Kanele Egregore for kanele, guiar, accordion and piano Jukka Tiensuu 2011
2 Egregore for kanele, guiar, accordion and piano ka 1 < _ 0 Con inensià molo solenne =CDsEFfGAfBn G-B: G-B:n Jukka Tiensuu 2011 g ac pf m.d. (11.) (m.d.) m.s. (III Ped.) 10 (vibr. accel.) Y (vibrao accel.) ² / (10.) (11.) (7.) (release III Ped.) 19 (En) (EnFsBf) (Bn) (As) Dn 2 (non arpegg.) (7.) 27 CfDs sempre (DnEs) Es 1 1 1
Dn En FfAf leggero 8 Ef Dn Fs Ef BfFf ord. (CfDsEn GnBn) Bn 1 2 (m) leggero 7 (Cn) ord. (Cf) rillo rapido (vibrao accel.) (fas) ² ("finger pedal") + + + + + + (Ds) (Cn) m.s. (m.d.) sub.
(GsBs) 7 Bs:Bn Gs:G =CDsEFfGAfBn (release keys) 9 Af:A Ff:F G:G ord. (A:Af) 2 leggero (Gs:G) AnCs Gf Fn leggero no pedal, jus keep keys depressed (release keys one by one) 7 Dn (A:As) (Gf:G) Ef (Ef:E) poco dim. m.d. poco m.s. m.d. ( (release keys from op down) ) poco dim. 7 (m) (III Ped.) (Cs:Cf) (B:Bf) ( D..A=) (ord.) (release III Ped.) Bf:Bn A:As G:Gf 2
D:D 79 C:C :An En :Ds:Cf 7 7 7 7 7 7 no pedal, bu keep each key depressed as long as possible 82 (vibr. slow) Cs:Cf 1 1 1 8 F=F 2 1 Gn Fn Ff Dn legaissimo =CfDEFfGABf 89 ord. (Gf) (Ff) poco 2 2 poco (fingerpedal) ord. 9 (Gn) (Af) (Cn) 12 (E ) (Ds) meno meno (7.) ("finger ped.") + + + + + 10
102 =CDfEsFGfAsBf pi. 110 (Ff) (Bn) rillo rapido (vibr. accel.) ² (fas) + DfEBs 118 (Fn) (Ds) (Bn) III Ped. (ill bar 127.) Ff Cf ord. 127 1:8 En (damp srings) (Ff:Fs) (Cf:Cs) poco (Gs) (DnGn) (ord.) 10 (release keys) III Ped. 12 (En) poco (CfDsFfGfBf) (release III Ped.)
En 7 18 2 1 2 1 legaissimo 10 ( n subio) 2 release keys one by one from down up 7 7 7 7 7 7 1 (As) (Cs) (EfGf) (An) (As) (Ds) (Gn) (fingerpedal) 10 Cn EnAf Gn sempre al fine rillo rapido (An) (vibr. accel.) (fas) ² 2 leggero non legao 1 (CsFnBf) 1 leggero gracefully damp srings by hand
Jukka Tiensuu: Egregore for kanele, guiar, accordion and piano Seaing plan: piano kanele guiar accordion a u d i e n c e Performance noe General: The "solemn" empo should be kep seady hroughou he piece. Also, as he piece relies heavily on complemenary rhyhms, i is crucial o play he wrien rhyhms as accuraely as possible. Accidenals Dynamics o poco u apply ill he end of he bar. However, hey are occasionally repeaed o faciliae sigh-reading. As a safey measure, piano and accordion ofen have sofer (wrien) dynamics han guiar or kanele, alhough he perfec balance beween all insrumens is aimed a. (Acion noaion vs. resul noaion.) enuo, play noe o he full lengh (only, no accen is inended). al niene, le he sound disappear compleely. Le sring(s) vibrae (as long as convenien). On piano: keep he keys pressed down, do no use pedal. usually ends a ord., niene or he firs wrien pause, unless oherwise indicaed by e.g. coninuaion slurs. Le each (played) sring vibrae over 2- subsequen noes, before gracefully damping/releasing hem one by one in heir order of appearance. Quarer-one sharp and fla, and eigh-one sharp and fla, respecively. They are only valid for he immediaely following noe and cancel any previous accidenals. + Hand-damp he sring near he bridge while plucking (or pressing he key), hen immediaely release. Ecessively wide vibrao, ca imes per second, where indicaed. Slow, wide vibrao (quasi up and down glissandi). The glissandi across he srings are always played espressivo,(usually acceleraing oward he end). Noe-sems in he middle of glissandi are for orienaion only, hey are no o be emphasied in any way. Diamond-shape noe heads indicae harmonics. They are always wrien a he sounding pich. Specific: Kanele Guiar Accordion Piano In he kanele uning, German "H" is indicaed as B-naural. "=" indicaes (or reminds of) he prevailing uning. When he uning change is wrien in parenheses ( ), he change should no be heard. I.e. if he srings are required o keep vibraing ( ), damp only he srings you need o une. When no parenheses are used, le he change be clearly heard. Tune 1 o unison wih he 11 h parial of piano's low B-fla (e.g. bar 1). Then une 2 o perfec fourh wih 1. Ne, une o perfec (naural) major hird wih 2. (The resul, in comparison o he equal emperamen of he piano, is: 1 8 cens fla, 2 0 cens fla, cens fla.) Tune he remaining hree srings normally, i.e. in unison wih he piano. Basically, he regiser used is hough o be 8' hroughou he piece. Occasional solo ' or 1' may be used, if necessary, bu combined regisers should be avoided. The division beween hands is no indicaed. Use your own judgmen o achieve he bes balance wih he oher insrumens. o < (dal niene) : press keys down before acivaing he bellows. Use pedal only where indicaed. Circled noe-heads indicae ones o be plucked (piicao). = sul ponicello, ord. = ordinario.noe: Before plucking you naurally have o silenly press down he indicaed key(s) firs, o lif he damper(s). Diamond-shape noe heads wih sems indicae harmonics. Before he perfomance, mark he needed harmonic nods accuraely on he bass srings wih e.g. narrow srips of masking ape. When playing, press down he indicaed key wih he lef hand while ouching he sring on he indicaed harmonic nod wih he righ hand. As soon as he hammer his he sring, remove your finger from he sring. Timing is crucial, when pursuing for a harmonic sound as brillian as possible, while minimiing he disurbing sound of he sring's fundamenal.) Diamond-shape noe heads wihou sems indicae keys o be depressed silenly (o allow plucking or glissando on srings). The glissandi across he srings are always played espressivo,(usually acceleraing oward he end). Noe-sems in he middle of glissandi are for orienaion only, hey are no o be emphasied in any way.