Digital Audio Transfer & Mixing System

Digital Audio Transfer & Mixing System Live Mixing Console Multi Channel Digital Audio Transfer System

Multi Channel Digital Audio Transfer System CAT5e Cable The Breakthrough Digital Mixing Solution A simple Cat5e REAC cable from stage to mixing console. A breakthrough digital mixing and recording solution for live sound events and installations. Roland is known as one of the world s foremost audio innovators. From the VS series, the world s first stand alone Digital Studio Workstation released in 996, to Roland s breakthrough 999 V-Mixing System incorporating highquality stage-based preamps and a digital snake, Roland has always had a reputation for innovation, high quality audio and reliability. Following these leading edge products, Roland is now launching a total mixing solution based its powerful REAC technology. From digital snakes on stage, to Cat5e or optical audio distribution, to the intuitive control surface and mixing processor with built in linear recording, to digital splits for direct multi-channel PC recording; the next generation V-Mixing system establishes a new era in high-quality digital mixing. Live Mixing Console 48 CHANNELS/8 BUSES/ 8 MATRICES with GEQs & Effects 56-bit internal processing Touch Sensitive Motorized Faders USB Memory Player/Recorder DCA Groups/Mute Groups Scene Recall with Head Amp Gain The Perfect Digital Solution for Live Audio Distribution and Mixing Digital Studio Workstation V-Studio VS series released in 996 V-Mixing System VM-7000 series released in 999 Multi Format Video Mixer Digital Audio Transfer & Mixing System 2

The REAC digital transfer technology used on the 48-channel V-Mixer establishes a new era in live audio mixing. Superb Sound Quality The V-Mixing system uses Cat5e-based REAC technology to convert the audio to digital on stage using high quality 24-bit remote-controlled mic pre-amps. Because the V-Mixing System is all digital, the integrity and sound quality of the audio signal is maintained from the stage units to the V-Mixer and back to the outputs for connection to amps and speakers without the high frequency and intelligibility losses found in analog cabling. RF RF ANALOG Analog Multi Cable (DIGITAL) Digital Snake Digital Transfer can minimize signal s damage AC AC Intuitive and Easy Operation The V-Mixer features 25 x 00mm motorized, touch sensitive faders; a large, bright 800 x 480 color screen; dedicated knobs for EQ, Pan, and Gain; and Scenes for total recall of all console settings. Designed for all operator levels, the intuitive interface is quick to navigate and easy to learn and even has an onboard Help system. The V-Mixing System is the answer for high quality, cost-effective live digital audio mixing and control. Quick and Easy Installation and Setup The V-Mixing System uses the REAC protocol between the stage units and console using a simple Cat5e cable connection instead of bulky, heavy multi-core analog snakes. The Cat5e connection is also immune from the hums buzzes and cross talk associated with analog snakes. With no configuration required, simply plug the Cat5e cable from the stage units to the REAC A & B ports located on the rear of the V-Mixer and the system is ready to go. Example of analog connection REAC connection Supports advanced integrated applications Use the optional Optical converter to send signals up to 2 kilometers using fiber cable. Using REAC, up to 40 channels of multi-track audio can be recorded by simply connecting a Cat5e cable from the REAC Split port on the V-Mixer to a gigabit network port on your PC running Cakewalk s SONAR software. By using Roland s V- protocol you can connect the V-Mixing System to the Edirol V-440HD Multi format Video Mixer for a completely integrated audio and video performance solution. * The number of recording tracks may differ depending on the PC performance. V- connection with V-440HD Video Mixer In addition to improving a system s overall audio quality, the V-Mixing system is very cost effective to install. The system s digital advantages of total recall, built-in effects and recording bring many benefits to any mixing installation. Multi channel transfer with high quality audio REAC transfers 24-bit uncompressed multi channel audio with very low latency. REAC