Digital Modelling. (modelling the digital edition) Patrick Sahle

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Transcription:

Digital Modelling (modelling the digital edition) Patrick Sahle Cologne Center for ehumanities (CCeH), University of Cologne Institute for Documentology and Scholarly Editing (IDE)

What are we talking about? What is a Scholarly Digital Edition? 1. What is a Scholarly Edition? 2. What is a Scholarly Digital Edition? 3. SDE vs. DSE?

What is a Scholarly Edition? Definition? goal: cover all kinds of editions result: a scholarly edition is the critical representation of historical documents four argument places left open

What is a Scholarly Digital Edition? a scholarly digital edition follows a digital paradigm test: can it be printed without a major loss of content or functionality? slogan: a digitized edition is not a digital edition!

Aspects of a Scholarly Digital Edition goals contents hypertextuality, linkage, boundaries product vs process content vs media

Contents of an edition? setting boundaries: define the subject of the edition text vs context blurring boundaries: linkage & integration edition vs. archive

from theory to Medieval & Modern Manuscript Studies in the Digital Age empiricism (or vice versa?)

At the heart of the edition: the text What is text? I am not so naïve as to imagine that question could ever be finally settled. Asking such a question is like asking How long is the coast of England?. (J. McGann) Text is what you look at. And how you look at it. (P. Sahle)

Modelling the text text (in the edition) as represention of documents / texts two kinds of people platonic notion materialistic notion looking into two directions backward: document analysis, document model forward: forms of presentation

facsimile detailed transcription diplomatic text normalised text corrected text edited text modernised text translated text text as information Text (as representation of text) as spectrum documents

a pluralistic notion of text text as idea, intention, meaning, semantics, sense, content text as a visual object, as a complex sign TEXT S text as a work, as rhetoric structure text as document: physical, material, individual TEXT G text as linguistic code, as series of words, as speech text as a version of..., as a set of graphs, graphemes, glyphs, characters, etc. (... having modes...)

What is it good for? Locating Technologies TEXT S TEI TEXT G

What is it good for? Understanding transcription [image] @coords TEXT S rdf:... @key tei:persname tei:emph TEXT G tei:sic tei:corr tei:hi [characters] @rend=italics

What is it good for? Describing editions http://www.confessio.ie/#

What is it good for? Describing editions

Franz Fischer: All texts are equal, but... Textual Plurality and the Critical Text in Digital Scholarly Editions. Variants 10 (2012) The Journal of the European Society for Textual Scholarship, 77-92. online: http://kups.ub.uni-koeln.de/5056/ Book of Armagh Facsimiles Medieval & Modern Manuscript Studies in the Digital Age What is it good for? Describing editions Commentary Articles Introduction External references TEXT S Translations White edition (work structure) Manuscript descriptions TEXT G Diplomatic transcription (Book of Armagh) Bieler s annotated Copy of White s edition editio princeps etc. Critical text

modelling a text metadata on the digital representation commentary pre-interpretation for analysis facsimile writing zones TEXT S named entities work structure genre specific structure layout page / column / line breaks material features bibliographic description TEXT G special glyphs textual criticism basic characters editorial punctuation corrections abbreviations/expansions original punctuaton

From representation to presentation technique: single source principle theory: transmedialization politics: digital, print, hybrid practice: conceptualization, structure, design of publication

Modelling presentation display(s) of text internal & external linkage registers and indices browsing & navigation structures search interface and tools visual metaphors general layout addressability documentation

Modelling project and workflow team, collaboration and roles data modelling where do the basic data come from? transcription, encoding, annotation rights! backend and server infrastructure transformation and processing creation of frontend long term perspective

further readings Dahlström, M.: How reproductive is a Scholarly Edition?, Literary and Linguistic Computing 19/1 (2004), pp.17-33. Robinson, P.: What is a Critical Digital Edition? Variants - The Journal of the European Society for Textual Scholarship 1 (2002), 43-62. Sahle, P.: Digitale Editionsformen. Zum Umgang mit der Überlieferung unter den Bedingungen des Medienwandels [Digital Forms of Edition. Dealing with the Tradition under the Terms of Media Change], 3 vols., Schriften des Instituts für Dokumentologie und Editorik 7-9 (Norderstedt: BOD, 2013). [http://kups.ub.uni-koeln.de/5351/ - 5352-5353] Sahle, P.: Digitales Archiv und Digitale Edition. Anmerkungen zur Begriffsklärung [Digital Archive and Digital Edition. Remarks towards Concept Clarification.] Literatur und Literaturwissenschaft auf dem Weg zu den neuen Medien, ed. by Michael Stolz (Zürich: germanistik.ch, 2007), pp. 64-84. [http://www.germanistik.ch/scripts/download.php?id=digitales_archiv_und_digitale_edition] Sahle, P.: What is a Scholarly Digital Edition (SDE)? [forthcoming; preprint available upon request] Sahle, P.: Zwischen Mediengebundenheit und Transmedialisierung. Anmerkungen zum Verhältnis von Edition und Medien [Between Media Bondage and Transmedialization. Remarks on the Rapport of Edition and Media] editio - International Yearbook of Scholarly Editing 24 (2010), 23-36, DOI 10.1515/edit.2010.004.