michael z milwaukee, wisconsin, usa

Similar documents
JAMES KENDRICK, PH.D.

Magdalena M. Ostas. Boston University Department of English 236 Bay State Road Boston, MA (617) EDUCATION AND EMPLOYMENT

Matherne Curriculum Vitae 1

Shira Segal Department of Art and Art History University at Albany, State University of New York Fine Arts 216, 1400 Washington Ave.

John Trafton. Curriculum Vitae

USA WESTBOUND LCL SAILING SCHEDULES

Curriculum Vitae Shayne Pepper

MCS 351: Topics in Television Studies: Long-Form Narrative Television

Curriculum Vitae of Hong Zhou

James Prakash Younger Associate Professor of English Trinity College, Department of English 115 Vernon Street Hartford CT 06106

CURRICULUM VITAE. Ph.D. University of California / Santa Barbara, CA / September 2010 Music Theory

AREAS OF SPECIALIZATION AND COMPETENCE

ANCA E. PARVULESCU. Department of English Washington University Campus Box 1122 St. Louis MO

A CONCISE GUIDE TO THE HARVARD REFERENCE SYSTEM

LANDON PALMER Department of Communication, University of Tampa 401 W. Kennedy Blvd. Tampa, FL

University of Texas, Austin Austin, TX MFA, Film Production College of William and Mary Williamsburg, VA BA, English Literature

PUBLICATIONS Book: The Science of Subjectivity. Palgrave Macmillan Press 2015

Degrees Earned M.F.A. in Mass Communication and Media Arts, Southern Illinois University, 2012

Samantha M. Inman. Curriculum Vitae

Level 4 Level 5 Level 6 x Level 7 Level 8 Mark the box to the right of the appropriate level with an X

Seinan Gakuin University (Japan) Intercultural Communication Introduction to Japanese Cinema Japanese Communication through Manga and Anime

THIS AND THAT: JEWISHNESS IN THE DANCES OF DANIEL NAGRIN

Stenberg, Shari J. Composition Studies Through a Feminist Lens. Anderson: Parlor Press, Print. 120 pages.

FILM 201 Introduction to Cinema Fall To Shoot a Film is to Organize an Entire Universe -Ingmar Bergman

Curriculum Vitae - October 2018 Tiger C. Roholt

FILM 104/3.0 Film Form and Modern Culture to 1970

Introduction to Cinema

University of Toronto B.A. (Honors) in Cinema Studies SCHOLARSHIPS

The Midwestern Archivist. Volume XV Number 2, 1990 MAC MIDWEST ARCHIVES CONFERENCE

Local Television Advertising Effectiveness Study. Kathleen Keefe Vice President, Sales March 21, 2008

TENTH EDITION AN INTRODUCTION. University of Wisconsin Madison. Connect. Learn 1 Succeed'"

Film and Media Studies (FLM&MDA)

HPSC0066 Science and Film Production. Course Syllabus

Goals and Rationales

JOE LEYDON. MA in Communication Studies, University of Houston BA in Journalism, Loyola University of New Orleans

Music in Film. Module Outline Leeds International Summer School

Curriculum Vitae. Guest Lecturer, New York University 2001 Explicitly Independent: Sex Gender and Media

Emily Fletcher Mellon Chair in Ancient Greek Philosophy University of Wisconsin-Madison

TDR: The Drama Review Guidelines for Writers

Scholarship Books Cinematic TV: Serial Drama Goes to the Movies. Under advance contract with Oxford University Press.

Rumya S. Putcha Department of Performance Studies Texas A&M University College Station, Texas

Course MCW 600 Pedagogy of Creative Writing MCW 610 Textual Strategies MCW 630 Seminar in Fiction MCW 645 Seminar in Poetry

INFORMATION FOR AUTHORS OF GRADUATE THESES (IN ENGLISH) IN THE FIELDS OF ENGLISH LANGUAGE TEACHING, LINGUISTICS, AND APPLIED LINGUISTICS

HILARY L. NERONI. The Subject of Torture: Psychoanalysis and Biopolitics in Television and Film. New York: Columbia University Press, 2015.

DAVID W. JOHNSON CURRICULUM VITÆ

Archives and Special Collections. Dickinson College. Carlisle, PA COLLECTION REGISTER. Name: Modder, Montagu Frank ( ) MC 2002.

