The Cradle of Christ (Stabat Mater Speciosa): A Canticle for Christmas

University of Dayton ecommons Marian Sheet Music Marian Library Special Collections January 1894 The Cradle of Christ (Stabat Mater Speciosa): A Canticle for Christmas Sir John Bridge Jacopone da Todi John Neal Follow this and additional works at: http://ecommonsudaytonedu/imri_sheetmusic Recommended Citation Bridge, Sir John; da Todi, Jacopone; and Neal, John, "The Cradle of Christ (Stabat Mater Speciosa): A Canticle for Christmas" (1894) Marian Sheet Music Book 49 http://ecommonsudaytonedu/imri_sheetmusic/49 This Book is brought to you for free and open access by the Marian Library Special Collections at ecommons t has been accepted for inclusion in Marian Sheet Music by an authorized administrator of ecommons For more information, please contact frice1@udaytonedu, mschlangen1@udaytonedu

HANDEL J F BRDGE (\ THE ONE SHLLNG & SXPENCE * 11111111111c1r,1111 artc BACH

ORATOROS, CANTATAS, MASSES,&c THOMAS ANDERTON THE NORMAN BARON THE WRECK OF THE HESPERUS E ASPA THE GPSES ASTORGA STABAT MATER BACH GOD SO LOVED THE WORLD GOD GOETH UP WTH SHOUTNG, GOD'S TME S THE BEST MY SPRT WAS N HEAVNESS 0 LGHT EVERLASTNG BDE WTH US A STRONGHOLD SURE MAGNFCAT, THOU GUDE OF SRAEL SU, PRCELESS TREASURE ESUS, NOW WLL WE PRASE THEE HEN WLL GOD RECALL MY SPRT ] BARNEY REBEKAH BEETHOVEN THE CHORAL FANTASA THE CHORAL SYMPHONY (THE VocAL PORTON) 0 ENGED MOUNT OF OLVES MASS, N C (LATN WORDS) MASS, NC RUNS OF ATHENS KAREL BENDL WATER SPRTE'S REVENGE (FEMALE VOCES) SR W STERNDALE BENNETT EXHBTON ODE, 1862 G R BETJEMANN THE SONG OF THE WESTERN MEN HUGH BLAR HARVEST-TDE ] BRAHMS A SONG OF DESTNY ] F BRDGE ROCK OF AGES THE NCHCAPE ROCK THE LORD'S PRA YE!< E BUNNETT OUT OF THE DEEP (PsALM 130), CARSSM1, JEPHTHAH CHERUBN REQUEM MASS, N C MNOR THRb MASS, N A (CORONATON) E'OURTH MASS, N C SR M COST A THE DREAM F H COWEN A SONG OF THANKSGVNG ROSALND F ELLCOTT ELYSUM ROBERT FRANZ PRASE YE THE LORD (u7th PsALM ) NELS W GADE ZON SPRNG'S MESSAGE Bd CHRSTMAS EVE THE ERL-KNG'S DAUGHTER A R GAUL A SONG OF LFE G GARRETT HARVEST CANTATA R M GARTH THE WLD HUNTSMAN GLUCK ORPHEUS (AcT ) HERMANN GOETZ BY THE WATERS OF BABYLON NCENA A M GOODHART EARL HALDAN'S DAUGHTER CH GOUNOD DE PROFUNDS (130TH PSALM) DTTO (OUT OF DARKNESS), MESSE SOLENNELLE (LATN WoRDS) THE SEVEN WORDS OF OUR SAVOUR ON THE CROSS!>l1lRS OF JERUSALEM ;1 : cr!jl PRCE ONE SHLLNG EACH ] 0 GRMM THE SOUL'S ASPRATON EDWARD HECHT 0 MAY JON THE CHOR NVSBLE HANDEL CHANDOS TE DEUM ODE ON ST CECLA'S DAY THE WAYS OF ZON MESSAH (POCKET EDTON) SRAEL N EGYPT (DTTO) JUDAS MACCAB/EUS (DTTO), bettngen TE DEUM UTRECHT JUBLATE 0 PRASE the LORD ACS AND GALA TEA DTTO EDTED BY J BARNEY 0 COME, LET US SNG UNTO THE LORD HAYDN THE CREATON (POCKET EDTON), SPRNG SUMMER AUTUMN WNTER FRST MASS, N B FLAT FRST MASS, N B FLAT (LATN) SECOND MASS, N C (LATN), THRD MASS (hiperal) (LATN,) THRD MASS (MPERAL) TE DEUM DR HLLER A SONG OF VCTORY H HOFMANN SONG OF THE NORNS (FEMALE VOCES) HUMMEL FRSTMASS, N B FLAT SECOND MASS, N E FLAT THRD MASS, N D H H HUSS AVE MARA (FEMALE VOCES) F LFFE ST JOHN THE DVNE A JENSEN THE FEAST OF ADONS N KLBURN THE LORD S MY SHEPHERD LEONARDO LEO DXT DOMNUS C HARFORD LLOYD THE SONG OF BALDER HAMSH MAcCUNN MASS, N c E MUNDELLA VCTORY OF SONG (FEMALE VoCE, CH H PARRY BLEST PAR OF SRENS THE GLORES OF OUR BLOOD AND STATE H W PARKER THE KOBOLDS PERGOLES STABAT MATER (FEMALE VoicB) C PNSUT PHANTOMS E PROUT FREEDOM THE HUNDREDTH PSALM PURCELL TE DEUM AND JUBLATE, N D ] F H READ N THE FOREST (MALEVOCES) ROMBERG THE LAY OF THE BELL THE TRANSENT AND THE ETERNAL ROSSN STABAT MATER ED SACH WATER LLES W H SANGSTER ELYSUM SCHUBERT SONG OF MRAM MASS, N A FLAT MASS, N B FLAT MASS, NC MASS, NF, MASS, NG SCHUMANN THE PLGRMAGE OF THE ROSE THE KNG'S SON, MGNON'S REQUEM ADVENT HYM1'1, "N LOWLY GUSE" MANFRED NEW YEAR'S SONG H SCHUTZ THE PASSON OF OUR LORD E SLAS LORD ULLN'S DAUGHTER ALCE MARY SMTH G A MACFARREN OUTWARD BO'JND THESONGOFTHELTTLEBALTUNG (MEN'S VOCES) MAY DAY ODE TO THE NORTH-EAST WND A c MACKENZE THE RED KNG (MEN'S VOCES) THE BRDE SPOHR ] H MEE THE LASTJUDGMENT HORATUS (MALE Vo1cEs) 2 J#ifrsT1fJ,NER ST PAUL:;!JE%) HYMN TO ST, CECLA ELJAH (POCKET EDTON), E c SUCH LORELEY GOD S OUR REFUGE (PSALM 46) HYMN OF PRASE A SULLVAN AS THE HART PANTS EXHBTON ODE green hfla gmgof EGYPT CAME FESTVAL TE DEUM NOT UNTO us A GORNG THOMAS LORD, HOW LONG THE SUN WORSHPPERS HEAR MY PRAYER E H THORNE ritsi1&1:'f'ji f :Jx: BE MERCFUL UNTO ME MAN S MORTAL VAN BREE FESTGESANG (HYMNS OF PRASE) ST CECLA'S DAY 2 wng (MALE VOCES) HLDA WALLER TO THE SONS OF ART THE SNGERS (Female Voices) AVE MARA (SAVOUR OF SNNERS) c M VON WEBER THREE MOTETS (FEMALE VOCES) PRECOSA MEYERBEER MASS, N G 91ST PSALM (LATN WORDS), MASS, N E FLAT g1st PSALM (ENGLSH WORDS) JUBLEE CANTATA MOZART THREE SEASONS KNG THAMOS S WESLEY FRST MASS DXT DOMNUS SEVENTH MASS (LATN) S S WESLEY rnhmatn) 0 LORD, THOU ART MY GOD REQUEM MASS (LATN) C WOOD REQUEM MASS ODE TO THE WEST WND The Works marked have Latin and English Words LONDON & NEW YORK: NOVELLO, EWER AND CO

7 NSCRBED TO THE REV GEORGE PROTHERO, MA, SUB-DEAN OF WESTMNSTER THE CRADLE OF CHRST (STABAT MATER SPECOSA) A CANTCLE FOR CHRSTMAS LATN HYMN BY GACOPONE, (13Ttt CENTURY) TRANSLATED BY REV DR NEALE, (1866) SET TO MUSC FOR SOPRANO AND BARTONE SOLi, CHORUS, AND ORCHESTRA BY J FREDERCK BRDGE, D Mus GRESHAM PROFESSOR OF Musrc Composed for the Heriford Musi cal Festival, 894 PRCE ONE SHLLNG AND SXPENCE LON DON & NEW YORK NOVELLO, EWER AND CO Copyright, 1894, by J Frederick B ridge

""/ LONDON: NOVELLO, EWER AND CO, PRNTERS

3 6 NOTE "Giacomo da Todi-better known by his familiar name, Giacopone-was one of the great triad of Franciscan ecclesiastical poets : the other two being S Francis himself and Thomas of Salerno, the author of the Dies lrae He left a great number of poems, by far the most celebrated being the Stabat Mater dolorosa This seems, almost from the time of its composition, to have become world-famous, and probably there is not a Church in whose breviary or missal it does not occur But he also left the companion sequence, Stabat Mater speciosa ; this the hymn of the Cradle as that other of the Cross t was indeed known to exist, but was buried in such obscurity that Ozanam, in his work on the Franciscan poets, believes himself to have been the first to reprint it"-rev Dr Neale A copy of this poem, published in 1495, is to be found in the British Museum have set the Latin of Giacopone's hymn as it originally stood ; but in adapting Dr J Mason Neale's version of it, to be sung in English Cathedrals and Churches, it has been absolutely necessary to make a few verbal alterations These occur in No 4, the words having been slightly altered and addressed to Christ The ninth verse (No 5), has indeed been left unchanged, but that may be without much strain imaginatively regarded as the request of one of those who stood beside the manger-cradle, and not in the light of a prayer-j Frederick Bridge

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THE CRADLE OF CHRST (STABAT MATER SPECOSA) A CANTCLE FOR CHRSTMAS No 1-CHORUS FuLL of beauty stood the Mother, By the manger, blest o'er other, Where her little One she lays : For her inmost soul's elation, n its fervid jubilation, Thrills with ecstasy of praise 0 what glad, what rapturous feeling Filled that blessed Mother, kneeling By the Sole-Begotten One How: her heart with laughter bounding, She beheld the work astounding, Saw His Birth, the glorious SoN No 2-SOLO (Baritone) Who is he, that sight who beareth, Nor CHRST'S Mother's solace shareth, n her bosom as He lay : Who is he, that would not render Tend'rest love for love so tender, Love, with that dear Babe at play? For the trespass of her nation She with oxen saw His station Subjected to cold and woe : Saw her sweetest Offspring's wailing, Wise men Him with worship hailing, n the stable, mean and low No 4-SOLO (Soprano) Jesus, fount of life still flowing, Let me, with her rapture glowing, Learn to sympathise with Thee : Let me raise my heart's devotion, Up to Christ with pure emotion, That accepted may be Saviour, let me win this blessing, Let Thy sorrow's deep impressing n my heart engraved remain : Since Thou didst, from heaven descending, Deign to bear the manger's tending, 0 divide with me Thy pain Keep my heart its gladness bringing, To Thee, Saviour, ever clinging Long as this my life shall last; Love like that Thine own love, give it, On Thy Holy Name to rivet, Till this exile shall be past No: 5-CHORUS Virgin, peerless of condition, Be not wroth with my petition, Let me clasp thy little Son : Let me bear that Child so glorious, Him, whose Birth, o'er Death victorious, Will'd that Life for man was won No 3-CAROL-CHORUS Jesus lying in the manger, Heavenly armies sang the Stranger, n the great joy bearing part ; Stood the Old Man with the Maiden, No words speaking, only laden With this wonder in their heart No 6-PRAYER All who love this stable truly, And the shepherds watching duly, Tarry there the live-long night: Pray we that by Jesu's merit, His elected may inherit Their own country's endless light Latin Hymn, "Stabat Mater speciosa," Giacopone (13th century) Translated by Rev Dr NEALE (1866)

NDEX No 1:_lNsTRUMENTAL NTRonuoTON AND CHoRus " Full of beauty stood the Mother " ( Stabat Mater speciosa) PAGB 1 "Who is he" ( Quis jam est) No 2-SoLo (BARYTONE) 13 " Jesus lying in the manger" (Nato Christo) " Jesus, fount of life still flowing " (Eja Mater) " Virgin, peerless of condition " (Virgo virginum) " All who love this stable truly " ( 011ines stabulum arnantes) No 3-CAROL-CHoRus No 4-SoLo (SoPRANo) No 5-CHoRus No 6-PRAYER 16 23 27 38

THE CRADLE OF CHRST (STABAT MATER SPECOSA) No 1 NTRODUCTON AND CHoRus-" FULL OF BEAUTY STOOD THE MOTHER" (STABAT MATE R SPECOSA) Andante p ::,torale '-"' Copyright, 1894, by J F Bridge J F Bridge-" The Cradle of Christ"-(1,)

2 r-- cres sf } h- r- l:@j,,:- mo1 endo µ E: 11 i--q:,,, ppr --"-,,,-,,,- r-r f _L, [i7 a_ B CHORUS, SOPRANO ALTO F ['' [ [i7 r ttd '-" x Full of beau ty Sta bat Ma - ter Tun of Sta - bat beau Ma -';" - ty ter _p_ - rit -'-"' 1'- _i:, :ttt_: Full of Sta - bat beau - ty Ma - ter -- o_ ;- stood the Mo spe-ci- 0 ---- - ::E!: ::;:[ :ix stood the spe - ci - -- stood the Mo spe ci-o Full of beau Sta - bat Ma ty ter stood the Mo spe-ci-o :J E J F Bridire-" The Cr&dle of Christ"

r'\ _,,_ cres sf,,-_ -il ;,;;_, o - -! - th er, full of beau sa, sta - bat M a _a_ - rit cres - sf c!!e fi:t --- f/t --- Mo - ther, full of be - 0 sa, sta - bat 11/a :z it OT m cres - sf JC_ u: :J[ 'r,,, ther; full of beau sa, sta - bat Ma r'\ cres - sf x j!--g- 4z :J[ 'T,,, th er, full of beau sa, sta - bat Ma 3 ty stood the Mo - ther, ter 8pe - ci - o - sa, ty stood the Mo - ther, ter spe - ci - o sa, rs:: :J[ :;;:: :J!: JC ::"" ty stood the Mo - ther, te1 spe - ci - 0 sa, By the man Jux - ta foe :B: j_ By Jux ger, num, J -- r the ta :c --"'- { r'\ _J h t51 :J[,-- z :J[ lo 1-, 1 -r --:,,,, J_ ±,!"Jrt- '--_ U --- -: rit cres - Bf p, J_ "' :ft!'jl: 0 :J"",, l -- r c r cres bl est, num, man foe by jux the ta by the jux - ta ger, the num, By the Jux - ta man ger, blest, f oe - num gau - di - 0 sa, - exes "r- r-- man ger, bl est, by the foe - num gau - di - 0 sa, jux - ta man f oe - num man - f oe - num - ger, gau - di ger,!juu di blest, - 0 sa, - 0 sa, :-- ---- " bl est gau man f oe cres o'er di ger, blest o'er numgau - i J 54 ' blest gau cres o'er di GJ - bl est gau o'er di - - cres J F Bridge- " The Cradle of Christ"

