Master Classes. Kelly J. G. Bremner Ph.D. Dept. of Theatre Emory & Henry College

Similar documents
WORKSHOPS AVAILABLE. How to Audition for Musical Theatre. The Workings of Broadway. Working in NYC as a Performer. Acting as a Business

Jones County Junior College has

Workshops for Everyone

Thursday Workshops Room 314 Room 315 Room 414-C Room 414-D Room 414-A

Music (MUS) Courses. Music (MUS) 1

Florida Atlantic University Dorothy F. Schmidt College of Arts and Letters Department of Music Promotion and Tenure Guidelines (2017)

THE PURPLE ROSE THEATRE COMPANY T H E APPRENTICE PROGRAM WORK LIVE LEARN PLAY

OUR OBJECTIVES FOR OUR CHORAL PROGRAM

INTRODUCTION TO DRAMA AND PERFORMANCE

COURSE SYLLABUS. Course Title: Delivering Memorable Auditions for Film and Television: A Workshop for Actors in Cold Reading and Interview Techniques

Instructionally Related Activities Report Form

Gateway Performing Arts Fall 2018 Classes Session 1: August 20 September 27 CLASS OVERVIEW

THEATRE (TH) Theatre (TH) 1

NOTES OF JOY VIENNA & SALZBURG. for Women s, Men s & Mixed Choirs JUNE Individual & Festival Concerts. with Sandra & Timothy Peter

Why I chose Western Music

On and Off the Stage: A Look at Working with the Kennedy Center American College Theatre Festival

Passport to Broadway Program Sample 10 - Day New York Curriculum (Subject To Change)

2018 AUDITION INFORMATION/GUIDELINES AND REHEARSAL/PERFORMANCE EXPECTATIONS

David Husser Traverse City, MI (231)

UMS Choral Union Announces Summer Sings 2017

GUIDELINES FOR VOCAL STUDY

SYRACUSE UNIVERSITY 3-week On-Camera TV/Film Unit Mondays, September 17, September 24, October 1, :45 PM 10:00 PM

Preliminary: Sunday, September 04, 2:00pm Agricenter Auditorium. Finals: Tuesday, Sept 06, 7:00pm Agricenter Main Stage

FILM AND VIDEO STUDIES (FAVS)

Instructionally Related Activities Report Form

WORKSHOP GUIDELINES Casting Director Workshops USE OF THESE GUIDELINES IS FOR GUIDANCE ONLY. IT DOES NOT CONSTITUTE CGA ENDORSEMENT OF ANY WORKSHOP

Teaching Effectiveness Measures. Southern Utah University Music Department

UCLA School of Film, Television and Digital Media FTV 183a. Producing 1: Film and Television Development

NURTURING CREATIVITY, CURIOSITY, and VIRTUOSITY

Broadway Bound Summer Intensive Monday, August 20 through Friday, August 24, am 4pm For students years old

DEPARTMENT OF ENGLISH (THEATRE) Fall Semester

From the Studio of Jennie Such Applied Voice Course Outline 2017

AUDITIONING SKILLS WORKSHOP LEVEL A LOCATION: PALM SPRINGS OR PALM DESERT

Theatre By David Mamet

Two River Theater Company is a professional, not-for-profit theater, and

Complied and analyzed by Steve Perdicaris

Musicians, Singers, and Related Workers

(MEDIA) CONVERGENCE AND CINEMA at THE TRIBECA FILM FESTIVAL 2013 MKTG-UB.0051 (2.0 CREDITS)

Thursday, November 1, 2007:

Called to Write Conference

APPLAUSE AWARDS: PARTICIPANT HANDBOOK TABLE OF CONTENTS

ENO Opera Works. Course Prospectus

Syllabus: Vocal Lab. Course Information. Instructor Information. Course Description. CE 6140 N Spring 2017 Continuing Education

Both Sides of the Curtain

PHILIP C. CHANG

2018 NYU STEINHARDT FILM SCORING WORKSHOP

DR. GILLIAN ROBERTSON

RTV4030: Sports Broadcasting Spring 2013 Tuesday, Period 3 / Thursday, Periods 3-4 G st Century News Lab

An inside view of the college position audition By john H. beck eastman school of music

2018 NYU STEINHARDT FILM SCORING WORKSHOP

YAGP 2017 FINALS PRELIMINARY TIMELINE

TELEVISON MANAGEMENT: NETWORK, CABLE/SATELLITE, SVOD, OTT Spring 2016

FRAME BY FRAME Community and Grassroots Screening Initiative

2019 TRS HANDBOOK. Triangle Rising Stars! Celebrating our 9th year of. DPAC 123 Vivian Street Durham, NC

Curriculum Vitae of Hong Zhou

Gwinnett County Public Schools Honor Orchestra Program Handbook

Have it all. A premier music program. A highly selective liberal arts college. $60,000+ FILENE MUSIC SCHOLARSHIPS