technology eliminates the typical problems found in analog transfer such as signal quality degradation or hums and buzzes. In addition, since REAC transfer happens over light weight cable and is immune to externally induced noise, designers and integrators have more freedom for cable placement resulting in lower cost installations. Up to 40 channels over lightweight Cat5e Heavy analog multi core cable requires large, expensive conduit for installations, and suffers from high frequency losses and potential for induced hums and buzzes. REAC s transfer protocol provides pristine digital audio in a very light weight, inexpensive and easy to install cable format. Analog Multi Core Cable Cat5e cable for REAC Next Generation of Simple, High Quality Audio Transfer REAC (Roland Ethernet Audio Communication) is Roland s original technology for low latency, high quality digital audio transfer. Products using REAC technology are installed today in many venues and have been used for high profile events worldwide. REAC technology provides many system advantages. Preamps on stage boost the input gain before the long journey In analog transfer systems, low level mic signals must go long distances before they are amplified. With the REAC system, the input signal is amplified on stage, right next to the source, and then converted to a lossless, 24-bit digital signal. This REAC audio signal can then be transferred without degradation. So direct boxes are not required. * REAC driver must be installed on PC for multi-track recording. * The number of recording tracks may differ depending on the PC performance. V-Mixing System Analog Transfer ANL : TERM 2: OFF ANL : TERM 2: OFF dbr RMS CH, vs GEN FREQ /Hz SWP TERMINATED dbr RMS CH, vs GEN FREQ /Hz SWP TERMINATED 2 2 0 0 2 2 4 4 6 6 8 8 20 30 50 00 200 500 k 2k 3k 5k 0k 20k 20 30 50 00 200 500 k 2k 3k 5k 0k 20k Frequency Response Comparison Output Impedance : 600 ohms 24-bit multitrack recording using SONAR REAC Recording System Using a Cat5e cable, simply connect a PC to the REAC split port on the back of the V-Mixer. Take inputs and buses from/to stage in their original digital form for up to 40 channels of multitrack recording. Integrate a high quality recording system with unprecedented ease at an affordable price. Output Impedance : 2 k ohms (without direct box) Standard System Standard system consists of 2 Digital Snakes on stage 32ch XLR Basic System x 2 A simple and affordable system to use one Digital Snake on stage Digital Audio Transfer & Mixing System 2ch RCA 2ch Digital Phones 40ch REAC A REAC B Expanded System* 2ch RCA 2ch Digital Phones 40ch One and one S-4000S-3208 Digital Snake on stage side would provide more physical inputs 32ch XLR S-4000S-3208 REAC A REAC B 2ch RCA 2ch Digital Phones * 48 input channels must be selected from 58 physical inputs via the patchbay. 3 4

The Mixer provides intuitive and easy operation for all V-Mixing system functions. The compact/lightweight provides 48 channels, 6 AUX buses plus Main L/R outputs and 8 Matrices. This is an all-in-one design featuring Digital Effects processors, channel and bus DSP and stereo linear file recording/playback function using a USB Memory Drive. The provides extremely easy, intuitive operation. Live Mixing Console High Contrast Color Display Large color TFT display in wide VGA format (800 x 480) provides a clear, bright graphical display for precise management of controls and settings. Function Buttons Provide fast access to screens. Channel Edit Section Color-coded controls for easy adjustment of channel parameters and settings. CH LIBRARY GATE/EXDER LIBRARY COMPRESSOR LIBRARY LIMITER LIBRARY EQ LIBRARY LIBRARY GEQ LIBRARY PATCHBAY LIBRARY PUT PATCHBAY PREAMP Adjusts Digital Snake s preamp Gain in db increments. GATE Supplies Gate and Expander controls. DISP button provides additional parameter controls. TOUCH When lit, touching any channel fader calls up its Channel Edit screen. FILTER 4-mode filter adjustable from 20Hz to 20KHz. COMP Adjusts Compressor Threshold and Limiter for Main and Aux buses. DISP button provides additional parameter controls. EQUALIZER 4 bands of EQ with color-coded controls for Freq, Gain and Q. DISP button provides additional parameter controls. Dedicated Pan dial for fast and easy Pan control. AUX