ull score Solo B Cornet Piccolo (lute ) lute lute Ooe Ooe English Horn Bassoon Bassoon Contraassoon Sorano Clarinet in E Clarinet in B Clarinet in B Clarinet in B B Bass Clarinet B Contraass Clarinet st E Alto Saxohone nd E Alto Saxohone B Tenor Saxohone E Baritone Saxohone Horn in Horn in Horn in Horn in or Wynton Marsalis antasie Brillante ean Batiste Aran (85 889) arranged y DONALD HNSBERGER (ASCAP) instrumentation Trumet in B Trumet in B Trumet in B Trumet in B Tenor Tromone Tenor Tromone Tenor Tromone Bass Tromone Euhonium Tua String Bass Har Timani Mallet Percussion (Xylohone, Tamourine) Mallet Percussion (Bells, Castanets) Percussion (Snare Drum) Percussion / (Crash Cymals/Susended Cymal, Bass Drum) SPPLEMENTAL and WORLD PARTS Availale or donload rom alredcom/orldarts Baritone Trele Cle st Horn in E nd Horn in E rd Horn in E th Horn in E st Tromone in B Bass Cle nd Tromone B Bass Cle rd Tromone B Bass Cle th Tromone B Bass Cle st Tromone in B Trele Cle nd Tromone B Trele Cle rd Tromone B Trele Cle th Tromone B Trele Cle Baritone in B Bass Cle Tua in E Bass Cle Tua in E Trele Cle Tua in B Bass Cle Tua in B Trele Cle Previe Only Legal se Requires Purchase Please note: Our and and orchestra music is no eing collated y an automatic highseed system The enclosed arts are no sorted y age count, rather than score order
CARNAVAL A 5 th Anniversary! Carnaval is a celeration o the master cornet soloists and erormers o the late 9th and early 0th centuries through a recording, touring and ulication roect created or Wynton Marsalis and the Eastman Wind Ensemle, Donald Hunserger, Conductor This reissue o the original solo ith iano olio and the release o the accomaniments or ind and, in rint and/or rental, salutes Wynton and the erormers and conductor o the EWE Cornet erormers including eanbatiste Aran, ules Levy, Matthe Aruckle, W Paris Chamers, Walter Rogers, Herert L Clarke, Del Staigers, rank Simons and Herman Bellstedt among many others, have long een the idols or succeeding rass layers due to their extraordinary erormance ailities and their inventive solo and edagogical ritings These soloists, at the eginning o the last century, ere endoed ith loing, agile techniques involving raid, light multile tonguing, the mastery o harmonic series slurs, extreme registers and esecially, the aility to roect arm, singing, cantaile melodic lines The themes that ormed the oundation or their variations ere selected y the soloist/riters rimarily on the asis o their simlicity and eauty Not only did the rincial melodies oer the audience eelings o armth and reose, they esecially rovided a lyrical contrast to the lashy yrotechnics that surrounded them Carnaval as created to salute these earlier day erormers through dislaying the unique ailities o one o today s master soloists: Wynton Marsalis Perhas, it is est to have Wynton descrie the events that led to this unique collaorative undertaking, as ritten y him in the oreord (Decemer 988) to the original ulication o these solos and accomaniments Ray Wright and Wynton This roect egan in 98 hen CBS Masterorks asked me to consider recording an alum o cornet masterieces ith a ind and accomaniment I immediately elt that this as something I anted to do ecause I gre u laying these ieces and entered all the estivals and contests that high school layers today have availale to them One area I anted to see changed or this recording, hoever, as the arrangements: In articular, the introductions and reakstrains that today sound so corny ecause they requently ere more iller than sustantive musical material So, during a visit to the Eastman School o Music, here I as aearing as soloist ith the Eastman azz Ensemle [Rayurn Wright, Director], I met ith Donald Hunserger, Conductor o the Eastman Wind Ensemle and a ell knon arrangerorchestrator