Reviews - David Ward, bass-baritone/basso buffo

Similar documents
H.M.S. PINAFORE. amuse and not provoke, the universal nature of human foibles shines through to any audience.

CLASSROOM STUDY MATERIAL to prepare for the performance of HANSEL AND GRETEL

Theater Vocabulary- Part 2 Ad-lib: to improvise (make up) lines that are not part of the written script

The Barber of Seville, by Gioachino Rossini

Lyric Unlimited Teacher Guide

Introduction to Music

PERFORMANCE CATEGORY

USA WESTBOUND LCL SAILING SCHEDULES

Evaluation forms. Musicals. 15 East Caracas Avenue Hershey, Pennsylvania HersheyTheatre.com

Introduction to Greek Drama. LITR 220 Ms. Davis

Re-Branding The Presentation Category to The Performance Category

Chapter 14. Other Classical Genres

Symphony No. 1 in G major Allegro (1st mvt) Joseph Bologne, Chevalier de Saint-Georges

FAUST ANOTHER MAGNIFICENT PRODUCTION OF OSJ By Iride Aparicio

How to Write about Music: Vocabulary, Usages, and Conventions

2018/2019 SEASON TICKETS AS LOW AS $ 25 WHEN YOU SUBSCRIBE!

ON ITS OPENING NIGHT, LA RONDINE Almost reached Perfection

Classroom Study Materials...2 Goals and Objectives...2 Lesson Description...2 Assessment...2 WORKSHEET B1: MUSICAL THEATRE FORMS...

A Note to Auditionees for The Pirates of Penzance:

VISUAL AND PERFORMING ARTS

DISNEY S ALADDIN JR. AUDITION PACKET

OPERA SAN JOSE Study Guide: Introduction to Opera

Rexburg Community Theatre is Extremely Proud to Announce its 2016 Musical

ENTERTAINMENT PACKAGE LEVELS

Platform. The student selects a reading with either a Biblical, family, or patriotic message. The

Annabelle. Follows the Sound of Her Own Voice HISTORY THE CHARACTERS WHAT IS OPERA? STUDY BOOKLET

BARBERSHOP BASICS (All you ever wanted to know about Barbershop, but were afraid to ask.)

CLASSICAL STYLE RISE OF INSTRUMENTAL MUSIC. The new style gallant musical style in opera was adapted for instrumental works.

Guide to the Cynthia Auerbach Papers,

Jeff Justice Funny Keynote Speaker & Corporate Emcee

Level. Topic. Musicality. Unity. Theme/Script/MC/ Mic Technique. Creativity. Communication A 86-93

CHORAL SINGING AND VOCAL

Office Music. : m hm : to be hummed from 9 am to 5 pm

Judge Instructions Packet

Introduction to Greek Drama. Honors English 10 Mrs. Paine

THE STEVEN KENNEDY PAPERS FINDING AID

ENTERTAINMENT PACKAGE OUTLINE OF CONTENT I. INTRODUCTION 1 II. ELEMENTS 1-2 III. SCORING 3-5

Shakespeare Rocks! Junior Script by Steve Titford

[PDF] Complete Lyric Pieces For Piano (Dover Music For Piano)

Level 3 Drama, Analyse drama processes in a new context and reflect critically on drama performance. Credits: Four

VISUAL AND PERFORMING ARTS

This content is part of Burst:Reading, a breakthrough Intervention program that delivers differentiated reading instruction based on formative

Studio Room: Talbot College Room 117, Masterclass Room: MB140 Mon., MB254 Wed.

WHAT IS BARBERSHOP. Life Changing Music By Denise Fly and Jane Schlinke

E5 Rules from Previous Festival Events Table of Contents

Marty Wilson. Change management speaker, MC, comedian, best-selling author

Axel Theimer Interviewed by Peter Myers at Golden Valley Lutheran Church, April 27, 2008

Florida State Thespian Society Theatre Performance Assessment PANTOMIME. Name: District: Troupe:

Music History Through Animation 2. Opera & Music Drama. Monday, February 13, 2012

High School Fine Arts Speech Judging Sheets

San Francisco Operaʼs Rossiniʼs THE BARBER OF SEVILLE Curriculum Connections California Content Standards Kindergarten through Grade 12

Funniest actors that appeared on Saturday Night Live. Funniest actors that appeared on Saturday Night Live

Light, Love And Laughter On This Journey

A participating school or organization (henceforth referred to as a school) must be a registered organizational member of MTA.

HO HO HO. By Joseph Sorrentino

CENTRE DE PERFECCIONAMENT PLÁCIDO DOMINGO PALAU DE LES ARTS REINA SOFÍA, VALENCIA (SPAIN)

DOWNLOAD OR READ : DON GIOVANNI DOVER OPERA LIBRETTO SERIES ITALIAN AND ENGLISH EDITION PDF EBOOK EPUB MOBI

SWEET ADELINES INTERNATIONAL MARCH 2005 KOUT VOCAL STUDIOS. Barbershop Criteria

Twenty-four Italian Songs And Arias Of The Seventeenth And Eighteenth Centuries For Medium Low Voice (Schirmer's Library Of Musical Classics, Vol.

