PHILIP ANDREW hilirice.et R I C E Phili Rice The Sleeers or sorao, mezzo-sorao, teor, ass, iao, hadells, ad otioal hadchimes PRC 190 AUTOGRAPH EDITION PHILIPRICE.NET
THE SLEEPERS a sog cycle i 1 arts or sorao, mezzo-sorao, teor, ass, iao, ad hadells ased uo the oetry o WALT WHITMAN music y PHILIP RICE PHILIP ANDREW R I C E
to Richelle Wilso, ho is my muse i this lie, ad as certaily Walt Whitma s i a ast oe.
Istrumetatio: Sorao Mezzo-sorao Teor Bass Hadells - octaves (C to B7 + G) otioal choir chimes - octaves (C to B7) - sho i diamod ote-heads Piao CONTENTS 1. I Wader 1 SATB 2. Ho Solem They Look 12 sorao recitative. The Wretched Faces 1 sorao. I Stad i the Dark 2 ass recitative 5. No I Pierce the Darkess 26 ass 6. I Am a Dace 0 SATB 7. Be Careul, Darkess 5 iterlude: hadells 8. I Desced My Wester Course 6 mezzo-sorao 9. No What My Mother Told Me 56 teor 10. A Sho o the Summer Sotess 62 sorao recitative 11. O Love ad Summer 6 SATB 12. Every Oe That Slees 75 SATB (chorale) 1. The Uiverse Is 81 SATB 1. I Too Pass From the Night 9 SATB
NOTES The oetry o Walt Whitma is udoutedly rogressive, ot oly or its o time, ut ideed or our o. I his magum ous, Leaves o Grass, Whitma used oetry to exlore themes o race, geder, sexuality, olitics, society, sychology, sciece, art, ad early every other imagiale acet o the huma exeriece. I as irst itroduced to Whitma y my good ried, Richelle Wilso (to hom The Sleeers is dedicated) i 2005, ad as at oce isired to rite my irst large-scale ork, a cycle or choir ad id quitet ased o Whitma s elegy or Araham Licol, Whe Lilacs Last i the Dooryard Bloomed. Shortly ater coletig that ork, I read The Sleeers, ad ega ork o aother choral cycle ased o that text. Ater coletig the irst movemet, I realized that I did ot ossess the coositioal tools to ully realize this massively demadig oem ad I aadoed it or smaller rojects. This year, aced ith the ietus to coose a large-scale catata or sog cycle, I decided to resurrect The Sleeers, icororatig much more o the oem. Recoosig the irst movemet ith all e material, I retaied oly oe motive rom the 2005 origial (the ascedig igure o the ords over the shut eyes o sleeers ). Usig solo voices alloed or greater clarity o text, ad I used hadells to ill i the colex textures that ould have otherise ee sulied y chorus. Whitma s oetry demads a large-scale treatmet, ad it as a challege to adat the text ito musically sesile ieces ithout coromisig the lo o ideas. The Sleeers is a eic ork that argues or civil equality usig ucosciousess as a commoality etee all eole. I early 2,00 ords, the oet assumes the roles o a assortmet o characters rom all alks o lie, ad illustrates a imagiary dream-orld ossessig total huma equality i highly exressive, sesual, ad eve ecstatic terms. The rilliat, colourul text is almost readymade or music, ut required some mior adatatio to it certai declamatory requiremets o musical hrasig. To set a text as orard-thikig as The Sleeers as oth excitig ad challegig. I this ork, I sought to use music ot oly to relay Whitma s ideas, ut also to iterret them ad ehace a authetically coteorary uderstadig o them. It is my hoe that this marriage o music ad ords ill seak to the huma coditio aesthetically, ad o still more itimately meaigul sychological ad siritual laes. Phili Rice, Octoer, 2011
Walt Whitma Hells. Hadells Piao 10 16 q 80 ~ ~ ~ ~ O OO ~ ~ O OO ~ ~ ~ LV ~ q 80 THE SLEEPERS 1. I Wader Phili Rice ~ ~ ~
