Actor (3 to 4 students)

Similar documents
Thinking About Television and Movies

Editing Emotion. Overview. Learning Outcomes. Preparation and Materials LESSON PLAN

Option #1 Julius Caesar Video Project

production 3. MASTER THE CAMERA To access our full set of Into Film mini filmmaking guides visit intofilm.org mini filmmaking guides

Sample SESSION 4 FILM THE COMMERCIAL. consists of 6 sessions, which are divided into

Mise en scène Short Film Project Name:

TOOLKIT GUIDE 3.0 TAKING YOUR IDEA TO THE SCREEN

Lesson Plan. Lesson Duration: Approximately five 90-minute class periods. [Lesson length is subjective and will vary from instructor to instructor]

The process of animating a storyboard into a moving sequence. Aperture A measure of the width of the opening allowing light to enter the camera.

TELEVISION (VIDEO) PRODUCTION

The following slides are for use by the teacher in the classroom

Video Production. Daily independent reading: Pgs in Video Production Handbook. Read silently 10 min. Notes led by Mr.

Junior Research Lindsey / AP English 3 / News Magazine Video

BIG TROUBLE - LITTLE PICTURES

Television Production

Jonah and the Big Fish

Digital Filmmaking For Kids

INTERNATIONAL STANDARDS FOR SCHOLASTIC BROADCAST JOURNALISM

Entry Level Assessment Blueprint Television Production

Newspaper Book Report

Resource Sheet # 1 (page 1) Theater Hierarchy

Copyright (c) 2014 J. Runde

The Kaiserslautern District Film Festival

FILM CREW JOB DESCRIPTIONS This is a partial list and explanation of typical roles on the filmmaking team.

Think Speak Act, LLC

Active Minds Bonus Chapter

"Arriflex D 21 a" by Schlaier. Licensed under CC BY 3.0 via Wikimedia Commons. Project Videos. CPSC Fall Sonny Chan

Communication 304, Freedom of Speech Spring 2007 Objectives for Developing the Message for the Video (Lesson 1)

PARODY SONGS Rubric - for Poster

Glossary Unit 1: Introduction to Video

CHRISTIAN FILM AND MEDIA

The Good Samaritan (Modern Kid Version)

Filmmaking guide. Primary. Filmmaking Guide - Primary

Text from multiple sources, including In the Blink of an Eye by Walter Murch ISBN:

Stage Management Resource Sheet #2 Scoring Guide Page 1

2017 Grand Illumination Parade Facebook Live & TV Broadcast

PRODUCTION OF. Ages. Ages Shows. Performance Guide. Series sponsor:

Goldisocks and the Three Koalas

Final Projects. For ANY Novel. Unique & engaging projects with rubrics!

for the Lord your God goes with you. Deuteronomy 31:6, NIV Gideon at Battle God Helps Gideon Pages 143 to 148 By Jez Alborough 64 minutes (week 3)

HATCHET: SURVIVING THE ELEMENTS PROJECT

Multi-Camera Techniques

Extras. Reading aloud to your child is still important. Reading

HOW TO MAKE EFFECTIVE CONSTRUCTION TRAINING VIDEOS

Contents: Thanh Tran. 19 Book Project Ideas & Descriptions. Student Project Prep Sheet. When you get a chance, please leave feedback.

Think Speak Act, LLC

Final Paper Movie Scene. The Making of a Movie. (Based on events that happened during the making of All The President s Men)

Syllabus Snapshot. by Amazing Brains. Exam Body: CCEA Level: GCSE Subject: Moving Image Arts

by Ryan Harrold illustrated by Doreen Gay-Kassel

Chaucer s Canterbury Tales

Beginner-Elementary. Ask two classmates the questions below. Write their answers in the spaces.

FILM CREW WHO S WHO. Job Position Descriptions and Important Skills

NZQA registered unit standard version 1 Page 1 of 6. Prepare and write a news story for broadcast on television

Lesson 1 Pre-Visit Bringing Home Plate Home: Baseball & Sports Media

Where else in the book do we see characters hold back the truth from others because they assume that other characters aren t interested?

Contact Inquires Rupert-Anthony Ortiz 12:50 Productions/Ortiz Indie Films (213)

Live From the Red Carpet. Instant. Live From the Red Carpet

Go, Dog. Go! IMAGINATION

Technical Communication: Videos

Producer Packet Project

T-Shirt Book Response Project

Imaginary; a Continuation of Nihility to Vitality. had the privilege to work under the Oak Park Festival Theatre (OPFT) in Chicago.