SingThrough Central Playing a Key Role in Role Preparation

TOC Table of Contents

Once Upon a Time by Halle Youth Ensembles

Having a write laugh. Improving literacy through comedy writing

All volumes in the series Composer Editions Collections

STUDY GUIDE Capitol City Opera Atlanta, GA

Seventeenth-Century Opera Style Sheet. Prepared by Lucas Harris, February 2007 for La Calisto production at Ohio State University

Reaction Paper Guidelines Theatre Appreciation

After-Dinner Speaking

CLASSICAL VOICE CONSERVATORY

GROUP ORDER FORM. Opera For Everyone A program for students in Elementary through High School to experience live opera.

MUSICAL HIGHLIGHTS MUSICAL H IGH LIGHTS ARE BRIEF OPPOR TUNITIES TO:

Mount Si High School Pippin

Course Descriptions Listed by Elective

Joe Cardone Humor Consultant

San Francisco Operaʼs Rossiniʼs CINDERELLA Curriculum Connections California Content Standards Kindergarten through Grade 12

District Literary Fair

Monty Python WRITING

Press Highlights. How I love that Shakespeare He s such a wit! You mean that bloke who's always stealing my best songs?!?

VOCAL CLASSES. YOUTH CLASSES 18 and under

SUMMER CAMP FOR TEENS

The Elixir of Love written by Marcus Shields

The following slides are for use by the teacher in the classroom

Fredric Chopin ( ) Romantic Era Composer

The Wethersfield Teen Theater Company

24 Italian Songs And Arias: Medium High Voice (Book, Vocal Collection) PDF

Message from team Kairos

Sing in the Spring Guest Artists

Chapter 8. Vocal Music Sunday, October 21, 12

Sweeney Todd School Production

SEASON SHOWS SIXTH FORM COLLEGE

Characterization Imaginary Body and Center. Inspired Acting. Body Psycho-physical Exercises

Operatic Summer School of NODA and The Advisory Committee on Amateur Music. The Beggar's Opera. Act II. D'Orsay/Corbett Tantivy Towers.

DIRTY ROTTEN SCOUNDRELS THE MUSICAL (SYDNEY)

Thumbs Down. Center for the Study of Women in Television and Film. Dr. Martha M. Lauzen San Diego State University

District Literary Fair

Grade 4 SING & PLAY. Welcome to a world of exciting music to SING & PLAY!

3. How does David s adoption of Clara s special Jamaican patois add and sometimes threaten their intimacy.

Episode 213 Martial Arts Humor whistlekickmartialartsradio.com

Tuesday, February 7th, 2017 at 10:00 AM. table of contents

Elk Grove Unified School District Visual and Performing Arts Resources Theatre

Transcription:

Reviews - David Ward, bass-baritone/basso buffo As Don Pasquale "Bass-baritone David Ward as Pasquale was superb. Having sung the role a few times-with other companies, it now fits him like a glove. And with his strong stage presence and comedic stage bits, he stole many a scene." POST-STAR, Glen Falls, NY "David Ward, in the title role, is a wonderful singer/comic actor with a basket full of mannerisms which serve him well." "He and Jones [Malatesta] stopped the show with their Act II duet." SCHENECTADY GAZETTE "Bass-baritone David Ward interprets a lovable Don." ALBANY TIMES-UNION As Don Magnifico in La Cenerentola David Ward as Don Magnifico was sensationally funny, handling every vocal demand with elegance and style and nimbly tossing off his recitatives. OPERA NEWS Bass David Ward showed great comedic flare as the father, Don Magnifico. EXPRESS-NEWS, San Antonio As Dr. Dulcamara in L'Elisir d'amore "As Dulcamara, bass David Ward juggled dizzying patter and demanding stage business with aplomb." OPERA NEWS "Bass David Ward thoroughly dazzled the peasants with his spitfire patter and clever stage business as Dulcamara." OPERA CANADA "His range of facial and vocal expressions and his rapid patter brought this lovable character fully to life." VIRGINIA PILOT "David Ward returned to play a rousing Dulcamara. Ward had a great gift for patter and a blustery delivery that kept the peasants enthralled." DAILY PRESS