SENDS Quick access to 6 Aux Sends. Send levels can be controlled via Send Level dial or via Faders when using the Sends On Fader feature. Channel Buttons and Meters SEL buttons call up the Channel Edit screen. Large /MUTE buttons. LED meters show signal level. Motorized Fader with Touch Sensitivity Smooth, fast 00mm motorized faders with touch sensitivity for instant call-up of the Channel Edit screen. Rear Panel Lamp Jack Provides power for standard goose-neck lamps. Jack type: XLR-4-3. MIDI/RS-232C Jacks MIDI I/O provides MIDI control options for faders, scenes and more parameters. Can be connected to EDIROL video mixers for linking video faders to audio faders. RS232C control available as update to Version. Digital Output Jacks Assignable coaxial and optical SPDIF output for digital recording or monitoring with EDIROL MA-series monitors. Stereo In Jacks RCA stereo inputs for line-level audio from ipod/cd/dvd players and other line-level audio sources. Talkback Mic In Jack For Talkback Mic. Supplies phantom power. USB Port for Remote Control Dedicated USB port for live or offline PC control using free RCS (remote control software) available from www.rssamerica.com 749(W) 626(D) 229(H)mm/9.8kg Compact Size 749mm USB Memory Recorder USB Memory Recorder Section Stereo recorder/player using USB memory drive. Linear WAV files can be recorded or played back live. Capture a live mix or provide background music. USB Jack In addition to record/playback of WAV files, an USB memory drive can be used to save/load scenes, libraries and user passwords. System & Utility SCENE MEMORY Up to 300 scenes can be saved to internal memory for later recall. Scenes can recall all mixer settings or can be filtered to recall only selected parameters. Control Section Value dial with cursor and ENTER/EXIT buttons for quick parameter selections and adjustments. Setup Section Provides instant access to the PATCHBAY screen and the SYSTEM screen. Group Section Provides instant access to the DCA Groups screen and the MUTE Groups screen. User Section Multiple users with unique passwords can be set up with access to all or a limited number of channels, parameters, their own preferences, user buttons and user fader setup. Talkback and Oscillator Section Gain control and ON button for talkback mic. DISP button brings up setup screen for Talkback as well as Oscillator for acoustical analysis. Monitor Section Monitor output level control. DISP screen provides fast access to selectable monitor sources and parameter controls. Effects Effects Fast access to 4 stereo or 8 dual mono high quality internal effects including stereo reverbs, delays and sophisticated channel strips. Internal Effects List Stereo Reverb Reverb + Gate Stereo Chorus 4 x 3 bands GEQ Four dedicated 3-band graphic EQ s can be edited using 00mm faders. Additional GEQs available in -4 for up to 2 3-band graphics. Insert Effects 8 XLR inputs and outputs on the console s rear panel can be used for sends/returns of external insert effects on any channel or bus. LAYER Fast access to channels -24, 25-48 and Aux Bus/DCA/Matrix Masters. User Fader layer customizable for one-layer mixing. Channel layers and fader modules USER AUX/DCA/MTX Delay x 2 Long Delay Multi Tap Delay USER FADER ~24 AUX ~ 6 DCA ~8, Matrix -8 Cross Modulation Delay Stereo Flanger Stereo Phaser CH25-48 CH-24USER Pitch Shifter x 2 Channel Strip x 2 Dual GEQ Stereo CH25~48 CH~24U Main Fader Adjusts Main output mix. SEL button toggles between L and R Channel Edit screens for Main channel. Includes and MUTE. Phones Jack /4 inch phone jack with level control knob. REAC REAC Ports A and B ports for connecting to RSS Stage Units (S-4000S or ) via Cat5e. Split/Backup port provides channel split for multi-track recording. Console Input/Output Jacks 8 XLR inputs and XLR outputs assignable to/from channels and buses for external inserts and extra inputs and outputs. Inputs are Mic/Line with phantom power. 5 6

