(HARMONY INDEPENDENCE) RIZZO AUDITION PACKET
GREASE RIZZO KENICKIE RIZZO / KENICKIE PRE GREASED LIGHTNIN DOODY: SONNY: DOODY: ROGER: SONNY: DANNY: SONNY: (Entering) Hey, you guys! Hey, it s Rizzo Whattaya say, Riz? Words mostly Ooooooooooo Whatta you up to, Riz? Got a new ob or somethin? Yeah She s at work right now Yeah, right, Sonny Don t you wish Hey, where d you guys cop the spinners? Oh, some old alopy down the street Hey, and there it is! It s coming this way right now Tear ass! (Car arrives to the stage) DANNY: KENICKIE: ROGER: KENICKIE: KENICKIE: KENICKIE: Hey, wait a minute it s Kenickie All right, put those things back on the car, dip-stick Jeez, what a grouch! We was only holdin em for ya so nobody d swipe em Hey, what took you so long? It that your new custom convert? Yeah This is it! Ain t it cool? Yeah, about as cool as a second-hand ice cream truck Okay, Rizzo, if that s how you feel, why don tcha go back to your little paama party? Plenty of chicks would get down on their knees to ride around in this little number Yeah, sure they would! Hey what s with them? This isn t a gang bang Alright, look, gimme five minutes I ll give em the brush Whattya say I pick ya up over at the Burger Palace? 1 P a g e
KENICKIE: SONNY: DANNY: DANNY: DANNY: KENICKIE: SONNY: KENICKIE: In five minutes? Yeah, I ll be right over soon as I get rid of the deadwood Hey, Rizzo Where ya goin? See ya around Riz Hey, Danny I ust left your girl friend over at Marty s house, barfin all over the place Girlfriend whattaya talkin about? Sandy Dumbrowksi! Y know Sandra Dee Stay cool, you guys Weird chick Kenickie, where d you get this hunk-a-unk, anyway? Whattaya talkin about? This is Greased Lightnin! What? You mean you really expect to score in this garbage heap? Come on, you guys Wait till I give it a fresh coat of paint, soup up the engine a little, she ll work like a champ! This car could be one cool piece of machinery Why this car could be: Automatic Systematic Hydromatic Why it s Greased Lightnin! SONG (6): GREASED LIGHTNIN 2 P a g e
GREASE RIZZO SANDY RIZZO / SANDY PRE THERE ARE WORSE THINGS I COULD DO KENICKIE: KENICKIE: SONNY: DOODY: ROGER: FRENCHY: JAN: JAN: ROGER: MARTY: SONNY: JAN: SANDY: SANDY: Oh, you do, huh? Boy, good news really travels fast! Hey, listen, why didn t you tell me? Don t worry about it Kenickie You don t even know who the guy is What? Thanks a lot, kid (Kenickie exits) Hey, Rizz, how s tricks? Look, if you ever need somebody to talk to All of a sudden you think you can get a little Get lost, Sonny Tough luck, Rizzo Listen, Rizz, I could help you out with some money if you need it Forget it, I don t want handouts Hey, it ain t so bad, Rizz at least you get to stay home from school Hey, you want to stay over tonight, Rizz? Why don t you guys ust flake off and leave me alone? It s getting kinda late, anyway I guess it might be a good idea if everybody ust went home C mon, you guys let s go See ya, Rizz (Roger and Doody exit) Hey, French wait up! (Marty and Frenchy exit) Tell her I didn t mean anything, will ya (Sonny exits) Yeah, sure (Jan exits) I m sorry to hear you re in trouble, Rizzo Bull! What are you gonna do give me a whole sermon about it? No But doesn t it bother you that you re pregnant? Look, that s my business It s nobody else s problem 1 P a g e
SANDY: Do you really believe that? Didn t you see Kenickie s face when he left here? It is Kenickie s, isn t it Well, I guess I ve said too much already Good luck, Rizzo Now wait ust a minute, Miss Goody-Goody! Who do you think you are? Handing me all this sympathy crap! Since you know all the answers, how come I didn t see Zuko here tonight? You ust listen to me, Miss Sandra Dee 2 P a g e
