Arranged by JAY ALTHOUSE LYDIA, THE TATTOOED LADY or voices and piano* Music by HAROLD ARLEN Lyric by E. Y. HARBURG 1 Piccolo Trumpet 1 Trumpet 2 Trombone Baritone Horn Tuba Percussion 1 (S.D./D.) Percussion 2 (Cym., W.Blk., other) Tenor I Tenor II Baritone Bass Piano Somewhat reely (q = ca. 72) Somewhat reely (q = ca. 72) m m * SoundTrax CD avaible (27131). SOLO m 3 She was the most glo- ri-ous crea-ture m/ab un Ebm/Gb Ebm6 - der the sun. (Solo shout, beat 2) Madonna! (Solo shout, beat 4) She was m Monroe! Fm/Ab 1939 (Renewed 1967) EMI FEIST CATALOG INC. This Arrangement 2007 EMI FEIST CATALOG INC. All Rights Controlled by EMI FEIST CATALOG INC. (Publishing) and ALFRED PUBLISHING CO., INC. (Print) To purchase a ull-length perormance recording o this piece, go to alred.com/downloads
2 7 Light waltz accel. to m. 12 12 With a bounce (h. = ca. 63-66) m cresc. m cresc. sub. m m Light waltz accel. to m. 12 m - a, oh, - a, say have you cresc. (end solo) m m cresc. Ebm/Gb all rolled in - to Ebm6 S.D. m cresc. cresc. cresc. D. m cresc. accel. to m. 12 one. F sub. m With a bounce (h. = ca. 63-66) /Eb Dm sub. m accel. to m. 12 Dm/F 6 met
15 20 3 m - a, /F - a, The Tat - tooed La- dy. She When has her eyes mus - that olks cles start SNARE TOM TOM a - dore re - x - Bdim7 Eb /D /C so, in (slide) (2x only) m (1x only) m and up a the
4 25 B dim7 tor hill - so e comes An - - ven more drew Jack m F&5 - so. son. - a, - a, oh oh - a, that - a, that en - cy - clo - pe-di- a, en - cy - clo - pe-di- a, - a, the - a, the queen o champ o Dm/F 6 /F 7 tat - them
5 34 36 too. m m m all. Eb6 On her For two back is the bits she will m Bat - tle o Wa - ter - loo. do a Ma - zur - ka in jazz, &5 Eb6 /D º/Db Be - side it with a view o the Wreck o Ni - ag - ra Bdim7 the that Hes-per - us, no art - ist
6 43 50 m m sp m sp sp too. has. &5 CR. CYM. m m sp m And proud And on sp cresc. - ly a - bove waves the a clear day you can Red, White, and see Al - ca - Blue. traz. m m m You can learn 7 Eb b5/gb C9 a lot rom
2nd time to Coda 52 - a. 2nd time to Coda La,. La,. m She can F/A Ab13 m 7
8 62 70 m m m give you Db a view Db6 o the world in DbM7 tat - too i Db6 you step Db up 7 m and tell her where. Ebm7 Ab7 m For a Oo, dime you can Ebm
9 71 78 m wee, see &5 oo, Par - ee! Kan-ka - kee or Par - ee, or Ebm7 Ab7 Wash-ing-ton cross-ing the Del-a- ware. Ebm7 Ab7 Db La, Ebm7 Ab7. Db
10 D.S. al Coda 81 Coda La,. Oh,,. Whistle D.S. al Coda &5 Coda
90 94 m m m m Ebm7 m m Ab m Db Come a-long and see Bu- lo Bill with his Whal-en un - veil- in the Db m m (The our measure phrases between m. 93 and m. 108 may be sung as solos.) m Db6 s - so, Try- lon. DbM7 Db6 m just a lit-tle cs -sic by O-ver on the west coast we Db 11
12 99 102 m m Men - del Pi - cas - so. have Treas - ure Is- nd. Db6 Ebm7 Ab7 Here is Cap-tain Spauld - ing You can see Ni - jin - sky TOM TOMS ex - plor-ing the a do - in the m Am-a- zon, rum - ba. Ebm Ab7 and Go - di - va, but with her pa Here s her So-cial Se - cu - ri - ty Ebm7 Ab7
108 1. m 1. ja -mas on. num - ba. Db CR. CYM. La,. Ebm7 Ab7 Db m Here is Gro-ver 2. 2. La, 13
14 117 121. Oh, DbM7 Cb7b5 - a, oh - a, say have you met - a, Dm/F 6 /F - a, the champ o them 7
15 127 129 all. Eb6 ANVIL (or ketchup bottle struck with spoon) She once swept an Ad -mi - ral clear o his eet. &5 Eb6 /D º/Db WOODBLOCK The ships on her 6 Bdim7 hips made his heart skip a beat. &5 And
16 137 rit. a tempo now the old boy s in com-mand o the leet! For he a tempo rit. sp rit. sp rit. sp rit. sp sp rit. rit. rit. CR. CYM. 7 Eb rit. sp b5/gb a tempo a tempo a tempo a tempo a tempo a tempo a tempo went and mar C9 - ried - a. SOLO I said
147 - a! DIFFERENT SOLO He said SOLO F He said - a. - a. Dm7 (end solos) (end solo) G7 He said - a, - a, a, - we said - a, Eb/F 17
18 156 the great - est o all, Db
161 19 Cb7b5 o all! Yes, sir!