Senior Recital. Tory Krynne Bethune, mezzo-soprano. Brenda Brent, piano. Kennesaw State University College of the Arts School of Music

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Kennesaw State University College of the Arts School of Music presents Senior Recital Tory Krynne Bethune, mezzo-soprano Brenda Brent, piano Friday, November 15, 2013 7:00 p.m Music Building Recital Hall Forty-second Concert of the 2013-14 Concert Season

Program I BENEDETTO MARCELLO (1686-1739) Il Mio Bel Foco II JOHANNES BRAHMS (1833-1897) from Zigeunerlieder He, Zigeuner! Kommt dir Manchmal III REYNALDO HAHN (1874-1947) Si Mes Vers Avaient des Ailes GABRIEL FAURÉ (1845-1924) Automne IV GIAN CARLO MENOTTI (1911-2007) Lullaby from The Consul RICKY IAN GORDON (b.1956) Will There Really Be a Morning? JOHN JACOB NILES (1892-1980) Wayfaring Stranger HAROLD ARLEN (1905-1986) Somewhere Over the Rainbow from The Wizard of Oz This recital is presented in partial fulfillment of requirements for the degree Bachelor of Music in Music Education. Ms. Bethune studies voice with Oral Moses.

Program Notes BENEDETTO MARCELLO 1686-1739 Benedetto Giacamo Marcello was an Italain composer and writer. Born the son of a Venetian nobleman, he followed the typical career of the noblemen of his time and was admitted to the Maggior Consiglio (the Major Counsil ) of the Republic of Venice. He was considered a musical nonprofessional of his time, largely because he didn t follow the usual conventions of musical maestri in that he held no regular musical appointments (i.e. liturgical positions) and most of his musical compositions are undated. During the time in which Intorno al idol mio was written, Marcello desired a reform of singing style. He thought vocalists should abstain from frilly, obnoxious ornamentation. He wanted vocalists to be more concerned with the quality of their voice, rather than the acrobatics of their voice. Il mio bel foco (quella fiamma) I Il mio bel foco O lontano o vicino ch esser poss io Senza cangiar mai tempre pervoi, care pupille, arderà sempre. Quella fiamma che m accende, Piace tonto all alma mia, Che giammai s estinguerà E se il fato a voi mi rende Vaghi rai del mio bel sole, Altra luce ella non vuole Névoler giammai potrà My ardent fire No matter how far I am from you My burning love for you will never change or lessen, I will desire your eyes always This flame that sets me on fire Pleases my soul so much, That it can never be extinguished And if fate would return me to you, Your lovely eyes which are the beautiful sun to me, other eyes my soul does not want Or ever could want II JOHANNES BRAHMS 1833-1897 Johannes Brahms was a German Romantic composer. He is known as the successor to Renaissance and Baroque polyphonic composers in choral music. He was part of a group of composers called the St. Cecila Society. These composers, including Bruckner and Schumann, were forerunners in the neo-classicist movement in which composers would hearken back to the renaissance period in their compositions. This was in direct contrast to the seemingly more progressive composers of the Romantic Era such as Wagner and Berlioz. Brahms was also known as one of the first ethnomusicologists, because of his habit of studying and transcribing the ethnic music of cultures such as the gypsy culture in Hungary. The song cycle, Zigeunerlieder or gypsy songs are a direct result of one such study. In

"He, Zigeuner!," the lover is bidding the violin to play for him because of his unfaithful maiden, and in "Kommt dir manchmal," the lover is beseeching the beloved to never forget the vow they made to one another. He, Ziguener! (Zigeunerlieder) He, Zigeuner, greife in die Saiten ein! Spiel das Lied vom ungetreuen Mëgdelein! Lass die Saiten weinen, klagen, Ttraurig bange, Bis die heiße Träne Netzet diese Wange! Hey, Gypsy, strike up the violin! Play the song of the unfaithful maiden! Let the strings weep, lament, sadly fearful, Until the hot tears wet this face! Kommt dir manchmal (Zigeunerlieder) Kommt dir manchmal in den Sinn, mein süßes Lieb, Was du einst mit heil gem Eide Mir gelobt? Täusch mich nicht, verlass mich nicht, Du weißt nicht, wie lieb ich dich hab, Lieb du mich, wie ich dich, Dann strömt Gottes Huld auf dich herab! Do you sometimes recall, My sweet love, What you once vowed to me With solemn oath? Deceive me not, leave me not, You don t know, how much I love you, Love me as I love you, Then God s grace will shine on us! III. REYNALDO HAHN 1874-1947 Reynaldo Hahn was a Venezuelan-born, French composer, conductor, writer, and child prodigy. He was the youngest of his twelve siblings and was only three years old when his family moved to Paris. While in France, He attended the Paris Conservatoire at the age of eleven, where he began to compose. While at the Paris Conservatoire, at only 15 years of age, he composed Si mes vers avaient des ailes. Dedicated to his sister, this early work by Hahn paints the picture of poetry with wings quite beautifully by moving, legato piano lines, along with subtle and interesting chromaticism that is characteristic of French Romanticism. Si Mes Vers Avaient Des Ailes Mes vers fuiraient, doux et frêles, Vers votre jardin si beau, Si mes vers avaient des ailes, comme l oiseau. My poems would run away, sweet and frail, To your garden so fair, If my poems had wings, Like a bird.