22 Hells. 26 Hells. 1 Hells. 2 ~~ O O ~ ~ ~ I a ~ O OO ~ ~ ~~ O OO ~ ~ ~ - - O OO ~ ~~ O OO ~ der ~ ~ O O
5 Hells. Hells. 0 I I I a a - - der der ḃ a - der all ight i my vi - - I a - der all ight i my vi - sio, LV, Ste-ig ith
M- 5 Hells., oco a oco cresc. sio I a - - - oco a oco cresc. Ste-ig ith light eet sit-ly ad oise - less - ly ste-ig oco a oco cresc. I a - der I oco a oco cresc. light eet sit - ly ad oise - less - ly ste-ig ad sto -ig, oco a oco cresc. j - - oco a oco cresc. j j j
M- 8 Hells. oco a oco cresc. der all ight oco a oco cresc. a ad sto -ig, ste-ig ad sto -ig, ste-ig ad sto -ig, ste-ig oco a oco cresc. oco a oco cresc. - - - der all ste-ig ad sto -ig, ste-ig ad sto -ig, ste-ig ad sto -ig, oco a oco cresc. j - oco a oco cresc. j - 5 j
M- 51 Hells. 6 oco a oco cresc. oco a oco cresc. ight Be ad sto-ig, ad sto-ig Be Be ste-ig ste-ig sto-ig Be - dig ith o - e eyes - dig ith o - e eyes oco a oco cresc. oco a oco cresc. oco a oco cresc. j - - oco a oco cresc. j - dig ith o - e eyes - dig ith o - e eyes LV
M- 55 Hells. M- Hells. 58 su. o - ver the shut eyes o slee - ers o - ver the shut eyes o slee - ers o - 7
M- Hells. 60 M- Hells. 6 co - - used ver the shut eyes o slee - o LV - ver the shut eyes o slee - Wad Wad - d'rig ad - d'rig ad ers o - ver the shut eyes ers o - co - - used RT j 8
M- Hells. 65 68 Hells. o slee - ers - ver the shut eyes o slee - ers co - - - used Wad co - - - used Wad - d'rig ad - d'rig ad RT RT RT j. j. j. Meo mosso (q 60) Meo mosso (q 60) LV j 9
M- 71 Hells. M- 7 < Hells. rit. Leto lost lost lost to my - sel lost to my - sel rit. lost to my - sel U Leto " 10 ~ ~ U U U U U U
M- 77 Hells. Hells. gaz - ig, ed - ig, ad 8 Paus - ig, sto - Sloer ig. Teo I (q80) j + + ~ ~ Teo I (q80) ~ O ~~ O ~~ O ~ ~ ~ ~ 11 LV OO LV O ~ u ~ ~ ~ U O OO O attacca
Sorao Hadells Piao Hells 9 lit rall. rall. q 60 q 60, Ho 2. Ho Solem They Look sol- em they look there, stretched ad still, Ho - tle child - re i their dim. cra qui-et they reathe, the ~ ~ O ~ ~ ~ ~ ~ O ~~ ~ - dles. + + + + + + + + + + + + 12
Sorao Hadells Piao 5 Hells q 120 The q 120 ret ~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~. The Wretched Faces - ched a - ces o e - u-yés, the hite a - ces o cor - - ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ - ~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ ses the li - vid a-ces o druk-ards, the sick-gray a-ces o LV 1
11 Hells 1 Hells 16 Hells o - a-ists the gash'd o reely, (recitative) - dies o the at - tle ields * the i - sae i their strog dooredrooms * Freely rig otes (out o rhythm) roughly aroximatig e, iiq K, or x 1
20 Hells 2 Hells the sa - cred id - i - ots e - ors e-mer - gig rom cresc. gates, ad the dy - ig e - merg - ig rom gates molto rall. molto rall. 15 j j
26 Hells 1 Hells the vades them ad e - olds them Allargado Careully (q 60) ight, LV The ight er- Allargado Careully (q 60) 6 6 LV 6 6 6 16 ~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~ j j ~~~~~~~~~~~ ~~~~~~~~~~~ ~~~~~~~~~~~~ j 6 6 6 6 6
8 Hells Hells The mar-ried cou- le j j * 5 slee calm - ly side y side i their ed LV j 17 j j LV * * *
9 Hells 5 Hells he ith his alm ad li. o the hi o his ie ad she ith her alm o the hi o the hus-ad R LV The si - sters slee lo-vig - ly side y side 18 * *
58 Hells 61 Hells i their ed, The me slee lo - vig - ly side y side i theirs, * * * Ad the mo - ther slees ith her lit-tle child care-ul - ly rat. j j j j j * 19 j j