I asked him to create ne arrangements or the solos to e included on the alum The result, as you can hear, and no see, rovided an entirely ne vie o these great solos; e used only the original melodic lines and Don rote a comination o ne and modiied original material or the accomaniments The cadenzas are also ne, excet or Herert L Clarke s cadenzas, here I ished to use some o his original riting olloing the recording, the roect continued ith a tour o the East Coast and Canada The Eastman Wind Ensemle and I layed maor halls such as The Place des Arts in Montreal, Roy Thomson Hall in Toronto, Boston s Symhony Hall, The Academy o Music in Philadelhia, Kennedy Center, Washington, Carnegie Hall in Ne York and inished in the Eastman Theatre in Rochester Wynton Marsalis Ne York City As Wynton Marsalis so clearly states in his accomanying oreord, the develoment o a lyrical concet is o utmost imortance Heavy, overlon attacks and tonguing ill imede the seed and clarity necessary or clear articulations and ill create akard, or sloy, unmusical eects While it is ossile to develo the technical resources to lay these solos, the aility to sing rom the heart is requently more diicult to achieve Wynton clearly demonstrates in the various lyrical selections that he indeed has that aility Previe Only Carnaval as recorded in the Eastman Theatre o the Eastman School o Music, niversity o Rochester, in early Setemer, 986 y Producer Steve Estein and Engineer Buddy Graham Originally issued as CBS Masterorks LP IM7, it as later renumered Sony CD MK 7 Nominated or a Grammy Aard in the Best Instrumental Soloist ith Orchestra category, it has no ecome availale as ell in various donload ormats Donald Hunserger Rochester, NY Setemer, 00 Wynton and Donald Hunserger relax eteen takes at the CBS Masterorks recording sessions Photos y Louis Ouzer Photos courtesy o Secial Collections, Siley Music Lirary, Eastman School o Music, niversity o Rochester Legal se Requires Purchase
The Comoser EAN BAPTISTE ARBAN (85 889) ean Batiste Aran, orn in Lyon, rance on eruary 8, 85, egan his lie in rass erormance on the cornoean, a orerunner o the cornet He as thought a diligent student ho understood the rudiments o music theory and ossessed a natural eeling or the lo and shae o melodic lines Ater develoing himsel into a ellrecognized soloist and erormer on the cornet throughout rance, Russia, England and Germany, he as rearded ith an aointment to the Ecole militaire in 857 as Proessor o Saxhorn Descried as a magnetic teacher ever amitious or his students as ell as himsel, he as later aointed to the aculty at the Paris Conservatoire To hel develo his students in all asects o cornet erormance, he egan to rite orks or daily ractice use, hich eventually resulted in a tutorial ook that still holds a reeminent osition in cornettrumet edagogy This treatise, La grande méthode comlete our cornet à iston et de saxhorn ar Aran as ulished in 86 and adoted y the Conservatoire The ook ollos logical aths o rogressive develoment that eventually exose the student to every ossile technique availale on the instrument His deely sensitive musical soul ecomes aarent as one uncovers The Art o Phrasing 50 short melodic examles dran rom many sources including oera, olk song, religious sources and vocal music He makes great use o scale atterns, areggio atterns and the develoment o multile tonguing in dule and trile grouings olloing an exected groth in these essential techniques, he then rovides 68 duos or to cornets and an additional ourteen Characteristic Studies These studies are a direct orerunner o his solo comositions, hich are contained in a closing section entitled antasias and Variations I one examines individual areas o the Characteristic Studies and then comares them to the solo Variations, they aear almost