local arts scene and inspiring audience members of all ages with performances that are accessible to all. Founded in 2007 as a registered charity by Andrea D. Fessler, Premiere Performances aims to contribute to a vibrant local classical music scene and establish Hong Kong as a leader in the international cultural landscape. From international favourites to the world s brightest rising stars, our programmes feature a dynamic array of instruments, performance styles and genres. Premiere Performances presents almost 100 events each year including: Beare s Premiere music Festival (formerly The Hong Kong International Chamber Music Festival) 5-6 concerts and over 20 Education & Outreach events Recital Series (4-6 concerts per year) Family Series (3-4 concerts per year) Chamber Music In Schools (50+ in-school performances per year) From special needs students to the elite of Hong Kong, we have programmes aimed at all demographics of Hong Kong society. We believe that everybody, regardless of social class, ethnicity or language, will be moved by the power of a world class live music performance. 22

飛躍演奏香港需要你們的支持! We Need Your Support! 飛躍演奏香港是註冊慈善團體及非牟利機構, 為香港樂迷呈獻國際級獨奏及室內樂演奏會 本機構僅有約一成半開支由音樂會門票收入支付, 餘額有賴捐獻者慷慨解囊, 讓我們繼續將最好的音樂演出帶給香港觀眾 我們獲得政府的 藝術發展配對資助計劃 資助, 您們捐助我們每一分一毫香港政府均會作出 1.5 倍的配對資助, 加倍支持我們的發展 飛躍演奏香港乃註冊慈善機構, 凡捐款港幣 100 元或以上均可提供申報免稅收據 Premiere Performances is a registered charity and a non-profit organisation. Only about 15% of Premiere Performances costs are covered by ticket sales. The generous contributions of our patrons and sponsors help us make up the shortfall so that we can continue to bring the best in the world to Hong Kong for you, its audiences. As we are a recipient of the Art Development Matching Grants Scheme, every dollar you donate to Premiere Performances will be matched 150% by the Hong Kong Government, more than doubling your contribution. As a registered charity, any donation of HK$100 or more to Premiere Performances is tax-deductible with receipt. 飛躍演奏香港有限公司 Premiere Performances of Hong Kong Limited Board of Directors Andrea Fessler Winnie Kwan Harry Lee Ester Li Joanne Ooi Vivek Sharma Ada Tse Young Music Lovers Circle Steering Committee Catherine Cheng Oshan Gunawardana Anna Kong Radhika Mahidhara Philippa Salewicz Fiona Steffensen Jessamy Woolley Pro Bono Legal Counsel Paul Hastings LLP Interns Christine Ngan Ruyue Qiu Tse Ting Staff Andrea Fessler Loretta Cheung Mailys Finel Ainsleigh Hennig Sally Hui Alice Lam Henry Leung Brandon Lin Executive Director and Founder Box Office Manager Development Officer Development Officer Arts Administration Manager Arts Administration Officer General Manager Arts Administration Officer 23

