Working with BBC Radio 4 Extra 2017/18

Similar documents
Style Guide September 2016

Style Guide January 2016

A GUIDE TO COMMISSIONED PROGRAMMES

DATED day of (1) THE BRITISH BROADCASTING CORPORATION

EDITORIAL POLICY GUIDANCE NOTE PROPS: : THE SUPPLY AND USE OF PROPS IN DRAMA, COMEDY AND ENTERTAINMENT PROGRAMMES

BBC S RELEASE POLICY FOR SECONDARY TELEVISION AND COMMERCIAL VIDEO-ON-DEMAND PROGRAMMING IN THE UK

Audio & Music multiplatform compliance guidelines

FREE TIME ELECTION BROADCASTS

Policy on the syndication of BBC on-demand content

Section One: Protecting the Under-Eighteens

Factual Drama. Guidance Note. Status of Guidance Note. Key Editorial Standards. Mandatory referrals. Issued: 11 April 2011

This helpcard will show you how to update your programme s header which appears at the top of every form.

S4C Clips and Rushes Policy. July 2016

FREE TIME ELECTION BROADCASTS

JOB DESCRIPTION FOR PICTURE EDITOR VISUAL JOURNALISM ARABIC SERVICE

BBC Distribution Policy June 2018

The BBC s Draft Distribution Policy. Consultation Document

RTS PROGRAMME AWARDS 2017 CRITERIA

EDITORIAL SPECIFICATION FOR NON-SCRIPTED PRODUCTIONS

S4C Guidelines on Credits. 1 May 2015

EDITORIAL SPECIFICATION for SCRIPTED PRODUCTIONS

The new BBC Scotland Channel: Proposed variation to Ofcom s Operating Licence for the BBC s public services. BBC Response

Credits. Guidance Note. Status of Guidance Note. Key Editorial Standards. Issued: 11 April 2011

Broadcasting Authority of Ireland Rule 27 Guidelines General Election Coverage

BERMUDA STATUTORY INSTRUMENT BR 25/1987 TELEVISION BROADCASTING SERVICE REGULATIONS 1987

BBC WORLD SERVICE JOB SPECIFICATION

THE PAY TELEVISION CODE

Section Two: Harm and Offence

BBC Radio 5 live Sports Extra

TECHNICAL SPECIFICATIONS FOR THE DELIVERY OF CLOSE TO TRANSMISSION TELEVISION PROGRAMMES TO THE

Channel 4 Television End Credits guide for programmes on the Channel 4 portfolio of channels

EDITORIAL POLICY GUIDANCE TICKETING FOR BBC EVENTS AND PROGRAMMES

Broadcasting Authority of Ireland Guidelines in Respect of Coverage of Referenda

Contract Details, and Delivery Requirements

Allocation and ordering of audio channels to formats containing 12-, 16- and 32-tracks of audio

Research & Development. White Paper WHP 318. Live subtitles re-timing. proof of concept BRITISH BROADCASTING CORPORATION.

MPBN Community Films

Channel Four Television Corporation. Code of Practice for Commissioning Programmes from Independent Producers

Broadcasting Order CRTC

ON-SCREEN GUIDELINES FOR BBC PRODUCTIONS IN SCOTLAND 2016/17

TECHNICAL STANDARDS FOR DELIVERY OF FILE BASED RADIO PROGRAMMES TO

THE RADIO CODE. The Radio Code. Broadcasting Standards in New Zealand Codebook

Current norms of good taste and decency should be maintained consistent with the context of each programme and its channel.

GUIDELINES FOR SUBMISSION Celebrating Film & TV Industry Talent. In Africa

Service availability will be dependent on geographic coverage of DAB and digital television services 2

Technical Specifications for Competition Deliveries (for External Production Companies)

ADOPTING NEW SUBTITLE FORMATS TO MEET AUDIENCE NEEDS NIGEL MEGITT, IRT SUBTECH1 SYMPOSIUM 25 MAY 2018

Media Examination Revision 2018

OPERATING GUIDELINES Cape Elizabeth Television Adopted April 10, 1989 (revised effective June 8, 2009.) Introduction

Operating licence for the BBC s UK Public Services

HOLLYWOOD FOREIGN PRESS ASSOCIATION GOLDEN GLOBE AWARD CONSIDERATION RULES

S4C S TERMS OF TRADE SECOND ISSUE / FOR PROGRAMMES COMMISSIONED UNDER THE S4C CODE OF PRACTICE.