As Bartolo in Il Barbiere di Siviglia "Baritone David Ward's sweetly befuddled characterization of Dr. Bartolo is just about perfect - not the usual opera-buffa cartoon, but a recognizable human being who sings all the notes and gives them full musical value." NEVADA EVENTS AND REVIEWS, Reno "David Ward, as Bartolo, was everything a great buffo bass should be. He molded vocal color and phrasing to every nuance of his music, his comedic timing was impeccable, and he commanded the stage with his physical movements." EXPRESS-NEWS, San Antonio "Spendidly crotchety and fussy - he just about stole the show - was David Ward as Dr. Bartolo, the stuck-up old lech who wants Rosina for himself. Though his characterization could have easily veered off into excess, Ward instead created a lovably foolish persona." MORNING NEWS, Savannah, GA "David Ward's Bartolo, a lecherous, paranoid lump of a creature, helped, in fact, to carry the last couple of acts of the show..." JOURNAL, Providence, RI "Ward, a wonderful character actor, with a stellar voice to boot, played the blustering Dr. Bartolo to a 'T' and his patter singing in 'A un dottor della mia sorte,' was incredibly fast." THE DAILY GAZETTE, Schenectady "Baritone David Ward as Dr. Bartolo camped up his part with glee, but sang exceptionally well, too." THE POST-Star, Glen Falls, NY "Bass-baritone David Ward won deserved applause for an unusually funny and well sung performance." TIMES UNION, Albany "David Ward was a superb Bartolo, deftly inflecting voice, face and gesture with consummate skill and panache. His bursts of patter were fast and furious and crystal clear." IDAHO STATESMAN "David Ward gave the lecherous character of Dr. Bartolo a delightful edge that made us love him" THE BLADE, Toledo "David Ward makes a splendid Bartolo, appropriately pompous with an ample bass baritone." EL PASO HERALD-POST

"David Ward made Bartolo generally absurd without giving the role its seriousness or edge of tyranny. Ward sang his antique aria with great aplomb and satiric gifts. His trills sent his jowls flying, and his sense of ornamentation in that aria parodied an entire musical age." PHILADELPHIA ENQUIRER "David Ward, done up in a huge Moliere-type wig, proved himself a resourceful actor, wringing every ounce of humor from Dr. Bartolo. His flexibility was as enjoyable as his singing." BUCKS COUNTY COURIER-TIMES "This basso-buffo is capable of a wide range of expression. Ward took the broadly comic and proved a delight." DENVER POST "Not a step behind is David Ward s magnificently odious Dr. Bartolo. He spits out his patter songs with breathtaking precision, is a comic actor who doesn t need music to get the crowd howling, but who has more voice than any comic bass you re likely to hear, as witness Un dottor della mia sorte, a lesson in combining bel canto with high spirits." THE RECORD, Troy, NY As Sulpice in Daughter of the Regiment "David Ward was lots of fun as the veteran soldier Sulpice. His characterization became especially funny when he slipped out of uniform into a dressing gown." SYRACUSE JOURNAL "Among the cast's other outstanding players was David Ward as Sulpice. Ward handsomely portrayed the fatherly head of the regiment, seeking only what's best for Marie and having a few snorts along the way." TUCSON CITIZEN As Baron Zeta in The Merry Widow "Of the many secondary characters, David Ward as Baron Zeta was a jewel. His ebullient natural humor, never forced, made him the center of attention whenever he was on stage, with a rich bass sound as a bonus." SACRAMENTO BEE "Led hilariously by David Ward as the Ambassador, all these overdressed citizens of an imaginary Balkan country named Pontevedro did left and right flourishes and cheers, three little steps and a backward hop to emphasize their patriotism, in perfect unison." "Ward's Ambassador was masterful at his comedy." SACRAMENTO STAR

"Ward's Ambassador was a comic delight." DAVIS ENTERPRISE As Falstaff David Ward was a vocally secure and uncommonly spry Falstaff. NEW YORK TIMES As Judge Turpin in Sweeney Todd Bass-baritone David Ward was scary (no other word will do) as the self-righteous Judge Turpin. THE ARIZONA REPUBLIC As Sir Joseph in H.M.S. Pinafore Bass-baritone David Ward played with vigor and sang with delightful accuracy. Ward was the proper Porter. No stealing the show, but supporting others. Every word of dialogue, sung or spoken clear from beginning to end. ALBANY TIMES-UNION Ward s delivery was perfection throughout (and hopefully an example to some of the chorus). THE SARATOGIAN, Saratoga Springs, NY Bass-baritone David Ward gave a superb performance as Sir Joseph Porter. The trio Never Mind the Why and Wherefore featuring Ward was one of the high points of the production. THE DAILY GAZETTE, Schenectady, NY As Dick Deadeye in HMS Pinafore Basso Buffo David Ward often stole the show as villainous Dick Deadeye. CHATTANOOGA TIMES FREE PRESS David Ward and his colleagues served up the finest canned ham in the British Empire. CHATTANOOGA PULSE As The Mikado.vocally accomplished, basso buffo David Ward plays the Emperor with the right blend of regality and buffoonery. ANCHORAGE DAILY NEWS