The large, bright 800 x 480 color LCD gives a very clear view of all the s parameters. The high contrast color LCD makes it easy to make precise edits and change parameters for all of the s functions. Dedicated, accessible buttons call up large displays for editing all important console processing, routing and other functions. All of the buttons and knobs and their logical layout are designed for fast and intuitive operation. Live Mixing Console Channel Edit Channel Display Channel Editing Display is a familiar and easy-to-use analog-style layout of channel parameters. Change values fast using the s dedicated knobs and buttons. System&Utility Patchbay Large, intuitive screen for routing any stage or console input to channels and assigning buses to outputs. System Setup screen for all basic system parameters. Gate/Expander Display Large Gate and Expander screen enables intuitive, graphical operation. EQ Display Large graphical display of all EQ parameters for intuitive application of EQ. Use dedicated knobs to rapidly change Gain, Freq and Q values. USB Memory Display Assign sources and destinations and manage playlists for the USB Memory linear.wav recorder. Gate/Expander Library Use libraries for storing frequently used settings. Presets provide easy way to get started with most common sources. EQ Library Use libraries for storing frequently used EQ settings. Presets provide easy way to get started with most common sources. Help Display Onboard Help provides detailed how-to information on operation. No need to bring the manual to the show! User Display Set up multiple Users each with their own level of parameter access, passwords etc. Mute Group Assign channels and buses to the 8 Mute Groups. Use this screen to turn groups On/Off. Comp Display Large Compressor screen enables intuitive, graphical operation. Comp Library Use libraries for storing frequently used settings. Presets provide easy way to get started with most common sources. Limiter Display Large graphical screen provides easy, intuitive editing of Limiter parameters for Main L/R and Aux -6 buses. AUX Sends Display Overview screen for a Channel s Aux sends provides easy way to link buses for stereo operation and to set On/Off and the Pre EQ, Pre or Post send position for each bus. DCA Group Assign channels or buses to a DCA so that their levels can be controlled with one Master DCA Fader. Scene Memory Display Total system recall is available using up to 300 scenes per project. Recall all settings or filter parameters on a scene-by-scene or global basis. Talkback/Oscillator Display Set up the Talkback bus destinations and edit Oscillator settings when doing room analysis. Monitor Display Assign sources to the Monitor bus and set up the Solo mode. Meter Meter Large overview screen provides quick view of all channel meters and fader positions. Layer View View and edit many of the parameters for all channels in the current fader layer. Effect EFFECTS View and edit the 4 stereo, highquality for channel/bus/matrix inserts such as the advanced channel strip; or for loop effects. EFFECT EDIT (Reverb) Various parameters allow precise and graphical setup of effects. User Setup can be stored to internal Memory. Library Use effects libraries for storing frequently used settings. Presets provide easy way to get started with each effect algorithm. External Effect Insert Configure up to 8 External Inserts for channels, buses or matrices using the Console s XLR inputs and outputs. GEQ Rack Setup screen for the s four dedicated 3-band Graphic EQs. You can even use the console s faders for fast editing. 7 8

Many easy options for connecting to external devices. Easy connectivity with external devices enhances and extends the performance of the V-Mixing System. The V-Mixing System provides a total mixing and recording solution. Have the freedom to easily expand your system. V-Mixing System s great flexibility provides solutions for almost any kind of system integration. Cat5e cabling or fiber makes the system easy to install for retrofits or portable live sound systems. Recording Setup Stage Using the REAC Split port, a direct Cat5e connection can be made to a PC's Gigabit Ethernet port. Using Cakewalk's Sonar software up to 40 channels of audio can be recorded. *This function can be used on Standard System or Basic System. Front of House 40ch/24bit recording * REAC driver must be installed on PC for multi-track recording. * The number of recording tracks may differ depending on the PC performance. PC with External Insert Effects The Console can be used to host additional inputs such as wireless mic modules or video decks or even