_ll '[J_ c 2[ r8 ::-'--"""" - --- 0 - ther, Where her Lit - tie One she lays: 0 - sa, D um ja - ce - bat pai vu lus: 4 --g: fl ff--- t1 -- -0- ---s:sz,, fr: gtj ::""': w r Lk T -- 2[ :J :: -- razs gm t' 0 - ther, Where her Lit - tie One she lays : where her Lit - tie One she - 0 - sa, Dum ja - ce - bat pa1 - vu - lus: dum ja ce - bat par - vu - - ii o 0 ther, Where her Lit - tie One she lays : her Lit - tie One she - 0 - sa, Dum ja ce - bat pa1 - vu - lus: dum ja - ce - bat par - vu - :iij_ _E_ r: :_s; -: - F - :::"": -o- i:--- T - 0 - ther, Where her Lit - tie One she lays: her Lit - tie One she 0 - sa, Dum ja - ce - bat par - vu - lus: dum ;"a - ce - bat par vu - - c ]g l@j@: JlJ,w jv -9 : -: :s-:_;:;0 p r- :, t:qc ; ::!": p pp -j -e - - - ::x -- -e -----#---- ::1::::3 :- -F ::;;-r - _L For her Ou -jus in a most soul's e - la - tion, n its fer ni-marn gau-den - tem, L ae - ta - bun vid j u - bi - dam ac f er - lays : lis : in "" most soul's e - la - tion, - ni-mam gau-den - terµ,, n its Lae -ta - For Cu - her jus in a most soul's e - la - tion, - ni-mam gauden - tem, - -- ]for Cu her jus in a most soul's e - la - tion, ni-mam gau-den - tem, n its L ae- ta - pp f - - f"- '4-- - - - i J F Britlge-" The Cradle of Christ"

r:::i_ - ff'jjri 5 " ::a::& ------- :E<:: ::'3: :: iz la - tion, Thrills with ecs - ta-sy of praise, thrills with - ven - tem, Per - tran - si - vit ju - bi - lus, per - tran - /\ ff!! s J'fJ 4&St-rd5Ef ri "' ; ; l r8 1v- -"'-!-+ oj '--"' - fer - vid ju - bi - a - tion, Thrills with ecs bun - dam ac f er - ven - tem, P er - tran - si - n L ae - : -- --- --- 11t_ - --;;-- ' - - its ju - bi a - tion, Thrill with ecs ta ac fe1 - ven - tem, P er - tran - si ta-sy of praise, vit ju - bi - lus, :: :iz ta-sy of praise, vit j u - bi - lus, thrills with per - tran -,,:- "------- ':![ thrills per : JC it with t? an bun ta-sy of praise, vit ju - bi - lus, thrills per with tran - si - vit, per - - with ecs - ta - sy tran - si - vit ju of bi - praise, lus, with per - tran - ecs - ta - sy, si - vit, per,, - - ecs - ta - sy tran - si - vit ju of praise, bi - lus, /\ with per - tran - ecs - ta- sy, si - vit, per with ecs - ta - sy tran - si - vit j u of praise, bi - lu9, thrills per with tran ecs - ta - sy, - si - vit, per with ecs - ta -sy tran - si - vit j u - of bi praise, lus, with per- tran - J F Bridge-" The Cradle of Christ"

:a_ A - ::iz: :JZ: v B - ecs ta sy of praise si vit ju : bi : lus -fr A 1 "' - > - ' 6 - : ecs ta - sy of praise si - vit jit - bi - lus A " ± lo '- ::JZ J:: : ecs ta - sy si - vit ju of praise bi : lits : : A la': ::J!: JL JL JL ::J!: ::B ::rz: lz ll -a: ecs - ta - sy of praise : - si vit fu - bi : lus - " '\ ; -r:tlj BJ 1'7 - :J_ -,,,- dim - l Jl J _d: J_ ""' : :'!': _,_ t: -- - -p,-g- J4qi f J F -st - : : -e -'- ' D mf smoothly -----,-----<- - --- --- 0 what glad, what rap-tur-ous feel ing, 0 quamlae - ta et be - a ta, - mf smoothly ----- - - -<-- --- ---- -- 0 what glad, what rap-tur-ous 0 quamlae - ta et be - J F Bridge-" The Cradle of Christ"

smoothly mf A 0 what glad, what rap-tur-ous feel Oquamlae-ta et be-a smoothly nif,,, -:1 a J---1'! 1'! A ::E: :L JC :_: JC 'Z lz 1Z [it what rap tur-ous feel quarn lae - ta et be a 7 0 wh:tt glad, what rap- tur- ous feel 0 quam lae - ta et be - a -,, ing, ta, ing, what rap-tur-ous feel ta, et be - a,--tt--+---;;_<r_s_j_ @,, k r_:--_--_ 1 _;_ @-" feel a ing, what rap-tur-ous feel ta,et be -a ing, what rap- tur-ous feel ta,et be-a ing ta -::c ' ' ts --- -- -u- 0 what glad, what rap-tur-ous 0 quam lae - ta et be - ing ta c ± ing, what rap- tur-ous ta, et be - r i :s2_ a { 1-VZ: l Filled that bless - ed Mo ther, Fu - it il - la im-ma - cu - la - ta, f- " k l:-1 c;;: ::!": :J" "[' - feel ing Filled that Mo ther, a ta l - la im-ma cu - la - ta, '-'1 x :ii: :: ::K :;;;[ ::: -- _-- f btlji ] kneel Ma 1'1' kneel Ma -c;1- - ing ter, - ing ter, - By the Sole - Be- Ma - ter u - ni - :x i! -- By the Sole - Be - Ma - te?" u ni - 911;- - ---- ---------- J, F Bridge-" The Cradle of Christ "

8 got - ten One! ge - ni - ti! mj!::ft:± -d got - ten One! ge-ni-ti! r 0 0 mf _:_ J what glad, what rap-tur- ous feel quamlae - ta et - be - a ing, ta, got ten One! 0, 0 what glad, whatrap-tur-ous ge ni ti! O, 0 quamlae 1 - ta et be - :mifg- rt i::e: ± - got ge One! ti! 0, 0, _ 0 what glad, what rap-tur-ous 0 quamlae - ta et be - _L> :J ::0:: :: t t - - - - J c :::rz: mf 0 0 feel - a feel - a _r,t; ':: _ -, what glad, what rup- tur-ous feel ing quamlae ta et be - a ta what glad, quam lae X X X X :;;<: JC :: -!J ;' --- _ what rap- tur-ous feel ta et be-a,, ing, ta, ::!:: -- what quam ing ta - - - Filled that Fu - it Filled that Fu - it f J_---J_ DL :t-:jten ni -1i"--'- bless ed il - la im-ma - cu ± "" bless ed il - lei im-ma - cu - J,- -- ing, what rap- tur-ous feel ing Filled that bless ed ta, quam lae - ta be a ta Fu - i' il - la im-ma - cu - Ji f ::!:: t:: ;z: rap lae -:-:---_l - tur- ous feel - ing Filled that ta be - a - ta l-laim-ma-cu- r C J F Bridge-" The Cradle of Christ"

,-" _L}_ *x JL JV Mo - - la _L}_ i rv v Mo - la l:kl? :::""' lit - G>: ::rz:!": w: _L}_ l'l Mo la - 7C Mo la ; 9 :B: E: ::;;; ::E: -, -ir, ther, kneel ing By the Sole Be got ten /\ --!o:l--l /:', - u t -e- - - --- ta, Ma ter, Ma - ter u ni - ge - ni - """" ther, kneel - ing the Sole Be got ten ta, Ma ter, Ma tei u ni ge ni - 'l!j!j_ A ::E: :B: ::E: ::B: L ther, ta, 7C ther, ta, - ::B: ::E: W-- -;QJ:J kneel ing By the Sole Be got - ten Ma ter, Ma ter u ni ge - ni 'P'P :B: :::: G> ::i:: pp /\ - 63 Hy the Sole - Be - got ten Ma ter U ni ge - ni - P - : - : "q>l - -"': ' --!o:- -- --0- #f ii --- d --- --- -,,-- - -- J::: ::s; ::E One! ii! One! ti One! ti! ;;;;::;: One! ti E _,_ ff ----- -lo< -;w: --- --1" _jti;: ':!(_ L 3!: ljl ::i:: JC ::6 --- 1 -lz :L Cif- H ow, her heart with laughter bouud- ing, She be held the work as Quae gau de - bat et ri de bat, Ex iil ta bat, cum vi - J' tj How, her heart with laughter bound- ing, She be held the work as Quae gau- de bat et ri de bat, E x ul ta bat, cum vi - L J "' - - -P --'"- JZ:JC!: J:: T How, her heart with laughter bound ing, She be held the work as - Quae gau de bat et ri de - bat, Ex ul ta bat, cum vi f --;:- - ti' ------ --- - n_ lo! -t,_ -b _, :E: " _r_ x--±1- +fg How, her heart with laughter bound -ing, She be - held the work as - Quae gau- de bat et ri - di - bat, Ex - ul ta bat, cum vi - J F Bridge-" The Cradle of Christ"

-----, tound de tound de l7!1 Cf) ' oj! - tonnd - de - - ' i- -- - r - ing, bat ing, bat qt ing, bat J r t p,! 10 Saw His Birth, Na - ti par - tum, p_-- Saw His Na - ti Birth, par - tum, - p_, f-- t: 4f? J saw His Na ti saw His Na - ti - r rttf Saw His Birth, saw His Na ti par - tum, Na - ti 'L - r - -----, -re"fo--r,jei@g-,-- - tound - - - ing, - de - - - bat ' Saw His Birth, Na - ti par tum,,::-_! -, L ll_ i' '-, "- J' b j r c fc _: F '?'- --- p ij_" _J_ ' -19- " -"- _,, -Tr _}::: - _- ' :1::2: saw His Na - ti ritenuto : Birth, par the tum glo in rious cly - r a tempo Son ti Birth, par cres _a, ::iz: ;1 the tmn glo in -i---t- rious cly :: : Son ti ff :;;:;: : -----+- Birth, par Creij a Birth, par the tum -&: the tum glo in glo in rious cly rious cly - Son ti if Son ti, -P- b J F Bridge-" The Cradle of Christ"

11 F p r 'j r 'j :1 Full of Sta - bat i 0; beau Ma o- beau Ma - ter L! no --,j- Full of Sta - bat - _ - _ri±f _J:,,! Full of beau - ty stood the Sta - bat Ma te1 spe - ci - t! w r 4 r 'jp @ d-: - 'J: i: 4) Mo --- 0 - d th er, sa, ---- '-' ere - sf,,- - ft:ll of beau - ty stood the Mo - ther, By the sta - bcit Ma - te1 spe - ci o - sa, J'ltx- ta stood the Mo - ther, full of b - ty stood the Mo - ther, spe - ci - o sa, sta - bat Al a - ter pe - ci o - sa, :::::;::- :, '-' -,, --- - - - - - _cres ------- '?- ', "- "1 r "1 Mo 0 - ther, sa, '-' J L iil::c:::: a ',, full of beau ty stood the Mo - ther, _zm sta - bat Ma ter spe - ci o - sa, sf cre!j71 J : J_ J J5 J :!3aJ '1 r :ij J F Bridge-" Th e Cradle of Christ" Jl

- '!1'11 E '4 JC :: CS ± - 12 -- r:- 3 :;;;;< ::: [V - -- l :, T - ' man - ger, by the man ger, bl est, blest o'er foe num, jux ta foe mim gau -di 0 - sa, gau di ' l±ll!: h '4 - '-" : i,, 1 5 @: j fl& :- J ; l J 7 j r J@ i5 -- --- - ---- 1 1 :, \'/ By the man-ger, blest, by the man ger, blest, blest o'er Jux-ta foe num, jux-ta f oe num gau - di -o sa, gau di 'f1 A ' J_- '-1 pp L 2 R :ft :zh --- - r8 - Tt T,_ \'/ By the man - ger, the man - ger, "" bl est, blest o'er Jux ta foe - num, foe num ga1i - di- o - sa, gau - di -""- 14 : - '-" :::;;;::; E --- L r- u, By the man - ger, b est, Jux, ta 1J l: 8!: ::!': ff -f t"" "1 - -- '- iii' lw _J _h,j_ ; E ::B: :, :J :qff 1 - iii' \'/ blest o'er ' foe-num gau-di- o - sa, gau - di - J 1: : J :-Q-,d: - a - r --- - 'PP Voices alone E ::B: - U \'/,, rail G it -k :z ::a::iz: 19 -U- --- 0 - - ther - 0 - - sa r all 1 i 1 ' rsl --- --, 0 0 rall -U- ther sa E t "1 - '-" '-" - [H_q - ftqf 0 ther 0 sa ral,l-- - :@lit; J- j lj_: t "11 0 0 ther sa BAss Sow 11if i1 "1 1"1 r Who is Quisjam J F Bridge- " Th e Cr adle of Christ"

13 No 2 SoLO (BARYTONE)- " WHO S HE" (QUS JAM EST) he, est, that sight who bear qui non gau - de eth, ret, Nor C is Christ's Mother's so -lace - ti ma-trem si vi - 19- ::- cres 3 eth n her ho - som as He lay, ret n trin - to o - la ti o? in in her ho - som as tan-to so -la He ti - J -elay: o? -- - "'ffltf 1!-+---1-- F R::Etf 1 1 cf cres '-"' 3 3 Who Quis mf is he,that wouldnotren - der non pos - set col - lae - ta - ri, @ for love - ti ma - trem con so ten der, ten - d 'rest love tem-pla ri Ghri8 - ti ma for love so ten - der, trem con-tem-pla- ri L11 1-i:;;:t -v- ;d J F Bridire-" The Cradle of Christ"

dim @ c Love, den- tem -i+agpr s 1 pp - rall a tempo r), with that dear Babe at play 1 cum Fi li - 0? 14 r ftj mf For the Pro pee - J- 8 r fi tres-pass of her na - ti on She with ox - en saw His sta - tion - ca - tis su - ae gen - tis Ghristum vi - dit ciim jii-men - tis ---- _ 1 1 k r Sub Et ject- ed al-go - to ri cold sub - and woe: di- tum; Saw Vi her sweetest Ofispring's dit su - um dul - cem l _r _r wail na _,,_ PF F r ing, tum, m:: cre8 Wise Va men Him with wor - ship hail gi - en-tem, a - dor - a ing, tum n Vi the sta - ble li di - ver i llh -- t;::4 - ::+ J ---F Bridge-" The Cradle of Christ " it