Sean Coughlin. PERSONAL DATA Born 27 May 1982 in Hamilton (Canada) Citizen of Canada, the United States of America, and the United Kingdom

SCOTT MARRATTO ASSOCIATE PROFESSOR OF PHILOSOPHY HUMANITIES DEPARTMENT MICHIGAN TECHNOLOGICAL UNIVERSITY CONTACT INFORMATION

Thank you for your inquiry about the Bennett & Giuttari continuo organ, built and sold exclusively by the Harpsichord Clearing House.

TDR: The Drama Review WRITER S GUIDELINES

AMANDA ANN Assistant Professor of Film Studies, Department of English, East Carolina University, to the present

Dr. Jeffrey Peters. French Cinema

John Hogue, MTBC. Related Employment History Missouri Southern State University

ALLYN YOUNG: THE PERIPATETIC ECONOMIST

FILM AND VIDEO STUDIES (FAVS)

THOMAS R. SIMONS 1160 Ridge Rd. Waukesha, WI (978)

ASA (American Sociological Association) Format

Guide to the Delos Franklin Wilcox Papers

Rachel Etta Rudolph Department of Philosophy University of California, Berkeley sites.google.com/view/rachelettarudolph

CUNY Graduate Center M. Phil. in Ethnomusicology, Hunter College, CUNY M.A. in Music, City College of New York, B.A. in Music, 1975.

CHRISTOPHER JOHN BARTEL CURRICULUM VITAE

Looking Back, Stepping Forward

David Husser Traverse City, MI (231)

CTCS 504 SYLLABUS (spring 2013)

LC 150, Reading Film: Introduction to Film Studies Department of Languages, Literature, and Cultures, Fall 2018

Assistant Professor, Department of Philosophy, University of California Los Angeles

A didactic unit about women and cinema

Amanda D. Lotz, Ph.D.

D. B. Ruderman 1 C.V.

Classical Chinese Popular Fiction & Drama in Translation (01:165: 242) Spring 2018 Monday/Wednesday 1:10 pm 2:30 pm HC-S126

Papers / Research / Questions. Extra Credit

How to Prepare Bibliographic Citations: American Sociological Association (ASA)

Helping Hand on Referencing

University of Texas at Austin Associate Professor of Music Theory Assistant Professor of Music Theory

Associate Professor, Department of English Language & Literature

2003 Year of the Blues KEY NATIONAL EVENT SCHEDULE

JOYS HOI YAN CHEUNG 張海欣. Chinese Civilisation Center City University of Hong Kong.

SCREEN THEORY (RTF 331K, UNIQUE # 08100) Fall 2012 University of Texas at Austin

ASA (American Sociological Association) Format

This course will empower you with the theoretical and practical knowledge that will allow you to become a critical ethnographer.

Important Information

BBC Big Screen Submission Information 2006

CURRICULUM VITAE. David W. R. Sears

EMPLOYMENT SERVICE. Professional Service Editorial Board Journal of Audiology & Otology. Journal of Music and Human Behavior

DEPARTMENT OF ENGLISH SPRING 2018 COURSE OFFERINGS

PHILOSOPHICAL APPLICATIONS OF COGNITIVE SCIENCE COURSE STRUCTURE

Aesthetics and Cognition in Kant s Critical Philosophy

Indie Women: Behindthe-Scenes. Women in Independent Film, Narrative Features. Documentaries

It may be true that "in the appreciation of medieval art the attitude of the observer is of primary importance." 1

Curriculum Vitae: MARIA TALERO. Department of Philosophy University of Colorado at Denver

Major Film Movements English 344L Class Unique Number: 34845

LARGEST DISABILITY FILM FESTIVAL WORLDWIDE. Celebrating Different Abilities Through Film

Required Books: Course Reserves:

APA is a citation style created by the American Psychological Association. This guide is based on information contained in these texts:

Contemporary Scottish Gothic

Jérôme Camal Anthropology-Ethnomusicology

STANLEY V. KLEPPINGER

CURRICULUM VITAE Martin L. Johnson

Rumya S. Putcha Department of Performance Studies Texas A&M University College Station, Texas

Pre-requisite: CMS1010 or CMS1011 or CMS2010 or CMS2013 or other course approved by the examiner.