65 Hells 71 Hells Più mosso The molto accel. oco lid slee, a the dea ad dum slee oco The cresc. ris-o-er slees oco a oco cresc. Più mosso molto accel. Teo I (q 120) ru-a-ay so slees The Teo I (q 120) mur ad the - der-er ho 20
Hells Hells 21 76 81 is to e hug ext day, ho does he slee The (h 60) 2 er- so, ho does he slee The 2 mur - der'd e - male that < 2 R (h 60) 2 2
87 Hells 95 Hells loves u - re - qui - ted slees, the rall. u rall. - re - qui - ted slees Meo mosso Meo mosso male that loves < < < < < < 22 "
2 Hells Hells 102 < < * * 109 * 117 si- tios, all, all The e - raged ad trea - cher - ous dis-o- rit. slee. rit. U U O O O O LV " ~, (iao) (iao) ẇ ẇ
Bass Hadells Piao 5 Hells I Lotao q 60 2 2 2 Lotao q 60 2 2 LV. I Stad i the Dark + + + + æ æ æ æ stad i the dark ith droo -ig eyes y the orst - su-'rig ad + + + + + æ æ æ æ æ + + + + æ æ æ æ 2
10 Hells 1 Hells < most rest-less, I ass my hads sooth-ig-ly to ad + + + + + + + + æ æ æ æ æ æ æ æ + + + + + + + + æ æ æ æ æ æ æ æ, 2 2 U ro a e i ches rom them, + + + + æ æ æ 2 æ + + + + æ æ æ 2 æ 2 2 25 The rest-less sik i their eds, they it-ul-ly slee U, 2 2 2 2 U +U æ U
Bass Hadells Piao 6 Hells Exlosive h 120 2 2 No Exlosive h 120 I ierce the dark - 2 ess, e e - igs a - ear, ~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ 5. No I Pierce the Darkess ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ 2 2 ~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~ 26 ~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~
11 Hells 16 Hells ight rit. The earth re - cedes rom me i - to the rit. Cotelative h 0 Cotelative h 0 * I sa that it as eau-ti ul, j < < < < < 27
22 Hells 28 Hells j I see that hat is ot the earth is eau - ti - ul < < cresc. I go rom molto ed-side to ed-side I slee close ith the o - ther slee-ers, a oco cresc. molto cresc. 28 LV oco
Allargado 29 Hells Hells 0 Hells I Allargado dream i my dream all the dreams o the o-ther dream - ers accel. molto cresc. Ad Vivace q 10 dream R Vivace q 10 - - I e - come the o - ther ers molto cresc. accel. molto cresc. attacca attacca
M- Hells Hadells 7 Piao q. 10 6 8 LV 6 8 6 8 q. 10 6 8 6. I Am a Dace.. I am a dace, I am a dace, I am a dace, 0 I am a dace, I am a dace, I am a I am a dace, I am a. j..... 9 8 9 8 9 8 9 8 9 8 9 8 9 8 9 8
M- Hells M- 12 9 - - - 8 6 8 9 - - - 8 6 8 18 I am a dace-lay u there! 9 8 6 - - - 8 I am a dace-lay u there! 9 8 - - - 6 8 9 8 < I am a dace-lay u there! I am a dace-lay u there! cresc. it is the it is hirl the 6 8 " < 9 8 6 8 9 8 6 8.. 9 8 6 8 it is the it is 1 the -
M- 2 M- 28 - - - - - - - - - - - - hirl - - - - - - - - - - - the the ig me ast ig me ast - ig me ast - ig me ast - - - it is hirl - - - - - - - - it is hirl - - - - - 2
1 Hells M- 7 Hells LV.... I am the e - ver, I am the e - ver, I am the e - ver, I am the j.... 7 8 7 8 7 8 7 8 7 8 7 8 7 8 7 8
M- 1 Hells Hells 7 8 7 8 7 8 6 7 8 7 8 I am the e - ver - laugh - ig it is the e moo ad ti - light e I I - ver e - ver - laugh - ig it is the e moo ad ti - light am the e am the e 7 8 6 8 6 8 6 8 - ver - laugh - ig it is the e moo ad ti - light 6 8 - ver - laugh - ig it is the e moo ad ti - light 6 8 6 8 7 8. 6 8 7. 8 " 6 8
M- 52 M- Hells 58 I I see im - le ghosts hich - e - ver ay I look see im - le ghosts hich - e - ver ay I look O O O O - ard e - ard e - ard e - ard e.. 5.
