MM.01.07 Friends, I apologize for this missive being late. I m out of town this week in Boise/Sun Valley to work with a high school choir on a recruiting trip and then to attend the Idaho ACDA conference in Sun Valley. Please be prepared to run the show next Monday night. My rehearsal plan for next Monday is as follows: 7.30-8.10- Britten 8.10-8.45- Run R & H 8.45- announcements and dismissal of full choir 8.50-9.30- solos & duets The following Monday night, 10/17 at the Silverthorne we will go over blocking AND we will do the entire show. Please be on time so that we can have the full rehearsal time- note that we begin at 7pm. I m going to ask that you come warmed up so that we can make the most of our time in that space- thanks! Show order is as follows. I will go over these details when we are at the Silverthorne on Monday 10/17, so please save your questions for that evening- they may be answered before that. Choir on Risers Welcome It s a Grand Night for Singing from State Fair The Places Our State Fair from State Fair, Rodgers & Hammerstein All I Owe Ioway from State Fair, Rodgers and Hammerstein Oklahoma! from Oklahoma!, Rodgers & Hammerstein S&A exit stage, T&B come down to front of stage- music & solo begin in transition Kansas City from Oklahoma!, arr. John Leavitt solo: Scott Girls, Dames, and Men There is Nothin Like a Dame from South Pacific, Rodgers & Hammerstein soloists: Gary, Gene, Steve, Scott T&B exit stage; S&A enter stage I m Gonna Wash that Man from South Pacific, arr. Mark Brymer soloists: Jill, Madison, Hannah May I Enjoy Being a Girl from Flower Drum Song, arr, Jill Galina S&A exit stage Laurie & Gene enter stage In Love: People Will Say We re in Love from Oklahoma!, Rodgers & Hammerstein Duet: Laurie & Gene Laurie & Gene exit Maggie & Steve enter Do I Love You Because You re Beautiful from Cinderella, Rodgers & Hammerstein Duet: Maggie & Steve Maggie & Steve exit Gene Enters Some Enchanted Evening from South Pacific, Rodgers & Hammerstein Solo: Gene
Chamber Choir enters If I Loved You from Carousel, arr. Dan Bukvich It Might as Well Be Spring from State Fair, arr. John Purifoy Chamber Choir exits, except for Beth & Scott, who move to Center Stage Laughter: Don t Marry Me from Flower Drum Song, Rodgers & Hammerstein Duet: Beth & Scott Beth & Scott exit Brittnie & Chloe enter Stepsister s Lament from Cinderella, Rodgers & Hammerstein Duet: Brittnie & Chloe Brittnie & Chloe exit Steve enters INTERMISSION More Than Just a Friend from State Fair, Rodgers & Hammerstein Solo: Steve Steve exits Brittnie enters I Cain t Say No from Oklahoma, Rodgers & Hammerstein Solo: Brittnie Brittnie Exits Chloe enters during narration Inspiration: In My Own Little Corner from Cinderella, Rodgers & Hammerstein Solo: Chloe Chloe exits Hannah & Stephanie enter Impossible from Cinderella, Rodgers & Hammerstein Duet: Hannah & Stephanie Full Choir enters, Hannah & Stephanie find places on risers My Favorite Things from The Sound of Music, arr. Mac Huff You ll Never Walk Alone with Climb Ev ry Mountain from Carousel and The Sound of Music, arr. Mark Hayes Solo: Kendra Farewell: So Long, Farewell from The Sound of Music, arr. Ed Lojeski Bows: Elena Choir Narrator Duets Soloists Elena & Narrator Britten. Please number your measures for each piece- beginning with 1 for the first FULL measure of each piece (if there s a pick-up that is not a full measure, do not label it as 1 ). 1. Procession Pronunciation: I m not sure how many of you use IPA, and I don t have all of the symbols on my keyboard, so I m going to use a syllabic pronunciation for now. Since the Procession is in Latin, it s spelled out syllabically: Aw-dee-eh kree-stoos nah-toos ehst, Aw-dee-eh sahl-vah-tawr ah-pah-roo eet, Aw-dee-eh een the-rah kan-noont ahn-jeh-lee
Aw-dee-eh ek-zool-tahnt yoo-stee dee-chehn-tehs Klaw-ree-ah een ek-shehl-see deh-aw, Aw-leh-loo-yah a. S & A only at the beginning- T & B enter at m. 5- small notes- the octave below S A, altos who are more comfortable may also drop the octave for mm. 5-6 ONLY. b. S & A ONLY continue at mm. 6-end. 2. Wolcum Yole! Wolcum be thou heavenly king, Wolcum Yule, Wolcum born in one morning, Wolcum for whom we shall sing! Wolcum Thomas marter one, Wolcum saint-es, loved and dear. Wolcum Inno-sent-es everyone, Wolcum Twelfth Day both in fear. Wolcum be ye Steven and Jahn, Wolcum be ye good New Year, Wolcum Yule, Wolcum! Cahn-del-mess, Queen of bliss, Wolcum both to more and less. Wolcum be ye that are here. Wolcum all and make good cheer. Wolcum all another year, Wolcum Yule! Mm. 33, 35, 38, 43, 47, 54, Dotted quarter with dotted quarter rest- off on beat 2. M. 80-9/8 bar. Release ON the tied eighth note- beat 1. 