ZDF German Television. Facts and Figures 2017

Similar documents
COMMUNICATIONS OUTLOOK 1999

Using Make.TV s Live Video Cloud and Playout to deliver great content across platforms during the world s biggest sports event.

Practical experience gained during the introduction of digital terrestrial television broadcasting (DTTB) in Germany

In accordance with the Trust s Syndication Policy for BBC on-demand content. 2

Digital Terrestrial Television in the Czech Republic

Case No IV/M ABC / GENERALE DES EAUX / CANAL + / W.H. SMITH TV. REGULATION (EEC) No 4064/89 MERGER PROCEDURE

Case DE/2006/0469: Wholesale broadcasting transmission services. Article 7(3) of Directive 2002/21/EC 1 : No comments

Motion Picture, Video and Television Program Production, Post-Production and Distribution Activities

Service availability will be dependent on geographic coverage of DAB and digital television services 2

Jersey Competition Regulatory Authority ( JCRA ) Decision M799/11 PUBLIC VERSION. Proposed Joint Venture. between. Scripps Networks Interactive Inc.

Written by İlay Yılmaz and Gönenç Gürkaynak, ELIG, Attorneys-at-Law

Israel Film & Television Industry Facts and Figures at a Glance 2017

Mediadata VALID FROM PRICELIST NO. 09 INSP IRING TOGETHER.

MEDIA WITH A PURPOSE public service broadcasting in the digital age November 2002

Operating licence for the BBC s UK Public Services

EUROPEAN COMMISSION. Brussels, 16/07/2008 C (2008) State aid N233/08 Latvia Latvian film support scheme 1. SUMMARY

Berlin goes digital. The switchover of terrestrial television from analogue to digital transmission in Berlin-Brandenburg

PRIMACOM REPORTS 2000 RESULTS

Broadcasting Ordinance (Chapter 562)

Digitisation Digitisation of the German television market. Facts and Figures. Commission on Digital Access

Fordham International Law Journal

COMMUNICATIONS OUTLOOK 1999

Launch of Exaring s OTT Live TV-App waipu.tv. veed snapshot October 2016

Switching to digital television

EDITORIAL POLICY GUIDELINES FOR BBC WORLD SERVICE GROUP ON EXTERNAL RELATIONSHIPS AND FUNDING

Download of classical music in the form of incidental music or signature tunes is permitted 4

DIGITAL TELEVISION: MAINTENANCE OF ANALOGUE TRANSMISSION IN REMOTE AREAS PAPER E

AUSTRALIAN SUBSCRIPTION TELEVISION AND RADIO ASSOCIATION

The ABC and the changing media landscape

Switchover to Digital Broadcasting

1. Introduction. 2. Part A: Executive Summary

APPLICATION FORM FOR A CABLE BROADCASTING LICENCE

The Mediterranean TV Channel. Project presentation

Australian Broadcasting Corporation. submission to. National Cultural Policy Consultation

I 1 CASE STUDY. AccorHotels SAT. Kathrein Solutions for Hotels and Guest Houses

COMMUNICATIONS OUTLOOK 1999

Ready for Switch-Off?

Development of Digital TV in Europe 2000 Report

OECD COMMUNICATIONS OUTLOOK 2001 Broadcasting Section

2018 GUIDE Support for cinemas

RADIO TELEVISION HONG KONG PERFORMANCE PLEDGE

Digital Television Transition in US

North West Media Briefing

Wales. BBC in the nations

Defining DTTB network specifications and ensuring Quality of Service

GUIDELINES. LOW BUDGET Production Program

Context The broadcast landscape

ENDOR PRODUCTIONS, MR FILM AND RED ARROW STUDIOS INTERNATIONAL ANNOUNCE MAJOR NEW DRAMA SERIES VIENNA BLOOD

COMMISSION STAFF WORKING DOCUMENT. Accompanying document to the


TV Subscriptions and Licence Fees

OECD COMMUNICATIONS OUTLOOK 2001 Broadcasting Section

The social and cultural purposes of television today.