GREASE MARTY PINK LADIES MARTY THE PINK LADIES VINCE V-O: Hey, hey, this is the main-brain, Vince Fontaine, at Big Fifteen! Spinin the stacks of wax, here at the House of Wax (OOO-GA HORN SOUND) W-A-X-X Cruisin time, 10:6 (RICOCHETING BULLET EFFECT) Sharp-shooter pick hit of the week A brand new one shootin up the charts like a rocket by The Vel-doo Rays goin out to Ronnie and Sheila, the kid s down at Mom s school store, and especially to Little Joe and the LaDons listen in while I give it a spin! ( Baby, baby, how I want ya RADIO FADES) RIZZO FRENCHY: SANDY: MARTY: FRENCHY: JAN: FRENCHY: MARTY: JAN: MARTY: MARTY: SANDY: Hey, Frenchy, throw me a ciggie, will ya? Ya want one, Sandy? Oh, no thanks I don t smoke Ah, go on try it It ain t gonna kill ya (Sandy inhales and starts coughing) Oh, I shoulda told ya, don t inhale if you re not used to it That s okay, Sandy You ll get better at it Yeah, then I ll show ya how to French inhale That s really cool Phtyyyaaaaagghh! That s the ugliest thing I ever saw! Nah, the guys really go for it That s how I got my nickname, Frenchy Sure it is Jeez, it s getting kinda chilly I think I ll put my robe on Wow! Hey, Marty, where da get that thing? This guy I know sent it to me He s a Marine And a real doll, too How long you know this guy? Oh ust a couple of months I met him on a blind date at the roller rink and the next thing I know, he oins up Anyway, right off the bat he starts sendin me things and then today I got this kimono Oh, yeah, and look what else! Oh, neat! FRENCHY: Jeez! Engaged to a Marine! 1 P a g e
Rehearsal Score ~17~ GREASE ROYAL CARIBBEAN Arranged by Chris Egan THERE ARE WORSE THINGS I COULD DO COLLA VOCE Rizzo There are worse things I could do than go 2 with a boy or? ('bell-tone' if needed) P Ó w 2 2 1 two, E - ven 2 though the neigh - bour hood thinks I'm trash - y and no 2 w? 2 good I sup-pose it could be 3 true, but there are worse things I could U " CLICK 3, do I could flirt with all the w U " Ó 7? U 3 9/2/16 - RC16 Page 1 of 5 wwwchriseganmusiccom
10? A TEMPO q k =6? F B 7 13 w guys play very smooth legato E m E m D - - C smile at them and bat my C Ma7 etc - w eyes F m7 b 5 Press a - gainst them when we dance, make them think they stand a chance then re - fuse to see it Rizzo may take some liberties with backphrasing, etc throughout E m7 A 7 17 THERE ARE WORSE THINGS I COULD DO / Rehearsal Score D Ma7 B m7 16? through that's a thing I'd ne - ver do I could stay home ev - 'ry n E 7 A 7 D n D m7 > > n n > > > n 9/2/16 - RC16 Page 2 of 5 wwwchriseganmusiccom
17 THERE ARE WORSE THINGS I COULD DO / Rehearsal Score b w night wait a - round for Mis - ter w Right 1? b n n f G m7 b C 7 F Ma7 n n b n n b n Take cold show - ers ev' - ry day and throw my life a - way on a dream that won't come 21? B b Ma7 b b n b b G m7 A 7? w true 2 n Dm9 D m I could hurt some- one like D P F w me E m E m D 9/2/16 - RC16 Page 3 of 5 wwwchriseganmusiccom
17 THERE ARE WORSE THINGS I COULD DO / Rehearsal Score out of spite or ea - lou - w sy? 27 C Ma7 J J b b F m7 b 5 J J J? B 7 29 I don't steal and I don't b n b n n lie but I can feel and I can f E Ma7 C m7 RALL w (CLICK OUT) U " 31? cry A fact I bet you ne - ver F m7 b 5 B 7 knew 2 E m E m D 2 U C Ma7 U But to cry in front of " " J Ó 9/2/16 - RC16 Page of 5 wwwchriseganmusiccom