M- 6 Hells move ith mirth -shout-ig mu - sic ad ild - la-ig e - ats o move ith mirth -shout-ig mu - sic ad ild - la-ig e - ats o move ith mirth -shout-ig mu - sic ad ild - la-ig e - ats o move ith mirth -shout-ig mu - sic ad ild - la-ig e - ats o R 6
M- 70 Hells M- 77 joy! joy! joy! joy! I sim. joy! joy! R joy! joy! 7 Urgetly Urgetly am the act - or, the act - ress,
M- M- Hells M- Hells 8 88 9 R I vo cri the vo - ter ad the o - li - ti - cia The am the act - or, the act - ress, the em - i - grat ad the ex - ile the He ho has ee - ter ad the o - li - ti - cia I am the - mi - al ho stood i the ox The em 8 - i -
M- Hells M- Hells 100 106 a act < - mous ad he ho shall e a - mous a - ter - or, the act - ress, the vo - ter ad the grat ad the ex - ile the cri - mi - al ho o to - day He - li - ti - cia I stood i the ox The stam ho has ee a - mous ad am the act - or, the The em - i - grat ad the - mer - er, the ell - ormed 9
M- Hells M- 112 118 he ho shall e a - mous a - ter to - day act ex er Dou Dou Dou - ress, the vo - ter ad the o - li - ti - cia - ile the cri - mi - al ho stood i the ox - so the a - sted or ee - le er - so oco rall. A teo - le your - sel ad re - ceive me dark - le your - sel ad re - ceive me dark - le your - sel ad re - ceive me dark Dou - le your - sel ad re - ceive me dark - oco rall. A teo - - - ess ess ess ess j j 0
M- M- 126 < < 10 Dark Dark - ess you are get - ler tha my lov - er - ess you are get - ler tha my lov - er 1
Hells 16 M- Hells 10 I I hear the heart - eat hear the heart - eat I 2 LV hear the heart - - eat I hear the heart -
M- Hells M- Hells 15 150 eat I ol - lo, I ol - lo, < < I ol - lo, I ol - lo, I ade a - - ay I ade a - - ay I ade a - - ay I ade a - - ay
M- Hells < < Hells 155 < < < 159 U < < U U <
5 1 2 6 ca. 1:0 q ca. 50 ca. 0:0 8 ca. 2:00 9 10 æ ca. :0 (F to 10) 7. Be Careul, Darkess ca. :00 5 ca. 1:00 5 ca. 2:15 8 7 5 (B to 2) ca. :0 9 10 9 10 LV ẇ ẇ j j æ 2 7 rit. x R 6 7 ca. 2.0 2 arts dro out oe y oe i reverse order (10, 9, 8, etc.)
Mezzo-sorao M- Hells Hadells Piao q 10 q 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 rall. reely, molto esressivo - - rall. 5 5 5 5 5 5 5 5 5 5 5 8. I Desced My Wester Course 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 j j j j j.................... j j 5 5 5 5 5 5 5 5 5 5 5 5 5 5........ j sz sz I A teo - j - - - de - sced my est-er course (Mezzo -sorao) A teo........ 6 5 j 5 5
M- 10 Hells M- 1 Hells i rhythm Meo mosso j Per-ume ad youth course through me ad I am their ake. It Meo mosso 5 + j. 5.+... j. 7.. j... is my ace +. +. +..+.+ +.. + +..+ +. +..+ +..+ +. j. j j j j. j j j j. j j j. j j - - j j - - j j - - j j - - j - - j - j j - +.
M- Hells M- Hells 8 17 o reath 20 yel - lo ad rik - led i - stead o the old o - ma's +. +. +..+.+ +. +..+ +..+ +. +..+ +. +. j j j j j j j j.. j j j j j - - - j - j j - - j j j - - j j - - - j - j I sit lo i a stra - ot - tom chair ad care - ul - ly dar my.+ +. +. +. +. +. +. +. +. +. + + + + + j j j j j j j. j.. j...+ +..+ +. +..+ +. +..+ +..+ +..... j j j j j j - - j j - - j j - - j j j - - j - - j j - - j
M- 2 Hells M- 27 Hells grad + j. i - so's stock - igs It +. - do look - ig out o the i - ter mid - ight is I too, the slee-less + + + j j....+.+ +. +. j j - - - j j -.. Meo mosso Meo mosso 9
M- 1 Hells M- 6 Hells I see sar-kles o star shie o the i -cy ad al - lid earth < A shroud I see I am the shroud, ḃ 50
M- 1 Hells M- Hells rall. I ra my o - dy ad lie i the co - i, rall. U U U U.. Lotao ẇ 7 50 -U - - - - - - - It ẇ is dark here u-der- groud, it is ot e - vil or ai here, O~ O O ~ ~~ O ~ U U ẇ 51 ~ ~ ~ O O
M- 57 Hells M- 6 Hells accel., it is lak here or rea - sos, or rea Teo I Teo I accel. 52 sos 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 j j 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5...................