INTRODUCTION. FREEVISION Launch Presentation 30 September

CONTENTS ALL ABOUT THE CHANNEL ALL ABOUT THE PROGRAMMES

OECD COMMUNICATIONS OUTLOOK 2001 Broadcasting Section

EBU view How should we use the digital dividend?

OECD COMMUNICATIONS OUTLOOK 2001 Broadcasting Austria DSTI/ICCP/TISP(2000)6

PROMAXBDA EUROPE AWARDS 2018

ACCESS CHANNEL POLICY NORTH SUBURBAN COMMUNICATIONS COMMISSION JANUARY 14, 2019

We stand for competition and media diversity

The EU Audiovisual Media Services Directive and its transposition into national law a comparative study of the 27 Member States

Development of Digital TV in Europe

DETERMINATION OF MERGER NOTIFICATION M/16/038- LIBERTY GLOBAL /UTV IRELAND

The digital Switchover challenges and lessons learned

The BBC s services: audiences in Northern Ireland

The BBC s services: audiences in Scotland

RICHARD J. RIORDAN MAYOR FEASIBILITY OF ACQUIRING CAPACITY FOR OVER- THE-AIR BROADCAST OF LA CITYVIEW CHANNEL 3S

Capital Markets Day New Distribution Strategy. Conrad Albert, October 5, 2011

VIVO INDIAN PREMIER LEAGUE 2019 REGULATIONS FOR NEWS AND CURRENT AFFAIRS BROADCASTERS FOR AUDIO VISUAL BROADCASTING

S4C Guidelines on Credits. 1 May 2015

BBC Three. Part l: Key characteristics of the service

Broadcasting and on-demand audiovisual services Regulations (No. 153 of 28 February 1997)

Efficient, trusted, valued

I R I S H M U S I C R I G H T S O R G A N I S A T I O N

Joint submission by BBC, ITV, Channel 4, Channel 5, S4C, Arqiva 1 and SDN to Culture Media and Sport Committee inquiry into Spectrum

TV Subscriptions and Licence Fees

OECD COMMUNICATIONS OUTLOOK 2001 Broadcasting Section

ASBU ASBU Communications Service

SOUTH AFRICA BROADCASTING DIGITAL MIGRATION (BDM) A Z. the doc

Modernising the digital terrestrial television (DTT) platform. Work programme

EDITORIAL POLICY GUIDANCE TICKETING FOR BBC EVENTS AND PROGRAMMES

Transition from analogue to digital TV in Germany

RADIO TELEVISION HONG KONG PERFORMANCE PLEDGE

The changing broadcast media market in Germany

Digital Television Regulation from a European Perspective

Deutsche Bank Conference June 2005

Metuchen Public Educational and Governmental (PEG) Television Station. Policies & Procedures

Catalogue no XIE. Television Broadcasting Industries

Competition Works. Consumers Win!

COMMUNICATIONS OUTLOOK 1999

EUROPEAN COMMISSION Directorate-General for Communications Networks, Content and Technology

Annual Report Regulatory Authority for Telecommunications and Posts RegTP

Organization for Security and Co-operation in Europe Office of the Representative on Freedom of the Media

July 24, Dear Chairman Inouye:

FILM POLICY FOR IRELAND S NATIONAL BROADCASTER

OUR CONSULTATION PROCESS WITH YOU

Economics and Business Advanced Unit 4B: The Wider Economic Environment and Business

FAQ s DTT 1. What is DTT? 2. What is the difference between terrestrial television and satellite television?

Introducing MX1 Sports & Events. September 2017

Transcription:

ZDF German Television Facts and Figures 2017

Facts about ZDF ZDF (Zweites Deutsches Fernsehen) is Germany s national public television broadcaster. It is run as an independent non-profit corporation under the authority of the Länder, the sixteen states that constitute the Federal Republic of Germany. The nationwide channel ZDF has been broadcasting since 1st April 1963 and remains one of the country s leading sources of information. Today, ZDF also operates the two thematic channels ZDFneo and ZDFinfo. In partnership with other public broadcasters, ZDF jointly operates the internet-only offer funk, the German channels PHOENIX and KI.KA, and the European channels 3sat and ARTE. The corporation has a permanent staff of 3,600 plus a similar number of freelancers. Since March 2012, ZDF has been headed by Director-General Thomas Bellut. He was elected by the 60-member governing body, the ZDF Television Council, which represents the interests of the general public. Part of its role is to establish and monitor programme standards. Responsibility for corporate guide lines and budget control lies with the 14-member ZDF Administrative Council. ZDF s head office in Mainz near Frankfurt on the Main with its studio complex including the digital news studio and facilities for live events. 2

