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THE BULLY PLAYS 24 Short Plays by Sandra Fenichel Asher Cherie Bennett Max Bush José Casas Gloria Bond Clunie Eric Coble Doug Cooney Linda Daugherty Lisa Dillman Richard Dresser José Cruz González Stephen Gregg D.W. Gregory Brian Guehring Dwayne Hartford Barry Kornhauser Trish Lindberg Brett Neveu Ernie Nolan R.N. Sandberg Geraldine Ann Snyder Werner Trieschmann Elizabeth Wong Y York Compiled and Edited by Linda Habjan Foreword by Susan Sugerman, MD, MPH Dramatic Publishing Woodstock, Illinois Australia New Zealand South Africa

*** NOTICE *** The amateur and stock acting rights to this work are controlled exclusively by THE DRAMATIC PUBLISHING COMPANY without whose permission in writing no performance of it may be given. Royalty must be paid every time a play is performed whether or not it is presented for profit and whether or not admission is charged. A play is performed any time it is acted before an audience. Current royalty rates, applications and restrictions may be found at our website: www.dramaticpublishing.com, or we may be contacted by mail at: DRAMATIC PUBLISHING COMPANY, 311 Washington St., Woodstock IL 60098. COPYRIGHT LAW GIVES THE AUTHOR OR THE AUTHOR S AGENT THE EXCLUSIVE RIGHT TO MAKE COPIES. This law provides authors with a fair return for their creative efforts. Authors earn their living from the royalties they receive from book sales and from the performance of their work. Conscientious observance of copyright law is not only ethical, it encourages authors to continue their creative work. This work is fully protected by copyright. No alterations, deletions or substitutions may be made in the work without the prior written consent of the publisher. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, videotape, film, or any information storage and retrieval system, without permission in writing from the publisher. It may not be performed either by professionals or amateurs without payment of royalty. All rights, including, but not limited to, the professional, motion picture, radio, television, videotape, foreign language, tabloid, recitation, lecturing, publication and reading, are reserved. For performance of any songs, music and recordings mentioned in this play which are in copyright, the permission of the copyright owners must be obtained or other songs and recordings in the public domain substituted. MMXI by DRAMATIC PUBLISHING COMPANY Printed in the United States of America All Rights Reserved (THE BULLY PLAYS) ISBN: 978-1-58342-723-1

The New Kid 201 The New Kid By Richard Dresser CHARACTERS MAX... a 12-year-old (played by an adult) KIRK... a 12-year-old (played by an adult) CONNIE... a 12-year-old (played by an adult) JIM... Max s dad (played by a student) ANNA... Max s mom (played by a student) MIKE... Kirk s dad (played by a student) BONNIE... Kirk s mom (played by a student) SETTING AND TIME: The hallway in a middle school; the living room of Max s house. The present. Scene 5: The School Hallway (MAX walks down the hall. KIRK and CONNIE step out of the shadows.) MAX. Hey, guys, what s happening? KIRK. Everyone thinks you could make things a whole lot better at this school, Max.

202 THE BULLY PLAYS MAX. Yeah? How? KIRK. If you weren t around anymore. CONNIE. What kind of little baby goes crying to mommy and daddy? WAAAUGHHHH! KIRK. We were all set to lay off. But you messed up big time. You give us no choice. MAX. I thought we were friends. KIRK. Don t you get it, Max? You don t have any friends. CONNIE. And you never will. That s a promise. MAX. Why are you doing this to me? CONNIE. Why do you think? MAX. I don t know. But I have my theories. KIRK. Oh, you have theories? Hear that, Connie? He has theories. CONNIE. Tell us your theories, Max. MAX. I don t think I should. KIRK. Tell us your theories, Max. Or we ll throw you out the window. MAX. Okay. Connie, I watch you with the other girls and it s pretty obvious they don t like you. CONNIE. What the hell are you talking about? MAX. You wear all this makeup which is kind of creepy for a twelve-year-old, and it s probably because you re insecure about your weight and your teeth and your neck and stuff. And Kirk s the only boy who talks to you. My theory is you kind of hate yourself. So you have to be better than someone, even if it s just the geeky new kid. (CONNIE turns away.) KIRK. Hey! You hurt her feelings. What s wrong with you? MAX. You wanted to hear my theories. It s pretty easy to see why you re a bully, Kirk. KIRK. I don t want to hear it, loser.

The New Kid 203 CONNIE. How come I had to hear it and you don t, Kirk? That s not fair! KIRK. Okay, finish your theory, Max. Then me and Connie are throwing you out the window. MAX. Kirk, when you drop out of school and go for a job interview and say, me and Connie, you re not going to get the job. Just like your dad can t get a job. KIRK. Leave my dad out of this. MAX. He s part of my theory. He doesn t even give you lunch money. So you steal mine. KIRK. I take your lunch money because I feel like it and you don t even know how to fight back. MAX. You re right, I don t. Cause my dad doesn t beat me. KIRK. My dad doesn t beat me! MAX. I listened before you came into my house. He beats you. He s all about consequences. And you get so mad you beat on me. Trying to be a big shot like your dad. KIRK. Shut up, you little freak! MAX. I got lucky. My parents don t beat me. They talk to me. CONNIE. And look where it got you. KIRK. Everyone in school hates you. We made sure of that. So what are you going to do now, Max? Huh? MAX. I don t know. Maybe I ll just try to talk to the other kids one by one. It won t be so bad. All I need is one friend. (The school BELL RINGS. MAX moves on to find someone to talk to, full of hope. KIRK and CONNIE are left with each other.) END OF PLAY