INDUSTRY OVERVIEW: MEDIA

Making a film for social media or TV broadcast

Thursday, April 28, 16

Independent Reading Projects

MISE-EN-SCENE IN EX MACHINA

What are School Days at the Texas Renaissance Festival? Tuesday Wednesday November 1st and 2nd Tuesday, November 1st.

Theatre, Cinema, & Film Production. Segment One EXAM REVIEW

Main Event: Advertisement

Assistant Director Reports To: Theatre Director. Cast Reports To: Theatre Director and Assistant Director

This past April, Math

Laura Vaccaro Seeger

CD SOUNDTRACK SPIN IT, MASTER SOUND MIXER!

GRADE 7 FINAL DRAMA EXAM STUDY GUIDE CRITERION A. Memorize Terms and Definitions

Sequential Storyboards introduces the storyboard as visual narrative that captures key ideas as a sequence of frames unfolding over time

K-2nd. March 3-4, Obsessed Journey: No worries! We can choose to trust Jesus instead of worrying! Matthew 6:25-34

The Film Foundation presents: MAKING MOVIES. A Guide for Young Filmmakers

Apply(produc&on(methods(to(plan(and( create(advanced(digital(media(video( projects.

journey beyond road trauma

Infographic: Would You Want a Robot for a Friend? p. 2. Nonfiction: The Snake That s Eating Florida, p. 4

Storytelling with Video on a Budget. Danielle Guerra Video & Multimedia Producer Institutional Communications

Digital Video Arts 1. Course Codes. Industry Sector Arts, Media, and Entertainment. Career Pathway Design, Visual, and Media Arts

WELCOME TO CHANNEL 17/ Town Meeting TV AT THE CENTER

BEGINNING VIDEO PRODUCTION. Total Classroom Laboratory/CC/CVE

Extreme Weather in the News

a) These describe the style in which one scene becomes the next b) Transmission c) Broadcast d) None of the above

Welcome Back To The Acting Career Quick Start: Home Study Course! Hands-on and practical! Module 4.4

Kid Friendly Florida ELA Text Based Writing Rubrics

Entry Level Assessment Blueprint Audio-Visual Communications Technology

Down & Dirty Video: Producing engaging elearning video on a budget

MISE-EN-SCENE MEEZE ON - SEN

ENG3C. Media Studies Unit Date Submitted: Media Studies Unit. Name: Group Members

Machinima Production Major Qualifying Project Report Major Qualifying Project Report completed in partial fulfillment

2017 MICHIGAN SKILLS USA CHAMPIONSHIPS TASK AND MATERIALS LIST. SKILL OR LEADERSHIP AREA: Television Video Production

Utopian Invention Drawing

Interview with Quentin Dupieux

Youth Film Challenge activities

DTASC Scholarship Requirements and. Mario Lomeli Scholarship Requirements and

Jasper: Penguin Explorer

Transcription:

s and Rubric Making Videos Actor (3 to 4 students) Name of Actor(s) 4 3 2 1 0 Actors Extra eft was made to bring character to life; stayed on task at all times; strong projection Good eft was made; on task most of the time; good projection of voice Eft was made; on task somewhat Some eft was made, but not on task Didn t apply oneself at all Push your voice when you re acting out a scene (PROJECT!) and be sure you re facing the camera (and microphone) when saying your lines. EXAGGERATE when needed and make interesting faces. Think of ways you can make the character come alive. Spend time studying the character that you are going to be playing. Try to think like your character (person, animal or plant) bee the filming begins. Practice your lines. Try practicing in front of a mirror. Page 1 of 8

s and Rubric Making Videos Camera operator (1-2 students) Name of Camera Operator(s) 4 3 2 1 0 Camera Operators Footage included at least 5 seconds of pre-footage; camera steady; used tripod; multiple angles provided Ready to film. Understood lighting. Good sound. Sometimes not ready to film. Some understanding of lighting, sound OK Camera footage somewhat shakey; at least one closeup; at least one extra angles provided Camera footage extremely shakey; no close-ups; no extra angles filmed Use a TRIPOD. (Shaky video footage can ruin a video.) IMPORTANT: Bee the director says ACTION! run the camera ~ 5 seconds to collect background sound. And AFTER filming each scene, let it run another 5 seconds. CLOSE-UPS make the best shots (because you can see things better). Try not to use the zoom too much. If you don t like the part that you just filmed don t be afraid to do it again. Each scene should be filmed at least 3 times; film from a different distance each time. Let the actors move in and out of the frame. Don t try to follow them with the camera. Page 2 of 8