Transcription:

michael z. newman mznewman37@gmail.com @mznewman 414-418-8787 milwaukee, wisconsin, usa education University of Wisconsin-Madison Ph.D. 2005 M.A. 1999 McGill University, Montreal B.A. 1994 faculty positions University of Wisconsin-Milwaukee Department of Journalism, Advertising, and Media Studies Assistant Professor 2007 Associate Professor 2013 books Video Revolutions: On the History of a Medium (Columbia University Press, 2014) Legitimating Television: Media Convergence and Cultural Status, co-authored with Elana Levine (Routledge, 2012) Indie: An American Film Culture (Columbia University Press, 2011) journal articles Say Pulp Fiction One More Goddamn Time: Quotation Culture and an Internet-Age Classic, New Review of Film and Television Studies, published online November 21, 2014, DOI 10.1080/17400309.2013.861174 Free TV: File-Sharing and the Value of Television, Television & New Media, 13.6 (November 2012), 463-479 PowerPoint and Labor in the Mediated Classroom, co-authored with Ira Wagman, International Journal of Communication 5 (2011), http://ijoc.org/ojs/index.php/ijoc/article/view/1298/650 New Media, Young Audiences, and Discourses of Attention: From Sesame Street to Snack Culture, Media, Culture & Society 32.4 (July 2010), 581-596 Indie Culture: In Pursuit of the Authentic Autonomous Alternative, Cinema Journal 48.3 (Spring 2009), 16-34 Ze Frank and the Poetics of Web Video, First Monday 13.5 (May 2008),

2 http://www.uic.edu/htbin/cgiwrap/bin/ojs/index.php/fm/article/view/2102/1962 Character and Complexity in American Independent Cinema: 21 Grams and Passion Fish, Film Criticism 31.1-2 (Fall-Winter 2006), 89-106 From Beats to Arcs: Toward a Poetics of Television Narrative, The Velvet Light Trap 58 (Fall 2006), 16-28 Characterization as Social Cognition in Welcome to the Dollhouse, Film Studies: An International Review 8/9 (May 2006), 53-67 book chapters The Name of the Game is Jocktronics: Sport and Masculinity in Early Video Games, in Playing to Win: Sports, Video Games, and the Culture of Play, edited by Tom Oates and Rob Brookey (to be published by Indiana University Press, 2014) Masculinity, co-authored with John Vanderhoef, in The Routledge Companion to Video Game Studies, edited by Mark J.P. Wolf and Bernard Perron (Routledge, 2014) Everyday Italian: Cultivating Taste, in How to Watch Television, edited by Ethan Thompson and Jason Mittell (New York University Press, 2013) Movies for Hipsters, in American Independent Cinema: Indie, Indiewood, and Beyond, edited by Geoff King, Claire Molloy, and Yannis Tzioumakis (Routledge, 2012) other publications Zigzigger, scholarly blog begun 2006 (more than 250 posts as of Spring 2014), http://zigzigger.blogspot.com Live Video, Then and Now, Columbia University Press Blog (April 22, 2014) The Celebrity Sex Tape: Where Porn Meets Reality TV Flow (April 7, 2014) Immersive Media: Whose Fantasy? Flow (February 11, 2014) When Television Marries Computer, Flow (November 18, 2013) "Syllabus Fantasies," Antenna (March 8, 2013) Intermediality and Transmedia Storytelling, Center for 21 st Century Studies (September 17, 2012) Atari Commercials and the Boy Culture of Video Games, In Media Res (June 26, 2012) Notes on the Laugh Track, Antenna (November 9, 2011) Contributor to David Bordwell and Kristin Thompson, Minding Movies: Observations on the