Ils voleraient, étincelles, Vers votre foyer qui rit, Si mes vers avaient des ailes, comme l esprit. Près de vous, purs et fidèles, Ils accourraient, nuit et jour, Si mes vers avaient des ailes, Si mes vers avaient des ailes, Comme l amour! They would fly, sparkling, Toward your hearth, which laughs. If my poems had wings, Like the witty mind Near to you, pure and faithful, They d speed, night and day, If my poems had wings, If my poems had wings, like the wings of love! GABRIEL FAURÉ 1845-1924 Fauré was a French composer, teacher, pianist and organist. He was and is known as one of the most advanced composers of his generation. Fauré had a significant influence on many 20th-century composers. His innovations in harmony and melody have impacted the ways that they have been taught for many generations. Fauré captured the nostalgia in Victor Hugo s poem, Automne by moving triplets in the treble line. He portrays the bitterness of the once-fond memories of youth and love through minor tonality and dissonant leaps in the bass line. Automne Automne au ciel brumeux Aux horizons navrants. Aux rapides couchants, Aux aurores pâlies, Je regarde couler, comme l eau du torrent, Tes jours faits de mélancolie. Sur l aile des regrets mes esprits emportés, Comme s il se pouvait que notre âge renaisse! Parcourent en rêvant, les coteaux enchantés, Où jadis sourit ma jeunesse. Je sens, au clair soleil du souvenir vainqueur, Refleurir en bouquet Les roses déliées, Et monter à mes yeux Des larmes, qu en mon cœur, Mes vingt ans avaient oubliées! Autumn of misty skies, Of heart-breaking horizons, Of swift sunsets, of pale dawns, I watch flow by, Like torrential water, Your days filled with melancholy. My spirits, born away on the wings of regrets, As if our life could be reborn! Wander, while dreaming, Over the enchanted hills, Where once smiled my youth. I feel, in the bright sunlight of memory triumphant, Scattered roses flower again in bouquets; And some tears well up in my eyes, which my heart in its twenty years had forgotten!

IV GIAN CARLO MENOTTI 1911-2007 Gian Carlo Menotti often referred to himself as an American composer, but was actually a dual citizen of both the United States and Italy. He wrote approximately two dozen operas all with the intention of appealing to popular taste. The Pulitzer Prize-winning opera, The Consul, was no exception. Set in an unidentified totalitarian state in the mid 20th century, this opera portrays the life of Magda Sorel. Her revolutionary husband, John Sorel, is a wanted enemy of the state. In Act 2, John s mother is comforting her dying grandchild by singing him a Lullaby. RICKY IAN GORDON b.1956 Ricky Ian Gordon is a New York-born, American composer. He studied piano, composition and acting at Carnegie Mellon University, and currently resides in New York City. He is a leading writer of vocal music that spans art song, opera, and musical theater. Many internationally renowned artists, such as Kristin Chenoweth and Audra MacDonald, have recorded Mr. Gordon s songs. His art song, Will There Really Be a Morning?, is a 1995 musical adaptation of an Emily Dickinson poem. He published this piece along with 20 others in the vocal collection of A Horse With Wings. JOHN JACOB NILES 1892-1980 John Jacob Niles was born in Louisville Kentucky on April 28th of 1892. He was an American composer, singer, and collector of traditional ballads, many of which were Appalachian songs. He was an important part of the American folk music revival of the 1950 s and 1960 s. Among those who have recorded his songs are Joan Baez, Burl Ives, and Peter, Paul and Mary. Wayfaring Stranger is an Appalachian ballad that is rooted in the English tradition. HAROLD ARLEN 1905-1986 Harold Arlen (born Hyman Arluck) wrote some of the greatest hits from the 30 s and 40 s, including the entire score to The Wizard of Oz. In July 1938, Harold Arlen and E.Y. Harburg were signed by MGM to write the score for the filming of the childhood classic. With only a little time left to finish the score, Arlen suggested that they needed a ballad. The song came to him while he was headed to a movie with his wife. He jotted it down. Harburg was reluctant because he thought the piece was too grand for a little girl in Kansas to sing. Dead-set on his song, Arlen played it for his friend, Ira Gershwin. Gershwin liked it, and Harburg in response to Gershwin s approval, quickly titled the new song "Over the Rainbow" and composed its lyrics. "Over the Rainbow" was deleted from the print of The Wizard of Oz three times! Arlen and Arthur Freed fought, however, and the song remained, ironically to later receive the Academy Award as the best film song of the year!