Facts about ZDF ZDF is based in Mainz, but also maintains permanent bureaus in the 16 Länder capitals as well as special editorial and production facilities in Berlin. For international coverage, ZDF has foreign correspondents operating in 19 permanent bureaus worldwide. ZDF offers full-range generalist programming with a mix of information, education, arts, entertainment and sports. Its coverage provides both a broad view on the world and a comprehensive picture of Germany. Schleswig Holstein Bremen Hamburg Mecklenburg-Western Pomerania Lower Saxony Brandenburg Berlin North Rhine-Westphalia Saxony-Anhalt Saxony Hesse Thuringia Rhineland-Palatinate Saarland Baden Württemberg Bavaria Legislation on domestic broadcasting is exclusively assigned to the 16 Länder (Federal States) that Germany is divided into. The enactment of general, supraregional broadcasting laws governing ZDF and its private competitors thus requires the consensus of the 16 Länder parliaments of mostly different party political affiliations. These rules fixing i. a. mission and funding take the form of so-called Inter-State Treaties on Broadcasting, that are periodically subject to amendments. 3

Facts about ZDF In compliance with its public service remit, ZDF produces quality programmes for all viewers in all parts of Germany without neglecting minority interests. In this way ZDF strives to offer the highest possible public service value. In line with German legislation on public service broadcasting, ZDF issues a bi-annual statement on programme policy, a commitment which is regularly reviewed by the independent ZDF Television Council. Supervisory bodies TV Council 60 members Administrative Council 14 members Director- General Executive communications corporate planning international affairs internal audit Director, news / current affairs (Editor-in-Chief) news politics / current affairs economy, law, society and environment sports new media Director, programmes entertainment culture / science TV drama TV series film / ZDFneo children and youth Director, legal Director, administration (Chief Financial Officer / Deputy Director-General) finance staff archives rights management procurement property management Director, production (technical) engineering studio production and operation design and post production IT 4

What sort of environment does ZDF operate in? Germany has a highly competitive television landscape. In contrast to most countries, even the most popular channels achieve only modest audience shares (see table below). On the one hand, there are ZDF and ARD, the two public service broadcasting networks. On the other hand, commercial television is dominated by two media groups: ProSiebenSat.1 Media AG and RTL Group (majority shareholder: Bertelsmann). They own a large part of the country s commercial channels, both big and small, and share between them most of the TV advertising market the biggest in Europe with annual revenues exceeding four billion euros. The German pay-tv market is still relatively small: The two leading platform operators (Sky and Deutsche Telekom) together have less than eight million subscribers. Audience shares (Free TV in Germany, in %) 2014 2015 2016 ZDF 13.3 12.5 13.0 ZDFneo 1.3 1.6 2.1 ZDFinfo 0.9 1.0 1.2 partner channels (3sat / ARTE / KI.KA / PHOENIX) 4.4 4.3 4.4 ARD ( Das Erste ) 12.5 11.6 12.1 8 regional ARD channels 12.4 12.5 12.1 RTL 10.3 9.9 9.8 Sat1 8.1 7.9 7.3 Vox 5.2 5.1 5.1 Pro Sieben 5.5 5.3 5.0 Kabel 1 3.8 3.8 3.8 RTL 2 3.9 3.7 3.5 other channels 18.4 20.8 20.6 5

