AP ART HISTORY 2006 SCORING GUIDELINES Question 8 NOTE: Question 8 is based on the following quotation. There are no slides with this question. This excerpt comes from Charles Baudelaire s On the Heroism of Modern Life, part of a critique of the Salon of 1846. [S]ince all centuries and peoples have their own form of beauty so inevitably we have ours... The pageant of fashionable life and thousands of floating existences criminals and kept women which drift about in the underworld of a great city... all prove that we have only to open our own eyes to recognize our heroism.... The life of our city is rich in poetic and marvelous subjects... The themes and resources of painting are... abundant and varied; but there is a new element modern beauty. 8. What new approach to the making of art does Baudelaire suggest to artists in the excerpt above? Your essay must identify and discuss how at least one work of mid- to late-nineteenth-century art reflects Baudelaire s ideas. (10 minutes) Background: The French poet Charles Baudelaire (1821 1867), best remembered for his controversial Flowers of Evil (1857), was also an influential art critic. In his essay The Heroism of Modern Life, a review of the Salon of 1846, Baudelaire embraces the notion of modernity, insisting that beauty is relative rather than eternal, and that each century has its own distinctive form of beauty. In the text he apotheosizes the black frock coat as a symbol of perpetual mourning and a uniform of equality. Baudelaire called upon artists to reject shop-worn historical subjects. Instead, they needed to open their eyes to the fashionable pageant and the heroism of modern life, in particular the rich array of urban subjects, from suicides to kept women to the modern nude in bed or bath. His ideas about modernity and the flâneur (stroller or idler) are further developed in another, later, essay, The Painter of Modern Life (1863), dedicated to the largely forgotten illustrator Constantin Guys. Although few artists of Baudelaire s generation answered his call, his ideas later influenced Manet, Degas, and the Impressionists, whose art celebrates the boulevards, cafes, and dance halls of Paris and the flux of modern life. Students have two tasks: (1) They must identify the new approach to making art that Baudelaire proposes in this excerpt from his critique of the Salon of 1846. (2) They must identify at least one appropriate mid- to late-nineteenth-century work of art and demonstrate how it reflects Baudelaire s ideas. Text-based questions are intended to give students the opportunity to analyze primary-source material and apply it to what they know about a given period, artist, or related work of art. The question does not require prior knowledge of the text; the author and source are identified. No slide is provided; it is up to the student to identify an appropriate work of art and discuss how it illustrates Baudelaire s ideas. 2006 The College Board. All rights reserved. 20
AP ART HISTORY 2006 SCORING GUIDELINES Question 8 (continued) Scoring Criteria Score Scale 0 4 4 Identifies modernity or the painting of modern life as the new approach to the making of art Baudelaire proposes. Clearly identifies and discusses at least one mid- to late-nineteenth-century work of art that reflects Baudelaire s ideas with a high degree of specificity. Includes a full discussion of the ideas outlined in the text and relates them to the chosen work of art. Discussion has no significant errors. 3 Identifies modernity or the painting of modern life as the new approach to the making of art Baudelaire proposes. Clearly identifies and discusses at least one mid- to late-nineteenth-century work of art that reflects Baudelaire s ideas with a fair degree of specificity. Includes a less full discussion of how the ideas outlined in the text relate to the chosen work of art. Discussion may have some errors. OR Fails to identify modernity or the painting of modern life as the approach to the making of art Baudelaire proposes but is otherwise a 4. 2 Identifies modernity or the painting of modern life as the new approach to the making of art Baudelaire proposes. Identifies at least one mid- to late-nineteenth-century work of art and attempts to relate it to Baudelaire s ideas. Discussion is weak and may contain significant errors. OR Fails to identify modernity or the painting of modern life as the new approach to the making of art Baudelaire proposes but is otherwise a 3. 1 Identifies modernity or the painting of modern life as the new approach to the making of art Baudelaire proposes but makes no other points of merit. OR Fails to identify modernity or the painting of modern life as the new approach to the making of art Baudelaire proposes but is otherwise a 2. 0 Makes an attempt, but the response is without merit because it restates the question or contains only incorrect or irrelevant statements. Indicates a nonresponse, such as a blank paper, crossed-out words, or personal notes. 2006 The College Board. All rights reserved. 21
AP ART HISTORY 2006 SCORING COMMENTARY Question 8 Overview This was the one text-based question on the exam. This year there was no slide with the question. Students were to read a text by Baudelaire, On the Heroism of Modern Life (a critique of the Paris Salon of 1846); then, based on the information given about the text, its content, their knowledge about the author, and their knowledge of the art history of the time and place in which the text was written, students were to identify and discuss how one work of art reflected Baudelaire s new approach to art making and his ideas on art and modern life. The question was also intended to encourage students and teachers to consider two key issues. First, students need to be able to read texts and to think abstractly about how those texts relate to the art theories of the time and place in which they were written. Second, students need to know the differences between the nineteenth-century French concept of the modern and the twentieth-century concept of the modern. Sample: 8A Score: 4 The essay thoroughly addresses the concept of modernity in relation to the beauty of everyday life. It discusses Baudelaire s concept of modern beauty in relation to Manet s Olympia by distinguishing it from the classical academic nude. There are no significant errors. Sample: 8B Score: 3 The essay addresses the concept of modernity in relationship to the realism of the underworld. Daumier s Third Class Carriage is an appropriate work, but the discussion is more general and less fully developed than is required for an essay earning a score of 4. The essay primarily discusses social realism rather than Baudelaire s concept of modern life. Sample: 8C Score: 2 The essay addresses the concept of modernity in a limited manner in terms of inner beauty. The selected work is appropriate but is not fully identified because the title is incorrect ( the Rock breakers ). A better choice is included at the end; however, there is no significant discussion of either work. The attempt to relate these works to Baudelaire s ideas has no particular focus. 2006 The College Board. All rights reserved..