identical at times! antasie Brillante No in the antasias and Variations, this solo ossesses a readth o musical styles that demand strict ormal analysis in addition to the many interretative and technical requirements The oening section resents a three art musical challenge consisting o a loing melodic statement olloed y a technical assage, hich then returns to the gracious oening melodic line Next, the Thema, an ingratiating tentyour measure melodic line is resented, hich leads into three variations As ith many o the other solos in the antasias and Variations section, Aran sets one variation in trilenote values hile the next variation is in contrasting quadrulet grouings antasie Brillante, the latter o these to variations, is very close in style (and actual notes!) to the Characteristic Study No! Wynton and Donald Hunserger in concert, Carnegie Hall, March, 987 While earlier in his treatise, Aran rovided many ractice sections on the develoment o trile tonguing, he no utilizes this technique in the third and inal variation Other examles o trile tonguing ound in the antasias and Variations include the Cavatina Beatrice di Tenda (No ), the Variations on Norma (No ), Variations on La Tyrolinne (No 5), Variations on LePetit Suisse (No 6), Carice and Variations (No 7), antasia and Variations (on a German tune) (No 8), Do you see the sno shining (No 9), Cavatina and Variations (No 0), Variations on a avorite Theme (No ), and o course, the concluding theme and variations: Variations on the Carnaval o Venise (No ) Previe Only Legal se Requires Purchase
Wynton Marsalis Wynton Marsalis is an internationally acclaimed musician, comoser, andleader, educator and a leading advocate o American culture The orld s irst azz artist to erorm and comose across the ull azz sectrum rom its Ne Orleans roots to eo to modern azz, Marsalis has exanded the vocaulary or azz and has created a vital ody o ork that laces him among the orld s inest musicians and comosers Born in Ne Orleans, Louisiana on Octoer 8, 96 to Ellis and Dolores Marsalis, the second o six sons, he exhiited at an early age a suerior atitude or music and a desire to articiate in American culture At age, he erormed ith the Ne Orleans Philharmonic and during high school, also erormed ith the Ne Orleans Symhony Brass Quintet, Ne Orleans Community Concert Band, Ne Orleans Youth Orchestra, Ne Orleans Symhony, various azz ands and the oular local unk and, the Creators At age 7, Wynton ecame the youngest musician ever to e admitted to Berkshire Music Center at Tangleood here, desite his youth, he as aarded the school s restigious Harvey Shairo Aard or outstanding rass student Wynton moved to Ne York City to attend uilliard in 979 The olloing year Wynton seized the oortunity to oin the azz Messengers to study under master drummer and andleader Art Blakey In the years to ollo Wynton erormed ith Sarah Vaughan, Dizzy Gillesie, Seets Edison, Clark Terry, Sonny Rollins, Ron Carter, Herie Hancock, Tony Williams, and countless other azz legends Steve Estein (CBS/Sony roducer), Donald Hunserger, and Wynton sort their ne Tshirts Wynton assemled his on and in 98 and hit the road, erorming over 0 concerts and orkshos every year or 5 consecutive years Many distinguished azz musicians o today ere students at one o his orkshos including ames Carter, Christian McBride, Roy Hargrove, Harry Connick r, Nicholas Payton, Eric Reed, and Eric Leis, to name ut a e Wynton s love o the music o Bach, Beethoven, Mozart, and others drove him to ursue a career in classical music as ell He recorded the Haydn, Hummel, and Leoold Mozart trumet concertos at age tenty, a deut recording that received glorious revies and on the Grammy Aard or Best Classical Soloist ith an Orchestra He ent on to record 0 additional classical records, all to critical