EIFF 2018: The Young & the Wild New Visions Short Film Competition

This Chapter does not apply to applications and decisions on, development on land reserved in corridor maps.

john b. hynes veterans memorial convention center Media & Sponsorship Opportunities

Download of classical music in the form of incidental music or signature tunes is permitted 4

PARLIAMENTARY RECORDING UNIT Westminster House, 7 Millbank, London SW1P 3JA T: E: W:

BBC Bitesize Primary Music Animation Brief

Commissioning Round for Arts and Religious Programmes

BBC Three. Part l: Key characteristics of the service

BBC tariff range of indicative prices for the supply of commissioned television programmes

TERMS & CONDITIONS. Please read this policy carefully to avoid losing your deposit payment and any cancellation fees.

In accordance with the Trust s Syndication Policy for BBC on-demand content. 2

Broadcaster Manual. for the Canadian program classification system using onscreen. Prepared for Canadian English-language Programming services

Off-Air Recording of Broadcast Programming for Educational Purposes

The BBC s services: audiences in Scotland

FESTIVAL INTERNATIONAL DU FILM PANAFRICAIN RULES & TERMS Please carefully read all the rules

Licence for the transmission of digital terrestrial television multiplex service

BBC Northern Ireland On-screen Guidelines

Ofcom Broadcast Bulletin

Children s Television Standards

GUIDELINES FOR APPLICANTS 2016 SUBMISSION DEADLINE

Documentary / Factual DATE:20/04/2015 VERSION NUMBER: 1.04

Standard Definition. Commercial File Delivery. Technical Specifications

England 2014 to 2020 European Structural and Investment Funds (ESIF) Growth Programme

Styleguide All the music from across the BBC in one place. BBC Music Styleguide 2017 Page: 1

The BBC s services: audiences in Northern Ireland

A Guide To Reporting Music To Channel 5

THE MINACK THEATRE. Notes for Playing Companies. Please note 2016 amendment to Section 5 - Public Liability & Employer Liability Insurance

RULES AND CONSIDERATIONS

TERMS & CONDITIONS. Please read this policy carefully to avoid losing your deposit payment and any cancellation fees.

British Academy Children s Awards. Rules and Guidelines 2017/18

Netflix Originals. Rate Card and Scope Of Work

LOW-BUDGET INDEPENDENT FEATURE FILM ASSISTANCE PROGRAM GUIDELINES FOR

Ofcom's proposed guidance on regional production and regional programming

RADIO COMMISSIONING FRAMEWORK. Commissioning Brief

Sale & Box Office Manager; Deputy Sales & Box Office Manager, Box Office Duty Manager. Customer Manager, Venue Managers, Front of House Assistants

WORLD ASSOCIATION FOR SYMPHONIC BANDS AND ENSEMBLES GUIDELINES FOR PERFORMING ENSEMBLES AT WASBE INTERNATIONAL CONFERENCES

What Happens to My Paper?

EDITORIAL POLICY GUIDELINES FOR BBC WORLD SERVICE GROUP ON EXTERNAL RELATIONSHIPS AND FUNDING

Guidelines for singers applying to the Training Programme

Young Choir of the Year Postal Entry Form

Memorandum of Understanding. between. The Ministry of Civil Defence & Emergency Management. and

Capital Works process for Medium Works contracts

HD TECHNICAL SPECIFICATIONS AND DELIVERABLES SCHEDULE. Light Entertainment

1.2 The NAB is the leading representative of South Africa s broadcasting industry representing:

Frequently Asked Questions

TECHNICAL MEDIA SPECIFICATION ON THE FILE BASED SUBMISSION OF MATERIALS TO BE AIRED

Broadcasting Ordinance (Chapter 562)

Programming Policy. Policy Reviewed 2013 Scheduled review date 2016

Transcription:

Working with BBC Radio 4 Extra 2017/18 Introduction... 2 Delivery... 2 Audio Delivery... 2 Dira/Highlander... 2 Programme Durations... 3 Proteus... 3 Running Orders... 3 Programme Descriptions... 3 Compliance... 4 Compliance Form... 4 Referral... 4 Future Repeats... 5 Presentation & Promotions... 5 Press Information and On-Air Promotion: "Built" Trails... 5 Opening and Closing Announcements... 5 On-Air Credits... 5 Online Content... 6 Contacts... 7 1 Working with BBC Radio 4 Extra v.4

