Salman Rushdie and Indian Historiography

Similar documents
Human Rights Violation in Turkey

Existentialism and Romantic Love

Heritage, Nostalgia and Modern British Theatre

Calculating the Human

The Elegies of Ted Hughes

The Contemporary Novel and the City

The New European Left

Marx s Discourse with Hegel

Postnarrativist Philosophy of Historiography

Re-Reading Harry Potter

Hauntings: Psychoanalysis and Ghostly Transmissions

Working Time, Knowledge Work and Post-Industrial Society

Romanticism, Medicine and the Natural Supernatural

Britain, Europe and National Identity

Klein, Sartre and Imagination in the Films of Ingmar Bergman

The Films of Martin Scorsese,

Appraising Research: Evaluation in Academic Writing

Cyber Ireland. Text, Image, Culture. Claire Lynch. Brunel University London, UK

Migration Literature and Hybridity

Performance Anxiety in Media Culture

This page intentionally left blank

Logic and the Limits of Philosophy in Kant and Hegel

DOI: / William Corder and the Red Barn Murder

Blake and Modern Literature

Feminine Subjects in Masculine Fiction

Modular Narratives in Contemporary Cinema

Conrad s Eastern Vision

Rock Music in Performance

A Hybrid Theory of Metaphor

Literature and Politics in the 1620s

Mourning, Modernism, Postmodernism

Femininity, Time and Feminist Art

Daring and Caution in Turkish Strategic Culture

Bret Stephens, Foreign Affairs columnist, the Wall Street Journal

British Women Writers and the Short Story,

Star Actors in the Hollywood Renaissance

The British Pop Music Film

New Formalist Criticism

Descartes Philosophical Revolution: A Reassessment

Experiencing Illness and the Sick Body in Early Modern Europe

Dialectics for the New Century

Public Sector Organizations and Cultural Change

Narratives of the Revolutionary and Napoleonic Wars

Victorian Celebrity Culture and Tennyson s Circle

Defining Literary Criticism

Contemporary Scottish Gothic

Russia s Postcolonial Identity

The Philosophy of Friendship

Readability: Text and Context

The Search for Selfhood in Modern Literature

Max Weber and Postmodern Theory

Romanticism and Pragmatism

Towards a Post-Modern Understanding of the Political

Also by Brian Rosebury and from the same publisher ART AND DESIRE: A STUDY IN THE AESTHETICS OF FICTION

Town Twinning, Transnational Connections, and Trans-local Citizenship Practices in Europe

The Rhetoric of Religious Cults

British Diplomacy and US Hegemony in Cuba,

The Origins of the Thirty Years War and the Revolt in Bohemia, 1618

Towards a Poetics of Literary Biography

British Women s Life Writing,

Hysteria, Trauma and Melancholia

DOI: / Shakespeare and Cognition

Dickens the Journalist

Literature in the Public Service

Shakespeare, Marlowe and the Politics of France

Joseph Conrad and the Reader

The New War Plays From Kane to Harris

Contemporary African Literature in English

The Letter in Flora Tristan s Politics,

Women, Authorship and Literary Culture,

DOI: / Open-Air Shakespeare

Henry James s Permanent Adolescence

Also by Victor Sage. Fiction. Criticism DIV!DING LINES A MIRROR FOR LARKS BLACK SHAWL HORROR FICTION IN THE PROTESTANT TRADITION

Death in Henry James. Andrew Cutting

Modernism and Morality

Cultural Constructions of Madness in Eighteenth Century Writing

Narrative Dimensions of Philosophy

Memory in Literature

RELIGIOUS LIFE AND ENGLISH CULTURE IN THE REFORMATION

Narratives of Child Neglect in Romantic and Victorian Culture

Victorian Unfinished Novels

The Invention of the Crusades

GEORGE ELIOT AND ITALY

Travel Writing and the Natural World,

BRITAIN AND THE MAASTRICHT NEGOTIATIONS

Lyotard and Greek Thought

TOLKIEN: A CRITICAL ASSESSMENT

HOW TO STUDY LITERATURE General Editors: John Peck and Martin Coyle HOW TO STUDY A CHARLES DICKENS NOVEL