acclaim In 986, he recorded the Carnaval roect ith the Eastman Wind Ensemle conducted y Donald Hunserger and it as also nominated or the Grammy Aard in the Best Classical Soloist ith an Orchestra category Wynton has erormed ith leading orchestras including the Ne York Philharmonic, Los Angeles Philharmonic, Boston Pos, The Cleveland Orchestra, Saint Louis Symhony Orchestra, English Chamer Orchestra, Toronto Symhony Orchestra, and London s Royal Philharmonic, orking ith eminent conductors including: Raymond Leard, Charles Dutoit, Loren Maazel, Leonard Slatkin, EssaPekka Salonen, and Michael Tilson Thomas amed classical trumeter Maurice André raised Wynton as otentially the greatest trumeter o all time To date Wynton has roduced over 60 records hich have sold over 7 million coies orldide including Gold Records A roliic and inventive comoser, the dance community has emraced Wynton s inventiveness ith commissions to create ne music or Garth agan (Citi MovementGriot Ne York), Peter Martins at the Ne York City Ballet (azz: Six Syncoated Movements and Them Tos), Tyla Thar ith the American Ballet Theatre (um Start), udith amison at the Alvin Ailey American Dance Theatre (Seet Release and Here No), and Savion Glover (Petite Suite and Saces) Marsalis collaorated ith the Lincoln Center Chamer Music Society in 995 to comose the string quartet At The Octoroon Balls, and again in 998 to create a resonse to Stravinsky s A Soldier s Tale ith his comosition A iddler s Tale Previe Only In his dramatic oratorio Blood OnThe ields, Wynton makes use o the lues, ork songs, chants, call and resonse, sirituals, Ne Orleans azz, Ellingtonesque orchestral arrangements, and Aro Cariean rhythms, and he uses Greek chorusstyle recitations to move the ork along Wynton extended his achievements in Blood On The ields ith All Rise, an eic comosition or ig and, gosel choir, and symhony orchestra a classic ork o high art hich as erormed y the Ne York Philharmonic under the aton o Kurt Masur along ith the Morgan State niversity Choir and the Lincoln Center azz Orchestra (Decemer 999) Marsalis urther exanded his reertoire or symhony orchestra ith his Symhony No, Sing Symhony, remiered y the renoned Berlin Philharmonic in une 00 and erormed y the Ne York Philharmonic and the Lincoln Center azz Orchestra in Setemer, 00 Legal se Requires Purchase Photo y Ro Waymen Wynton and the EWE in rehearsal in Carnegie Hall, March, 987
In Octoer, 995 Wynton launched to maor roadcast events hen PBS remiered Marsalis On Music, an educational television series ritten and hosted y Marsalis on azz and classical music That same month National Pulic Radio aired the irst o Marsalis 6eek series entitled Making the Music; the radio and television series ere aarded the most restigious distinction in roadcast ournalism, the George oster Peaody Aard Marsalis has also ritten ive ooks: Seet Sing Blues on the Road, azz in the Bitterseet Blues o Lie, To a Young Musician: Letters rom the Road, azz ABZ (an A to Z collection o oems celerating azz greats), and his most recent release Moving to Higher Ground: Ho azz Can Change Your Lie Wynton Marsalis has on nine Grammy Aards and honorary degrees have een conerred uon Wynton y thirtyone o America s leading academic institutions including Columia, Harvard, Princeton, Hoard and Yale nited Nations SecretaryGeneral Koi Annan aointed him a N Messenger o Peace in 00 and in 005, he received The National Medal o Arts, the highest aard given to artists y the nited States Government In 997 Wynton Marsalis ecame the irst azz musician ever to in the Pulitzer Prize or Music or his eic oratorio Blood On The ields In 987, Marsalis coounded a azz rogram at Lincoln Center In uly 996, due to its signiicant success, azz at Lincoln Center ecame a ermanent equal artner at Lincoln Center, along