15 mean and low, - so- ri-o, in vi the li sta - ble di ver -- - '-" r--- - Tempo mo,--- and low Who is ri o Quis jam he, est, T empo mo that sight who bear-eth, qui non gau - de - re,t, - - Nor Christ's Mother's so-lace sitar - eth, n Chris - ti matrem si vi - de - ret, n -- f r her bo - som tan - to 80 - r Cl tranquil lo 'P'P -- e - U-- --- - - 3 - as He lay, in her la - ti o? in tan --- rall '-" bo som, - to, in u her bo - som as He lay in tan - to so la ti o? '-" J F Bridge-" The Cradle of Christ"

No 8 CAROL-CHORUS-" JESUS LYNG N THE MANGER" (NATO CHRSTO N PRAESEPE) Allegro moderato -8_4 --------- PP very smoothly "?-' ' " -6-" fr" ly - ing in the Chris - to in prae very wmoothly,--- ------- --- Je Na SUS Jy ing to GhriB - to man - Be in in ger, pe, the prae Heaven - ly Goe li --- ar - mies ci ------- veb man - ger, Heaven - ly Be pe, Goe li { - tz:w :1; JJ J Mh!a fi7 r' i, ---,- "---- -e- - _1' - _J_ J F Bridge-" The Cradle of Christ"

W :: :v 17 cres :x ---- H ::""': :;;;[ "311_ ri 41 :::""' - _r sang the Strang - er, n the great joy bear - ing can unt lae - te, Cum im - men - 80 gau di cres :ft :ii: :x,?jc ± fit -_, '--- ar mies sang the Strang - er, n the great joy bear ing ci - ves can - um lae - te, Cum im - men - 80 gau - di cres ;;;:;:::::: - - - ':-- ' s c c r r fit n the great joy bear - ing Cum im - men - 80 gau di cres ::ii: --,, c: iz: n the great joy bear ing Oum im -men - 80 gau di _ll l _h_ ' _J_ :E!: ::l3: ::a ::ill[ ' r\w- -: {-,_ r :: 1e1 i;;;) r ; - - ' - '-- cres --e- i l-- -e- \ : Jl - - 1 part, - o, part, o, 7- ::ii: the great joy im - men - so -- - " :_ x ---,- -- + ---+ in the great joy cum im - men so bear ing gau - di - bear gau - - ing di --e: part; o; -e- part; o ; 'P'P ------ Je Na - SUS to, part, - o, part, o, in the great joy cum im-men-so in cum - bear - ing part ; gau - di - o; J' J l J j the great im- men joy so bear ing -gau - di part; o; 13J Je Chris - - 'P'P J F Bridge- " The Cradle of Christ

18 J'L '7 :;;r: :if: :;;[ : :J[ :Jr: : :J[ ::z: :::""' ::: ly - ing in the man - ger, Heaven ly ar mies sang the Chris to in prae - se - pe Coe li ci ves can unt _a_ ± w i -- ::;;r: :L :: '-- - --- J e SUS ly - ing in the man - ger, Heaven ly ar mies N a - to Chris - to in prae se pe Coe li ci ves --ft P'P [lb_ :c -L w :y rs;: :E - :J[ g :::""': J e SUS ly ing Na to Chris to 12: ::z :L JL """"" -L SUS in the man - ger, Heaven ly ar mies - to in p1 ae se pe Coe - li ci - ves, _l --""- ', ' - :l t i :, r: i i :; i _/"'L ' _!:_ lo/ r_ T i _, 1, 1 --- '---- /,--- )::_ -- J' i Jg 't'j J 'ti::i- f _a_ -e- -o- K cres ir :if: -e- -a- ---i i at- :c _ L r8l - Strang - er, n the great joy bear ing part, lae te, Cum im men 80 gau di - o, ld cres Lf844 g; J t i l d@;el:frt - _,,, - sang the Strang - er, n the great joy bear ing part, can unt lae te, Cum im men - so gau di o, - ;' - J -- ' b; i'r!1et c1 es - r r r i f 1 - ti' in the man - ger, n the great joy bear ing part, in prae se - pe, Cum im men - so gau di - o, cres t J Jjj J J l pgj J flleet - sang the Strang er, n the great j oy bear - ing part, can - unt lae te, Cum im men 80 gau - di o, fl K rs -,,_ ::;;r: - ::lll[ )!14i T,,--- (--- -ri- ' : :""' -e- cres : r:±fc 14Whl J_ Jh_,ad :E - r: J F Bridge-" The Cradle of Christ '

19 ;q J r EB 1 rr in the great joy cum im-men-so bear - ing part gau - - di - o; in the great joy cum im-men-so bear - ing part gau - - di - o; in the great joy cum im-men-so bear - ing part gau di-o; in cum the great juy im - men - so bear ing part gau - - di o; { 1 1, @\l19-- -- : p ',-- 1-- 9'-- -- 1-11 ::x, :ii: ::E: :B: r'sl A: A: fj -,,- -- b A Stood the old man with the mai Sta - bat se nex cum pu - el Stood the old man Sta - bat se - nex #lll!_- -L den, stood the old man la, sta - bat se - nex Stood the old man Sta - bat se - nex p @@± FP J: t Stood the old man Sta - bat se - nex J F Bridge-" The Cradle of Christ"

v J 20 cres L pp --"1 : J -b_, J :Z :Z :E:!:i JL - - with the mai - - den, No words speak cum pu el - la, Non cum ver - z E ::s: C'>:::i: :E: ::E: :E: ± :Z :& :& e lt:t,,, :,,- - - t with the mai - den, No words speak cum pu - el - la, Non cum ver - cres _ll_ 'PP :: ::!a: :E r: rni ::""' :!"' - rv - fr_ cres pp with the mai - - den, No words speak - cum pu - el - - la, Non cum ver ere pp-_ : JL JL JL " with the mai - den, No words speak cum pu - el - la, Non cum ver _, l b:l i -' " JL - - - ± JC :::i::;: - t " i -iri '-_/ T, C'res pp - - i;_ f -- ::: :i: :!!- - Dl: JC - ::::: ::""' L :::::' :c'[ L t -:Z- :E: ::!a: :;;;[ -!d ::s: ::""' ::""' - fljz - - ing, Oil ly la den with ho, nee lo que la Stu - _ll_ : _,,;_ :E: :'3: :E: ::s: :E: :& ::: & - - --: ;: - - :::::: ::""' -:- ing, on ly la den with bo, nee lo que la Stu - J --" - ::s: :E: :E :00:: :E o - ::""' ing, on ly la den with bo, nee lo que la Stu -,-,--_ JL :E ::s: JC ::: Z - ing, on ly la den with bo, nee lo que la Stu - :fr _j_ - & L; - JCE: L J j_ - l _! ::'i;: -::r:: : - - iv ::: r (: : : :-r r T 1i, []; :::u;: : ::;,i:: :::n:: ± - - - : J F Bridge-" The Cradle of Christ"

21 :ft ::;;:: - w --v this won der in pes cen te cor 7 +:e - their heart, di bus, 1-i} :::::r cw: rv "7'': v this won der in pes cen tes cor :::;;: "::::t --- -- their heart, di bus, :ft '-'" :s,,_ --;;:: this won der in pes cen tes cor 'P'P :f- this won der in pes cen tea cor 11, -, ""'- ::iz: J { :::i;:,r: -19-19- :E!"- :!! -et 'P'P + ::;- ::i their di -- their di heart, bus, <' heart, bus, <;;;;[ ::::: - _; 7: ;; :J-, a M 97"" ll V,, ::;;[ ::Z: Jl:, with this won stu pes cen 7 der tes ---- a M ---------- --- --_,,- '- :J 4 _,,-e- g -e- J J-1 - -- ----'- "31"_ 7:_,_ -----'- i-! _, - 1- g J F Bridge-" The Cradle of Christ"

22 : 11 J ti i )j - - e, in their heart, cor - di - bus, _o_ -- w J j v _,, 7 J ' _'!'/!_ i*: :;;;;:: JL t+- --- r J J'l:J - J in their heart, with this cor di - bus, stu - pes - - lll2i': 1v- ' ::"'': in their heart, with this won - - - - - C01' di - bus, stu - pes - cen - - - - - pp _,,_ - L L s; Jt_ :::i:: --- in their heart, with this coi - di - bus, stu - - pes - - J3Ml-+?Tltft{t$1 - ijt:- : '' : EE l _1 J -l J2J r- '_J_- :::i:: :e 2: T T T T : JL ::::: :::::: '- _d_ -- rall molto a tempo - E, - J J,,J p : - with this won der iu their heart stu pes - cen - tes cor - di bus r all_molto :::i:: rv, '- - cen - - tes car - di bus _l}_ 1 all molto pp ru ::::: :::::: won - - der in their heart n :z :::::: v - der in their heart - tes car - - di - bw; rall molto - - PPJ J 3 p ' :fr: 7-[ JC_ w won - - der --;:: in their > heart cen - tes cor - - - di bus ---- J J_ :;;;[ a, :::::: 3/C_, ; / i - J -- ralt molto pp a tempo 1-1 ---i ' J', j: j: e: _;,,s J_ J t @Ep a,,_ er: p Jaj ': { J T ' -- --,r -- 'PP,,, -;- -p J F nr-d;p-" The Cradle of Christ"

23 No 4 SoLO (SoPRANo)-" JESUS, FOUNT OF LFE STLL FLOWNG" (EJA MATER) Lai go tranquillo - - -E - ----E me, with her rap - ture glow sen - ti - re vim ar - do ing, ris, Learn to sym - pathise Fae ut te - cum sen with ti Thee, am, learn to sym - pa thise Jae ut te - cum sen with ti Thee: am! J F Bridge-" The Cradle of Christ" -19-1 t ;r

Let me raise my heart's Fae ut ar - de - at 24 de - vo tion, cor me - um, ' Up n to Christ a - ma with pure e - tum Chris - tum That ac cept - ed may be, Ut si bi eom-pla - ee - am, ac - si - 'lf 'a 1,J J r-! r; 44 o- f 1 - rau _(@v e r :::t: - -?-::::::::::::::::;- - Bf,( un poeo animato Sa-viour, let me win this bless - ing, Sane - ta Ma-te1, is -tud a gas, Let Thy sor-rows deep im Pro -be in - tro - dii - cas,j F Bridge-" The Cradle of Christ "

---!-*! press mg p/,a gas 1 ;(r n my heart Cor - di fix 25 en-graved re - main, as va - li dp, rall 17 in my heart en-graved re cor di fix as va li rall -- Since Thou didst, from heaven de - scend ing, Tu - Na ti coe - lo lap - si, Deign to bear Jam dig - na the man - ger's ti foe - no una corda 1-P tranquillo e tempo lmo r @lt: r +: -o '--- ----- - sf ::- 0 di vide with me Thy pain, di - vide with me Thy - ci, Poe - nas ine - eum di - vi de, poe-nas me - - cum di vi -,-- ----! J_ --------- ral,l D p A a tempo /\ /\-- :iii, pain Keep my heart its glad ness de Fae me ve - re con - gau ( cill 1: gf+ fi abj -n 1 -wrm l r --'1-- -- rq4jn q -- :: p - 1 1 1 1,all! a tempo PP una corda_! _J J J J J _J J J ; J _j J J J_J_ffi--::_,_f_ ----,_ J F Bridge-" The Cradle of Chri t"

3-26 f_ 3 ci e - ii! -ing, To Thee, re, J e - SU - Sa viour ev - er cling li no co - hae - i e ing, re, Long D o as nee " cres _:::::::-_, :_; Fl+--e this e my Life shall last, go vi - ve - ro,,!$ ;,,, ; ps ff?r Love like that Thine own love, give n me sis - tat ar - dor tu it, i ; -- On Thy Ho- ly Name to riv et, Till this ex Pu - e - ri - no Jae me cu i, Dum sum in ile shall be past, ex - i - li - o, - till this dumsiim /\ f±t_ e ex ile shall be past in ex ; i - li o -e- J F Bridge-" The Cradle of Christ"

N o 5 [ 27 CaoRus-" VRGN, PEERLESS OF CONDTON" (VRGO VRGLVUM) Allegro rnoderato 1st SoPitANo 4 - - [i7 L-" [i7 ::a: 2nd SOPRANO ±- Vir - gin, Vir ALTO - go _fl_ rr ::E: -4 Vir - gin, Vir TENOR - go "" - A --i:: 1 - -t Vir gin, Vir - go BABS :a: ±-2 :: ' :!!" Vir - gin, Vir - go Allegro moderato 96 to 104 J$LJ, 1 afi :71 '$ :g :g_:;: -,,- -+ - - - -6'--_ - - f Ji,J J J J fl F &J d r Vir Vir gin, go peer ver less of con - di gi num pra f, --,, -,,_ --Jf-t--J+--+, ] -Jl--+l--+2-4--1--<-J- -_ J l --+6 --<- 1-'-Jl-J-1--j, peer vir less, gi peer - less -_ ---- of con - di - tion, num, vir gi- nitm prae - cla - ra, Be Mi hi ti on, ra, not jam d -6i- / peer - less of peer - less of con - di vir - nuin vir gi - num prae-cla vir - gi - num br3-j- f 0 peer - less, vir gi peer num, J l less, peer-less of con - di vir - gi - num prae - cla ; @+& i Fo rl J F Bridge-" The Cradle of Christ " c

_L'l_,jjo ff t 28 _a_ -- - ' :u :''l <SJ S> -- JC _L +::: Be not wroth, be not wroth with my pe Mi - hi jam, mi -hi jam non sis a - -1!% J J E- r [F J - r l #z,r ; #J " - wth, with my pe - ti - tion, not wroth, be not non, non sis a - ma - ra, 'JWn, mi -!ti -ff LL r ::z:,, ' (07 " '1' ti on, Be not wroth, not wroth with my pe - - ra, Mi- hi jam non sis Lwn sis a - 2: ;;;:J ± fr --- h :::" w di - tion, Be not wroth, not wroth with my pe - ela - ra, Mi - hi jam ;ion, non Bis a - 1i: ff ':11 :L -"- ti on, Be not wroth, not wroth with my pe - - ra, Mi hi jam non, non sis a - - " aj #:J ;' ft,,- : #H: -6'- '- -< ':Q' l ::s :::rz: \ F l;j a i _J!i_ --_ J_ ff_q_ -61- -15>- _illl Q Q -_ dim,, -- -2- -f JL ;::: "!2 p 2 2 lif ti - - ti on, be not wroth with my pe - ti - ti on, Let me - ma ra, mi- hi jam non Bis a - ma - 1 a: Fae me fr ::h --- ":J!: w: din1 :e: S> ::z: 2: -J ees d d j f? "16' -E wroth with my pe ti - - ti on, u: pe ti - tion, Let me jam non sis a - ma - - ra, a - ma - ra: Fae me rlim eres,-o ;;;] 1 :f' j J &JJ ::z: ::::::: Jc w,, - - ti tion, be not wroth, Let me JR - ma - ra, non sis a - ma 1 a: Pac me dim S>,- 1 7r ere} r S> r eres r r z] ti - - ti on, be not wroth with my pe - ti tion, Let me - ma - - ra, mi- hi jam non sis a ma - - ra : Fae me _'!!_ -- :;;::;: cres cr: jfi 2 l t;j a: dim; F ti tion, be not wroth with my pe ti - tion, Let me - ma - - ra, mi - hi jam non sis a - ma - ra: Fae me l 1'<:: - Fr : : l_ 1 0 "-"-- --_,, i,, ', dim p cres,_q_ Q Q Q_ p P- 142-6>- JJ_ -- --<Sl:J: ii :!!- p J F Bridge-" The Cradle of Christ'' pj q(j a W-r ::E '