additional phantom-powered microphones. Using the system s External Insert paths, they can also serve as paths to external processors from channels or buses. Even more console inputs The console also hosts an RCA stereo pair for direct connection of a CD player, DVD player or VCR. Along with the onboard USB Memory recording, they provide additional means of playing back pre-show audio, sound effects or video/dvd audio. Record and Playback audio to/ from USB memory drive The s USB Memory Recorder facilitates the playback of linear audio files using standard USB memory drives. It can also be used to record high quality stereo mixes of the live event. The USB drive is also used for saving/loading console user setup data, setting up unique User Passwords and for system updates. Direct Connection with SONAR for multi-track recording The s REAC Split port enables direct connection with a PC's gigabit Ethernet port using only a Cat5e cable. This allows multi-track recording of up to 40 channels using Cakewalk s SONAR REAC Recording software without the need for any external audio interfaces. * REAC driver must be installed on PC for multi-track recording. * The number of recording tracks may differ depending on the PC performance. Remote control and offline setup using a PC The s second USB port provides direct PC connection for remote control and saving/loading presets from a PC. When a PC is on a wireless local network and connected to the a wireless tablet PC or other computer could be used on stage or in the house for any real time mixing or setup functions (using Microsoft s Remote Desktop function). The free RCS software can be downloaded from www.rssamerica.com. Split Setup The V-Mixing system's REAC protocol makes it easy to split the source audio signals. These splits can be used to connect to another acting as a monitor console, or output for analog monitoring or recording requirements. Monitoring Broadcast Setup Here's another example of the advantages of REAC's easy to make digital signal splits. Using an for mixing and a split to an S-086 Digital Snake provides a connection to an analog console in a broadcast suite. Stage Stage 40ch Front of House Master Console S-4000-SP REAC Splitter S-4000-SP REAC Splitter Broadcast Room S-086 S-086 TV Broadcast A TV Broadcast B Front of House Radio Broadcast The cornerstone of Roland s Audio & Visual Solution. Employing visual entertainment at concerts or musical events is now very common. Roland provides an integrated, Audio & Visual solution. Connecting the with an EDIROL V-440HD Multi-format Video Mixer using V- provides an automatic Audio Follow Video mix. Audio & Visual Setup To integrate the video system to the audio system in a live recording shoot, use the EDIROL VC-300HD Multi-format Video Converter to precisely adjust audio and video sync before outputing to HD and SD video recording devices. Audio/Video Output Audio Sources Video Sources V-440HD Multi-Format Video Mixer (MIDI) VC-300HD Multi-Format Video Converter Video Audio PR series Realtime Video Presenter Audio/Video Recording HD VCR HDV VCR DVD Recorder 9 0

Simple and flexible digital snake stage units provide Superb Sound Quality. RSS Digital Snakes are an integral part of the V-Mixing System. Compact and portable, they offer many flexible configurations for any installation. The high quality 24-bit remote-controlled mic preamps enable digital conversion of the audio signal very close to the sources, providing the highest possible audio quality. The standard I/O unit for V-Mixing System with 6 inputs and 8 outputs S-4000S-3208 The I/O unit with 32 inputs and 8 outputs for applications requiring more physical inputs Analog Inputs Discrete circuit design with high quality components and 24-bit AD conversion. The indicators show signal in, clip and on/off. Analog Outputs 24-bit DA conversion for main and monitor outputs REAC Terminal Input and Output terminal for REAC s Cat5e digital transfer. Tough and Durable Ethercon connectors by Neutrik provide the highest possible system reliability. Analog Inputs Discrete circuit design with high quality components and 24-bit AD conversion. Analog Outputs 24-bit DA conversion for main and monitor outputs Signal Indicator Indicators for signal in, clip and on/off. REAC Terminals