EXTREME SCREEN THEATER. Overview. Kimberly Morton Lighting/Electrical COSI Columbus, Ohio Final Report April 5, 2005

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EXTREME SCREEN THEATER Overview The Extreme Screen Theater entrance is located on the first level of the building. Its exit is on the mezzanine level. Most movie screens are made to take up the entire field of vision of the viewer; large ones are 26 ft high by 65 ft. long. That gives a picture that is twice as wide as it is high. COSI's Extreme Screen is 83 feet wide and 7 stories tall which gives an image shaped Theater like that of a television, only much, much larger and more detailed. This is what makes the theater so unique. The theater seats approximately 400 people. - 28 -

Surface Properties Used: Ceiling: Acoustic Metal Ceiling System (ρ = 64%) Floor and Walls: Mannington Commercial (http://www.mannington.com/commercial) *NOTE: The manufacturer informed me that they do not perform or have reflectance values for their carpet. Medera NIOW Night Owl Assume: (ρ = 20%) Furniture: Folding theater chairs Design Criteria *Suggested quality and systems performance: IESNA Lighting Design Guide in IESNA Lighting Handbook* TASKS: This space allows viewing for normal science related movies and 3d movies. The IESNA Handbook lists Theater and Motion Picture Houses design criteria as Not Important or N/A. However, some objectives of lighting in the motion picture theater may be outlined as follows: To create a pleasing, distinctive environment: Very Important This is important. There should be no indirect light placed in this space. Luminaires should not distract the occupants from the task at hand: watching the movie. To create adequate visibility for safe circulation at all times: Very Important During the picture viewing, it is extremely important that there is enough light in case of an emergency. Also, the occupants may have to use the restroom facilities or want to go get food. The illuminance level should be between 0.1 and 0.2 fc. Aisle luminaires should be spaced to give a uniform illuminance of 10:1 in the aisle. To provide comfortable viewing conditions: Very Important Since the movies last a considerable amount of time, the occupants must be comfortable in viewing the film. The luminous contrast between the screen and its black border should not exceed 1000:1 or it will create uncomfortable viewing conditions. The screen luminance with the picture running should be between 3 and 20 cd/m². - 29 -

Design Goals When watching movies, a person wants to be comfortable and at ease which is why the overall feel of this space should be one of relaxation and calmness. Incandescent lighting sources will be used with a dimmable lighting system to achieve the desired lighting patterns and levels. The lighting scheme is implemented in this space with the use of color. Blue was used in this space because when viewed, it promotes concentration yet calmness, which ties in to the overall design of this space. Fixture Schedule and Light Loss Factors Luminaire Designation Description Manufacturer Catalog Number Lamp Ballast Input Watts Number of Luminaires Total Watts B1 Decorative low voltage recessed downlight Lucifer DL23C-DGL-B Housing:DHT/ZF (1) - 50WMR16 50 13 650 J1 Specular Alztec Open High Bay Pendant Delray Lighting 7714-1-150 (1) - 150W Medium Base Electronic (integral) 150 9 1350 W1 Steplite Cole Lighting T-150G-BLU-BLK (1) - 7W C7 candelabra base incandescent 7 30 210 *Cutsheets for fixtures and lamps can be found in Appendix A Power (W) Power Density (W/ft²) 2210 0.42 Luminaire Designation Maintenance Category (1) Cleaning Interval LLD LDD (2) RSDD (3) BF Total LLF B1 IV 12 months, Clean 0.90 0.88 0.96 1.0 0.76 J1 IV 12 months, Clean 0.90 0.88 0.96 1.0 0.76 W1 V 12 months, Clean 0.86 0.87 0.93 1.0 0.7 1: Maintenance Category chosen from Figure 9-14, IESNA, 9th Edition 2: Values from Figure 9-17, IESNA, 9 th Edition 3: Values from Figure 9-19, IESNA, 9 th Edition - 30 -

System Layout - 31 -

CONTROLS Kimberly Morton Lighting/Electrical COSI Columbus, Ohio Final Report April 5, 2005 Extreme Screen Theater Control Room Setup The theater lights will be controlled through a dimming panel located in Room 211-2 of the building. Lights will be grouped to have preset dimming controls. The dimming panel is connected to an emergency power transfer system. *Power Plans can be found in Appendix B - 32 -

Kimberly Morton Lighting/Electrical COSI Columbus, Ohio Final Report April 5, 2005 Calculations and Renderings The calculations provided are with all of the lights turned on. The illuminance levels provided met the design criteria for this space. Illuminance levels over the seating area form a non uniform pattern since they slope. Climbing up the slope, the values get higher. The walkway has a uniform lighting pattern, that provides for a safe mean of egress. - 33 -

A uniform lighting pattern was achieved throughout the space to provide for comfortable viewing conditions. - 34 -

Conclusions The addition of color really added another dimension to this space that is not a typical movie theater. The power consumption of the redesign was 0.42W/ft², which is well under ASHRAE 90.1 and also approximately half of the existing space. - 35 -