_LL f",,, ":'/!: 29 A!L: :J: [V clasp thy lit tle Son Lpar - - vum ra - pe re; _ft -"-,,,: ft "1!: ffi' : _L_L 1--' clasp thy lit tie Son Let rue par - - vum ra - pe - re; l!'ac ut x:rt'-::!:',_ 4'- " :_ :;;::: rz: tt V<:1 ""<>' 'i<: clasp thy lit tie Son A J _,_ par - - Rm -Ee 2 2: 2: (tt ra - pe 1 e; ;L JC JC ::E clasp - me - nous, thy lit tie Son J,et bear that Child so glo pai - vum ra - pe re; Fae ut ;,_ul-chrumfan- tem por - tem, ± 1! - JC JC -± e - : :J: clasp thy lit - tie Son Let me bear that Child so par - vum ra pe re; Fae ut pul-ehrum fan-tem l f _LL A Q ' JneteF - i i @ - J 2 J J 2 j JJ f 'P f _J_ j : a 1:, ii!,],j :, -:_ :y: fi7 f,,_ T rrj Let me bear that Child so glo - rious, Fae ut pufrchrumfan-tem por - tem, ' r::::q: r-l! - -:ff CJ glo - rious, let me bear that Child so glo - rious, Whose [V bear that Child so pul-chrumfan-tem poi - tem, Jae ut pul-chrum Jan-tem por - 11 tem, Qui _ft -T E 'firs:!!- ttr -e- ' 0 CJ --- Let me bear that Child so glo - rious, li lill, Whose Fae ut pul-chrum Jan-tem por - tem, Qui nas - :fr ::iz " JC 7r_s_ 'ff! JC 2: Y :::::: that Child so glo - rious, let me bear that Child, Him, Whose fan - tem por - tem, Jae ut por - tem Qui nas - r " - ot J E:p ' r c f- vtewe glo - rious, let me bear that Child so glo rious, Him, Whose poi - - tem, Jae ut pul-ehrum fan-tem por - tem, Qui nas - Fss +pp r : j s F F r 6 l3z: F!t rv r i r J JtL t9 re; r - - : :, e t -,,_ ' _, ' J F Bridge-"The Credle of Christ" dj!li- T

30,,,-- ff-ep --e-12---+ -{! C ':e- E r E : ff- Him, Whose Birth, o'er Death vie - to - rious, Qui nas - cen do vi - cit mor - tem, L; E ffirl:o'er Death vie - to - rious, o'er c [2 r fr FE Death vie to - - - nous, -,f ""- vi - clt mor - tem, vi - cit _::/f_or tem, --<1 -- :d:k ' -;r- -e- ::: - ::e Bth, o'er Death vie to - riojs, o'er Death vie - to - - ' rious, - cen do vi - cit moi tem, vi - cit mor - - tern, a /l- ::z :: : :ii: ::ii!: 1aT, T Birth, o'er Death vie - to - rious, o'e;neath vie - to - - - rious, - cen do vi - cit mor - - tem, vi - cit mor tem, : r E : ::ii!: ::ii!: a :a: E 1st BAss _fia (1- JC - _,< Z Birth, o'er Death vie to rious, o 1 er Death, o'er Death vie to-rious, - cen - do vi - cit mor - tem, moi - tem, vi cit mor - tem, 2nd BAss - r-re r 3 3 1;0 ;!, l;:j ifte Birth o'er DJath vie - to rions, o'er Death vie - to - - - rious, cen do vi - cit mor - tern, vi - cit mor - - - tem, --<1 J_ J_ JL -19- _Q (9 ::i:: :ii: fit oi----- l T l l i lq ' """" 2 -- ' :a-5' 8 E _'_ l J_ l l J_ - ff J :d -rr ff? -;z_ uir: :c"' 2- ::z ' l! B,Will'd that for man was won, Life for man was Vo - lens vi - tam tra-de - re, vi tam tra de,,----- 11,,-,,--- rail molto Will'd that Life for man was won, Life, Life for man was Vo - lens vi - tam tra - de - re, vi tam tra de - A rall motto Will'd that Life for man was won, Life for man was Vo le'118 vi - tam tra - de - re, vi tam tra de \ A A 11,,-,,--- rall molto e- ------ Will'd that Life for man was won, Life, Life for man was Vo - len9 vi tam tra - de re, vi tam tra de \ l s,t_nd_!asse- l2a -19-,,---G- rail molto t9-- v Will'd that Life fr man was won, Vo lens vi tam tra - de - re, G> Life for man was vi tam tra de 11,,-,,-- -19- -19- rall molto J F Bridge-" The Cradle of Christ''

* A llegro con brio 1 r - - won 1v _,!(_ re :!t B:: ::;;;;;: won - re if% :J t - - won - re % r t - - won - 1 e /\ a (@ t -11 ::!':: fit 11 -h r "l 12 won Him, Whose Birth, - re Qui nas - cen - do Allegro con b1 io 120 JC /\ - T i Eb- t - ± - i 1,--1 r : 31 - - A - J11- -;- /\ -11 r r o'er Death vie - to - rions, Will'd that Life for vi cit mor - tem, Vo - lens vi - tam /\ --- v - r c --,,---_ - - t - t man was tra de - -,,- J - "!'-'-----'-- ft q % w t Q_ ± --"-- 1-1 won, - re, / : Hirn, Qui E Whose Birth, nas - cen - do J J:_ iz: that Life vi for man tam tra k _Q_ ---- r ::!L, was won, for man de re, vi tam /\ JC was tra - de *To shorten this work the last bar on page 37 (letter E), may be here taken J F Bridge-" The Cradle of Christ"

32 ::E /\ tr Him, Qui Whose Birth, nas - cen - do ::;;;i - :rs:i o':r Death vie - to - rious, Will'd at :e for man vi cit mor - tem, Vo lens vi - tam tra was de - won, re, that Life vi for man tamtra was de won, re, for vi man tam was tra-de - won, for man was won, re, tra de - re, that vi Life tam, for vi - man tam was tra-de - r :z: /\ /\ :z: Him, Qui Whose Birth, nas - cen - do /\ o'er Death vie - to-rious, Will'd that Life for man was vi cit mor-tem, Vo - lens vi - tam tra - de _L l}_ [lj' '-' a (it 2 -:Z v won, will'd that Life for man was won, for man was re, vo - lens vi - tam tra de re, vi tam tra-de ---, i won, will'dl that Life for man was won, Life for man, re, vo lens vi - tam tra - de-re, vi tam, vi tam, _Q_ G-, L-'--"'-c ::! ::;;: ::;;: f Ll w-- t&tt± won, that Life was won, Life for re, vi tam tra - de - re, vi tam /\ _,_ :!f:- :ii!: :z: :: ::!':!; ::,------,_ J_--- l l f,,i _1 j_ j_ J_ J - E JC ;;;;:;: '- :-: J, T 1-! n_j fg _J_ :- ; r E r j J F Bridge-" The Cradle of Christ" r dft

1>_ :2:0 ffwon, re, L J: will'd that Life for man vo- lens vi - tam tra 33 was won, de - re, _1' -- will'd that Life for man vo - lens vi - tam tra, ±± was de _a_,,-_ won, re, - ;;:::: fit man tra Life vi Life vi -:: --:: _---+--for tam was de man tra won, re, was won, tain tra de won, was won, de re, --- was won, that Life de re, vi tam :H: x will'd that Life for vo-lens vi tam man tra 2:::!:: ::i::;;;;:: i -vru 1 Tjwas tra de was de - JC i i r vr r gf23 d ij pj9ktrl J 1>_ ;_ 5 p h- :C:EHd&r ; r r c Rflf Pt -r? won, that Life for man was won, for man was t re, vo-lens vi tam tra de re, vi tam tra-de - 1>_ /\ - : 1-1 i _,_ v Him, Whose Birth, o'er Death vie - to - rious, Will'd that Life for man was 1---f}- if :N,_ /\- Qui nas cen do vi cit -- mor - tem, Vo - lens vi - tam tra de - --,-------, r-, J/ e -L --- c r ---t won, that Life was won, Him, re, vi tam tra de - re, Qui won, l:::fz: _ 1t:r----r b -"! _ - -- Joi A --- O'er Death vie-to - rious, Will'd that Life was - ± re, Vi - cit mor - tem, Vi tam tra de - 9 i,dlptlrt; @t tflh::!' _ p: -r ;s;& i -C- r j_- i -- J c:g - 11r :gr r r tr p 4 J 1'' Bridge-" The Cradle of Christ"

r-::; ],, 7[ (it :::iz: oj won, re, ::z: won, re, i"' O'er Death vie - to Vi cit mor 34 - rious, tem, O'er Death vie - to - rious, Vi - cit mer - tem, L o'er Death vie - to - rious, Will'd that cit mor - tem, Vo - lens --::: o'er Death vie - to - rious, Will'd that vi cit mor - tem, Vo - lens :ii: C ± o'er Death vie-to rious, o'er Death vie-to rious, Will'd that vi - citmor tem, vi cit nwr tem, Vo lens ]"' -- JC :::iz:: JC :z: won, O'er Death vie- to rious, re, Vi cit mer tem, - _,,_ /\ JC_ :: o'er Death vie-to - rious, Will'd, vi cit mor - tem, Vo c -,,,_ -b will'd that lens _L : ;H - :J"" for man was won, Life tam tra de - re, VO - for man was won, Life tam tra de - re, VO ff A /\ for man, for man was won, lens vi - tam tra de - re, ----- for man was won, lens vi tam tra - de - re, f'9 /\ H im, Qui /\ Whose nas - for man was won, Life tam tra - de - re, VO th for man was won, Life tra de - re, VO ::: for man was won, lens vi - tam tra - de - re, for man was won, lens vi - tam tra - de - re, Him, Qui Whose nas - -- for man was vi - tam /\ J F Bridge- " The Cradle of Christ "

\ 35 :,;_ Will'd Vo E that Life for man was won, lens vi - tam tra - de - re, _; - -,, JC Birth, o'er Death cen- do vi - J_ Birth, cen - do vie cit to - rious, mor-tem, ::E /\ - -11"', -- Life was won, Him, Wh11se tra de re, Q1ti nas - /\ ::"3: J: JC x JC JC JZ: ll ]!!:;;;[ jj[ ::z: :i:#ill!: J: T :::v: o'er Death vie - to - rious,will'd "' that Life for man was won, will'd that Life, that vi cit mor-tem, Vo - lens vi - cit tra - de - re, vo - lens vi - tam, : Jc ::iiiil Jc Jc z JC ::E!: won, tra was de won, re, for man fra was won, de - re, _,_ J_ J_ '1' /"< A ± - E /\ Him, Qui Whose Birth, nas - cen - do o'er Death vie - to - rious, vi cit mor - tem,,,, 11!:-i- b- -rt Birth, cen - do o'er Death vie - to - rious, Whose Birth, o'er Death vie - to - rious, vi cit mo1 - tem, nas - cen- do vi cit mo1 - tem, _Y- _,_ -!!: -r j_ - L v - :L JC :!: Life for man was won, will'd thatlife, that Life for man was won, vi - tam tra de re, vo lens vi- tam, vi - tam tra - de re, ::c i" -- Him, Whose Qui nas - _l J_ J_ J_ JC :;;;,;i: _L l l --- J F Bridge-" The Cradle of Christ" - -- v -

i: ::i;;: " v v u -" " 6>- Him, Whose Qui nas - Him, Whose Qui nas - A ::iz: li7 " :JC Him, Whose Qui nas - : -- :::s; -"'l- if' - - r'#- L Birth, o'er Death vie - - cen - do, vi cit j_ :ft 6> :!:::::':: :d : J_ - -"'" - L _L - + d :JC 36 Birth, Will'd cen - do, Vo - Birth, Will'd cen - do, Vo - ::JC ---- Birth, Will'd cen - do, Vo - h,_ - - to - rious, Will'd mor - tem, Vo - ' :JC J_ J_ - - ::! :J[ T that Life for lens vi - tam that Life for lens vi - tam 7C ::;z that Life for lens vi - tam that lens --"' :JC _h_ Life for vi - tam J_ - :JC " man was won, J,ife was tra - de - re, trn - de - - :c - - - man was won, Life was tra - de - re, tra - de - ::L 7C ::::z +z: J_ man was won, Life was ti a - de - re, tra - de _]\ - man ti a --"' J_ - - :JC - T was won, Life de - re, :JC was tra - de - _C_ - ];[ ::J: - stringendo " rn E E ['7 -" won, re, Him, Qui Whose nas stringendo :JLli: :::::::::e--- ::E!: 19 ::L won, re, " Him, Qui st1-ingendo &+or- r?r " '<>' ::JZ: ::irz: won, Him, re, stringendo Qui 1- won, re, H im, Qui Whose Birth nas - cen - do r r stringendo _d " _J _d_ Whose nas r Whose nas :J!" Birth cen - do Birth cen - do Birth cen - do ::::: LL o'er Death vie - to vi cit tra o'er Death vie - to vi cit mo1 o'er Death vie - to vi cit mor o'er Death vie - to vi cit mor rions, de- re, Et4 J F Bridge-" The Cradle of Christ"

87 Him, Qui Whose nas Birth, cen - do o'er Death vie - to vi cit mor /\ ---- '-----------:--' Him, Whose Birth, o'er Death vie - to rious, vie Qui nas cen - do vi cit mor A mm1 -rrt rious, tem, Him, Qui Him, Qui Whose Birth, nas - cen - do \ Whose nas Birth, cen - do o'er Death vie - to vi cit mor r o'er Death vie - to rious, vie - vi cit mor -- ------- rious, fem, o'er Death vie - vi cit -v;;, -p- -,J-_7 -,Jrall molto 19 E '-'-- rious, Will'd that Life tem VO - lens vi GJ rious, Will'd that Life tem, VO lens vi v i'r) 'r r a+ rious, Will'd that Life tem, VO - lens vi p>- -19- for man was won tam tra de rf' rall molto '-' GJ for man was won tam tra rle re rall molto -- r-i-r-f?clff for man was won tam ti a - de re rall molto p 19--19 '-' f---f-- - rious, Will'd that Life tem, VO - lens vi for man was won tam tra de re J F Bridge-" The Credle of Christ"