Introduction The following information is provided to ensure that all programme makers are aware of our requirements. The document will be distributed as part of the transmission confirmation email for each conditionally commissioned programme. - BBC Radio 4 Extra broadcasts 24 hours a day, 7 days a week, on DAB Radio, all Digital Television platforms and Online. - All our programmes are available through the BBC i-player. - Owing to shortage of space on the BBC National DAB multiplex we currently only broadcast in mono on DAB however all programmes should be produced in stereo since all other platforms are stereo. - Our presentation links are pre-recorded, three weeks ahead of transmission. - Transmission playout is totally automated via the SCISYS system there is no continuity which can intervene to pull a programme at short notice, or make special announcements. - Staff are not on duty at weekends or public holidays. Delivery Due to the pre-recorded nature of the network, audio and all associated paperwork must be delivered 6 weeks ahead of TX. Audio Delivery We will notify you of the required delivery date after confirmation of conditional commission and unless a change is mutually agreed and confirmed by us on email, this must be rigorously observed. As BBC Radio 4 Extra is a pre-recorded network, programmes are delivered to dira! 6 weeks prior to transmission. If you are unable to meet the delivery deadline please contact the Forward Planning Schedule Coordinator to arrange alternative dates. If your programme is of a topical nature, a late delivery deadline will be agreed at the point of scheduling. Dira/Highlander Until further notice the programmes should be delivered on WAV audio file direct to Highlander, into the BBC7_normalise_in folder: \\bbcmedrr006\vcs_ingester$\bbc7\bbc7_normalise_in The naming convention for WAV files is important. It should include the title, transmission date (ddmmyy) and Proteus programme number. It should not include any punctuation or spaces. Use underscores in place of spaces. Please refer to the following example: A_Programme_080917_PEA03004211.wav Old style programme numbers (e.g. 16DA3524) can be entered into the core details of Proteus. 2 Working with BBC Radio 4 Extra v.4

For Selections (3 hour commissions): Please send the programme in at least three sections of audio with natural breaks (these would normally occur after the back-anno of a programme within the commission). This will allow the Presentation team to insert idents and trails at the point of broadcast. There is no need for you to insert 4 Extra network idents in your audio. Please number each section chronologically. Programme Durations Programmes should be delivered to the following durations, according to transmission slot. This should include all announcements and the natural fade-point of any closing sig. We do not encourage long periods of playout music, preferring to use spare airtime for station branding and promotion. Slot Required Duration 15 14 00 30 28 00 45 43 00 60 57 00 180 177 00 In the case of topical programmes where late delivery is specifically agreed, we will specify a precise, to-the-second delivered duration at the point of scheduling. Proteus It is the responsibility of production departments to ensure that their appropriate staff have access rights to Proteus and are trained to use it. Running Orders We require that all details of new programmes commissioned for BBC Radio 4 Extra are entered into Proteus 6 weeks ahead of transmission, including: Contributors: e.g. actors, writers, interviewees Music reporting Paperwork must be marked as complete and music must be reported in Proteus. For Selections (3 hour commissions): - As per commissioning guidelines, all programmes and clips contained within the Selection will need to have broadcast rights cleared and available for rebroadcast within 3 years of the first scheduled date on Radio 4 Extra. - For guidance on R4 Extra s rights agreements and running orders, please contact R4 Extra Production Management. - Any programmes contained within the Selection must be entered before transmission, if not then there will be no record of the insert programme having been broadcast. - Running orders of programmes contained within the Selection must also be entered. Programme Descriptions Short, medium and long descriptions must be entered in Proteus 6 weeks ahead of transmission. Ensure the descriptions are copied to the original template. 3 Working with BBC Radio 4 Extra v.4

Please note, Radio 4 Extra does not have an automatic link to Ericsson. You must inform R4ExProgDets@bbc.co.uk of any amendments made to your programme descriptions. Radio 4 Extra is broadcast on multi-digital platforms and the station performs strongly on iplayer Radio. In order to maximise information, please add your episode title into Proteus. The team at Radio 4 Extra will add brand and series titles and episode numbering. Compliance The compliance process is designed to ensure content that may pose a risk to the reputation of the BBC or that some listeners may find difficult or challenging is well-judged and broadcast in appropriate context and editorially justified. It upholds programme makers right to creative expression by ensuring it is exercised responsibly. Your department must have the appropriate compliance permissions in Proteus. Supplier s compliance forms should be signed off by both the Producer and Executive Producer/Editor. Compliance Form Compliance forms should be completed with appropriate sign-off a minimum of 6 weeks prior to transmission. In the intervening period before transmission, please advise us if any content subsequently becomes unsuitable for broadcast due to topical events. If your programme is repeated once within 24 hours of its origination, the narrative repeats must be approved in Proteus with a dual-sign off for each transmission slot. Therefore, completion and approval of compliance forms should be sensitive to time of day for each narrative repeat, taking account audience expectations for each slot; how they may be influenced by signposting such as an opening presentation announcement. Compliance forms are intended to provide a record of editorial judgement not an exhaustive, itemised list of content. E.g. for potentially offensive language, rather than a comprehensive listing of each and every word it is more useful that the form details the type and amount of language included, its context and editorial justification and a time code. However, it is helpful to have a complete list of all real people (apart from historic figures) who contribute to or are referenced in the programme. For Selections (3 hour commissions): Your compliance form must act as an umbrella to cover both presentation linking material and all embedded programmes. Every compliance issue noted on the form must be prefaced as to whether it s part of presentation or should state the name of the embedded programme alongside the issue in question. Please add a time-code for each issue raised within the 3 hours particularly real people and for sensitive/topical issues that could impact not just on the initial transmission but also on subsequent repeats. Think about the content in the programme that might become insensitive to repeat in the future if circumstances change (e.g. deaths of real people, tragic or other major news events). Referral Any content concerns (e.g. strong language, portrayal, potentially humiliating or unduly cruel material, and imitative behaviour) should be discussed at the earliest opportunity, during the production process, with the Editor - Editorial Standards who will refer to the Controller as necessary. 4 Working with BBC Radio 4 Extra v.4