School of Music Faculty and Staff Interim Director Michael Alexander Woodwinds Cecilia Price, Flute Todd Skitch, Flute Christina Smith, Flute Elizabeth Koch Tiscione, Oboe Dane Philipsen, Oboe John Warren, Clarinet Laura Najarian, Bassoon Sam Skelton, Saxophone Brass and Percussion Doug Lindsey, Trumpet Lester Walker, Jazz Trumpet Jason Eklund, Horn Thomas Witte, Horn Tom Gibson, Trombone Brian Hecht, Bass Trombone Bernard Flythe, Tuba/Euphonium Michael Moore, Tuba Justin Chesarek, Jazz Percussion John Lawless, Percussion Strings Helen Kim, Violin Kenn Wagner, Violin Catherine Lynn, Viola Allyson Fleck, Viola Charae Krueger, Cello Douglas Sommer, Double Bass Joseph McFadden, Double Bass Elisabeth Remy Johnson, Harp Mary Akerman, Classical Guitar Trey Wright, Jazz Guitar Marc Miller, Jazz Bass Ensembles & Conductors Leslie J. Blackwell, Choral Activities Alison Mann, Choral Activities Oral Moses, Gospel Choir Russell Young, Opera & Musical Theatre Eileen Moremen, Opera Michael Alexander, Orchestras Charles Laux, Orchestras John Culvahouse, Wind Ensembles David T. Kehler, Wind Ensembles Wes Funderburk, Jazz Ensembles Sam Skelton, Jazz Ensembles Justin Chesarek, Jazz Combos Marc Miller, Jazz Combos Trey Wright, Jazz Combos Voice Carolyn Dorff Adam Kirkpatrick Eileen Moremen Oral Moses Leah Partridge Valerie Walters Jana Young Russell Young, Vocal Coach Piano Judith Cole, Collaborative Piano Robert Henry Tyrone Jackson, Jazz Piano John Marsh, Class Piano David Watkins Susan White, Class Piano Soohyun Yun Music History & Appreciation Drew Dolan Edward Eanes Doug Lindsey John Marsh Katherine Morehouse Harry Price Trey Wright Music Education Janet Boner Kathleen Creasy John Culvahouse Margaret Grayburn Charles Jackson Charles Laux Alison Mann Angela McKee Richard McKee Harry Price Terri Talley Amber Weldon-Stephens Music Theory, Composition & Technology Judith Cole Kelly Francis Jennifer Mitchell Laurence Sherr Benjamin Wadsworth Jeff Yunek Chamber Music Allyson Fleck Bernard Flythe Charae Krueger Catherine Lynn Joseph McFadden Harry Price Kenn Wagner John Warren Soohyun Yun Ensembles in Residence Atlanta Percussion Trio Faculty Jazz Parliament Georgia Youth Symphony Orchestra & Chorus KSU Faculty Chamber Players KSU Faculty String Trio School of Music Staff Julia Becker Bob Becklean Dominic Bruno Steve Burton David Daly Susan M. Grant Robinson Joseph Greenway Dan Hesketh June Mauser

Kennesaw State University School of Music The School of Music at KSU has dedicated, vibrant, and talented faculty and staff that are completely devoted to teaching, performing, scholarship, and serving our community. It is an incredibly exciting place to study, boasting state-of-the-art facilities with opportunities to produce and explore music in a dynamic place that is ahead of the curve for what it means to be a musician in the 21st century. Our students come from the leading musical honor organizations across the region and are poised to lead the cultural offerings and musical education in our area and beyond for years to come. We welcome you to attend a concert, meet our faculty and staff, and feel the energy and excitement that our students exude. We are fully committed to our purpose as educators, performers, and scholars. We hope that you will find as much enjoyment in our product as we do in producing it. Connect with the School of Music For more information about the School of Music, connect with us online at the websites below. Tweet at us during tonight s concert from Morgan Hall s Tweet Seats to connect with fellow concertgoers during the performance. facebook.com/musicksu twitter.com/musicksu youtube.com/musicksu ksutv.kennesaw.edu/musicksu musicksu.com Please consider a gift to the Kennesaw State University School of Music. http://community.kennesaw.edu/givetomusic Upcoming Events Unless otherwise noted, all events will take place at 8:00 pm in Morgan Concert Hall. Friday, November 15 and Saturday, November 16 Opera: The Magic Flute Saturday, November 16 Mixed Chamber Ensembles 10 am 2 pm 4:30 pm Wednesday, November 20 Jeremy Denk, piano with Symphony Orchestra Thursday, November 21 Phillharmonic & Concert Band Tuesday, November 26 Jazz Ensembles Monday, December 2 Percussion Ensemble Tuesday, December 3 Choral Ensembles We welcome all guests with special needs and offer the following services: easy access, companion seating locations, accessible restrooms, and assisted listening devices. Please contact a patron services representative at 770-423-6650 to request services.