3. There is No Rose There is no rose of such virtue, as is the rose that bore Jesu. Al-le-lu-yah For in that rose con-tain-ed was heaven and uth (earth with no r) in little space Rehz-mee-rahn-dah By that rose we may well see, there be one God in persons three Pah-rehs-fohr-ma The ain-jels sung-en the shehp-ehrds to Klaw-ree-ah een ek-shehl-sees deh-aw Gah-deh-ah-moos Leave we all this wehld-ly mehth (no r s) and-ah fawl-oh we this joyfole behth (no r ) Trahns-eh-ah-moos S&A- even 3 part split thoroughout- MARK YOUR PART T- mm. 28-32- go ahead and split...all T&B parts are doubled in S&A Mm. 46-50- S1 sing Sop line; S2 & A1 sing A line; A2 sing top bass note (Bb), T sing middle bass note (G), B sing bottom bass note (Eb). All return to regular parts in M. 51. Note: sempre senza ritardando = always without slowing down 4. 4b. Ballulalow Jill- solo But I shall praise thee eh-vehr-more with song-es sweet unto thy klohr The nees of my hart shall I bow and sing that rich Bah-loo-lah-low (rhymes with bow ) Mm. 31 & 32 (entrances) S1 & S2 on Soprano line (split), A1 on Alto line; A2 & T on Tenor line- A2 top note, T bottom note; B on Bass line. Pick up to M. 36- A2 back up to Alto line- bottom note; S2 & A1 sing S2 part until m. 38, then jump down to A1 part. S1 sing top of sop line. M. 42- S2, A1, & A2- sing Alto line & split S2 & A1 top A2 bottom
M. 47 divide as follows: Sop line- sop 1 Alto line- Sop 2 s split Tenor line- A1- top, A2- middle, T-bottom Bass Line- no top pitch- split B1 middle, B2 bottom 5. As dew in Aprille I sing of a may-dehn that is mah-keh-less, king ahv ahl kings to her sawn shee chase. He came all so still, there his mother was, As dew in Ah-preel that fall-eth on the grass He came all so still, to his mother s bow r, As dew in Ah-preel that fall-eth on the flow r, He came all so still, there his mother lay, As dew in Ah-preel that fall-eth on the spreh. Mother and may-dehn, wahz neh-vah nun but shee, Wehl may such a lay-dee, Gawd s mo-ther bee. This is in 1; very fast. Note that at the end there is no break. It crescendos into the downbeat of the next movement. 6. This little babe This lih-tole baybe, so fehw days old, is come to ri-fole Say-tahn s fold Awl hell doth at his preh-sense kwake, though he himself for cold do shake, For in this weak un-ahrm-ehd wize, the gayts of hell he will suh-prize. With teers he fights and wins the feeld, his nay-ked brehst stahnds for a sheeld. His bat-ring shot are bab-ish cries, his arrows looks of weeping eyes. His mar-shall ehn sighns cold and need, and fee-bole flehsh his wahr-yores steed. His kamp is pi-ch-ed in a stahl, his bul-werk but a bro-ken wall. The krib his trench hay-stahlks his stakes, of shep-ehrds he his muhs-ter makes. Ahnd thus as shure his foe to woond, thee an-jehls trumps ah-lah-ruhm sound. My sole with Krist (long i), joyn thou in fite, stik to the tehnts that he hath pite, Within his krib his shoor-est wahrd, this lit-tole bayb will be thy gard. If thou wilt foyl thy foes with choy, then flit not from this heh-vehn-lee boy. Also fast, in 1. Presto con fuoco = as fast as possible with fire 7. Interlude- harp solo 8. In Freezing Winter Night Beh-hold ah sil-lee, tehn-der bayb in freez-ing win-ter night. In home-ly mayn-jer trehm-bling lies, ah-lahs, a pi-tee-uhs site. Thee inns ahre fole, no mahn will yield, this lit-tole pil-grim behd. Baht fors d he iz with sil-lee beests, in krib to shrowd his hehd This stay-bole iz a prins-ez kort, this krib his chayr ov stayt The beests are parsel of his pohmp, the wood-ehn dish his playt The pers-uns in that poor ah-tyr, his roy-ahl lihv-rees ware The prins him-sehlf iz cum frum heh vn this pohmp is pri-zehd (long i) there NNNNNNNNNN Mm. 37-43- S1- Sop line; S2 on top alto line; A1 & A2 on bottom alto line. Back to reg parts at end of m. 43. mm. 54-55- sop split.
9. Spring Carol- duet Jill & Stephanie 10. Deo Gracias Deh-aw, Kraht-see-ahs Ah-dahm lay ah-bownd-en, bown-den, in ah bahnd. Fore thow-sahnd win-ter, thawt he not too lawng. Ahnd awl wahs fore an ap-pil, an ap-pole that he took. As klehr-kehs fihnd-en (short i), writ-ehn (short i) ihn thayr book. Hahd not thee ap-pil tayk-eh bin (short i) Thee ap-pil tayk-eh bin, thehn hahd-eh neh-veh owr lay-dee, a behn hev-n lee kween. Blehs-ehd bee the time, thaht ap-pil tayk-eh wahs. There-fore wee moan sing-ehn In 1. presto = as fast as possible s on gracias should always be on the and of 1 - ON the dot. 11. Recession: same as procession.