Future Repeats All future repeats, beyond the initial narrative repeats, will be complied by Radio 4 Extra compliance producers. Presentation & Promotions Press Information and On-Air Promotion: "Built" Trails Please contact Moy McGowan (Producer, Presentation) immediately prior to the programme being made, so that arrangements can be put in place for possible promotional material to be recorded. Five weeks before transmission, programmes are selected as Press and On-Air Promotional Priorities for the whole network. If you have not submitted your programme and its descriptions in Proteus, it will not be selected for Radio 4 Extra trails or cross-trailing on Radio 4. If your programme has been selected for on-air promotion, a member of the Radio 4 Extra Promotions Team will contact you. Please bear in mind that completed programmes with a complicated music mix under the speech are difficult to clip. In these circumstances, trails producers will often require an additional clean speech mix of your programme. As well as trailing your programme on BBC Radio 4 Extra, there may also be opportunities, where appropriate for promotion on: - All BBC radio networks, particularly Radio 4 - Built or verbal TV slides on all BBC TV channels, including digital networks - Voiceovers over the TV credits where slides are not possible - bbc.co.uk home page - Relevant selected BBC websites where we can place banners (e.g. comedy / drama / entertainment sites) - Social media Opening and Closing Announcements Please download and complete the presentation details template 6 weeks before transmission and forward it to R4ExProgDets@bbc.co.uk : Announcements should be to the point no longer than 20, except when absolutely necessary (e.g., to include a serial recap) and should act as a tease to the listener and not give away major plot points. BBC Radio 4 Extra Presenters will amend or cut back announcements if required. For further details, contact Moy McGowan. On-Air Credits Contractual programme credits should be included within the recorded programme, so that no credits need to be voiced by BBC Radio 4 Extra presentation. Any pre-recorded announcements where possible should be mixed over music or sound effects, to ensure they sound like part of the programme, rather than BBC Radio 4 Extra continuity. Cast lists may be credited and must name character first and actor second. Credits for programmes within a series should include only actors appearing in that episode. Requests for any exceptions should go to Moy McGowan. Where original music has been used, the composer and performers may be credited. Authors, writers, adapters and dramatists should be credited. 5 Working with BBC Radio 4 Extra v.4

For Selections (3 hour commissions): Your presenter effectively becomes the Continuity Announcer when introducing and back announcing the programmes. In the presenter s intro they will obviously make clear the reason for the programme s inclusion in the showcase and that will be part of the linking script. In order to avoid offence, archive programmes often require their original TX date to be supplied so that any outdated references or humour are given a context. If the credits of the individual programmes are not pre-recorded as part of the original programme, they should be given by the programme presenter Online Content We strongly recommend that you provide cast photos or images to represent the programme. This will increase the likelihood of your programme being selected as a promotional priority on Radio 4 Extra s homepage and newsletter. Images must be copyright cleared for use by the BBC across all platforms in perpetuity. They should also be of high resolution (minimum size 1920x1080 pixels). Please send any suitable images 6 weeks ahead of TX to r4iteam@bbc.co.uk The digital team can also support you with online/social media promotional opportunities. 6 Working with BBC Radio 4 Extra v.4

Contacts Forward Planning Gavin Old Schedule Coordinator gavin.old@bbc.co.uk 0207 765 1547 (x51547) Transmission Delivery Ben Spoor Schedule Coordinator ben.spoor@bbc.co.uk 0207 765 1584 (x51584) Proteus Support proteus.support@bbc.co.uk 020 7765 5937 (x55937) Compliance Forms Peter Reed Producer Radio 4 Extra peter.reed@bbc.co.uk 0207 765 5709 (x55709) Editorial Standards Roger Mahony, Editor Editorial Standards, R4 and R4Ex roger.mahony.01@bbc.co.uk 020 7765 5455 (x55455) Presentation Moy McGowan BBC Radio 4 and R4 Extra maire.mcgowan@bbc.co.uk 0207 765 0592 (x50952) Planning and Scheduling Tony Pilgrim Head of Planning and Scheduling tony.pilgrim@bbc.co.uk Production Management Rachel Tappin Business Manager, Radio 4 Extra rachel.tappin@bbc.co.uk Online r4iteam@bbc.co.uk 7 Working with BBC Radio 4 Extra v.4