Input and Output terminal for REAC s Cat5e digital transfer. Tough and Durable Ethercon connectors by Neutrik provide the highest possible system reliability. Remote Terminal * RS-232 terminal connects to the dedicated S-4000R remote controller or a computer installed with the free S-4000 RCS remote control software. * Not required when using an V-Mixer. Mute All Outputs Button When this button is pressed and held, all outputs will be muted for an easy way to connect or disconnect microphones or other sources. S-086 The I/O unit with 8 inputs and 6 outputs for expansion of output channels in V-Mixing System. REAC mode selection switch Master Slave Split Outputs source audio to the Slave and Split devices It receives Input from the Slave device. Receives Input from and sends output to the Master device. Receives Input from all of the Master device's sources. MIDI Terminals Enables the remote control of musical instruments from external MIDI devices. Remote Terminal * RS-232 terminal connects to the dedicated S-4000R remote controller or a computer installed with the free S-4000 RCS remote control software. Mute All Outputs Button When this button is pressed and held, all outputs will be muted for an easy way to connect or disconnect microphones or other sources. Digital Output (Optical) Digital output for the source signals coming into Ch and Ch2. REAC mode selection switch Master Slave Split Outputs source audio to the Slave and Split devices It receives Input from the Slave device. Receives Input from and sends output to the Master device. Receives Input from all of the Master device's sources. OPTIONS Optical converter offers long distance REAC audio transfer. Stage * Not required when using an V-Mixer. The optical converter converts multi-channel REAC signal to a digital optical signal and makes long distance transfer of up to 2km possible. Rugged, Neutrik OpticalCon connectors provide highest possible system reliability. Optical Fiber Cable 2km Optical Fiber Cable 2km REAC Optical Converter Please use Neutrik s Mobile Fiber Cable for optical signal transfer. Please have contact with Neutrik for further details. S-4000-SP REAC Splitter enables splitting and extension of REAC signals. Dual 5-port dedicated splitter for V-Mixing System provides highest possible reliability using Neutrik Ethercon connectors and a dual power supply. Crossover Ethernet cable with Neutrik Ethercon connectors on both ends. Crossover Ethernet cable with Neutrik Ethercon connectors on both ends. 00m Cat5e cable on reel 00m Cat5e cable on reel designed for light weight, portable V-Mixing System. Compact and lightweight cable reel with SC-W00S cable pre-rolled. S-4000-SP SC-W00S W00S-R Optional REAC Splitter 00 meter Cat5e Cable 00 meter Cat5e Cable * Ethercon and OpticalCon are the registered trademarks of Neutrik 2

REAC A REAC B PUT PATCHBAY MAIN L, R PUT POST ATT FADER BAL MUTE GEQ 4BAND EQ EXT MAIN L ATT LIMITER AUX SEND -6 SEND AUX SW SPLIT/ BACKUP TO AUX, 3...7 MONO -6dB MIX TO AUX 2, 4...8 REAC A TO MONITOR TO REC AUX -6 POST ATT PUT GEQ EXT AUX -6 FADER BAL MUTE 4BAND EQ ATT Total 32 channel LIMITER MAIN SEND REAC B TO MAIN L, R 40 Mixer Block Diagram MONITOR/ BROADCAST To another S-4000S PUT MAX 40 PUTS SO-DA4 SO-AES4 AES/EBU SRC 8 PUTS PUT MATRIX SEND -8 PUT -8 MTX 40 TO MTX, 3...7 MAIN S-086 PUT 6 PUTS R TO PUT -6 S-4000S PUT MAX 8 PUTS SO-DA4 SO-AES4 AES/EBU SRC 8 PUTS PUT PUT -8 MATRIX SEND -8 MTX 6 PUTS S-086 PUT TO MTX, 3...7 PUT -6 TO L TO R S-4000S PUT MAX 40 PUTS SO-DA4 TO MONITOR TO REC TO SOURCE SO-AES4 AES/EBU MATRIX -8 SRC TO MTX, 3...7 MATRIX SEND (FROM MAIN) PUT POST ATT TO MTX, 3...7 MATRIX SEND (FROM AUX -6) CONSOLE PUT -8 FADER GEQ BAL MUTE EXT MATRIX -8 ATT FROM CH A CH DIGITAL COAXIAL OPTICAL TO L TO R MTX DIRECT DIRECT 48 FROM CH B TO MONITOR TO REC OSCILLATOR USB MEMORY RECORDER REC MONITOR DIRECT -48 OSCILLATOR USB MEMORY REC REC AUX 8 9 V-Mixer Specifications PROCESSING Number of Channels Signal Processing AD/DA Conversion Network Latency CONNECTORS 48 inputs / 8 buses / 8 matrices 56-bit 24-bit / 44.kHz or 24-bit / 48kHz 2.8 ms (typical) * Total System Latency of audio signal from inputs to outputs via 's REAC ports (A or B). * Sample Rate: 48.0 khz * Effects : No insert effects Total Harmonic Distortion + Noise Dynamic Range