ith the Ne York Philharmonic, Metroolitan Oera, and Ne York City Ballet He resently serves as Artistic Director or azz at Lincoln Center and Music Director or the azz at Lincoln Center Orchestra hich has develoed an international agenda resenting rich and diverse rogramming that includes concerts, deates, ilm orums, dances, television and radio roadcasts, and educational activities Donald Hunserger Donald Hunserger is Conductor Emeritus o the Eastman Wind Ensemle, having served as its Music Director rom 965 to 00 He also holds the title Proessor Emeritus o Conducting and Ensemles at the Eastman School o Music, here he served or many years as Chair o the Conducting and Ensemles Deartment nder his leadershi, the Eastman Wind Ensemle continued its develoment as an international erormance model in the creation o numerous ne orks or the ind and roviding a rime examle o contemorary erormance techniques as demonstrated on numerous recordings on Sony Classics, CBS Masterorks, Mercury Records, DGG Records, Philis and Decca among others In 987 his scores and recording o Carnaval ere nominated or a Grammy Aard in the Best Solo Perormance ith Orchestra catagory His inal recording roect ith the EWE as a three CD set (the Eastman Wind Ensemle at 50 DHWL 00CDWBP) celerating its 50th anniversary nder his direction, the EWE erormed throughout aan and South East Asia in 978 or the Kamara Agency and the S State Deartment Sony Cororation and Eastman Kodak, aan, sonsored an additional six tours o aan and Taian eteen 990 and 000 He led the EWE on S concert tours to erorm at national conerences o MENC and CDBNA, the MidWest International Conerence lus numerous state meetings Since 00 he has een a Visiting Conducting ello at the Kunitachi College o Music, Tokyo, aan In addition to erorming over 00 remiere erormances, Hunserger had een involved in riting roects including the ooks The Wind Ensemle and It s Reertoire (Alred Music Pulishing Co), The Art o Conducting (ith Roy Ernst, Random House), The Emory Remington Warmu Studies (Accura Music), and numerous articles ulished in educational ournals He is ell knon and recognized or his innovative scoring techniques or varying instrumentations o the contemorary ind and ith numerous ulications He is the ounder and editor o the Donald Hunserger Wind Lirary (Warner Bros/Alred) and an active contriutor to the Lirary s ulications His research into the history and develoment o scoring or ind ands in America has led to numerous articles in WindWorks, a ournal or ind conductors, erormers and comosers Active in oth ind and orchestral riting throughout his career, he created a allet, Americans We, or Tyla Thar and the American Ballet Theater at Lincoln Center in 996 Previe Only Hunserger has een the reciient o numerous aards or research (Homesun America: the National Association or State and Local Historians), edagogy (The Eastman Alumni teaching Aard, The Herert Eisenhart Aard; Wiley Houseright ello, lorida State niversity ) and erormance (the Crystal Aard, rom the Asahi Broadcasting Comany, Osaka, aan; the Ehud Eziel Aard, erusalem, Israel) Legal se Requires Purchase He is a Past resident o the College Band Directors National Association and has served as a memer o the oards o CBDNA, the World Association o Symhonic Bands and Ensemles and the Conductor s Guild He currently serves as President o the Board o the Society or Chamer Music in Rochester In the orchestral orld he has created and conducted erormances o orchestral accomaniments to over 8 silent ilms ith ity orchestras including the National, San rancisco, Houston, Pittsurgh, Vancouver, tah, Virginia, San Diego, acksonville, Honolulu, Winnieg, Syracuse and North Carolina Symhony Orchestras and the Rochester, Bualo, Kansas City and Calgary Philharmonic Orchestras, among others He has created scores or such historical masterieces as The Phantom o the Oera, The Hunchack o Notre Dame, The General, The Mark o Zorro in addition to roducing and conducting erormances o Charlie Chalin s Goldrush, City Lights lus numerous short Chalin avorites In 99, he conducted the remiere erormance o Eisenstadt s Potemkin, ith music y Shostakovitch, at Wol Tra ith the National Symhony Orchestra