How is ZDF financed? Public service broadcasting in Germany is mainly financed by broadcasting fees, payable by private households as well as businesses and public institutions. Payments are collected by an agency specifically set up for this purpose by the public service broadcasters. Since January 2013, the broadcasting fee (Rundfunkbeitrag) is generally levied on places of residence and work. It is no longer linked to individual units of broadcast reception equipment installed at these places. The specifics of who has to pay how much are defined in the federal states Inter-State Treaty on Broadcasting that also regulates the process of revenue allocation to ZDF: An independent panel of experts (KEF) periodically examines the public broadcasters financial needs and recommends an appropriate fee level. The 16 Länder parliaments then set the fee for a period of usually four years. The income is shared between ZDF, the regional member stations of the public broadcasting association ARD and the national radio station Deutschlandradio. From the standard annual broadcasting fee of 210 euros as paid by most households (unchanged from 2009 to April 1st, 2015; then lowered from 215.76 to 210 euros), ZDF receives a share of 51.8 euros. 12.37 public broadcasting association ARD (TV and radio) 4.32 ZDF 0.48 national radio station Deutschlandradio 0.33 state-by-state regulators of commercial TV and radio The standard broadcasting fee tariff for individuals in 2016 is 17.50 per month. Business owners tariffs are progressively determined according to the number of employees. 6

How is ZDF financed? Advertising and sponsorship are additional sources of funding. However, special advertising regulations apply to ZDF as a public broadcaster: Commercials are legally restricted to a maximum of twenty minutes per day from Monday to Saturday, and cannot be broadcast after 8 pm or on Sundays and public holidays. In comparison, advertising rules are more liberal for our commercial competitors: They are permitted to fill up to twenty per cent of each programme hour with advertising, which can add up to more than four hours per day. ZDF Operating Budget income in million euro 2013 2014 2015 2016 Broadcasting fees 1,742 1,767 1,777 1,787 Advertising and sponsorship 127 154 144 165 Other revenues 142 142 139 140 Total 2,011 2,063 2,059 2,092 7

ZDF programming: diversity as a core public service value* ZDF broadcasts a broad range of programmes, from news, politics and current affairs to arts and science magazines, from music and movies to entertainment shows. Compared to other generalist channels in Germany, ZDF has the highest proportion of reporting on social, political and economic affairs as well as on arts and culture. In various genres, including documentaries, art reviews and science programmes, German TV film productions or entertainment shows, ZDF has been setting standards and regularly receives the highest quality ratings in audience surveys. ZDF s sports reporting and children s programming are also strong brands. The numerous German and international awards testify to ZDF s commitment to quality content. Advertising and sponsorship 1.5 % Fiction (except for children) 31.6 % Other 24.8 % 42.1 % Information Information daily news / information magazines 14.6 % main daily news bulletins 8.8 % regional information 4.7 % politics 2.6 % science, technology, environment 2.5 % lifestyle support / consumer programmes 2.4 % culture 2.3 % economy 2.0 % society 1.4 % infotainment 0.8 % Fiction (except for children) drama, series 17.3 % TV movies 8.2 % feature films 6.0 % specials 0.1 % Other entertainment 8.8 % sports 7.1 % children 5.8 % programme information (trailers) 2.2 % live transmissions (church services, parliamentary debates, memorials) 0.6 % performing arts 0.3 % *figures for 2016 (in % of total airtime) Advertising and sponsorship advertising 1.4 % sponsorship credits 0.1 % 8

ZDF thematic channels and funk. In addition to its main channel simply known as ZDF the broadcaster ZDF operates two thematic channels. They were first launched on digital satellite in 1997 and have since become increasingly prominent as more and more viewers have gained access to digital television. Following major changes in the respective channel profiles between 2009 and 2012, they have become promising assets in our corporate strategy and in audience response. Most recently, ARD and ZDF have set up their non-linear service funk. ZDFneo is the more successful of the two. The channel s schedule includes mainly German and international TV series (both reruns and original broadcasts) but also feature films, as well as some of the best and most innovative ZDF documentaries, comedy and talk shows. Like its thematic sister channel, ZDFneo has a much younger average audience than the main ZDF channel. ZDFinfo has the latest heute newscasts throughout the day and presents a wide range of factual programmes in the fields of politics, global and European affairs, current history, social issues, economics and consumer advice. Many of its programmes offer interactive viewer participation, stimulate the debating of political issues and integrate information across different media. Since October 1st, 2016, ARD and ZDF jointly have provided their younger audiences according to their viewing habits with programmes exclusively available on the internet via YouTube, Facebook, Snapchat, Instagram and similar services or on the dedicated site funk.net and its own app. The content network, which is not confined to a linear TV channel, is designed to inform, orientate and entertain the 14- to 29-year-olds with innovative programmes such as internationally appreciated series and over 40 other online formats. Open to users comments and suggestions, funk s offers will be continually enhanced. 9