3 Art, Craft, and Business of Filmmaking (U of Chicago P, 2011) Running Wilde and the State of Network Comedy, In Media Res (September 24, 2010) DVR vs. Twitter, Antenna (May 29, 2010) New Super Mario Bros. Wii and Video Game Nostalgia, Antenna (February 20, 2010) The Return of Jezebel James, The Velvet Light Trap 64 (Fall 2009), 77-78 Tween Comedies and the Evolution of a Genre, In Media Res (October 18, 2009) P2P TV: Ethical Considerations, Flow (April 3, 2009) TV Binge, Flow (January 23, 2009) The Bronze Fonz: Public Art/Popular Culture in Milwaukee, Wisconsin, Flow (October 31, 2008) Transgression, Confession, and Ying Yang Twins s Wait (The Whisper Song), In Media Res (February 20, 2008) Indie Volkswagens on Screens Big and Small, In Media Res (February 27, 2007) lonelygirl15: The Pleasures and Perils of Participation Flow (September 22, 2006) Online student resource module, Film History: An Introduction (McGraw-Hill: Fall 2002) Book Review, Cinema and Nation, edited by Mette Hjort and Scott Mackenzie, The Velvet Light Trap 48 (Fall 2001) translations Fernsehbilder und das Bild des Fernsehens, Montage AV (January, 2012), translation of The Television Image and the Image of the Television, chapter 7 of Legitimating Television (coauthored with Elana Levine) work in progress Atari Age: Space, Identity, and Early Video Games (under contract with MIT Press) Indie Film as Indie Culture, Companion to Indie Film, edited by Geoff King (submitted May 2014, under contract with Blackwell) conference presentations Boy Culture and Early Video Games, Fun with Dick and Jane: Gender and Childhood conference, University of Notre Dame, South Bend, IN, December 2014 (accepted) When Television Marries Computer : Early Video Games and the History of Convergence,

4 Society for Cinema and Media Studies conference, Seattle, WA, March 2013 Early Video Games and PCs: Leisure and Labor in the American Home, American Studies Association, Washington, D.C., November 2013 Game Studies as Media Studies," Flow Conference, Austin, TX, November 2012 Play TV: Early Video Games in the Home, Console-ing Passions: International Conference on Television, Audio, Video, New Media and Feminism, Boston, MA, July 2012 Movies for Hipsters, Society for Cinema and Media Studies conference, Boston, MA, March 2012 The Laugh Track as Bad Taste, Unboxing Television Comedy Conference, Madison, WI, October 2011 The Television Image and the Image of the Television, Media in Transition 7 conference, Cambridge, MA, May 2011 Free TV?: Television File-Sharing, Media Convergence, and Cultural Status, Society for Cinema and Media Studies conference, New Orleans, LA, March 2011 The Mass Audience Lives! (Or Does It?) Flow Conference, Austin, TX, October 2010 Upgrading the Situation Comedy, Console-ing Passions: International Conference on Television, Audio, Video, New Media and Feminism, Eugene, OR, April 2010 Indie Authenticity: Categorizing Juno, American Independent Cinema: Past and Present conference, Liverpool, UK, May 2009 Cultural Legitimacy and Technologies of Agency, Unthinking Television symposium, Fairfax, VA, March 2009 Technologies of Attention, Conference of the Society for the Cognitive Study of the Moving Image, Madison, WI, June 2008 Upscaling Television Aesthetics and the Cinematic Analogy, Console-ing Passions: International Conference on Television, Audio, Video, New Media and Feminism, Santa Barbara, CA, April 2008 The Coen Brothers and Pastiche, Society for Cinema and Media Studies conference, Philadelphia, PA, March 2008 The Community As Artist: The Show with Ze Frank, M.I.T. Media in Transition 5 Conference, Cambridge, MA, April 2007

5 Short and Sweet : Web Video Forms and Function, NMC Online Conference on the Convergence of Web Culture and Video, March 2007 Indie Culture: In Pursuit of the Authentic, Autonomous Alternative, Society for Cinema and Media Studies Conference, Chicago, IL, March 2007 Season/Arc: Form and Function in Prime-Time Serials, Console-ing Passions: International Conference on Television, Audio, Video, New Media and Feminism, Milwaukee, WI, May 2006 Pleasure in Unity: Episodic Closure in Prime-Time Serials, Society for Cinema and Media Studies Conference, Vancouver, BC, March 2006 Characterization as Social Cognition in Welcome to the Dollhouse, Conference of the Center for the Cognitive Study of the Moving Image, Grand Rapids, MI, July 2004 Once More, With Feeling : Observations on the New Musical, Society for Cinema and Media Studies conference, Minneapolis-St. Paul, MN, March 2003 The Art House in the Video Age, Society for Cinema Studies conference, Denver, CO, May 2002 Irma Vep and the Genres of Art Cinema, Society for Cinema Studies conference, Washington D.C., May 2001 recent invited presentations JAMS Colloquium, University of Wisconsin-Milwaukee, November 2013 Media, Technology & Politics 2012 Nieman Conference, Marquette University, October 2012 Center for 21 st Century Studies Works in Progress Series, University of Wisconsin-Milwaukee, February 2012 Northwestern University, Department of Radio/Television/Film Colloquium, June 2011 University of Wisconsin-Madison, Film Studies Colloquium, September 2009 fellowships & awards Graduate School Research Committee Award University of Wisconsin-Milwaukee, 2013 Best book, Legitimating Television: Media Convergence and Cultural Status Critical and Cultural Division of the National Communication Association, 2012 Century for 21 st Century Studies Fellowship University of Wisconsin-Milwaukee, 2011-2012 Pearce Award, Department of Communication Arts,