LL SCORE Arox Duration 8:7 Maestoso = 0 Solo B Cornet (Trumet) Piccolo/ lute lutes Ooe English Horn Bassoons Contraassoon E Sorano Clarinet B Clarinets B Bass Clarinet/ BB Contraass Clarinet E Alto Saxohones B Tenor Saxohone E Baritone Saxohone B Trumets Horns Tromones Euhonium Tua String Bass Har Mallet Percussion (Xylohone, Tamourine) Timani Percussion (Snare Drum) Percussion, (Crash Cymals/ Susended Cymal, Bass Drum) Mallet Percussion (Bells/Castanets/ Tamourine) 57S R ƒ a R ƒ a R ƒ r ƒ a ƒ ƒ R ƒ a R ƒ R ƒ a ƒ a R ƒ R ƒ ƒ Maestoso = 0 a ƒ a ƒ ƒ ƒ a ƒ a ƒ ƒ ƒ ƒ ƒ ( n æ ) SD Cr Cyms BD ~~~~~~~~~~~~ ~~~~~~~~~~~~ ƒ æ ƒ ƒ or Wynton Marsalis antasie Brillante æ æ ~~~~~~~~~~~~~~~~ n n n n n n n a n n n n n n n n n n n n n n a a eanbatist Aran (85889) Arranged y Donald Hunserger (ASCAP) A R A R A A r a n R N R N N N R N n n r R r R n n Previe Only Legal se Requires Purchase 990, 0 DONALD HNSBERGER (ASCAP), Distriuted Exclusively y ALRED MSIC PBLISHING CO, INC All Rights Reserved including Pulic Perormance R R R R
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc n n n n n n n n n n a n n n a n a n n n n n a a a n n n n n n n n n n n n n n allargando n n n allargando n n n 7 A temo " " " " n " " " " " n " " " " " A temo " n " " n " n " " " " Previe Only " Legal se Requires Purchase Tim Perc Perc 57S æ 5 æ æ Cr Cyms BD 6 æ 7 " " Choke Choke " 8
8 Solo Cor 9 loing = 96 n n r Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc 9 NV a NV loing = 96 Solo * n n n n n n n n n Previe Only n Legal se Requires Purchase Tim Perc Perc *Generally only one Tua during solo acc assages 57S 9 0
9 Solo Cor R Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc otional A otional A n n n n n n n n n n n n n n Previe Only n n Legal se Requires Purchase Tim Perc Perc 57S 5 6
0 Solo Cor lightly n n, n Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc a n n n n n lightly n n n n n n n n n n n n n n Previe Only n Legal se Requires Purchase n Tim Perc Perc 57S 7 8 9 0
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc Vi Vi n n n n n n n n n n n n n A A rall rall A temo A temo Previe Only Legal se Requires Purchase Tim Perc Perc SD 57S
Solo Cor Picc/l (lightly) groing, agitated ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc Solo P P (lightly) P P groing agitated Previe Only Legal se Requires Purchase Tim Perc Perc 57S 5 6 7 8
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S cresc cresc < < < cresc < < < cresc cresc cresc cresc cresc Tutti cresc < < < cresc cresc cresc cresc n < < < < < < cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc cresc < < < < < < 9 n n n n n 0 n n n n n n n n n n n n Previe Only Legal se Requires Purchase n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n
Solo Cor Picc/l Boldly N ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc Tim Perc Boldly P P P P P P P P P P Tam P æ Cast P P SD P sim sim sim sim sim æ æ æ r Previe Only æ Legal se Requires Purchase Perc 57S 5 6
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Mlt Perc æ æ æ Previe Only æ Legal se Requires Purchase æ ~~~~~~~~~~~~ ~~~~~~ 5 n n n Perc æ Perc 57S 7 8 9 0
6 Solo Cor Cantaile ( ) Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc a (lightly) (lute) (lightly) (lightly) Cantaile A n n n n n n n n n n n n Previe Only ~~~ Legal se Requires Purchase Tim Perc SD Perc 57S BD