17 THERE ARE WORSE THINGS I COULD DO / Rehearsal Score w you " > > That's the worst thing I could no added 'turns' please` 6 > do? P A m6 2 2 2 D 7 " " 6 6 3 CLICK 3, DIRECTED w 3 w Ó 37? f b apple apple apple apple Cm(ma7) C m6 Cm(add9) C m b b > > > 3 3 > w w w > Ó J Ó SEGUE 1 ON APPLAUSE 9/2/16 - RC16 Page 5 of 5 wwwchriseganmusiccom
(HARMONY ONLY) THE NOVELLAS AUDITION PACKET (SANDY, RIZZO, MARTY FRENCHY)
Love On Top for Casting Columbus q = 9 shuffle Ó J You put my love on top, ba - by you're the one that I { b b? A Š7 G11 C Š7 n b 2 J R R { love, ba - by you're all I need, you're the on - ly one I A /F 3 F Š7? b r R see, come on ba - by it's you you're the one who gives your {? G11 5 6 C Š7 VS
2 R R { all you're the one I al - ways call, when I need you ev - ry - thing A /F? 7 F Š7 J b stops, fin - al - ly you put my love on b b b b b {? 9 A Š7 b b G11 n b b b b b b b b b b b b b b b b J top, ba - by you're the one that I { bb b b b? b b b b b D Š7 10 J Andrew Duncan Productions Love On Top
3 bb b b b R R { { bb b b b love, ba - by you're the one that I need, you're the on - ly one I B /G 11 13 G Š7? b b b b b n b b b b bb b b b b b b? b b b b b see ba - by ba - by it's A 11 b b b b b R R you you're the one that gives your all, you're the one I al - ways { bb b b b? b b b b b D Š7 1 15 B /G n n VS Love On Top Andrew Duncan Productions
bb b b b R { bb b b b? b b b b b call, when I need you ev - ry - thing G Š7 16 b b b b b J b J Ó stops, fin - al - ly you put my love on top { A Š7 A 11 D Š7 b b b b b n b n? b b b b b n b 17 1 w ww w w Andrew Duncan Productions Love On Top
(INDEPENDENCE ONLY) FEMALE SINGER AUDITION PACKET (SANDY, RIZZO, JAN, MARTY FRENCHY)
PIANO/VOCAL FEMALE AUDITION ALL BY MYSELF Clicks to Bar 1 All By Myself q = 1 VOCAL ARRANGEMENTS: TAYLOR ROBERTS When I was young I nev er need ed an y one, G C 6/G G 1 2 3 5 6 rall and mak ing love was ust for fun, those days are gone G9/F E7( ) E7 A C 6 G/B A 7(b5) D/F 7 9 10 11 A tempo All by my self, don't wan na be all by my self G B 7 D /F E7( ) E7 All By Myself 13 1 15 16 17 1 2016 RCCL Productions VS
2 PIANO/VOCAL 3 an y more A A 7(b5) B D 7 19 20 21 22 23 2 Slower q = 9 Don't wan na be all by my self F /A G 7( ) G 7 C E/F F ( ) 25 26 27 2 29 All By Myself
PIANO/VOCAL FEMALE AUDITION ONCE UPON A TIME Once Upon A Time VOCAL ARRANGEMENTS: TAYLOR ROBERTS q = 13 Once up on a BGV's Once u pon a time, Once u pon a time, doo doo, doo, doo, doo, ooh Once A G A G A 1 2 3 time Once u pon a BGV's u pon a time, once u pon a time, doo doo, doo, doo, doo, ooh A G A G A 5 6 7 VS 2015 RCCL Productions Once Upon A Time
2 FEMALE AUDITION Once Upon A Time dream a man will come and give her ev 'ry A6 F/A A 9 10 11 thing she wants and loves, but in the morn ing A6 F/A A 13 1 15 16 she'll a wake to face the room a round her, it's ust a noth er G A 17 1 19 20 lone ly day, Bit ter ness sur rounds her C/G E7 A 21 22 23 2 Once Upon A Time
Once Upon A Time FEMALE AUDITION 3 3 3 (preferred belt or strong belt/mix) Aah Oh Won't you come with BGV's Aah Oh Ooh, ooh, ooh, ooh F/A Ami7 E(b5) 25 26 27 2 me (ms 30-35 'fill' this up HOWEVER, it is not to be busy riffy but rather long phrases Notes indicated are a guide or an option) Join our fan ta sy top note optional BGV's Once u pon a time, Once u pon a time, doo doo, doo, doo, doo, ooh Once A G A G A 29 30 31 32 (RETURN TO THE NOTES HERE) Once u pon a BGV's u pon a time, once u pon a time, doo doo, doo, doo, doo, ooh A G A G A 33 3 35 36 Once Upon A Time
FEMALE AUDITION Once Upon A Time 3 3 time BGV's Aah F/A Ami7 Dmi/A Ami 37 3 39 0 opt 3 3 Aah BGV's Aah Ooh, ooh, F/A Ami7 E(b5) E(b5) 1 2 3 (preferred belt or strong belt/mix) Oh, Once U pon A Time BGV's ooh, ooh, ooh, ooh, ooh E(b5) Ami7 5 6 7 Once Upon A Time