38 No 6 PRAYER-" ALL WHO LOVE THS STABLE TRULY" - 1 (OMNES STABUL UM),--- A ndante con nwto 84 ltl-r---'i---91 smoothly 1m :J 4JtJ J 4:}'14::J'J All who Om - nes 1 r a ' love this sta bu love this sta - bu - r - j ; sta - ble lum a sta - ble lum a 1 ± 23 tru - ly, man tea, tru - ly, man - tes, r r And the Et pas - Andante con moto ::: 84,---,-- ----- 'P -,r smoothly ( v -c_--r- -- --- -e- -6>- -G- -19- -i '-"1 - -_- Tar - ry there the P er noc - tan tes J Jl l Q l lfj J B J WZ-E '-" watch - ing du ly, Tar ry there the vi - gi - lan - tes, P er - noc tan tea 'P'P --- :E :i: shep herds watch - ing du - ly, Tar ry there the to- res vi - gi - lan - tes, P er noc - tan - tes - Wt J '-" Tar - Per - ti J El ry there the noc tan - tes J, F Bridge- " The Cradle <if Christ"

--- - fil - J 4111!iJ :ft11- live - long night, 80 d - ant, w--12-ic :C - _LL live - long night, 80 ci ant, ::;;;:: - -v v live long night, 80 - ci - ant, - f'" r, J live - long night, 80 ci ant, F 39 4 A "', r r - iitr tar - ry there the live long night: per noc - tan - te s 80 - ci - ant :,t,_ :a: 11'---'-- -- -- - - - - tar ry there the live - long night : per - noc - tan - tes 80 ci - ant ::;;;[ - x JL :C tar ry there the live - long night: per noc - tan - tes 80 - ci ant q:j, ) -ti J J!iJ [2 F tar ry there the live - long night : per - noc - tan - te8 80 ci ant :t ::iz:: x -7--11 < J :::f:tt:<-u- ::a: :::O:: :;;;[ 1P-*- " -- -<- i --- F E :: :::E!: -: 5+: - : :- r : :::E!: l i,,_ > ±r-:-+-'j: ::i:; _,, lo _fl_ v bl: lo :::E!: Bj Yi -#" Pray we that P er vii- - tit by tem J e na - -1<---- -o- e - -- su's me - ti tit TT, ' -ft,---------, J L J y _l -G-!- -G-!- t J F Bridge-" The-Cradle of Christ''

" :'t --- G _,,,_ ::rz: - 40 ::E'!: N --t:- - -:C_ ::ll!: :J': ----- JL ";;L ;a: v -, e Pray we that by Je - su's me - - rit, His - Per vir - tu - tem na - ti tu - - i, 0 ra ut e - " - -- - - - :fi!z "E :x :::l: E -:C_ ltt - ---,,-,, ---- --F,J- " t pray we that by Je su's me - - nt, - i, per vir - tu - tem na - ti tu - i, fr lst_tenl_r ---- :11_:rz:Et' W : it7 Pray we- that by Je sn's me - - rit, Per vir - tu - tem na - ti tu ' i, l2nd_ter - - ii7 za: : :y - - - r "::B4!- a _, :L:c:l"::JE -± ':--' Pray we that by Je su's me - rit, HS e - er vir tu - tem na - ti tu - - i, 0 - ra ut e - - --, P ray we that by Je - su's me - rit, Per vir tu - tem na ti tu i, [V p: r:y$18: r J' _,,,_ ::r:: - ----i- --t- ---"- -? tl J: Of 44 E -- - 'P _ '-_,/ 1, 'P 1-:-'l :ft Cl[,, ± - -s: ----'--w JL -:ft JL --v ' 1-1 --v - f!% 1st SOPRANO r Ff" - - lect ed lee - ti, " 2nd SOPRANO l&:---:p _,, lect - lee ATmn - 'P ed ti, _4;; :E::B -- fe7 :::!: His 0 - ra 'P may in - he - rit e - lee - ti su - i Their A d own pa - coun-try-s tti am cres: _f ::a - 2 _J_ :::!: :::!: :: --- may in - he - rit e - lec-ti su -i cres :Ji JL Jc JL -r e J ecay in - he - rit ut e-lec - - ti su-i l cres ll JL JL_ G Their own coun - try's A d La -tri - am :;,o :1:: Q!,,o--'-,9 ::, i" 'fheir coun-try's Ad pa - tri - am f 2 "!-", :;;;:;: Bis 0 - ra e - Jeay in he- rit ut e -lec ti 8U i cres 2 Their Ad own pa coun-try's tri- am f le ct lee { i i F41-: 14 : :,i d ::B: cres -:-_ 1 f : : Jlil _, 1--- J F Bridge-" The Cradle of Christ''

H ff, ra ll _n l:&:-11:, ; g- end - less light, ve - ni ant, -!op _m_7' -A-ll:::::: ---- 18 end - les light, ve ni - ant,,?:all rv n'[ _a_ end less light, ve ni ant, all- _ J!- r li)l- l end less light, - ni ant, 1::::::2::;±_rall ve d2 z fi7 end - less light, ve - ni - ant, C'\ rail!lo - ifl -"""' 2[] : --'L!2 _ll - : end - - less ve - ni _a_,,, -rri ::E:JZ: - fi7 '--" - -< rall _J - t l:ff!±l;:: r J - '/!'l!i light, - ant, H'-1' :;i_ :;i_ -e- ff -""'- v r ::; r A 41 'aqio con_spress -1 their own c ad pa - tri - am -*'-r 1 '3- their own coun-try's ad pa tri - am '/JP :::E * tpiff? 8 - coun - try's end Jess -- _,_ their ad own - :;;;;;:: ::""':::!:'::::""': h:;;!' cou:try's their own p :j' pa - tri - am :ii; JL T io' their":' conn - try's ad pa tri - mn p ' ; then'" Jftti+@ J F, own conn - try's ad pa - tri - am A d(lgio con espress _g :;;;;: 'P'P Voices alone J_,--_ J_ t"" "1 i i ::E ::O:,,- j_ '-_/ f f ve - - ni - -, - :-- /,h--lend less ve - -, ni ::E ---- ' ru - JL coun - try's end-less pa - triam ve - ni, end Jess ve - -, ni - 2 - :ill!: end - - Jess ve - ni -, J J T _, end less ve - - ni,,,, L-! 1 '--" C-J i "",_!-_,_!--r f, --<----+ light -:- - [ t hght - --+- 1-4-- - E '-' - u, ---+ '-' - t - go, - - 0, - - o * The Alto part should be a little more prominent than the others J F Bridge-" The Cradle of Christ' FNS

NOVELLO'S ORGNAL OCTAVO EDTONS OF Oratorios, Cantatas, Odes, Masses, &c THE FAYS' FROLC SPRNGTME SUMMER THE GOLDEN CTY THE WSHNG STONE THE WATE R F ARES THE SLVE R CLOUD MNSTER BELLS FRANZ ABT (Female voices) (ditto) (SOL-FA, 0/6) (ditto) (ditto) (SOL;A, 0/6) B AGUTTER MSSA DE SANCTO ALBAN O (E nglish) (ditto) (ditto) <ditto) (ditto) THOMAS ANDERTON YULE TDE THE NORMAN BARON WRECK OF THE HESPERUS (SoL-FA, 0/4) W ARGENT MASS, N B F LAT P ARMES HEZEKAH ST JOHN THE EVANGELST ST BARNABAS A D ARNOTT YOUNG LOCHNVAR THE GPSES ENDYMON STABAT MATER E ASPA ASTORGA BACH MASS, N B MNOR MSSA BREVS, N A THE PASSON (S MATTHEW) 11 Abridged, as used at St Paul's THE PASSON (S JOHN) CHRSTMAS ORATORO MAGNFCAT GOD GOETH UP WTH SHOUTNG GOD SO LOVE D THE WORLD GOD'S TME S THE BE ST (SorrFA, 0/6) MY SPRT WAS N H E AVNESS 0 LGHT EVERLASTNG BDE WTH US A STRONGHOLD SURE BE NOT AFRAD (SOL FA, 0/4) BLESSNG, GLORY, AN D W SDOM W RESTLE AND PR<\ Y (SoL-FA, 0/2) THOU GUDE OF SRAEL J ESU, PRCELESS TREASURE W H EN WLL GOD R E CALL MY SPRT J ESUS, NOW WLL W E P RA SE THE E ] BARNEY RE BEKAH (SoL-FA, 0/9) THE LORD S KNG (97th Psalm) LEONARD BARNES THE BRDAL DAY J F BARNETT THE AN CENT MARNER (SOL-FA, 2/0) THE RASNG OF LAZARUS P ARADSE AN D TH F P E R THE WSHNG BELL (Female voices) BEETHOVEN T H E P RASE OF MUSC RU NS OF ATHENS ENGED; OR, DAVD N THE WLDERNESS MOUNT OF OLVES MASS, N C COMMUNON SERVCE, N C MASS, ND THE CHORALSYMPHONY D TTO, VOCAL PART (SoL-FA, 0/6) T H E C HORAL FANTASA (SoL-FA, 0/3) A CALM SEA AND A P l<osperous VOYAGE MEEK, AS THOU LVE DST 6/2/94 8/0,,o 5/0 2/0 4/0 KAREL BENDL W ATER-SPRTE 'S REVENGE (Female voices) WLFRED BENDALL THE LADY OF S HALOTT (Female vv) (SoL-FA, ) SR JULUS BENEDCT ST PETER 3/0 3/6 5/0 THE LEGE ND OF ST CE CL A (SOL-FA, ) 3/0 4/0 PASSON MUSC F ROM ST P ETER SR W STERN DALE BENNETT G R BETJEMANN THE SONG OF THE W ESTERN MEN a;o 3/a 5/0 410 6/0 W R BEXFELD SRAEL RESTORED HUGH BLAR HARVEST-TDE JOSAH BOOTH 4/0 6/D THE DAY OF REST (F emale voices) (So L-FA, ) E M BOYCE THE LAY OF THE BROWN ROSARY YOUNG LOCHNVAR J BRA DFORD HARVE ST CANTATA T HE SONG OF J UBLEE PRAS E THE LORD 2/0 2/0 3/0 4/0 W F BRADSHAW 2/0 4/0 GASPAR BECERRA 1/3 2/0 4/0 J BRAHMS 2/0 4/0 A SONG OF DESTNY C BRAUN SGURD 5/0 J C BRDGE DANEL 3/6 RUDEL 4/0 J F BRDGE 0/6 ROCK OF AGES (Latin and English) (So1-FA, 0/4) 0/6 MOUNT MORAH 3/0 0/4 BOADCE A CALLRHOE (SOL-PA, ) NNEVEH T HE NCHCAPE ROCK THE LORD'S PRAYER (SoL-FA, 0/6) 2/0 4/6 3/0 4/ J 3/0 4/0 DUDLEY BUCK THE LGHT OF ASA 3/0 3/3 5/0 EDWARD BUNNETT OUT OF THE DEEP (13oth P salm) W BYRD MASS FOR FOUR VOCES (in F minor) 3/6 4/0 5/0 6/6 9/0 CARSSM 4/0 JEPHTHAH l/o 210 3/0 3/ 2/0 4/0 SUPPLCATON F D CARNELL GEORGE CARTER SNFONA CANTATA (u 6th Psalm) PLACD A WLLAM CARTER CHERUBN REQUEM MASS, C MNOR (Latin and English) SE COND MASS, N D MNOR THRD MASS (CORONATON) 0/4 0/2 - FOURTH MASS, N C 5/0 2/0 3/6 2/0 2/3 4/0 l /O l /o 2/0 2/3 3/6 l /O 11 2/3 1/3 Z'l

JOB NAOM NOVELLO'S OCTAVO EDTON OF ORATOROS, &c-continued E T CHPP FREDERCK CORDER THE BRDAL OF TRERMAN (SoL-FA, ) SR MCHAEL COSTA THE DREAM H COWARD THE STORY OF BETHANY (SOL-FA, ) F H COWEN ST JOHN'S EVE (SoL-FA, ) A SONG OF THANKSGVNG SLEEPNG BEAUTY (SoL-FA, ) RUTH (SOL-FA, ) SUMMER ON THE RVER (Female vv) (SoL-FA, 0 19) THE WATER LLY VLLAGE SCENES (Female voices) 4/0 2/0 ] MAUDE CRAMENT WLL MAGNFY THEE, 0 GOD(145th Psalm) W CRESER EUDORA (A dramatic dyll) 3/0-3/0 4/0 3/0 4/0 4/0 4/6 6/0 2/0 " MYLES B FOSTER THE LADY OF THE SLES THE ANGELS OF THE BELLS (Female voices) (DTTO, SoL-FA, 0/8) THE BONNE FSHWVES (female vv)(sol-fa 0/9) SNOW FARES (Female voices) ' ROBERT FRANZ PRASE YE THE LORD (117th Psalm) NELS W GADE PSYCHE (SoL-FA, ) SPRNG'S MESSAGE (SoL-FA, 0/3) ERL-KNG'S DAUGHTER (SoL-FA, 0/9) ZON THE CRUSADERS (SoL-FA, ) COMALA CHRSTMAS EVE (SoL-FA, 0,'4) HENRY GADSBY LORD OF THE SLE S (SOL-FA, ) ALCESTS (Male voices) COLUMBUS (Male voices) G GAR<ETT HARVEST CANTATA (SoL-FA, 0/6J THE SHUNAMMTE THE TWO ADVENTS R MACHLL GARTH W CROTCH E Z EKEL P ALESTNE 3/0 3/6 5/J THE WLD HUNTSMAN W H CUMMNGS THE FARY RNG T E DEUM GDEON W G CUSNS FELCEN DAVD THE DESERT (Male voices) BETHANY P H DEMER 3i6 2/0 4/0 A R GAUL A SONG OF LFE (Ode to Music) (SOL-FA, 0/6) JOAN OF ARC (SoL-FA, ) PASSON SERVCE RUTH (SOL-FA, 0/9) THE H OLY CTY (SOL-FA, ) TEN VRGNS (SOL-FA, ) SRAEL N THE WLDERNESS (SO L-FA, ) UNA (DTTO, SoL-FA: ) 3/0 4/0 0/8 2/0 2/0 4/0 2/0 4/0 4/0 3/0 FR GERNSHEM - SALAMS A TRUMPH SONG (Male voices) 1;6 M E DOORLY F E GLADSTONE LAZARUS 2/S - PHLPP F G DOSSERT GLUCK MASS, N E MNOR ORPHEUS 316 5/0 HERMANN GOETZ F DUNKLEY BY THE WATERS OF BABYLON (137th Psalm) THE WRECK OF THE HESPERUS N CE NA THE WATER-LLY(Malevoices) ANTONN DVORi\K ST LUDMLA 5/0 6/0 7/6 CH GOUNOD DTTO (German and Bohemian Words) 8/0 MORS ET VTA (Latin or English ) 6/0 THE SPECTRE'S BRDE 310 3/6 5/0 DTTO, SoL-FA (Latin and English) 2/0 DTTO (German and Bohemian Words) 6/0 REQUEM MASS, from" Mors et Vita" STABAT MATER P ATROTC H YMN DTTO (German and Bohemian Words) 3/0 RE QUEM MASS 5/0 ) JASS, N D A E DYER SALVATOR MUND! E LECTRA OF SOPHOCLES 2/0 H ] EDWARDS THE ASCENSON THE EPPHANY PRASE TO THE HOLEST EDWARD ELGAR THE BLACK KNGHT 2/0 ROSALND F ELLCOTT ELYSUM THE BRTH OF SONG GUSTAV ERNEST ALL THE YEAR ROUND (Female vv) (SoL-FA, 0/9) 2/0 E FANNG B UTTERCUPS AND DASES (Female voices) - (DTTO, SOL-FA, ) 2/0 3/0 4/0 THE REDEMPTON (English words) (SoL-FA, 2/0) 5/0 DTTO (French Words) 8/4 DTTO (German W ords) 10/0 6/0 7/6 MESSE SOLENNELLE (ST CECLA) OUT OF DARKNE SS COMMUNON SERVCE (Messe Solennelle) TROSEME MESSE SOLENNELLE 2!6 DE PROFUNDS (13oth Psalm) (Latin Words) DTTO (Out of darkness) THE SEVEN WORDS OF OUR SAVOUl{ ON THE CROSS (Filia: Jerusalem) DAUGHTERS OF JERUSALEM GALLA (SOL-FA, 0/4) - 1 A M GOODHART EARL HALDAN'S DAUGHTER ARETHUSA 2/0 CH GRAUN THE PASSON OF OUR LORD (Der Tod Jesu) TE DEUM ALAN GRAY THE WDOW OF ZAREPHATH ARETHUSA THE LEGEND OF THE ROCK-BUOY BELL ] 0 GRMM THE SOUL'S ASPRATON G HALFORD THE PARACLETE HENRY FARMER E V HALL MASS, N B FLAT (Latin and English) (SOL-FA, ) 2/0 3/6 S T NOTHNG TO YOU 4/0 4/6 3/0 ;g :1 3/0 3/0 3/0 3/0 4/0 4/0 4/0 4/0 4/0 4/0 4,0 6/6 7/6 3/0 6/0 7/G 2/0 3/0 2/0 410 2/0 4/0 2/0 2/0 0/8