M- 68 Hells M- 7 Hells rall. reely sz (It seems to me that i the light ad air ought to e ha - y, ev-ery-thig rall. 5 5 5 5 5 5 5 5 5 5 5 5 5 5 j j sz 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5................ j 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 j 5 5 5 5 5 5 5 5 5 5 5 5............
M- 76 Hells M- 79 Hells su. su. Who - e - ver is ot i his co - i +. +. +.+ + + + +.+ +.+ + +. j j.. j j j... j...+.+ +.. +.+ +..+ +..+ +..+ +... oco a oco 6 ad the dark grave let him.+ + j. + + j.. +.+ + j 6 j...+ +..+ +.. 6.+ +..+. +.+.. 6 6 5 + + + + j.... +.
M- 81 Hells M- 8 Hells ko ough.) he has e - 5 5 / 5 5 5 5 5 5 5 5 j j j j 5 5 5 / 5 5 5 5 5 5 5 5 5 5 5............ 55 iù 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 j j j j j j 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 U.......... sz......... U U.
Teor Piao 6 9 Relaxed (q 65-70) 7 8 5 Relaxed (q 65-70) hat my mo- ther told me as e sat at di-er to - ge - ther O he she as ear 7 8 j 5 - - - 7 8 5 j - 5 j -, 9. No What My Mother Told Me 56 - - ly a gro girl li - vig at home ith her a - rets o the old 5 5 - - No
11 16 20 57 Più mosso (ca. q 75) 7 8 j home stead Più mosso (ca. q 75) red squa came oe reak-ast time to the old home stead O her ack she iú car-ried a u-dle o rush-es or rush 7 8 - j j - j j - - 7 8 j - - ot-tom-ig chairs her A j
2 27 2 - - - j - j - j R hair, straight, shi- y, coarse, lack, ro-use hal-e - vel-oed-her ace, her Broadly las - tic, ad her voice, her voice Broadly Teo I (ca. q 65) Teo I (ca. q 65) soud-ed ex - quis-et-ly as she soke My mo ste as ree ad e- - - j - - - - - - - - - - - - - - - - 58 rit. rit. - - ther looked
7 8 52 i de-light ad a -maze-met at the stra-ger, Shelook'd - - - Più mosso (ca. q 75) at the resh-ess o her tall-ore ace ad ull, li_at lims, The Più mosso (ca. q 75) more she look'd o her she loved - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - j j - - - - - - - - - - - - - - - - - - - - - - - - her, e-ver e ore had she see such o-der ul eau-ty ad u - ri - ty, The 59
56 red squa staid all the ore - oo ad t'ard the mid-dle o the a - ter - 59 6 67 oo she et a - ay, O - - - - - - - - Meo mosso (ca. q 60) Meo mosso (ca. q 60) rit. rit. to have her go a - ay All my mo - ther as loth - - - - - - - - j < j eek she thought o her she 60,,
71 7 78, atched or ma - y a moth, she re - mem-er'd her ma - y a i - ter ad sum mer But the red sqa e - ver came or as heard rom a - gai -, - rit. rit. Very slo Very slo j 61 - - U U
62 Sorao 7 1 21 Cotelative (q 80) A sho o the sum-mer sot- ess A sho o the sum-mer sot a co- tact a co- tact o some - thig u see a a a 10. A Sho o the Summer Sotess ij i j j j i j j i a- mour o U a-mour o light ad light a a- mour o air light j - a- ess ad air U i j U mour attacca attacca
6 Hells. Hadells Piao Cris (q 100) Cris (q 100) 5 reely 11. O Love ad Summer LV O O 8 O i j O O OO O O
M- Hells. 11 18 Hells. O O O O love ad sum-mer, O love ad sum - mer, you are i the dreams ad i me, love ad sum-mer, O love ad sum - mer, you are i the dreams ad i me, love ad sum-mer, O love ad sum-mer, you are i the dreams ad i me, love ad sum-mer, O love ad sum-mer, you are i the dreams ad i me, 12 16 20 i j 6
M- Hells. 22 M- Hells. 28 Aut Aut Aut Aut - um ad i-ter Aut-um ad i - ter are i the - um ad i-ter Aut-um ad i - ter are i the - um ad i-ter Aut-um ad i-ter are i the - um ad i-ter Aut-um ad i-ter are i the 2 dreams dreams dreams dreams i j 65
M- Hells. 0 M- Hells. R 5 ight, shis make tacks i the dreams i the ight shis make tacks i the dreams the the dreams dreams E - le-mets merge i the E - le-mets merge su. dreams dreams sail-or sails, the ex- ile re-turs home sail-or sails, the ex- ile re-turs home 8 66