Cross Talk@kHz Nominal Input Level (Variable) Input Impedance XLR output jacks ( to 8): 0.05 % (typical), Phones jack: 0.05 % (typical) XLR output jacks ( to 8): 0 db (typical) XLR input jacks ( to 8): -80dB (Pad: ON, Input gain: +0 dbu, typical) XLR output jacks ( to 8): -00 db (typical) XLR input jacks ( to 8): -65 to -0 dbu (Pad: OFF) or -45 to +0 dbu (Pad: ON) RCA input jacks (L/R): -8 to 0 dbu Talkback input jack: -50 to -0 dbu XLR input jacks ( to 8): 4 k ohms, RCA input jacks (L/R): 0 k ohms, Talkback input jack: 4 K ohms XLR Inputs ( to 8 ) XLR-3-3 type (balanced with phantom power) Non Clip Maximum Input level XLR input jacks ( to 8): +8 dbu (Pad: OFF) or +28 dbu (Pad: ON), Talkback Mic Input XLR-3-3 type (balanced with phantom power) RCA input jacks (L/R): +8 dbu, Talkback input jack: +8 dbu RCA Inputs (L/R) RCA Pin Type Nominal Output Level XLR output jacks ( to 8): +4 dbu (Load impedance: 0 k ohms) XLR Outputs ( to 8 ) XLR-3-32 type (balanced) Output Impedance XLR output jacks ( to 8): 600 ohms, Phones jack: 00 ohms Phone Output Stereo /4 inch phone type Recommended Load Impedance XLR output jacks ( to 8): 0 k ohms or greater, Phones jack: 8 ohms or greater Digital Outputs Optical type x and Coaxial type x XLR output jacks ( to 8): +22 dbu ( khz, 0 k ohms load) Non Clip Maximum Output level REAC Ports RJ-45 EtherCon type x 3 Phones jack: 50 mw + 50 mw ( khz, 40 ohms load) USB Ports A type x and B type x Residual Noise Level (IHF-A, typical) -88 dbu (All faders : Min) Remote Connectors RS-232C (D-Sub 9 pin type) x * MIDI (5 pin DIN type) x 2 (Out/Thru & In) * Serial remote control is not available on version firmware Equivalent Input Noise Level (E.I.N.) OTHERS Display -26 dbu 800 x 480 dots Wide VGA backlit TFT full color Other Connectors LAMP (XLR-4-3 type) x, Grounding terminal, AC Input Power Supply AC 5 V, AC 7 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz) / PUT CHARCTERISTICS Power Consumption 95 W Frequency Response XLR output jacks ( to 8) : -2 db / +0 db (20k ohms load, +4 dbu) Dimensions 749.0 (W) x 626.0 (D) x 229.0 (H) mm, 29-/2 (W) x 24-/6 (D) x 9-/6 (H) inches Phones jack: -3 db / +0 db (40 ohms load, 50 mw) Weight 9.8 kg, 43 lbs oz * When a REAC Splitter S-4000-SP or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependent upon the specifications of the splitting device, (0dBu=0.775Vrms) though the maximum delay amount for a single splitting device should be about 200 microseconds. * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice. V-Mixer Dimensions 749 229 636 626 680 AUX 6 TO PATCHBAY USB MEMORY RECORDER REC L,R MAIN L MAIN R MAIN MONO MATRIX MATRIX 8 MONITOR MONITOR TO MONITOR AUX AUX 6 MONITOR LOGIC MONITOR L MAIN L MAIN R MAIN MONO MONITOR R PHONES MATRIX MATRIX 8 PHONES REC L REC R Digital Snake S-4000S-3208 40CH I/O Modular Rack Specifications Number of Channels 32 in 8 out AD and DA Conversion Sample Rate: 96.0 khz, Signal Processing: 24 bit Frequency Response -2 db / +0 db (@ +4 dbu, 20 Hz to 20 khz) Total Harmonic 0.05 % or less Distortion + Noise (Pad: On, Input Gain: +4 dbu, 22 to 20000 Hz) Dynamic Range 0 db Cross Talk -80 db Nominal Input Level -65 to -0 dbu (PAD: Off) -45 to +0 dbu (PAD: On) PAD Input Impedance Nominal Output Level Output Impedance Recommended Load Impedance Residual Noise Level (IHF-A, typ.) Equivalent Input Noise Level (E.I.N.) Network Latency Number of Channels AD and DA Conversion Frequency Response Total Harmonic Distortion + Noise Dynamic Range Nominal Input Level PAD ( db step, Max. +28 dbu) 20 db On/Off 20 k ohms +4 dbu, Max. +22 dbu 50 ohms 0 k ohms or greater -90 dbu -28 db 375 microseconds when using REAC cable only (AD - REAC - DA Latency: about.2 ms) Digital Snake Specifications 6 input / 8 output 24-bit / 44.kHz, 48kHz, 96kHz -2 db / +0 db (@ +4 dbu, 20 Hz to 20 khz) 0.05 % or less (Pad: On, Input Gain: +4 dbu, 22 to 20 khz) 0 db -65 to -0 dbu (PAD: Off) -45 to +0 dbu (PAD: On) ( db step, Max. +28 dbu) 20 db On/Off Connectors Indicator AC Power Supply DC Power Supply Power Consumption Current Draw Phantom Power Dimensions Accessories EXT Indicator (External Power Supply Unit) INT Indicator REAC Indicator CTRL Indicator ALARM Indicator MUTE ALL PUTS Indicator AC 5 V, AC 7 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz) +24 V (from