What are ZDF s technical means of distribution and online services? The ZDF channels reach their audiences via satellite, cable, broadband internet (IPTV) and antenna (DVB-T). About 80 per cent of German TV households have so far upgraded from analogue to digital reception. Analogue distribution is now limited to the remaining cable networks. All ZDF channels are distributed in both standard and high definition versions. The HD format used is 720p at 50 Hz. ZDF offers a seven-day catch-up service and a growing number of archived items for on-demand viewing via ZDFmediathek. This is an integrated video streaming platform, which also includes RSS feeds and Podcast services. Since February 2013, all three ZDF television channels can also be watched as 24-hour live streams on the internet throughout Germany a slightly limited offer can be accessed worldwide. All of these services are available at no extra charge. ZDF programmes are complimented by dedicated websites: heute.de is the up-to-the-minute ZDF news service; ZDF.de offers background information on ZDF programmes and their protagonists; tivi.de is the ZDF website for children. There is also a website in English for basic corporate information about ZDF at zdf.com, while much greater detail is available in German at unternehmen.zdf.de. Customised apps facilitate online access to ZDF content from smartphones and other mobile devices. ZDF is present on the operating mobile broadcasting platforms in Germany and also plans to be present on all future distribution platforms. 10

ZDF partner channels: cooperation with other public broadcasters KI.KA is the joint children s channel of ZDF and ARD, offering quality programmes for the youngest viewers that are free of violence or advertising. Another ZDF-ARD project is PHOENIX, the public affairs and documentary channel. It specialises in in-depth analysis and live coverage of political debates and public events. ZDF and ARD also share responsibilities for the three national public radio stations run by Deutschlandradio: Deutschlandfunk, Deutschlandradio Kultur, and internet-only DRadio Wissen. The European cultural channel ARTE is a German-French cooperation with international partners. Its programmes are broadcast in several languages and watched all over Europe. 3sat is a European satellite television project that brings together the Germanlanguage public broadcasters of Germany, Switzerland and Austria. With the channel s operational centre based at ZDF in Mainz, 3sat has a strong focus on arts and cultural programming. Several regular ZDF programmes are rebroadcast each week on DW-TV, the worldwide channel of Germany s public international broadcaster, Deutsche Welle. 11

ZDF German Television Facts and Figures 2017 ZDF international relations: strong links around the world On the global level, ZDF coop erates with partners on every continent. The coverage of inter national events by ZDF report ers and foreign correspondents benefits from agreements with other major TV corporations. Furthermore, membership of the European Broadcasting Un ion (EBU) is important to ZDF for co-productions, news and programme exchange, broad cast rights acquisitions, new technologies and media political initiatives. ZDF also maintains close ties with other regional broadcasting unions and interna tional organisations and is active in media support programmes to assist public broadcasters in de veloping countries. ZDF interests in the field of media policy at the European level are looked after by a permanent representation in Brussels. All of these activi ties are coordinated by the ZDF International Affairs department, which also serves as the first contact point for requests and approaches to ZDF from outside Germany. Worldwide programme distribution and acquisitions, international co-productions, online rights marketing, merchandising of ZDF programme brands, sales of ZDF archive footage and other commercial activities are all managed by ZDF Enterprises GmbH, which is a wholly-owned subsidiary. 12

Contacts Postal Address ZDF German Television 55100 Mainz Germany ZDF German Television International Relations tel.: +49 6131 70-12060 fax: +49 6131 70-16822 email: aa@zdf.de www.zdf.de (German) www.zdf.com (English) ZDF Representation at the European Institutions Avenue des Arts 56 1000 Brussels, Belgium tel.: +32 2 2869132 fax: +32 2 2869136 email: europabuero@zdf.de ZDF Enterprises GmbH www.zdf-enterprises.de email: enterprises@zdf.de 13