Poetry Presentation Project

PRO DEV IDH /2210/18 #STEMWOMEN. Dr. Melissa L. Johnson

Instructionally Related Activities Report Form SPONSOR: Dr. Paul Murphy PROGRAM/DEPARTMENT: PERFORMING ARTS: MUSIC ACTIVITY TITLE: Jazz Music

FRESH TRACKS AUDITIONS PLEASE READ THIS NOTICE IN ITS ENTIRETY FOR IMPORTANT INFORMATION ABOUT THE FRESH TRACKS PROGRAM

S O U T H E R N P R O D U C E R S L A B

Theatre Bay Area General Auditions FAQ (for actors)

Assistant Professor, Department of Philosophy, University of California Los Angeles

Original Content: Each of you will be required to provide a minimum of one field package. Packages can be spot news stories, or a feature

PRESS RELEASE March 2018

PATA GENERAL AUDITIONS INFORMATIONAL SESSION

FRESH TRACKS AUDITION GUIDELINES

W E L K E R W H I T E Curriculum Vitae

STEPHANIE ALISON WALKER Playwright 2533 Federal Avenue/ Los Angeles CA, 90064/

THEATRE ARTS (THEA) Theatre Arts (THEA) 1

INDEPENDENT DRAMA SCHOOL CREATED AND LED BY AWARD-WINNING ACTOR MARCUS D AMICO

(2) Engage the student body as a whole by producing performances of historical, contemporary, literary and/or theatrical merit

TEACHER/SCHOLAR OF THE YEAR University of Florida TEMPLATE

Annual Survey - Spring 2017

Why I chose Western Music

Feng Shui is a powerful tool that has transformed my life and the lives of the people I have shared it with and trained.

Live! On Atlantic 2019 Audition Information

Gwinnett County Public Schools Honor Orchestra Program Handbook

Instructionally Related Activities Report Form

THEATRE (THEA) Sam Houston State University 1

NURTURING CREATIVITY, CURIOSITY, and VIRTUOSITY

Producer s Guide to Working with SAG-AFTRA on a Modified Low Budget Theatrical Motion Picture

WESTMINSTER COLLEGE Applied Voice Instruction MUS-380, 381, 391 Syllabus-Fall/Spring/Summer

Performing Arts. Upcoming Auditions. Upcoming Performances. The 25th Annual Putnam County Spelling Bee 2018 Winter Young Adult Theater

ANNUAL FACULTY SURVEY

Fall Concert Preview

CPT s Kulas Foundation Theatre Composer Initiative Application

Student Conducting Awards Application Guidelines

Ava Lowrey. documentary filmmaker & film instructor

PETER PAN A MUSICAL ADVENTURE

SHREK the Musical: Information, Audition Requirements, and Rehearsal Schedule

Lesson Plan. Building A Resume INTO ACTIVITY. CAREERS IN THE ENTERTAINMENT INDUSTRY Grades 8 to 12 UNIVERSAL STUDIOS HOLLYWOODSM

Studio Room: Talbot College Room 117, Masterclass Room: MB140 Mon., MB254 Wed.

SPONSORSHIP OPPORTUNITIES

CURTIS JUNIOR HIGH-SENIOR HIGH SCHOOL ORCHESTRA MANUAL

for Actors Contents Revised: December 5, 2016

ABOUT FUSION The Fusion Film Festival is NYU Tisch s premiere festival, now in its 15th year, dedicated to celebrating the work of women in film,

HANDBOOK Music Programme

FACILITY INFORMATION. Event Spaces

Transcription:

Author of the arts, director and casting director Paul Russell has assisted actors to better their audition room skills, and excel in modern actor marketing and branding with his master classes on campuses including: ELON UNIVERSITY WRIGHT STATE UNIVERSITY LOUISIANA STATE UNIVERSITY TEMPLE UNIVERSITY YALE UNIVERSITY THE UNIVERSITY OF THE ARTS RUTGERS UNIVERSITY MONTCLAIR STATE UNIVERSITY JAMES MADISON UNIVERSITY COASTAL CAROLINA UNIVERSITY NORTHEASTERN UNIVERSITY FLORIDA SOUTHERN COLLEGE EMORY & HENRY COLLEGE ILLINOIS WESLEYAN UNIVERSITY UNIVERSITY OF CENTRAL OKLAHOMA OAKLAND UNIVERSITY UNIVERSITY OF NEBRASKA - OMAHA "You were able in a single weekend to plant the seeds that will both challenge and inspire my students... and you did it while keeping us laughing. A perfect model of the joy and hard work that comes with this profession. A heartfelt thank you for all that you did! Kelly J. G. Bremner Ph.D. Dept. of Theatre Emory & Henry College

- Overview A 3-day master class series covers: Modern digital marketing for the actor while upgrading traditional marketing Audition room technique utilizing current casting sides from screen projects Branding for the actor Dressing right for the actor s type for auditions & graduating showcase Interview strategies for when meeting directors, casting, and talent agents Mock auditions that mirror actual auditions-by-appointment in LA & NY Above: Working with the actors at the University of Nebraska - Omaha