s and Rubric Making Videos Continuity Expert (1 person) Name of Continuity Expert 4 3 2 1 0 Continuity Experts Knew when shots were needed continuity. Aware of actor placement next shots. Topic clearly stated, examples given, reasoning explained thoroughly Topic stated briefly, few examples given, reasoning explained Some of the storyboard scenes were filmed; a little consistency between scene shots Video footage not related to storyboard at all; no consistency between screen shots This is one of the most important jobs! Use the storyboard as a checklist and keep track of all the shots that have to be filmed. It s your job to make sure ALL of the scenes are filmed. It s also your job to make sure the actors are in the right place when each shot is filmed. (If one scene has to be filmed several times, it s your job to be sure the actors are in the same place each time.) Collect the storyboard sheets and script and provide them to the teacher. Be sure the names of all team members are on the storyboard title sheet. Note: Be sure the names are readable. Page 3 of 8

s and Rubric Making Videos Director (1 person works with Director s Assistant) Name of Director 4 3 2 1 0 Directors Great style, works with actors well. Composed. Good look, actors not comtable, prepared to shoot. Production was relevant to topic and was a unique idea. Production was somewhat relevant to topic, and was not unique. Production had nothing to do with the assigned topic. This person works with the actors and tries to get the best permance out of them. IMPORTANT: Be sure actors are facing the camera when saying their lines. Be sure the cameraperson films each scene at least 3 times; film from at least 3 different angles or distances each time. Work with the storyboard artist and let them know your vision the scene. Experiment with filming from weird angles or places. You re the one who shouts Lights, camera, ACTION! Page 4 of 8

s and Rubric Making Videos Director s Assistant (1 person - works with Director) Name of Director s Assistant 4 3 2 1 0 Director s Assistant 100% eft put in to all aspects of project, always focused on task Most of the time eft was put th, mostly focused on task Only some of the time eft was put th, sometimes focused on task Rarely was eft put th, rarely focused on task Didn t participate in any aspect of the project You work with the overall scene and how it is done (the Director works with the actors). IMPORTANT: Be sure actors are facing the camera when saying their lines. Make sure that the next scene is set up and everyone knows what to do. Help the director get the best permance out of the actors. Help coordinate the movements of all the extras. A Hint: Sometimes it s good to shot the last scene first so that you know you have an ending. Page 5 of 8

s and Rubric Making Videos Props and Scenery Artist (3 or 4 or the whole group) Name of Prop / Scenery Artist 4 3 2 1 0 Props / Scenery Artists Extremely imaginative; good craftsmanship Imaginative; some care taken craftsmanship Average eft made. Some eft made on craftsmanship Some eft made to provide props/scenery No eft made to provide props/scenery Use your imagination. Be creative. If you don t have what you need, make it! Look interesting things that can be used costumes, props or scenery. Ideas: Collect funny or interesting hats, clothing, objects, plastic plants, stuffed animals or dolls, yarn or fabric that can be used to make stuff with, etc. Work with the storyboard artist and directors to learn more about how the scene should be set up and the props or scenery that are needed. Decide ahead of time what the scenery will be like. Will it be plain, fancy, wild, scary, funny, etc.? Page 6 of 8

s and Rubric Making Videos Storyboard Artist (1-2 students) Name of Storyboard Artist(s) 4 3 2 1 0 Storyboard Artists complete and thorough; lots of detail provided director to work with complete; more detail provided mostly complete; a little bit of detail provided slightly complete; very little detail provided incomplete You will need basic drawing skills to do this job. Your job is to use pictures to tell the story (using the script from the writers). These pictures or sketches will be used planning each scene. Practice this job by tracing pages from your favorite comic book or graphic novel. Work with the director and writers to think of close-up shots or other interesting shots that the camera person can take -- that will add interest to the story. Try to think of all the details that need to be in each shot and put them in the drawings so the director or assistant director doesn t get. Page 7 of 8

s and Rubric Making Videos Writer (1 2 students) Name of Writer(s) 4 3 2 1 0 Writers Topic clearly stated, lots of good examples given, reasoning clearly explained; unique idea Topic clearly stated, several good examples given, reasoning explained Topic stated briefly, a few examples given, reasoning explained somewhat Topic not stated, topic somewhat relevant; only one example given, reasoning not explained Not relevant to topic at all; No B, M or E; No clear problem or solution You will work with one or more partners to write the script. It s your job to tell the story in a clear way so your audience understands the message you are trying to communicate. It s your job to create different personalities each character and think of what they will say or do. Make the character come alive with the words in your script. Create a journey the hero a challenge that he or she has to overcome. Remember to put pauses into the script. Be willing to change script in the middle of the process, if things aren t working. Page 8 of 8