飛躍演奏香港之友 Friends of Premiere Performances 飛躍演奏香港謹此向以下人士的慷慨捐助深致謝忱 Thank you to all of our generous donors whose support allows Premiere Performances to provide the world class range of programming and outreach that we present. Contributions over $50,000 Anonymous (6) Audry Ai & Tom Morrow Andrew Alexander Sarah & Anthony Bolton Jessica Bruser & Heath Zarin The Capital Group Companie Charitable Foundation Rohin Chada Charities Aid Foundation America Ester & Eugene Chung Anne Farlow & Oliver Bolitho Andrea Fessler & Davide Erro Leonie Foong & Wen Tan Great Eagle Holdings Limited Goldman Sachs Matching Gift Program Wendy & Danny Hegglin Jean Ho Jenny Hodgson Abby & Fred Hu Haewon Hwang & Nick Taylor Winnie Kwan & Mark Shuper Kim & Adam Leitzes Jeff Levy Lipman Karas Y.S. Liu Foundation Ltd. Macquarie Group Foundation Sharene and Ian Mak The Ronald & Rita McAulay Foundation Vivek Sharma Julie & Sebastian Wittgenstein Elaine Wong and Fritz Demopoulos Clara Wu Tsai & Joe Tsai YangTse Foundation $25,000 - $49,000 Aaron Chandrasakaran Mira Christanto Whitney Ferrare Spencer Goh Bobbi Hernandez & Morgan Sze Susan Ho & Andrew Brandler Rimmo Jolly Janice Lee & Joe Bae Tracy Li Alison Lusher & Benjamin Falloon Moon Yik Company Limited Amna & Ali Naqvi Tung Family Foundation Jeanie Woo Sofia Zanchini & Gaetano Bassolino Jason Zhang $18,000 - $24,900 Anonymous (1) Esther & John Chi GaveKal Endowment Limited Nelson K. F. Leong Doreen & Alain Le Pichon Christina Matula-Häkli & Jukka Häkli Katherine & Willard McLane Elena & Andrea Vella Mr. K K Yeung, JP Mi-Ran & Chi-Won Yoon $10,000 - $17,900 Anonymous (1) Anchor International Tzo Tze Ang & Eashwar Krishnan Brenda Baker & Steve Baum Vishal Bhammer Leslie & Brian Brille Ming Chen & Jelmar dejong Cheng Kar Wai Vincent Chui Rebecca & Anthony Correa Sachin Divecha Haylie Ecker & Marc Fisher Marissa Fung Shaw Sabrina & Spencer Fung Natalie da Gama-Rose Daphne Ho Jane Kim Tamara Kovse & Zoltan Varga Tasha & Anish Lalvani Radhika Mahidhara Joanne Ooi & John Bleach Ingrid & Jonas Palsson Yana & Stephen Peel Ellen & Frank Proctor Lily & Andrew Riddick Justine & Damian Roche Mia Sakata & Emerson Yip Sau Ching Charity Foundation Ltd Takatoshi Shibayama Anna Stephenson & Alan Leigh Fiona Steffensen Maggie & Nelson Tang Melanie Tang & Nick Simunovic Anne & John Witt Adrian Wu Hugh Zimmern $5,000 - $9,900 Anonymous (1) Dania & Hani Abuali Molly Bersani Lissi & Michael Bucher Janice Chan and Louis Choy Lewis Chung Chung See-yuen David Coates Credit Suisse Foundation Lydia Denworth & Mark Justh Miki Edelman Joseph Fok Alison Harbert Esther Heer Claire Hsu & Benjamin Vuchot Sonny Hsu Doreen Jaeger-Soong Selina Kuok & Paolo Picazo Charlotte Lai Wing Sze Amy & Mattias Lamotte Edward Lau Andra Le Roux-Kemp Tak Lee Lee Family David Li Helen & Arne Lindman Deborah & Michel Lowy Tytus Michalski Evan Miracle Nadine Ouellet & David Legg Dimitra & Dimitri Perrotis Lorenzo Restagno Andrea Roth Chrissy Sharp & Michael Lynch Jeffrey Shiu Audrey & Eric Slighton Rajan Sujanani Amy Tam Su-Mei & Marcus Thompson Christine Van & Martin Matsui Clare Williams Ella Wong Amy Wood Jessamy Woolley & Ralph Sellar Tony Xu Kirsten & Adam Zaki Jennifer Zhu Scott & Adrian Scott $1,000 - $4,900 Anonymous (4) Meenakshi Ambardar Kylie Anania Alicia Audibert John Batten Robin & Alexandra Black Mimi Brown and Alp Ercil Roberto Bruzzone Elizabeth Chan Karen Chan Kilian Chan David Chao Elaine Cheng Lucy Choi Regina Chui Elizabeth Clark & Richard Boseley Susan Clear Mark Clifford Mark Cohen Ti & Gerald Dennig Charles Firth Carolyn Fong & James Rodriguez de Castro Angus Forsyth Alise Franck Emma Louise Fung ELFWORKS Nelly & Kenneth HC Fung Emily Gillett Ember & Evan Goldstein Ellen Gorra Lori Granito - Go Gourmet Oshan Gunawardana Claude Haberer Corey Hall-Cooper Wu Han & David Finckel Rumiko Hasegawa Lina and Rami Hayek John Heath Deborah & Paul Hennig Elaine Ho Kevin Ho Youmna & Bruno Hostelet Dede Huang & Alec Stuart Hui Yui Betty Hung Mimi & Peabody Hutton Carolyn & Pekka Johnson Martine & Michel Jospé Deborah Kan & Joseph Gallagher Inna Kanounikova Samantha & Jonathan Kriegel Randolph Kwei Cissy Lam & Robert Tang Eric Landolt Chui-Inn Lee May Lee Joan Leung Camilla & John Lindfors William Littlewood Yang Liu Judy Lo George Long John Louie Craig & Michelle Lovett Sandra Mak & Alex Hee Stephen Matthews Kwok-Ling Mau Jane Mcbride Sophie Mensdorff Micramusic Limited Siu Ming & Friends Louisa Mitchell Forrest Morr Grandma & Cherry Ng Amy & Lincoln Pan Laura Peh Yvonne Poon & John H Boey Gweneth Rehnborg Georgina & Thibaut de Rocquigny Rubicon Communications Ltd. Barbara Ann Rust Philippa Salewicz Andy Schroth Helen Scott Nicole & Jonathan Silver Miki & Andrea Sorani Jinus & Lionel St. Exupery Jean Sung & Peter Krismer Time Out Hong Kong Harriet & C.C. Tung Caroline & Douglas Van Kim & Thomas Walther Olivia Wang Kohei Anthony Watanabe Tim Weinert-Aplin Julie & Joe Welch Allison Haworth West & Michael West William Westbrook Jennifer Wilson May Wong Sook Leng Wong Wong Nai Hei Benjamin Wu Margaret Yang Pauline Yeung Peter Yu Jelena Zec & Jonathan McCullagh Premier by the Govern 飛躍 藝術 24 Stile Antico_House programme_1018_op.indd 24 18/10/2018 5:04 PM

Premiere Performances of Hong Kong is financially supported by the Art Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region 飛躍演奏香港獲香港特別行政區政府 藝術發展配對資助計劃 的資助 Partner PR Partner

Series Proudly Supported by An elegant accomplished soloist. New York Times A young pianist to watch for. The Guardian ISTVÁN VÁRDAI CELLO 華爾戴大提琴 SUNWOOK KIM PIANO 金善旭鋼琴 GOLD MEDAL WINNERS CELLO RECITAL 國際大賽金獎得主大提琴演奏會 Premiere Performances of Hong Kong is financially supported by the Art Development Matching Grants Scheme of the Government of the Hong Kong Special Administrative Region 飛躍演奏香港獲香港特別行政區政府 藝術發展配對資助計劃 的資助 Concert Supporters 5 NOV 2018 Monday 8pm Concert Hall, Hong Kong City Hall 香港大會堂音樂廳 $480 / $300 / $200 / $100 Partner Accommodation Sponsor Collaborators PR Partner For discounts & concert details 查詢購票優惠及音樂會詳情 www.pphk.org