NOVELLO'S OCTAVO EDTON OF ORATOROS, &c-continued HANDEL ALEXANDER'S FEAST 2/0 ACS AND GALATEA DTTO, New Edition, edited by J Bamby (SoL-FA ) ALCESTE ' 2/0 SEMELE 3/0 THE PASSON 3/0 THE TRUMPH OF TME AND TRUTH::: 3/0 ALEXANDER BALUS 3/0 HERCULES O ATHALAH 3/0 ESTHER 3/0 S USANNA 3/0 THEODORA 3/0 BELSHAZZAR 3/0 THE MESSAH, edited by V Novello (SOL-FA, ) 2/0 THE MESSAH, ditto, Pocket Edition THE MESSAH, edited by W T Best 2/0 SRAEL N E G YPT, edited by Mendelssohn 2/0 SRAEL N EGYPT,edited by V Novello,Pocket E dit J UDAS MACCABJEUS (SoL-FA, /0) 2/0 JUDAS MACCABJEUS, Pocket Edition SAMSON (SO L-FA, ) 2/0 SOLOMON 2/0 JEPHTHA 2/0 JOSHUA 2/0 DEBORAH 2/0 SAUL 2/0 CHANDOS TE DEUM DETTNGEN TE DEUM UTRECHT JUBLATE 0 COME, LET US SNG UNTO THE LORD (5th Chandos Anthem) 0 PRASE THE LORD (6th Chandos Anthem) CORONATON AND FUNERAL ANTHEMS Or, singly: THE KNG SHALL REJOCE ZADOK THE PREST MY HEART S NDTNG LET THY HAND BE STRENGTHENED THE WAYS OF ZON ODE ON ST CECLA'S DAY 018 Oi3 0/8 0/6 L 'ALLEGRO 2/0 HAYDN THE CREATON (SoL-FA, ) THE CREATON, Pocket Edition THE SEASONS Each Season, singly (SPRNG, Tonic Sol fa, 6d) FRST MASS, N B FLAT (Latin) DTTO (Latin and English) SE COND MASS, N C (Latin) THRD MASS (MPERAL) (Latin and English) DTTO (Latin) SXTEENTH MASS (Latin) THE PASSON; OR, SEVEN LAST WORDS OF OUR SAVOUR ON THE CROSS T E DEUM (English and L atin) NSANJE E T VANlE CURJE (Ditto) BATTSON HAYNES TH E F A RES' SLE (Female voices) A SEA DREAM (Female voices) H HEALE JU BLE E ODE C SWNNERTON HEAP FAR ROSAMOND (SoL-FA, 2/0) EDWAlW HECHT ERC THE DANE 0 MAY JON THE CHOR NVSBLE GEORGE HENSCHEL OUT OF D"RKNESS (r3oth Psalm) HENRY HLES F AY RE PASTOREL THE CRUSADERS FERDNAND HLLER NALA AND DAMAYANT A SONG OF VCTORY (SoL-FA, 0/9) HENRCH HOFMANN FAR MELUSNA CNDERELLA SONG OF THE NORNS (Female voices) HUMME L FRST MASS N B FLAT COMMUNON SERVCE, ditto SECOND MASS, N E FLAT COMMUNON SERVCE, ditto THRD MASS, JN D COMMUNON SERVCE, ditto ALMA VRGO (Latin and English) QUOD N ORBE (Ditto) 4/0 STABAT MATER 2/3 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 3/6 5/0 4/0 2/0 4/0 4/0 2/0 4/0 2/0 4/0 4/0 4/0 4/0 4/0 4/0 2/o 216 2/B 4/0 2/0 4/0 2/0 3/0 3/6 5/0 2/0 3/0 2/0 0/4 W H HUNT H H HUSS AVE MARA (Female voices) SWEET ECHO F LFFE JOHN WLLAM JACKSON CRED UNTO GOD THE YEAR W JACKSON D JENKNS DAVD AND SAUL (SOL-FA, 2/0) A J ENSEN THE FEAST OF ADONS ECCE HOMO W JOHNSON C WARWCK JORDAN BLOW YE THE TWMPET N ZON 5/0 THE EPPHANY 4/0 3/6 4/0 5/0 3/0 6/6 4/0 6/0 ALFRED KNG N KLBURN THE SLVER STAR(Femalevoices) THE LORD JS MY SHEPHERD (23rd Psalm) 3/0 3/6 2/0 3/0 3/6 OLVER KNG BY THE WATERS OF BABYLON (37th Psalm) THE NAADS (Female voices) J KNROSS SONGS JN A VNEYARD(Femalevv)(SoL-FA,0/6) H LAHEE THE SLEEPNG BEAUTY (Femalevv) (SOL-FA, 0/6) DXT DOM!NUS LEONARDO LEO H LESLE THE FRST CHRSTMAS MOHN F LSZT THE LEGEND OF ST ELZABETH T HRTEENTH PSALM CH LLOYD ALCESTS ANDROMEDA H ERO AND LEANDER THE SONG OF BALDER THE LONGBEARDS' SAGA (Male voices) THE GLEANERS' HARVEST (Female voices) A SONG OF JUDGMENT THE VLLAGE FAR W H LONGHURST HAMSH MAcCUNN LAY OF THE LAST MNSTREL (SOL-FA, ) LORD ULLN'S DAUGHTER (SoL-FA, 0/8) G A MACFARREN SONGS N A CORNFELD (Female voices) MAY-DAY (SoL-FA, 0/6) 2/0 4/0 W vggjnllgacy (O peretta) 4/0 A C MACKENZE THE D REAM OF JUBAL THE STORY OF SA YD 2/0 4/0 JASON THE BRDE (SoL-F A, 0/8) 2/0 4/0 THE HOSE OF SHARON (SoL-FA, 2/0) 2/0 - - 3/0-3/0 3/6 5/0 2/0 3/0 3/0 3/6 5/0 3/0 4/0 2/0 2/G 3/0 4/0 4/0 l /<l 1;6 6/0 3/0 Ml 3/0 4/0 3/6 5,-0 3/0 4/0 6/0 716 JUBLEE ODE 2/0 40 THE COTTER'S SATURDAY N GHT (SoL-FA,1;0) 2/0 0/4 THE NEW COVENANT 0/4 VEN!, CREATOR SPRTUS 2/0

NOVELLO'S OCTAVO EDTON OF ORATOROS, &c-continued --------------------------------------------- J B McEWEN THE VSON OF JACOB 2/0 F W MARKULL ROLAND'S HORN (Male Voices) F E MARSHALL PRNCE SPRTE (Female voices) J H MEE HORATUS (Male voices) DELPH, A L EGEND OF HELLAS (Male voices) MENDELSSOHN ELJAH (SoL-FA, ) ELJAH (POCKET EDTON) AS THE HART PANTS (42nd Psalm) COME, LET US SNG (95th Psalm) WHEN SRAEL OUT OF EGYPT CAME (DTTO, SOL FA, 0/9) NOT UNTO US, 0 LORD (u5th Psalm) ST PAUL (SoL-FA, ) ST PAUL (Pocket Edition) HYMN OF PRASE (Lobgesang) (SoL-FA, ) LORD, HOW L ONG WLT THOU (SoL-FA, 0/4) HEAR MY PRAYER (s solo and chorus) (SoL-FA,0/31 DTTO DTTO LAU DA SON (Praise J ehovah) (SoL-FA, 0/9) THE FRST WALPURGS NGHT (SO L-FA, ) MDSUMMER NGHT'S DREAM (Female voices) ATHALE (SoL-FA, ) ANTGONE (Male voices) (SOL-FA, ) MAN S MORTAL(Svoices) FESTGESANG (Hymns of Praise) DTTO (Male voices) CHRSTUS (SoL-FA, 0/6) THREE MOTETS FOR FEMALE VOCES SON AND STRANGER (Operetta) LORELEY (SoL-FA, 0/6) CEDPUS AT COLONOS (Male voices) TO THE SONS OF ART (Ditto) (SoL-FA, 0/3) JUDGE ME,_ 0 GOD (43rd Psalm) (SOL-FA, 0/1,) WHY RAGE FERCELY THE HEATHEN MY GOD, WHY, 0 WHY HAST THOU FOR- SAKEN ME (22nd Psalm) SNG TO THE LORD (g8th P salm) SX ANTHEMS for the Cathedral at Berlin F;; 8 voices, arranged in 4 parts AVE MARA {Saviour of Sinners), 8 voices MEYERBEER NNETY-FRST PSALM (Latin) DTTO (English) A MOFFAT A CHRSTMAS DREAM (A Cantata for Children) ABRAHAM B MOLQUE MOZART KNG THAMOS FRST MASS (Latin and English) SEVENTH MASS, N B FLAT COMMUNON SERVCE, N B FLAT, ditto TWELFTH MASS (Latin) DTTO (Latin and English) (SOL-FA, 0/9) REQUEM MASS DTTO (Latin and English) (SoL FA, ) LTANA DE VENERABL! ALTARS (ED) L!TANA DE VENERABL SACRAM ENTO(Bb) SPLENDENTE TE DEUS F irst Motet 0 GOD, WHEN THOU APPEAREST ditto HAVE MERCY, 0 LORD GLORY, H ONOUR, PRASE E MUNDELLA VCTORY OF SONG (Female voices) JEREMAH DE PROFUNDS MASS, N C Second Motet Third Motet DR JOHN NAYLOR JOSEF NESVERA E A NUNN 2/0 4;0 i} 1: :;: H W PARKER THE KOBOLDS HORA NOVSSMA C H H PARRY DE PROFUNDS (r3oth Psalm) ODE ON ST CECLA'S DAY (SOL-FA, ) BLEST PAR OF SRENS (SOL FA, 0/8) THE GLORES OF OUR BLOOD AND STATE PROMETHEUS UNBOUND JUDTH L'ALLEGRO (SoL FA, ) ETON THE LOTUS-EATERS (The Choric Song) J OB DR JOSEPH PARRY NEBUCHADNEZZAR DTTO, S ol-fa 2/0 4/0 THE CRUSADER 2,0 0/4 2/0 4/0 2/0 4/0 4/0 6/0 110 4/0 3/0 l /O 0/4 0/6 0/6 0/8 0/8 110 REV SR FREDK OUSELEY THE MARTYRDOM OF ST POLYCARP R P PANE THE LORD RE GNETH (93rd P salm) PALESTRNA m,mlllzd1a R A / MSSA BR E VS 2'5 MSSA "0 ADMRABLE COMMERCUM" 2J6 3/0 3/6 5/0 /6 /6 2/0 310 /6 2/0 310 0/3 0/3 0/3 0/3 3/0 2/0 B PARSONS T M PATTSON MAYDAY (SoL-FA, 0/6) THE MRACLES OF CH RST (SoL- FA, 0/9) THE ANCENT MARNER THE LAY OF THE LAST MNSTREL A L PEACE ST J OHN THE BAPTST A H D PRENDERGAST THE SECON D ADVENT PERGOLES STABAT MATER(Female voices) (SoL-FA, 0/6) CRO PNSUT PHANTOMS-FANTASMJ NELL' OMBRA E PROUT DAMON AND PHJNTAS (Male voices) THE RED CROSS KNGHT (SOL FA, 210) THE HUNDREDTH PSALM FREEDOM HEREWARD QUEEN AMEE (Female voices) PURCELL DDO AND JENEAS TE DEUM AND JUBLATE, N D 3/6 2/0 2/0 3/0 510 6/0 7/6 2;6 2/0 2/0 3/0 4/0 5/0 2/0 3/6 2/0 J F H READ HAROLD 4/0 BARTMEUS CARACTACUS THE CONSECRATON OF THE BANNER N THE FOREST (Male voices) PSYCHE 5/0 THE DEATH OF YOUNG ROMLLY(Male voices) 216 4/0 4/6 6/0 4/0 l!o J V ROBERTS JONAH 3/0 W S ROCKSTRO THE GOOD SHEPHERD J L ROECKEL THE SLVER PENNY (SoL-FA, 0/9) 2/0 EDMUND ROGERS THE FOREST FLOWER (Female voices) ROLAND ROGERS P RAYER AND PRASE FLORABEL (Female voices) 4/0 ROMBERG THE LAY OF THE BELL (New Edition, translated by the Rev J Troutbeck, DD) (SOL-FA, 0/8) THE TRANSENT AND THE ETERNAL DTTO, SoL-FA, 0/4 ROSSN STABAT MATER (SOL-FA, ) MOSES JN EGYPT 6/0 6/6 7/6 CHARLES B RUTENBER DVNE LOVE ED SACHS WATER LLES C SANTO N-DOLBY FLORMEL (Female voices) 6/0 7/0