- Breakdown SESSION 1: ACTING: Make It Your Business - Importance of Professional Relationships & Marketing In a casual overview this welcome session to students focuses on the actor's image in the industry and professional relationship-skills needed to engage agents, directors and casting. Includes: a mock-interview demonstration with one or more of the attendees; poor and high-quality actor marketing materials from files; and an open Q & A on the industry. Duration: Attendees: Requirements: 90-120 mins. Open to all performing arts students & faculty White projection area, table and electrical outlets. Above: Screenshot of PowerPoint presentation

- Breakdown SESSION 2: Actor Marketing Modern Digital Actor Marketing & Improving Traditional Techniques Effective actor web sites, e-mail campaigns and leveraging social media and the digital revolution to an actor s advantage are detailed. In addition; attendee hard-copy submissions (pictures, resumes and cover letters) are reviewed and critiqued to meet industry standards in New York and Los Angeles. Homework assignments include: Digital & hardcopy submissions. Identifying an actor s brand and type through attire for general auditions and casting interviews. Duration: 4 hours Attendees: Senior acting majors. A maximum of 20. Requirements: Wi-Fi access, projection area, table & electrical outlets. Above: Screenshot of PowerPoint presentation

- Breakdown SESSION 3: Audition Technique - Getting the Job Utilizing actual audition scenes from current screen and theatrical projects the student actors audition then receive direct feedback and suggestions for improvement on their audition process. Students access scene sides via PaulRussell.net on a private web page for your program. Duration: Attendees: 4 hours (With a follow-up session to audit students improvement 2 hours) Senior acting majors. A maximum of 20. (Observers welcomed) Above: Working 1-on-1 with an actor at Oakland University on audition skills, and text analysis

- Breakdown SESSION 4: Audition Technique - Follow-up A follow-up session to audit students improvement on: using the audition room effectively, text analysis, and dressing right for type. Duration: Attendees: welcomed) 3 hours Senior acting majors. A maximum of 20. (Observers Above: Working 1-on-1 with an actor at Oakland University on audition skills, and text analysis

- Breakdown SESSION 5: (Optional) Work & Survival in Regional Theatre / Negotiating Contracts for Screen & Stage An informative and fun game-show format in which students representing their class play for prizes while learning how to effectively seek work and build relationships in regional theater. Second-half of the session details contracts (what to ask, what to look for and what to beware of) for screen and stage. A wrap up Q & A is encouraged. Attendees: Duration: Requirements: Open to all performing arts students 2 hours White projection area, table and electrical outlets. Above: Leading Emory & Henry actors in a round of Theapardy

- Feedback "I just came from a class with my seniors and I expect your ears were burning for the last hour or so- they LOVED this weekend and all you gave them, so THANKS from me. In just a few days, you had a big impact here so tell those NYU students to appreciate what they have in you. We certainly do! Fredrick J. Rubeck Department Chair and Professor of Performing Arts Elon University "Thank you for bringing your wisdom and advice to our students. I am so glad we were able to bring you back, and it is my wish to continue to do so." Greg Hellems Associate Professor - Acting/Musical Theatre Wright State University

- Feedback "Paul's lecture at Temple University was an incredibly informative session where he illustrated key points on how undergraduate theatre students such as myself can better prepare for successful careers in the entertainment industry. Mr. Russell skillfully commanded an audience of almost 200 students and gave us invaluable tips and advice as to the realities of such a competitive profession." RJ Magee Student Temple University "I just wanted to thank you from the bottom of my heart for coming to see us at Elon. Your workshop gave me a lot of answers I didn't know I even had questions for. I am so thankful to have had you here and I wish you the absolute best as you've given me nothing less than that. A reminder to us all: Don't lose the child. Never lose the child." Additional Testimonials: http://paulrussell.net/tstmnls.html Sarah Nutt Student Elon University

Paul Russell - Bio Paul Russell; casting director, director, and author of ACTING: Make It Your Business has 30 years experience in entertainment that includes film, TV and Broadway. He began his career journey as a successful working actor. As an independent casting director, he has cast for Twentieth Century Fox, HBO, independent features and all three major networks. He s cast for Broadway, national tours plus the original production of COBB for Kevin Spacey. Paul Russell Casting was recognized with a Drama Desk Award for Best Ensemble Cast. Russell has directed regional and New York theater and recently worked with John Guare to helm the regional premiere of Mr. Guare s A FREE MAN OF COLOR. In addition, Russell was a faculty member for the NYU-Tisch theater arts program at The Atlantic Theatre Company; teaching audition technique and business of acting. He is also frequently invited as a guest lecturer on the campuses of America s finest performing arts schools including: Temple University, Yale, The University of The Arts, Rutgers, James Madison University, Elon, University of Central Oklahoma, Oakland University, Wright State University, Coastal Carolina University, Montclair State University, and Northeastern University. Russell is an editorial contributor for Back Stage plus has a weekly blog entitled Answers for Actors. His new book ACTING: Make It Your Business was recently released by Random House. Additional Information: http://paulrussell.net/