optional external power supply unit : S-240P): 30 W 6 A (for an optional external power supply unit; Model S-240P) +48 V / 4 ma (each input on SI-AD4, remote controlled) 482.0 (W) x 336.0 (D) x 266.4 (H) mm 9 (W) x 3-/4 (D) x 0-/2 (H) inches Weight 7.0 kg, 37 lbs 8 oz Operation Temperature 0 to +40 degrees Celsius +32 to +04 degrees Fahrenheit Power Cord, REAC cable (0 m, Cat5e crossover cable) Adhesive-backed number label sheets, REAC Connector Covers Ferrite Cores, Owner's Manual Connectors Indicators Power Supply Power Comsumption Analog Input x 6 (XLR type, balanced, phantom power) Analog Output x 8 (XLR type, balanced) Digital Output connector x (Optical type) REAC Connector x (RJ-45 EtherCon type) Remote Connector x (RS-232C, DB-9 type) POWER Indicator x, REAC Indicator x, REMOTE Indicator x, MUTE ALL PUTS Indicator x AC 5 V, AC 7 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz) : 45W Unit : mm Input: 32 (XLR type, balanced, phantom power, 4 ch input module x 8), Output: 8 (XLR type, balanced, 4 ch output module x 2) REAC: MAIN, BACKUP (RJ-45 EtherCon type), Remote Connector: (RS-232C, DB-9 type) MIDI Connectors: IN, (5-pin DIN type) * 0 dbu = 0.775 Vrms MAIN AUX LR 2 6 LR TO REAC A Total 32 channel PATCHBAY CH -48 GATE COMP GATE IN PREAMP POST ATT GR GR MAIN SW MUTE FADER EXT 4BAND EQ PHASE ATT FILTER GATE/ EXP COMP AUX SEND -6 TO COMP KEY-IN TO GATE KEY-IN SEND AUX SW COMP KEY-IN GATE KEY-IN TO AUX, 3...5 Up to 24 GATE / EXP units are available. Up to 24 COMP units are available. TO AUX 2, 4...6 AFL SW PFL(L) AFL(L) PFL(R) AFL(R) DIRECT POINT TO MAIRIX -8, TO PUT PATCHBAY MAIN L, R, AUX -6, OSC MATRIX -8 SW ON SW OSC OSCILLATOR OSC PINK NOISE TO MAIRIX -8 TO PUT PATCHBAY WHITE NOISE SINE WAVE TO EXTARNAL MAIN L, R, AUX -6, MATRIX -8 SW ON SW TO MAIRIX -8 TO PUT PATCHBAY EFFECTS PUT To CH IN IN CH To CH 48 IN CH 48 EFFECT AUX To AUX IN AUX 6 3 BAND GEQ To AUX 6 IN 3 BAND GEQ To MATRIX IN To MATRIX 8 IN 2 MATRIX MATRIX 8 AUX -6 SEND (FROM MAIN) MAIN L MAIN R To MAIN L IN To MAIN R IN 3 MAIN L MAIN R To PATCHBAY 4 AUX AUX 6 MAIN SEND (FROM AUX -6) AUX -6 3 BAND GEQ MATRIX -8 GEQ PUT GEQ To AUX GEQ IN IN GEQ AUX GEQ To AUX 6 GEQ IN 3 BAND GEQ AUX 6 GEQ To MATRIX GEQ IN To MATRIX 8 GEQ IN GEQ 2 MATRIX GEQ MATRIX 8 GEQ GEQ 3 To MAIN L GEQ IN To MAIN R GEQ IN GEQ 4 MAIN L GEQ MAIN R GEQ EXT IN CONSOLE -8 EXT EXTERNAL To CH EXT IN CH EXT To CH 48 EXT IN CH 48 EXT RETURN SEND To AUX EXT IN To AUX 6 EXT IN RETURN SEND EXT -8 AUX EXT AUX 6 EXT To MATRIX EXT IN MATRIX EXT To MATRIX 8 EXT IN MATRIX 8 EXT LR 2 6 LR MAIN AUX To MAIN L EXT IN To MAIN R EXT IN MAIN L EXT MAIN R EXT Input Impedance 4 k ohms Phantom Power +48 V / 4 ma (each input, remote controlled) Nominal Output Level Output Impedance Recommended Load Impedance Residual Noise Level (IHF-A, typ.) Equivalent Input Noise Level Network Latency +4 dbu, Max. +22 dbu 600 ohms 0 k ohms or greater -80 dbu or less -28 db 375 microseconds when using REAC cable only (*) (AD - REAC - DA Latency: approx.2 ms) Dimensions Weight Accessories 40.0 (W) x 35.0 (D) x 77.0 (H) mm or 5-3/6 (W) x 5-3/8 (D) x 7 (H) inches 4.5 kg or 9 lbs 5 oz Power Cord x, REAC Connector Cover x, Ferrite Cores x Rubber Foot x 4, Rack Mount Kit x, Owner's Manual * When a REAC Splitter S-4000-SP or a switching hub is used in-line with REAC cables, the network latency will increase by the amount of processing delay introduced by the splitting device itself. The actual delay is dependant upon the specifications of the splitting device, though the maximum delay amount for a single splitting device should be about 200 microseconds. * In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice. (0dBu=0.775Vrms) 6 S -6 PEAK SIG PHANTOM REAC A 8 S S-086-8 PEAK PHANTOM 32 SIG 33 MAX 40 S S-4000S 40 SI-AD4 PHANTOM REAC B SI-AES4 32 AES/EBU SRC 33 40 FOH 40 Channel split out (For REAC A only) From another PHANTOM CONSOLE -8 STEREO L, R L / R 2 L / R 3 L / R 4 L / R PLAY L / R PHANTOM MIC 3 4

The cornerstone of Roland's Audio and Visual Solution 48 channels / 8 buses / 8 matrices / 56-bit processing In the Americas: www.v-mixingsystem.com Worldwide: www.rolandsystemsgroup.net Copyright 2008 Roland Corporation. All right reserved. All specification and appearances are subject to change without notice. June 2008 RSG U.S.