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S n n æ 5 () Sus Cym Oæ n n N n a æ æ Oæ 6 Cadenza, 7 n (To Picc) n n n n n Cadenza n Previe Only Legal se Requires Purchase n n n æ Choke 7
8 n n n n n n N, n rall n n,, n n A n â â Previe Only Legal se Requires Purchase â n â 57S
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har 9 8 Allegro = 96, Boldly (Picc) n n n N a n n n N a n n n N Z n n n n a a n n n n Z n n a a n n N n n N n a N Z n N n Z 8 Allegro = 96, Boldly n n a n Z ƒ a Z ƒ n n n n n Tam æ @ @ Cast æ Mlt Perc Tim Perc Perc Mlt Perc 57S Previe Only SD Legal se Requires Purchase 8 Cr Cyms BD 9 50 5
0 Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc ƒ ƒ ƒz ƒz ƒ æ a a æ molto rit A A molto rit æ æ æ a, n, n, n n,,, n, Previe Only Legal se Requires Purchase Tim Perc Perc 57S æ 5 5 æ 5 æ 55
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S Lessening in volume, orce Lessening in volume, orce 56 a a G n, A n, D n n n n n n n n n n n n n æ 57, n, n,,,,,,, n,,,,,,,,,,,, izz,, 58, (To lute) 59 n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n 59 n n n n n n n n n n n n n n n n n n n n n n n n n n n n n n Moderato = 0, Cantaile Moderato = 0, Cantaile n n n n n Arco n n n n n n n Previe Only ~~~~~~~~~~~~~~~ Legal se Requires Purchase (SB) 59
(Temo) Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc a Solo (Temo) Previe Only Legal se Requires Purchase Tim Perc Perc 57S 60 6 6 6
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Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc N E n R n N n n n n n n n n N a a n n n g g E n n a n n n Previe Only Legal se Requires Purchase a Tim Perc Perc 57S 68 69 70 7
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S π π a 7 n a ( ) ( ) u 7 N 7 Previe Only Legal se Requires Purchase 75 75 75 5
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Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S a n n n n n E n n 80 n n ruato N ruato 8 5 (To Picc) 8 Allegro = 08 " n " a n " " a n " " " " a " " " a " " " 8 Allegro = 08 a " " " " Tutti " ū " " " " Xyl n 8 SD n n n a Previe Only Legal se Requires Purchase Cr Cyms BD n Tam 8 7
8 Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S a n n n n n æ æ æ æ 8 n n n n n A N n N A n æ Í æ Í A A n 85 n n n n 86 n n n Previe Only Legal se Requires Purchase n 87
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S n n æ æ n n n n n n n n n n n n n n n n æ æ a 88 n n n A N n A N N a N a N a N a N a N n A 89 æ 9 9 Var ä ä ä â â â ä â â â â â â â ä â ä â ä ä â â æ æ 90 Choke 9 Var Previe Only Legal se Requires Purchase To a a B n,c 9
0 Solo Cor Picc/l N ruato n n A temo N ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc ruato a A temo Previe Only Legal se Requires Purchase Tim Perc Perc 57S 9 9 9 95
Solo Cor Picc/l n N 99 N ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc a 99 Previe Only Legal se Requires Purchase Tim Perc Perc 57S 96 97 98 99
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc n n a n n a a n (ot rit), (ot rit) (A temo) n n n n n n n n n (A temo) n n Previe Only (Picc) a ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~~ Legal se Requires Purchase Tim Perc Perc 57S 00 0 0 Sus Cym Oæ 0
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc N rall n n n n n rall n, 07 A temo n a 07 A temo Previe Only Legal se Requires Purchase a Tim Perc Perc 57S 0 05 06 07
Solo Cor Picc/l ruato n n A temo N ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc ruato a A temo Previe Only Legal se Requires Purchase Tim Perc Perc 57S 08 09 0
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc n n a 5 Allegro = 5 Allegro = Previe Only Legal se Requires Purchase 5 Tim Perc Perc 57S SD Cr Cyms BD Choke 5
6 Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S a ä ä ä ä ä â ä ä ä â ä ä â ä â ä ä â â â l Choke 6 A n A n a n A N N N a N Bells n æ æ Sus Cym Oæ 7 B, E, C n a Previe Only ~~~~~~~~~~~~~~~~ ~~~~~~~~~~~~~~~ Xyl 8 ~~~~~~~~~~~~~~~~~ Legal se Requires Purchase