NOVELLO'S OCTAVO EDTON OF ORATOROS, &c-continued CAMLLE SANT-SAEN S THE H E AVENS D E CLARE-CCEL ENARRA NT (19th Psalm) ELYSUM W H SANGSTER FRAN K J SAWYER THE STAR N THE EAST H W SCHARTAU CHRSTMAS HOLDAYS (Female voices) SCHUBERT MASS, N A F LAT COMMUNON SERVCE, ditto MASS, N E F LAT COMMUNON SERVCE, ditto MASS, N B FLAT COMMUNON SERVCE, ditto MASS, NC COMMUNON SERVCE, ditto MASS, NG COMMUNON S E RVCE, ditto MASS, N F COMMUNON S E RVCE, ditto SONG OF MRAM (SoL-FA, 0/6) SCHUMANN THE MNSTRE L'S CU RSE THE KNG 'S SON MGNO N'S R E QUEM PARADSE AND T HE PE R (So L-FA, l /) PLGRMAGE OF T HE ROSE MANFRED FAUST ADVENT H YMN," N LOWLY G USE " NEW YE AR'S SONG (SO L- FA, 0/6) H SCHUTZ THE PASSON OF OUR LORD BERTRAM LUARD SELBY CHORUSES AN D NCDENTAL MUSC TO "HELENA N TROAS" 3/6 SUMMER BY THE SEA (Female voices) H R SHELLEY VEXLLA REGS (The Royal Banners forward go) E SLAS MASS, N C COMMUNON SERVCE N C JOASH 4/0 R SLOMAN SUPPLCATON AND PRASE HENRY SMART KNG RENE'S DAUGHTE R (Female voices) THE BRDE OF DUNKERRON (SOL-FA, ) ] M SMETON KNG ARTHUR (Sor-FA, ) ARADNE (SoL-FA, 0/9) 0/9 l;o 2/0 3/6 20 4/0 2,0 410 2/0 3/6 2/0 3/6 216 2/0 3/6 2,0 3/6 310 4/0 110 216 C VLLERS STANFORD EDEN THE VOYAGE OF MAELDUNE CARMEN SJECULARE THE REVENGE (SoL-FA, 0/9) GOD S OUR HOPE (46th Psalm) CE DPU S REX (Male voices) THE EUME NDES M ASS N G MAJOR COMMUNON SERVCE, N G E AST TO W E ST THE BATTLE OF THE BALTC H W STEWARDSON GDEON & i ] 8 &! 0 0 5/0 6/0 7/6 3/0 4/0 2/0 3/0 3/0 ] STORER THE TOURNAME NT 2/0 MASS OF OUR LADY OF RANSOM 210 E C SUCH NARCSSUS AND ECHO 3/0 GOD S OUR REFUGE (46th Psalm ) ARTHUR SULLVAN THE GOLDEN LEGE ND (SOL FA,2/0) 3/6 4/ 0 5/0 ODE F OR THE COLONAL AND N DA N EXHBTON FESTVAL TE DEUM 2/ 6 W TAYLOR ST JOHN THE BAPTST 4/0 A GORNG THOMAS THE SUN-WORSHPPERS E H THORNE 3,0 3/6 5/0 13 E MERCFUL UNTO ME BERTHOLD TOURS A FESTVAL ODE THE HOME OF TTANA (Female voices) FERRS TOZER 4/0 KNG NEPTUNE'S DAUGHTER (Female Voices) VAN BREE ST CECLA'S DAY (SoL-FA, 0/9) 1_10 1/3 i /6 CHARLES VNCENT THE VLLAGE QUEEN (Female voices) (SoL-FA, 0/6) THE LTTLE MERMAD (Female voices) W S VNNNG SONG OF THE PASSON (according to St John) l /6 S P WADDNGTON JOHN GLPN 2/0 W M WAT THE GOOD SAMARTAN GOD WTH US 6/0 2/0 2/0 R H WALKER 216 410 JERUSALEM 3/0 R H WALTHEW 2/0 2/0 ALCE MARY SMTH THE RE D K N G (Men's voi ces ) 110 THE SO N' G OF THE LTTLE BAL TUNG (ditto) DT TO, SOL-FA, 0/8 ODE TO THE NORTH-E AST WN D ODE TO THE PASSJO NS 2/0 E M SMYTH MASS ND A SOMERVELL MASS, N C MN OR CHARLTON T SPEER THE DAY DREAM 2/0 SPOHR MASS {for 5 solo voices and double <:hoir) 2/0 HYMN TO ST CE CLA CALVARY 216 3/0 4/0 FALL OF BABYLON a;o 3/6 5 0 LAST JUDGMENT (SoL-FA, ) :J:6 THE CHRSTAN'S PRAYE R :l/6 GOD, THOU ART GREAT (SoL FA,0/6) HOW LOVELY AR E T HY DWELLNGS FAR 0/8 JEHOVAH, LORD OF H OSTS 0/4 JOHN STANER THE CRUCFXON (SoL-FA, 0/9) 2/0 ST MARY MAGDALE N (SoL-FA, ) 2/0 4/0 THE DAUGHTER OF J ARUS (SoL- FA, 0/9) 116 2/0 THE PED PPER OF HAMELN WEBER N CONSTANT ORDER (Hymn) MASS, N G (Latin and English) MASS, N E FLAT (Ditto) COMMUNON SE RVCE, N E FLAT JUBLE E CANTATA PRECOSA THREE SEASONS N EXTU SRAEL D!XT DOMNUS S WESLEY S S WESLEY 0 LORD, THOU ART MY GOD ] E WEST SEED-TME AND HARVEST C LEE WLLAMS THE LAST N GHT AT BETHANY (SoL-FA, 110) GETHSEMANE A E WLSHRE GOD S OUR HOPE (Psalm 46) THOMAS WNGHAM TE DEUM (Latin) CHAS WOOD ODE TO THE WEST WND ] M W YOU NG THE RETURN OF SRAE L TO PALESTNE LONDON & NEW YORK: NOVELLO, EWER AND CO 0/1 l ;O 2/0 2/0 2/J 2/0 2/0 3/0

NOVELLO'S VOLONCELLO & PANOFORTE ALBU11S s d Mendelssohn - Four Marches Transcribed by B TouRs No r, Wedding March; No 2, War March of the Priests; No 3, Cornelius March; No 4, Funeral March 2 6 s d 7 Arthur Sullivan - "Golden L e gend" Nine Transcriptions by B TOURS 2 6 9 Joachim Raff-Six Marceaux de Salon 2 6 2 Berthold Tours-Thirty Melodies 2 6 12 Arcangelo Corelli-Six Sonatas Book 2 Edited by A DoLMETS CH 3 6 These Melodies are expressly written to be used in connection with the Author's Violin Primer 3 Mendelssohn- "' E lijah" Ten Transcriptions by B TouRs 4 Gounod-" Mors et Vita" T en Transcriptions by B TouRs l 13 Siegfried Jacoby-Eight N ational Melodies (Arranged) 2 6 14 Gounod - "Redemption" Nine 0 T ranscriptions by B TouRs 15 Arnold Dolmetsch-Twelve Easy 2 6 Pieces 5 BattisonHaynes-TwelveSketches 2 6 16 Haakman-Twelve Characteristic 6 Siegfried Jacoby-Hungarian Pieces 2 6 Dances (Transcribed) 2 6 20 Arnold Dolmetsch-Ten Pieces 2 6 2 6 2 6 Novello's Albums for Pianoforte and Stringed nstruments- N o l ARNOLD DoLMETSCH-Suite of Four Pieces No 2 PURCELL-Suite of Five Pieces The Pianoforte Accompaniment, Marks of Expression, Bowing, and Fingering, by Arnold Dolmetsch No 3 EDWARD GERMAN-Three Dances from Music to "Henry V" n the press Francesco Berger-Cavatina in F, for Violoncello, with Pianoforte Accompaniment Rosalind F Ellicott- A Reverie, for Violoncello and Pianoforte H Hoffmann -Russian Romance (from Prairie Pictures), arranged by F GRUTZMACHER Romance Op 48 2 J Hollman-Six Morceaux: No l, L egende; No 2, Pizzicati; No 3, Aubade; No 4, Andante; No 5, Petite Valse; No 6, Tarantelle 7 Or, singly, each 2 s d s d G Libotton-Six Pieces for the Violoncello with Pianoforte Accompani ment:- 2 N o l, Etude Caprice 2 6,, 2, Reverie l 6,, 3, Caprice Hongrois 2 o,, 4, Nocturne (Chopin) 6,, 5, Chant sans Paroles (Tscbaikowsky) 2 1 6,, 6, Du bist die Ruh' (Schubert) 6 Walter Macfarren-Sonata in E minor 6 A C Mackenzie-Six Pieces Op 37 Arranged (from the original for Violin) by J B KRALL 6 Mendelssohn-Romance sans Paroles Op 109 6 Sonata in F minor Op 4 Sona ta in B flat Op 45 So:iata in D Op 58 Variations Concertantes in D Op 17 0 C Hubert H Parry-Sonata in A 6 Alfred Piatti-Serenata for T wo Violoncellos and Pianoforte Otto Schweiger-Sonata Op 28 6 C Villiers Stanford - Three ntero mezz1 Op 13 o 5 0 l 6 2 6 3 6 4 0 3 0 7 6 3 0 7 6 4 6,1 LONDON & NEW YORK: NOVELLO, EWER AND CO

NOVELLO'S VOLN & PANOFORTE ALBUMS s d i Mendelssohn-Four Marches Transcribed *16 Haakman-Twelve Characteristic Pieces by B TOURS No l, Wedding March ; 17 Handcl-Six Sonatas The Pianoforte No 2, War March of the Priests; No 3, Accompaniment by A DOLMETSCH Cornelius March; No 4, Funeral March 2 6 18, Arcangelo Corelli-Six Trios For Two 2 Berthold Tours-Thirty Melodies (expressly Violins and Violoncello, or Pianoforte; written to be used in connection with the or as Quartets, with Violoncello and Piano Author's VOLN PRMER) 2 6 3 Mendelssohn-" Elijah" Ten Transcriptions by B TOURS 0 4 Gounod-" Mors et Vita" tions by B TOURS Ten Transcrip- 5 Battison Haynes-Twel ve Sketches 5, Siegfried Jacoby-HungarianDances (Transcribed) 7 ppolito Ragghianti-Nine Morceanx de Salon 8 Oliver King-Twelve Pieces 9 Joachim Raff-Six Marceaux de Salon O Siegfried Jacoby-Six Characteristic Pieces For Two Violins Arcangelo Corelli-Twelve Sona tas n T wo Books Edited by A DOLMETSCH Book 12 Arcangelo Corelli-Twelve Sonatas n Two Books Edited by A DoLMETSCH Book 13 Siegfried Jacoby-Eight National Melodies (Arranged) 2 6 2 6 2 6 2 6 2 6 2 6 2 6 3 6 3 6 2 6 Edited and the Pianoforte Accom forte paniment by A DoLMETSCH 19 Kate Ralph-Six Pieces 20 Various Composers-Fourteen Pieces 2 r Various Composers-Twelve Pieces 22 Various Composers-Thirteen Pieces 23 Rosalind F Ellicott-Six Pieces 24 Arthur Sullivan-" The Golden Legend" Nine Transcriptions by B T ours 25 J Miiller-Forest Pieces (Op 9) 26 Ethel M Boyce-Eight Pieces 27 B Poznanski-Ten Pieces 28 Ch de Beriot-Eight Pieces 29 Henry Purcell-Fourteen Pieces The Pia'1oforte Accompaniment, Marks of Expression, Bowing, and Fingering by ARNOLD DoL METSCH, 30 H W Ernst- Seven Pieces 3r F David-Five Pieces 14 Gounod-" Redemption" Nine Transcrip- 32 H Yieuxtemps-Four Pieces 2 6 tions by B TOURS 2 6 33 F Schubert-Six Valses arranged by S E< - 15 Arnold Dolmetsch-Twelve Easy Pieces 2 6 FRED J ACOBY 2 6 * T hese Albums may also be had arranged for Violoncello and Pianoforte s d 2 6 3 6 3 6 2 6 2 6 2 6 2 6 2 6 2 6 2 6 2 6 2 6 2 6 2 6 2 6 2 6 Edward German- Three Dances from the Music to Shakespeare's " Henry V" Arranged for Violin and Pianoforte by the Composer net H Grossheim-Six Easy Pieces for Violin and Pianoforte (Op 24) net C Gurlitt-Six Pieces for Violin With Pianoforte Accompaniment Romance (from the abo, e) W Macfarren-First Sonata net Second Sonata A C Mackenzie-Six Pieces for Violin With Pianoforte Accompaniment No l, Gavotte; No 2, Berceuse; No 3, Benedictus; No 4, Zingaresca; No 5, Saltarello; No 6, Terna con Variazioni Zingaresca (from the above) Benedictus (from the above) 11 Orchestra Full Score Orchestral Parts net ", Arranged for net s d 3 0 2 6 4 0 2 0 6 0 6 0 5 0 2 0 2 0 s o 3 6 Highland Ballad, Op 47, No l, for Violin with Pianoforte Accomp:rniment net 3 6 Two Pieces (Barcarola and Villanella), Op 47, No 2, for Violin with Pianoforte Accompaniment net 3 6 s d A C Mackenzie-continued Pibroch Suite for Violin Solo Arrangement for Violin and Pianoforte net 6 o Orchestral Parts rs o Concerto for the Violin Arrangement for Violin and Pianoforte net 6 o Fnll Score, 21 o Orchestral Parts, 2 r o Alfred Moffat-Twelve Transcriptions for Two Violins and Pianoforte net 5 o Joseph Ne5Yera-Ten Pieces for the Violin With Pianoforte Accompaniment net 6 o Percy Pitt-Bagatelles for Violin and Pianoforte (Op r) net 3 6 B Poznanski-Ten Sketches for Violin and Pianoforte net 3 6 J L Roeckel-Six Pieces for the Violin Pianoforte Accompaniment With net 5 o Emile Sauret-Elegie et Rondo for Violin and Pianoforte net 4 o Herbert W Wareing-Six Pieces for the Violin With Pianoforte Accompaniment :- r May Day Festival net 2 o j 4 Pastoral Dance net 2 o 2 At Killee, 2 o 5 Legende " 6 3 Romance, 6 \ 6 Saltarello 2 o LONDON & NEW YORK: NOVELLO, EWER AND CO

