Fiction and Poetry. Vanity Fair. Books of enduring scholarly value

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C A M B R I D G E L I B R A R Y C O L L E C T I O N Books of enduring scholarly value Fiction and Poetry Reading became an increasingly popular entertainment in eighteenthand nineteenth-century Britain, Europe and America, reaching an ever wider spectrum of society as the cost of printing came down and levels of literacy rose. The novels avidly consumed in this period were not merely escapist fiction. Many of them drew attention to serious social issues such as slavery, child labour and other forms of exploitation that blighted the age of revolutions and empire, some were thinly disguised autobiographies, while others had clear educational aims: thus the line between fiction and nonfiction was a fluid one. Poetry too flourished across a wide range of genres, and the political and social agendas of the Romantic movement in particular led to its being read and appreciated at all levels of society. In this series, the Cambridge Library Collection offers the texts of fiction and poetry as these works were first published and received by an eager reading public. Vanity Fair The quintessential satire of life in early nineteenth-century Britain, Vanity Fair is a panoramic tour of English social strata, charting the rise and fall of the opportunistic Becky Sharp. Rejected by several publishers before finding a place with Bradbury and Evans, this novel without a hero first appeared as a popular serial. The twenty parts were finally printed together in 1848, incorporating the author s own illustrations. Although William Makepeace Thackeray (1811 63) was not a debut author, this was the first of his works to bear his name on the title page; the vast scope of the novel gained him immediate critical acclaim, though reviewers often expressed misgivings about the dark portrayal of human nature. In response, Thackeray wrote that we are for the most part an abominably foolish and selfish people I want to leave everybody dissatisfied and unhappy at the end of the story.

Cambridge University Press has long been a pioneer in the reissuing of out-of-print titles from its own backlist, producing digital reprints of books that are still sought after by scholars and students but could not be reprinted economically using traditional technology. The Cambridge Library Collection extends this activity to a wider range of books which are still of importance to researchers and professionals, either for the source material they contain, or as landmarks in the history of their academic discipline. Drawing from the world-renowned collections in the Cambridge University Library and other partner libraries, and guided by the advice of experts in each subject area, Cambridge University Press is using state-of-the-art scanning machines in its own Printing House to capture the content of each book selected for inclusion. The files are processed to give a consistently clear, crisp image, and the books finished to the high quality standard for which the Press is recognised around the world. The latest print-on-demand technology ensures that the books will remain available indefinitely, and that orders for single or multiple copies can quickly be supplied. The Cambridge Library Collection brings back to life books of enduring scholarly value (including out-of-copyright works originally issued by other publishers) across a wide range of disciplines in the humanities and social sciences and in science and technology.

Vanity Fair A Novel without a Hero

CAMBRIDGE UNIVERSITY PRESS Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, São Paolo, Delhi, Mexico City Published in the United States of America by Cambridge University Press, New York Information on this title: /9781108057059 in this compilation Cambridge University Press 2013 This edition first published 1848 This digitally printed version 2013 ISBN 978-1-108-06053-0 Hardback ISBN 978-1-108-05705-9 Paperback This book reproduces the text of the original edition. The content and language reflect the beliefs, practices and terminology of their time, and have not been updated. Cambridge University Press wishes to make clear that the book, unless originally published by Cambridge, is not being republished by, in association or collaboration with, or with the endorsement or approval of, the original publisher or its successors in title.