Letters between Forster and Isherwood on Homosexuality and Literature

Recent titles include:

The Hegel Marx Connection

Cannibalism in Literature and Film

This page intentionally left blank

Global Political Thinkers Series Editors:

SHAKESPEARE AND THE MODERN DRAMATIST

Seeing Film and Reading Feminist Theology

John Ruskin and the Victorian Theatre

This page intentionally left blank

WOMEN'S REPRESENTATIONS OF THE OCCUPATION IN POST-'68 FRANCE

SIR WALTER RALEGH AND HIS READERS IN THE SEVENTEENTH CENTURY

Transcription:

Salman Rushdie and Indian Historiography

This page intentionally left blank

Salman Rushdie and Indian Historiography Writing the Nation into Being Nicole Weickgenannt Thiara

Nicole Weickgenannt Thiara 2009 Softcover reprint of the hardcover 1st edition 2009 978-0-230-20548-2 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted her right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2009 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin's Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave and Macmillan are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-30206-2 ISBN 978-0-230-24441-2 (ebook) DOI 10.1057/9780230244412 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. 10 9 8 7 6 5 4 3 2 1 18 17 16 15 14 13 12 11 10 09

For my grandmother Gisela Hotz

This page intentionally left blank

Contents Acknowledgements viii Introduction 1 Indian historiography and the nation 6 1. A Biography of the Nation 16 Imagining a nation 17 The mirror of the nation 26 Indira is India 43 2. Wives, Widows, and Witches 56 The nation s script for its middle-class wives 57 The nation at the mercy of its monstrous women 68 The wicked witch of the East 76 3. The New God-and-Mammon India 88 Nationalist élite India 91 Hindu nationalist India 102 Palimpsest India 109 4. Mother India 122 Sacralising the motherland 123 Envisaging the nation in the image of the Mother 137 Corrupting hegemonic images of Bharat Mata 149 5. The Idea of a Hybrid India 158 Macaulay s minutemen 162 The novelistic nation 172 Notes 200 Bibliography 213 Index 225 vii

Acknowledgements I particularly thank Tony Crowley, who read and re-read this book in its former incarnation as a doctoral thesis; I am very grateful for his kind support, thoughtful criticism and his useful Scouse lessons. For their advice and comments on various drafts of the manuscript, I am indebted to Lyn Innes, Anindita Ghosh, John Zavos, Mary Searle-Chatterjee, Berthold Schoene, Ken Hirschkop, Thomas Blom Hansen, Anastasia Valassopoulos, Dalia Said Mostafa, Tilman Frasch and Dietmar Rothermund. For funding my doctoral thesis, I thank the University of Manchester (Lees Fellowship) and the Arts and Humanities Research Board. I am also grateful to the publishing team at Palgrave Macmillan. Some parts of chapters 2, 3 and 4 have been previously published and I am grateful to the editors and publishers for permission to reprint the following material: The Nation s Monstrous Women: Wives, Widows and Witches in Salman Rushdie s Midnight s Children, The Journal of Commonwealth Literature 43: 2 (2008); Salman Rushdie s The Moor s Last Sigh: Corrupting Mother India, in (M)Othering the Nation: Constructing and Resisting Regional and National Allegories Through the Maternal Body, edited by Lisa Bernstein (Newcastle upon Tyne: Cambridge Scholars Publishing, 2008); Salman Rushdie s The Moor s Last Sigh: Hindu Nationalism, Democracy and the new god-and-mammon India, The Journal of Commonwealth and Postcolonial Studies 14: 2 (2007). I owe great thanks to my family and friends for their love and support. In particular, I thank my parents, Angela and Winfried, and my brothers, Daniel and Dominik, and their mother Reinhilde. Many thanks go to Traveen for his kindness and love. viii