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S 9 Cr Cyms To D, G a a æ O 0 N N a N N N N N accel N N N accel 7 Molto allegro = 5660 (in ) Molto allegro = 5660 (in ) Previe Only Legal se Requires Purchase
8 Solo Cor Var n n n n N Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc Var Previe Only Legal se Requires Purchase Tim Perc Perc 57S 5
Solo Cor n n N N n n n n 9 Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc n n n n n Previe Only Legal se Requires Purchase n E n n Tim Perc Perc 57S 6 7 8
0 Solo Cor n Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc N N Previe Only Legal se Requires Purchase Tim Perc Perc 57S 9 0
Solo Cor n N N N N N, ä rit ä ä Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc E Previe Only Legal se Requires Purchase rit Tim Perc Perc 57S
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Mlt Perc Sloly into temo â n n n n n Í Í Í Í Sloly into temo Í Í n Í n Í a Í n Í Í Í Í A temo â A temo a ( ) n n Previe Only Legal se Requires Purchase n n n n Perc Perc 57S 5 6 7
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Mlt Perc rall N rall, n n a 9 A temo,, n 9 A temo n n n Previe Only Legal se Requires Purchase Perc Perc 57S 8 9 0
Solo Cor n n N N n Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc a a Previe Only Legal se Requires Purchase Tim Perc Perc 57S
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc n n n n a Previe Only Legal se Requires Purchase a 5 Tim Perc Perc 57S 5 6
6 Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc 7 Moderato = 7 Moderato = n n a n n n n n n a Previe Only Legal se Requires Purchase a a Tim Perc Perc 57S 7 8 9 50
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Tim Perc Perc Mlt Perc 57S SD æ Sus Cym Oæ 5 BD a a æ 5 rall rall 5 div A temo = 96 7 A temo = 96 5 (otional) Solo Tone or Hat Previe Only Legal se Requires Purchase a sim
8 Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc 55 Var ( = 96) a 55 Var ( = 96) (otional) (otional) sim Previe Only Legal se Requires Purchase Tim Perc Perc 57S 55 56 57
Solo Cor 9 Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc a a Previe Only Legal se Requires Purchase g Tim Perc Perc 57S 58 59 60
50 Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc N 6 N Previe Only Legal se Requires Purchase 6 div Tim Perc Perc 57S 6 6 6
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc N N N N N N g 5 n n n n n n n n Previe Only Legal se Requires Purchase C, E n a Tim Perc Perc 57S Sus Cym sot eater Oæ 6 O æ @ 65 66
5 Solo Cor Picc/l n n ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc n n n g n n n n n C n a n n n n n n n Previe Only Legal se Requires Purchase Tim Perc Perc 57S 67 68 69
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc n n n n < n A rall rall n a n Cu n 7 A temo 7 A temo E Previe Only Legal se Requires Purchase 5 Tim Perc Perc 57S 70 7 7
5 Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc Previe Only Legal se Requires Purchase Tim Perc Perc 57S 7 7 75
Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc a a g N Previe Only Legal se Requires Purchase 55 Tim Perc Perc 57S 76 77
56 Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc Previe Only Oen Oen Legal se Requires Purchase " " " " " " " " " " " " " " " " " " " " " " " " " " Tim " Perc Perc 57S 78 79
57 Cadenza accel rall " N, n n N n n 0 N n n N N n, N n, N Previe Only Legal se Requires Purchase 57S
58 Solo Cor Picc/l ls O Csn E So Cl C Cl A Saxes Tts Tns Euh Tua Har Mlt Perc Mlt Perc Allegro = 0 ƒ(otional) Allegro = 0 Previe Only ( ) ( ) ~~~~~~~~~~~~~~~~~~~ Legal se Requires Purchase u Tim Perc Perc 57S SD Cr Cyms BD æ 80 æ 8 æ æ on cuto u 8 Choke
Previe Only Legal se Requires Purchase
Previe Only Legal se Requires Purchase