NOVELLO'S PANOFORTE ALBUMS EDTED BY BERTHOLD T OURS n Nu11lbers, each One Shilling; or, Cloth Volumes, each Four Shillings No1-Bach Twenty Pieces from Petits Preludes, Suites Anglaises Partita Nos r to 3, &c No 2-Bach T wenty Pieces from Suites Anglaises, Suites Fran9aises Partita Nos 4 and 5, &c No 3-Bach T wenty Pieces from Petits Preludes, Concertos, Suites Anglaises, &c Nos 1, 2, and 3, in One Vol, cloth, 4s No 4- Handel Twenty-four Pieces from Suites r to 7, Sonatas, "Harmonious Blacksmith," &c No 5-Handel Twenty-four Pieces from Suites 8 to 12, Gavottes, &c No 6-Handel Twenty-four Pieces from Snites 13 to r6, Water Music, &c Nos 4, 5, and 6, in One Vol, cloth, 4s No 7-Marches Fifteen Pieces, including Mendelssohn's "Hero's March," _Rakoczy's March, Bridal March " Lohengrin," &c No 8-Marches Fifteen Pieces, including Meyerbeer's Coronation March, Cornelius March, Pilgrim's March, &c No 9-Marches Fifteen Pieces, including Mendelssohn's vvedding March, March "Tannhauser," &c Nos 7, 8, and 9, in One Vol, cloth, 4s No 13-Wollenhaupt, J, Ten Pieces, including Marche Hongroise, Scherzo Brilliant, &c No14-Wollenhaupt, J, Ten Pieces, including " L a Gazelle," " Mazeppa Galop," &c No15-Wollenhaupt, J, Ten Pieces, including "Les Clochettes," "Fen Follet," &c Nos 13, 14, and 15, in One Vol, cloth, 4s No 16-Schweizer, Otto for four hands) Eight Scottish Airs (arranged No17- Spindler, Fritz Nine Pieces, including "Murmuring Rivulet," The Pilgrims' Chorus ("Tannhauser "), &c No18- Spindler, Fritz Nine Pieces, including" L'Oisillon," "Le Carillon," "The Evening Star"(" Tannhauser "), &c No19- Spindlel', Fritz Ten Pieces, including "Jeu des Ondes," Valse Melodieuse, Spinning Song ("Flying Dutchman"), &c Nos 17, 18, and 19, in One Vol, cloth, 4s No 20- Goetz, Hermann Five Compositions No 21- Goetz, Hermann Four Compositions No 22-Goetz, Hermann Six Compositions Nos 20, 21, and 22, in One Vol, cloth, 4s No 23-Rheinberger, Josef Seven Compositions No 24- Rheinberger, Josef Eleven Compositions No 25-Rheinberger, Josef Seven Compositions Nos 23, 24, and 25, in One Vol, cloth, 4s No 26- Tours, Berthold Juvenile Album Eight Characteristic P ieces (Duets), 2s Nos 27 and 28-Moscheles, J, "Domestic Life" T wel v{ Charac_teristic Duets, T wo Books, each 2s The Two Books, in One Vol, cloth, 4s No 29-Kjerulf, Halfdan Nine Pieces Op 4, Nos r to 3; Op r2, Nos r to 6 No 30-Kjerulf, Halfdan Ten Pieces Op 24, Nos l to 4: Op 27, Nos r and 2; Op 28, Nos r to 4 No 31- Kjerulf, Halfdan Op 28,Nos 5 and 6; Op 29; and Twenty Songs arranged for the Pianoforte by the Composer Nos 29, 30, and 31, in One Vol, cloth, 4s Nos 32, 33, and 34 The National Dance Music of Scotland Arranged for the Pianoforte by Alexander Mackenzie: with additions by his son, Dr A C Mackenzie Nos 32, 33, and 34, in One Vol, cloth, 4s No 35-Mackenzie, Dr A C Eight Pieces Op 13, Nos r to 5 ; Op 15, Nos r to 3 No 36-Mackenzie, Dr A C Nine Pieces Op 20, Nos r to 6; Op 23, Nos r to 3 No 37-Mackenzie, Dr A C Six Songs Transcribed for the Pianoforte by Guiseppe Buonamici Nos 35, 36, and 37, in One Vol, cloth, 4s No 38-Altschul, Rudolf Fifty Hungarian National Songs No 10-Gavottes, Minuets, &c Sixteen Pieces, including Rameau's Gavotte, Z:immermann's Gavotte, Calkin's Minuet, Silas's Bourree, &c No 11-Gavottes, Minuets, &c Sixteen Pieces, including Gluck's Gavotte, W Macfarren's Bourree, Bach's Bourree, &c No 42-Liadoff, Anatole Seven Pieces No 12-Gavottes, Minuets, &c Sixteen Pieces, including W Macfarren's 211d Gavotte, Sir J Benedict's Gavotte, Mozart's Minuet, &c Nos 10, ii, and 12, in One Vol, cloth, 4s No 41-Liadoff, Anatole T wenty-one Pieces Op 2, Nos r to 14; Op 3, Nos r, 3, 4, and6; Op 6; Op 15, Nos r and 2 Op 4, Nos r to4 ; Op 7, Nos land 2; Op rr No 43-Liadoff, Anatole Ten P ieces Op 8; Op g, Nos r and 2; Op O, Nos r, 2, arid 3 ; Op 13, Nos l to 4 Nos 41, 42, and 43, in One Vol, cloth, 4s No 44-Cui, Cesar Thirteen Pieces Op 20, Nof r to 12; Op 21, No 3 No 45-Cui, Cesar Eleven Pieces Op 21, No 4 ; Op 22, Nos l, 2, and 3; Op 31, No 2; Op 39, Nos r to 6 No 46-Cui, Cesar Seven Pieces Op 22, No 4 ; Op 29, No r; Op 30, No r; Op 35, Nos land 2; Op 40, Nos 2 and 4 Nos 44, 45, and 46, in One Vol, cloth, 4s No 47-Schubert, Franz Four mpromptus Op go, No 48-Schubert, Franz Four mpromptus Op r42 No 49-Schubert, Franz Moments Musicales (Op94), and Adagio and Rondo (Op 145) Nos 47, 48, and 119, in One Vol, cloth, 4s No 50-Schubert, Franz Three Sets of Variations, Andante, and Klavierstiick No 51- Schubert, Franz Adagio, Allegretto, and March in E major, &c No 52-Schubert, Franz Five Klavierstlicke and Two Scherzi Nos 50, 51, and 52, in One Vol, cloth, 4s No 53-Hofmann, H "The Trumpeter of Sakkingen " (Op 52) and T wo Valse Caprices (Op 2) No M-Hofmann, H "talian Love Tale " (Op rg) and Five other Pieces No 55- Hofmann, H F ourteen Pieces Nos, 53, 54; and 55, in One Vol, cloth, 4s ----------- LONDON & NEW YORK: NOVELLO, EWER AND CO

NOVELLO, EWER AND CO'S MUSC PRMERS No 43 EDTED BY SR JOHN STANER 34 0GS MUSCAL GESTURES A NEW AND EASY METHOD OF LEARNNG THE RUDMENTS OF MUSC FROM THE OLD NOTATON BY J FREDERCK BRDGE MUS DOC, OXON Organist and Master of the Choristers of Westminster Abbey; Gresham Professor of Music This system is already in use in many Schools and Choirs Dr Sweeting, Music Master of Rossall School, writes: "The result is admirable The' Gestures' and also the rudiments in rhyme will, am sure, lighten the dry part of many a Music Master's work" Mr Hanforth, MusB, Organist of Sheffield Parish Church, says : " t is a capital system have given my boys one good dose already-a class of about thirty From the avidity with which it was swallowed believe it will prove a popular medicine This morning found them busily conducting a class among themselves" Dr Sawyer speaks in high terms of the" Gestures," which he has introduced in his various Choirs and Classes Choirmasters, or Heads of Schools, can see the Westminster Boys at the " Gestures" on written application to Dr Bridge PRCE TWO SHLLNGS n Paper Boards, T wo Shillings and Sixpence DALY TELEGRAPH No little amusement was created last evening by the spectacle of a number of Dr Bridge's choristers crossing the platform with measured tread while enunciating the notes of the scale in any key desired All the 11 Gestures" were duly illustrated in this way, and their simplicity was t hus effectually brouf ht home to the minds of the audience Dr Bridge's "Gestures ' will facilitate the learning of the 11 rudiments " by young pupils OPNONS OF THE PRESS STANDARD Dr Bridge afterwards proceeded to put near a score of choristers from Westminster Abbey through musical gestures-twenty-three in all-and with their assistance he abundantly demonstrated his simple but effective method DALY NEWS Professor Bridge, organist of W estminster Abbey, has just written for N ovello's " Music Primers 11 an interesting account of how the Abbey choirboys are taught in class by means of" Musical Gestures" T he shapes of notes and the rests are shown by various positions of the fingers and arms, the tones and semitones by steps and half steps, and so forth, there being twenty-three "Gestures, 11 each illustrated by the picture of an Abbey boy in the act of performing it At W estmins t r Abbey the juniors have long practised the rudiments by means of this ingenious device, and Professor Bridge enthusiastically declares the boys prefer the music game to cricket H e is now publishing the book mainly for use in the nursery, for school classes, and for country choirs MORNNG POST With the aid of the W estminster Choristers, who were in attendance, Dr Bridge ran through the whole set of lessons, and the proficiency of the boys and the ingenious and amusing gestures and rhymes employed occasioned hearty applause and laughter The whole time occupied by the lecture and the practical exposition of the method was only just over an hour DALY CHRONCLE Judging from the illustrations, vocal and physical, shown by the choristers of W estminster Abbey, the invention should be of immense service to country choirmasters MORNNG LEADER Bids fair t o win immortality in the grateful recollection of future generations of childi:en H e has invented a new system of imparting the rudiments of music to children, a system which, in his own words, "cc_:>mbines physical training with musical training" By Dr Br_1dge's system-one of the very greatest ingenuity- you enlist a child's love of exercise and movement in aid of his musical studies ST JAMES'S GAZETTE L ike most good invention$, its simplicity is its chief merit t will save the instructors and pupils alike many a weary half-hour ECHO The ingenious manual devices by which these highly-trained lads represented the duration of notes and their position and the various written signs of music, beat time double, triple, and quadruple, sang and stepped the scales, and explained the meaning of the gestures, in their natural voices, and not in stupid monotone, were as novel as they were pleasing, and were evidently as much enjoyed by the boys as the spectators SUNDAY TMES An expeditious method of learning the simpler rudiments of music by means of manual exercises Should be of much service in training country choirs FGARO t is a very ingenious idea, and admirably suited for the nursery and also for training village church choirs and others MUSCAL NEWS The organist of W estminster Abbey has often something new to tell us, and as he is well provided with a set of chubby cherubs on whom experiments can be tried, we are not surprised at his putting forth a new means of teaching youngsters the signs in music, At the end of the book are ten Vocal E xercises in rhyme, designed to impress upon beginners the rudiments of music T hese are most cleverly constructed, and we advise choirmasters to get the book and make use of them YORKSHRE POST Dr Bridge's system may be described as a sort of musical drill in which the scholars' gestures are ingeniously contrived to represent ihe vanous symbols used to express notes, clefs, rests, &c n addition to this, some vo1 3:l exercises, entitld "Rudiment in Rhyme," are well calculated to impress upon begmners t he rudiments of music while 1 exercising at the same time their voices" LEEDS MERCURY A ortion of the Abbey Soprano C::hoir illustrated vocally the novel but s1ple scheme of Professor Bridge, and the proceedings, held in the City of London School, were followed with considerable interest by a crowded audience GLASGOW HERALD A most ingenious little book The book is largely made up of beautifully drawn diagrams a nd fi gures, which make the work of the teacher plain A better method than that here laid down of driving the elements into boys' heads could scarcely be imagined LONDON & NEW YORK: NOVELLO, EWER AND CO

COMPOSTONS BY DR J F BRDGE - - BOADCEA, QUEEN OF THE CEN A Cantata (Vocal Parts, 2s) MOUNT MORAH (THE TRAL OF ABRAH AM'S FATH) An Oratorio (Vocal Parts, 2s 8d) ROCK OF AGES (JEsus, PRO ME PERFORATus) Latin and English Words The Latin Version by the Right Hon W E Gladstone, MP Composed for the Birmingham Musical Festival, 1885 1 CALLRHOE A Cantata Composed for the Birmingham Festival, 1888 2 THE REPENTANCE OF NNEVEH Oratorio Composed for Worcester Festival, 1890 THE LORD'S PRAYER Motet for Chorus and Orchestra Composed for the Gloucester Festival, 1892 THE NCHCAPE ROCK Ballad for Chorus and Orchestra LONDON AND N E W YO RK : NOVE LLO, EWER AND CO HYMN TO THE CREATOR (THE SONG OF ST F RANCS OF AssS1) Motet for Solo Soprano, Chorus, and Orchestra (This W ork was performed at the W orcester Festival, 1884) PATEY AND WLLS, 44, GREAT MARLBO ROUGH STREET OVERTURE (MoRTE o'arthur) MS Performed at the Chester Festival, 1888 "THE FESTVAL" Ballad for Men's Voices METZ LER AND CO SERVCES MAGNFCAT AND NUNC DMTTS in D Easy Setting, partly unison MORNNG AND EVENNG SERVCE, together with the Office for the Holy Communion, in G COMMUNON SERVCE in D (Short Setting) OFFERTORY SENTENCES ANTHEMS GVE UNTO THE LORD THE GLORY Short full Anthem for Harvest T S A GOOD THNG TO GVE THANKS THE LORD HA TH CHOSEN ZON o WE DECLARE UNTO YOU GLAD TDNGS Short full Anthem for Easter o HOPE THOU N THE LORD Composed for a Special Service for Children CHRST BECAME OBEDENT Short full Anthem for Ascensiontide BLESSED BE THE LORD THY GOD Composed for Jubilee Service, Westminster Abbey, 1887 o HAPPY S THE MAN For Four Voices o THE GOD OF HEAVEN, HE WLL PROSPER US Composed for the "Church House" naugural Ceremony HE GVETH HS BELOVED SLEEP Composed for Browning's F uneral CROSSNG THE BAR Composed for Tennyson's Funeral in Westminster Abbey (Tonic Sol-fa, 2d) WLL FEED MY FLOCK Anthem for Harvest THE BLESSNG OF THE LORD Wedding Anthem CHRSTMAS CAROLS N SORROW AND N WANT Four Voic e s o 3 1 0 2 JOY, YE PEOPLE CHLD DVNE For Four Voices CHRSTMAS BELLS For Four Voices HYMN FOR A MDNGHT SERVCE BROTHER, THOU ART GONE BEFORE US SONGS FORGET ME NOT 1 61 TEARS 0 GLOROUS CTY (The Centurion's Song) CROSSNG THE BAR From the Cantata" Boadicea" 2 o SONGS FROM SHAKESPEARE GLEES, PART-SONGS, &c THE GOOSE Humorous Part-Song for Men's Voices PEACE (A Fable) For ATTB WTH THEE, SWEET HOPE For ATT BB WHEN THE SUN SNKS TO REST satb LOOSE THE SAL REST THE OAR! satb HURRAH FOR ENGLAND satb A CANTCLE TO APOLLO Madrigal for Five Voices BOLD TURPN Humorous Part-Song THE GOSLNGS Humorous Part-Song for Men's Voices AN OLD RAT'S TALE,,,,,, ODE TO THE TERRESTRAL GLOBE Humorous Part-Song for Men's Voices TO PHCEBE Humorous Part-Song for Men's Voices THE WELL OF ST KEYNE Humorous Ballad for Men's Voices SONATA ORGAN MUSC PRMERS COUNTERPONT (Novello, Ewer and Co's Music Primers, No 9), DOUBLE COUNTERPONT AND CANON (Novello, Ewer and Co's Music Primers, No 12) ORGAN ACCOMPANMENT (Novello, Ewer and Co's Music Primers, No 27) MUSCAL GESTURES (Novello, Ewer and Co's Music Primers, No 43) LONDON & NEW YORK : NOVELLO, EWER AND CO NET s d, 2 6 3 0 0 0 0 0 0 0