M- Hells. M- Hells. 1 Maestoso Maestoso 5 To To To To Frace, ad Sai, e -ter the ell - illed shis Frace, ad Sai, e -ter the ell - illed shis Frace, ad Sai, e -ter the ell - illed shis Frace, ad Sai, e -ter the ell - illed shis e e e e - v'ry ort i E - glad, - v'ry ort i E - glad, - v'ry ort i E - glad, - v'ry ort i E - glad, j LV j j 67 j j j j
M- Hells. M- Hells. 7 Teo I 51 Teo I o The oco a oco cresc. act- or ad act-ress, the vo - ter ad the oco a oco cresc. - mi- ee, the act - or ad act - ress, the vo - ter ad the o - mi- ee, the The j oco a oco cresc. R cri - mi - al that stood i the ox, the laugh-er ad ee-er the red squa, the 8 The j 68
M- 56 Hells. oco a oco cresc. great al-rea - dy ko ad the great a-ter to - day, the great al - rea - dy act - or ad act - ress, the vo - ter ad the o - mi- ee, the act - or ad cri - mi - al that stood i the ox, the laugh-er ad ee - er the red squa, the cri - mi - al that oco a oco cresc. The stam - mer-er, the 12 69 j
M- 61 Hells. ko ad the great a -ter to - day, the e - u - yé, the o - a- ist, the act - ress, the vo - ter ad the o - mi- ee, the act- or ad act - ress, the stood i the ox, the laugh-er ad ee - er the red squa, the cri-mi - al that stood i the ox, the sick, the er - ect- orm'd, the home-ly, the stam-mer-er, the sick, the 16 70 j
M- 66 Hells. e - male that loves u-re - qui - ted I mid - ight i - do I laugh-er ad ee - er the red squa, I er 7 Teo I (q 80) - ect- orm'd, the home-ly, I 71 Allargado Allargado sear that they are all av -eraged o sear that they are all av -eraged o sear that they are all av -eraged o sear that they are all av -eraged o 20 i j
78 Hells. M- 82 Hells. Più mosso (q 90-95) Più mosso (q 90-95) 5 The The The The LV ij ight ad slee the ight ad slee have ight ad slee the ight ad slee have ight ad slee the ight ad slee have ight ad slee the ight ad slee have 72 8
M- Hells. 89 M- Hells. 95 lik e'd them ad re-stored them lik-e'd them ad re-stored them lik-e'd them ad re-stored them lik-e'd them ad re-stored them I I I I 12 sear that they I sear that they are eau - - ti - sear that they I sear that they are eau - - ti - sear that they I sear that they are eau - - ti - sear that they I sear that they are eau - - ti - 20 rit. rit. 16 i j 7
M- Hells. M- Teo I (q 80) 101 U ul. ul. ul. U ul. Teo I (q 80) 106 U they are all eau - ti - ul U they are all eau - ti - ul they are all eau - ti - ul U they are all eau - ti - ul U i j ẇ I I I I sear that U sear that U R U U U i j U U 7 ẇ sear that sear that u
75 Sorao Mezzo-sorao M- M- 5 9 e e E e e e Traquillo h 60 E E 12. Every Oe That Slees 2 - v'ry oe that slees is eau - ti - ul, - v'ry oe that slees is eau - ti - ul, - v'ry oe that slees is eau - ti - ul, - v'ry oe that slees is eau - ti - ul, - v'ry oe that slees is eau - ti - ul, - v'ry oe that slees is eau - ti - ul - v'ry oe that slees is eau - ti - ul - v'ry oe that slees is eau - ti - ul 2 e e e - v'ry thig i the - v'ry thig i the - v'ry thig i the 2 2 2 2
M- M- M- 15 2 2 2 2 20 2 dim light is eau - ti - ul The 2 2 2 2 2 W 2 loo- di - est is o - ver, all, all is eace., 2 2 2 2, 2 2 2 2 loo - di - est is o - ver all, all is eace., 2 2 2 2 Più mosso ild dim light is eau - ti - ul The dim light is eau - ti - ul ild - est the 2 2 - est the ild - est ad the the ild - est the ild - est ad the The ild ild - est ad the rall. loo-di - est is o - ver, all, all - est 2 2 2 76 2 is eace. 2 2 2 2
M- M- M- 28 2 2 2 2 6 2 Peace Peace sotto voce is al - ays eau - ti - ul Peace is al - ays eau - ti - ul is al - ays eau - ti - ul Peace is al - ays eau - ti - ul myth o hea - ve i - di-cates eace ad ight. The Peace is al - ays eau - ti - ul Peace is al - ays eau - ti - ul Peace is al - ays eau - ti - ul Peace is al - ays eau - ti - ul myth o hea - ve i - di-cates soul The Peace Peace 77 is al - ays eau - ti - ul Peace is al - ays eau - ti - ul Peace is al - ays eau - ti - ul, is al - ays eau - ti - ul, The