6 University of Wisconsin-Madison, Spring 1999 McCarty Early Achievement Award, Department of Communication Arts, University of Wisconsin-Madison, Spring 1998 courses taught Introduction to Mass Media (100-level) Public Speaking (100-level) Introduction to Film (200-level) Photojournalism (200-level) Principles of Media Studies (200-level) European Cinema 1945-1968 (300-level) History of Film I (300-level) History of Film II (300-level) Media Studies and Culture (500-level) New Media (600-level) Approaches to Media Studies (700-level) Indie Culture (800-level) New Media (800-level) Video Games (800-level) Independent study courses Video Games, Steve Cuff, 2014 (graduate) Transmedia Storytelling in Video Games, David Wooten, 2012 (graduate) Evolution of Genre: Gangsters and Slashers, Alexander Marquardt, 2011 (graduate) Evolution of Genre: Gangsters and Slashers, Max Niebaur, 2011 (graduate) Video Games, Carey Peck, 2011 (graduate) Gender in American Horror Films, Sarah Mick, 2010 (undergraduate) History and Theory of Documentary Film, Susie Seidelman, 2009 (graduate) Television Media Audiences in the Age of Convergence, Steven Scaffidi, 2009 (graduate) National Identity and Media, Molly Bancroft, 2008 (graduate) Indie Culture, Anthony Marinetti, 2007 (graduate) MA students advised Mark Irving, thesis proposal in progress Stephen Kohlman, thesis proposal defended 2014 David Wooten, degree completed 2013 Max Niebaur, thesis proposal defended 2013 Alexander Marquardt, thesis proposal defended 2012 Carey Peck, degree completed 2012 Molly Bancroft, degree completed 2011 Dugan Nichols, degree completed 2011 Susie Seidelman, degree completed 2010 Peng Yu, degree completed 2009 MA thesis committees Shawn Glinis, thesis proposal defended 2014

7 Leslie Peckham, thesis proposal defended 2014 Cole Stratton, thesis proposal defended 2014 Anna Donatelle, thesis proposal defended 2014 Jing Zhao, degree completed 2012 DeAnna Fabiano, degree completed 2012 Jake Rollefson, degree completed 2011 Aarti Basnayat, degree completed 2011 Sam Hogerton, thesis proposal defended 2011 Melissa Zimdars, degree completed 2010 Eric Lohman, degree completed 2010 John Vanderhoef, degree completed 2010 Mary Kulpa-Gubich, degree completed 2010 Youngchi Chang, degree completed 2009 Matt Turner, degree completed 2009 Anthony Marinetti, degree completed 2008 Tim Macafee, degree completed 2008 Carrie Ochal, degree completed 2007 PhD dissertation committees Sarah Ettinger, degree completed 2012 (English) Oren Segal, degree completed 2011 (Anthropology) Defne Tuzun, degree completed 2011 (English) editorial Manuscript reviewer: Duke University Press, Journal of Visual Culture, Columbia University Press, Edinburgh University Press, Television & New Media, Journal of Communication Inquiry, The Velvet Light Trap, New Media & Society, Bedford-St. Martin s, Continuum, Cinema Journal, Routledge, Journal of Broadcasting and Electronic Media Co-ordinating Editor: The Velvet Light Trap, 2001-2002 Editorial board member: The Velvet Light Trap, 1998-2000 scholarly society memberships American Studies Association National Communication Association Society for Cinema and Media Studies