M- M- M- 0 5 2 9 soul is al - ays eau soul is al - ays eau soul is al - ays eau oo oo - ti - ul, the soul is al-ays eau - ti - ul - ti - ul the soul is al-ays eau - ti - ul - ti - ul the soul is al-ays eau - ti - ul it a - ears more or it a - ears less, it comes or it lags e-hid, It comes rom its em - o - er'd sim. oo sim. oo sim. accel. Più mosso (ressig orard h 80) oo oo It comes rom its em - o - er'd oo oo It comes rom its em - o - er'd oo oo, 2 2 2, 2 2 2, 2 2 2, 2 2 2 2 2 Ú W W W W 2 78 oo W
M- M- M- 5 56 60 gar gar gar E E E E rit. - de ad e - clo - - - - ses the orld, W - de ad e - clo - - - - ses the orld, - de ad e - clo - - - - ses the orld, Teo I (h 60) 2 E mm mm - v'ry oe that slees is eau - ti - ul, - v'ry oe that slees is eau - ti - ul, - v'ry oe that slees is eau - ti - ul, 2 2 2 - v'ry oe that slees is eau - ti - ul, Peace is al - ays - v'ry oe that slees is eau - ti - ul, Peace is al - ays 79 2 2 2 2
M- M- M- 65 70 7 eau eau e e e < oco. cresc. Peace - ti - ul Peace - ti - ul Peace oco. cresc. oco. cresc. oco. cresc. is is is al-ays eau - ti - ul Peace is al-ays eau - ti - ul al-ays eau - ti - ul Peace is al-ays eau - ti - ul al-ays eau - ti - ul Peace is al-ays eau - ti - ul - v'ry thig i the dim light is eau - ti - ul - v'ry thig i the dim light is eau - ti - ul - v'ry thig i the dim light is eau - ti - ul The The The 2 2 soul is al - ays eau - ti - ul soul is al - ays eau - ti - ul soul is al - ays eau - ti - ul 2 2 U rit. 2 2 2 2 2 2 2 2 U 2 2 U 2 2 U < 80
8 Hells Piao 15 Bass Peaceully (q 60) Peaceully (q 60) hold edal throughout verse is du - ly i or - der, e - v'ry thig is i its lace, sim. The u - i - What has ar-rived is i its lace ad hat aits shall e i its lace, The tist-ed 1. The Uiverse Is LV < 81
M- 21 Hells M- Hells 27 skull aits, the a-ter-y or rot to lood aits, The slee-ers that < < oo lived ad died ait, The di-verse shall e o less di - verse, they shall < oo oo oo 82
M- 2 Hells 7 Hells oo oo lo ad u - ite they u - ite o q 80 q 80 Theslee-ers are ve - ry eau - ti-ul as they lie u-clothed, They su. * etc. 8 ~ R oo ~
Hells 8 Hells lo had i had o-ver the hole earth, The As - ia ad the ~ ~ A - ri - ca are had i had, the Eu-ro-e-a ad A - me - ri-ca are ~ O OO ~ ~ ~~ O OO ~ ~ ~ ~ ~ O O 8 ~ ~ O O
5 Hells Hells had i had, Lear'd ad u - lear'd are had i 58 I a - - der I O OO ~ ~~ O OO ~ ~ ~ a - der The a - ther had, ad male ad e - male are had i had, a - der LV 85 I ḃ
Hells M- 6 67 Hells holds his u - - gro The a - ther holds his gro so, oco a oco cresc. so The so holds oco a oco cresc. The hite the hite rist o the daugh - ter (mea -sure- oco a oco cresc. i his arms The so oco a oco cresc. hair o the mo - ther shies o the hite rist oco a oco cresc. - - oco a oco cresc. j j j 86 j,
M- 70 Hells oco a oco cresc. his a - ther ith mea - sure - less oco a oco cresc. less love) oco a oco cresc. (mea -sure - less love) (mea -sure - less love) (mea -sure holds his a - ther ith oco a oco cresc. (mea -sure - less love) (mea -sure - less love) (mea -sure - less love) oco a oco cresc. j - oco a oco cresc. j - j 87
M- 7 Hells M- Hells 77 oco a oco cresc. 88 love the rog'd is made right, oco a oco cresc. less love) the rog'd love the rog'd (mea -sure - less love) the rog'd su. is made right, oco a oco cresc. oco a oco cresc. oco a oco cresc. - - oco a oco cresc. j is made right, is made right, R The call o the the
M- 80 Hells M- Hells 8 slave is oe the call o the call o the slave is oe the call o LV slave is oe ith the slave is oe The The call o the slave call o the slave 89
90 M- 86 Hells the mas - - ter's call ith the mas - - ter's call The The j. j.
89 Hells M- Hells 92 mas mas accel. They molto cresc. - - ter's call - - ter's call They They molto cresc. R j. They molto cresc. ass molto cresc. ass the i-vi -go - ra-tio o the ight, ad a- the-i - vi-go-ra-tio o the ight, ad a - ass the i - vi - go - ra - tio o the ight, ad a- ass the i - vi - go - ra - tio o the ight, ad a - 91 molto cresc. accel. molto cresc.
M- 96 Hells Vivo ake, ake, ake, Molto meo mosso U U U U ake, LV U U U U j ad ad ad ad a a a a - - - - ake. ake. ake. ake. ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ U ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ U attacca Vivo Molto meo mosso attacca j j 92 U U
9 M- Hells Hadells 5 Piao I 2 Careully (q 60) 2 Careully (q 60) 2 2 + + + + æ æ æ æ LV 1. I Too Pass From the Night too ass rom the ight I stay a hile a - + + + + + æ æ æ æ æ + + + + æ æ æ æ
M- 10 Hells M- Hells - ay O ight, 1 love you love you 2 2 2 + + + + æ æ æ 2 æ + + + + æ æ æ 2 æ 2 2 2 2 2 ut ut I re - tur to you a-gai ad < I re - tur to you a-gai ad + + + + + + + + æ æ æ æ æ æ æ æ + + + + + + + + æ æ æ æ æ æ æ æ Why should I e a - raid to trust my sel to you, 2 2 2 2 9 + æ 6 6 6 6 6 6 6
M- M- M- 19 6 6 2 26 I I I I I I I I love the rich ru-ig day, ut I do ot de-sert her i hom I lay so log 6 6 love the rich ru-ig day, ut I do ot de-sert her i hom I lay so log love the rich ru-ig day, ut I do ot de-sert her i hom I lay so log love the rich ru-ig day, ut I do ot de-sert her i hom I lay so log ko ot ho I came to you, ut I ko I came ell ko ot ho I came to you, ut I ko I came ell ko ot ho I came to you, ut I ko I came ell ko ot ho I came to you, ut I ko I came ell go ell. I go ell. I go ell. I go ell. I ill ill ill ill sto sto sto sto 7 6 7 6 7 6 7 6 o o o o 5 5 ad shall ad shall 5 ad shall 5 ad shall - ly a time ith the ight, - ly a time ith the ight, 95 - ly a time ith the ight, - ly a time ith the ight,
M- Hells 29 M- Hells ~ ~ ~ ~ ~ I I I I 96 ad rise, ad rise ed - times, ad rise ad rise ed - times, ~ ~ ~ ed - times, ill du - ly ass the day O my mo - ther, ill du - ly ass the day O my mo - ther, ill du - ly ass the day O my mo - ther, ill du - ly ass the day O my mo - ther,,,,,
M- Hells 8 M- Hells U ad du - - ly re - tur ad du - - ly re - tur, 2 to to to to < you. you. you. you.,, ad du - - ly re - tur, ad du - - ly re - tur U ~ ~ ~ ~ ~ ~ ~ ~ ~ U ẇ ẇ 97 U U U U