Memento Mori In order to fully understand Memento Mori you have to know certain details.

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Memento Mori In order to fully understand Memento Mori you have to know certain details. Understanding a MEMENTO: Mementos are metonymies of time. Specific objects in our physical world that we associate with specific memories. A memento can be anything--a teddy bear, a hair brush, an old shirt, a broken pencil-- that triggers a memory of a person, place, event. Photographs are a particularly effective form of memento, because they capture in an image an actual past moment. We become attached to certain mementos because they are a means for us to try to stop time--to preserve in our consciousness important moments that are past.

MEANING OF MEMENTO MORI THE OXYMORON Memento Mori is actually an oxymoron. It is the Latin imperative which literally means,"remember to die." But how can one remember the future? People in the Middle ages, developed mementos--objects that would remind them not of their memories, but that they must die. The dominant "memento mori" was the human skull, which became a rich subject of Medieval art. The Mexican Day of the Dead, with its skulls and skeletons, is the most vibrant expression of the continuing human need to remember our future. The key symbol in the story is the bell, which is a Memento Mori.

HOW EARL USES MEMENTOS: 1) Earl creates a series of mementos as a means of preserving each of the 10 minutes of present time before that time disappears forever. 2) He uses tattoos and lists and notes to himself as a way of preserving the significant moments of his experience of time after the loss of his short-term memory. 3) By means of his mementos of these brief and transitory periods, he is able to remember enough to plot his ecape, to find the man and kill him.

From left to right (Christopher Nolan and Jonathan Nolan) NARRATIVE STYLE Narrative Point of View The story is told by two different narrators. A first-person narrator writes to a "you," who is gradually revealed to be Earl. A third-person narrator reports on Earl's actions from outside the story-world. Notice the punchline that lets you know what the narrator needs to do: Sooner or later you'll want to do something about it. And when you do, you'll just have to trust me, because I'm the only one who can help you. The story alternates this narrative switching from the first-person narrator addressing a "you" and the third-person narrator telling about Earl's experiences in a series of rooms from sections #4 through to section #8. AND HERE IS THE TRICKY PART Now, finally, we understand. The first-person narrator is Earl who has been writing to himself. The "I" and the "you" are both Earl. A lovely little narrative trick. Nolan has misled us into believing that the "I", the narrator, is a separate person talking to and about Earl. So what's the point? Why this elaborate deception?

It's a perfect means to tell the story of Earl's condition. 1) The "I" who writes notes is the Earl who is living in his present 10 minutes of passing time. 2) The "you" he is addressing is the future Earl, the Earl who will start the next 10 minute cycle after the Earl who is currently writing has faded away. As the current Earl says, "By the time you read this note, I'll be gone." A wonderful narrative idea. 3) The Present Earl writes to a Future Earl of the next 10 minutes, then disappears. 4) The Future Earl will become the next Present Earl who reads what his past self has said and then writes more to the Next Earl. SOUNDS LIKE A PARADOX. 5) Each Earl reads and writes for the Next Earl and bit by bit Earl develops a plan for escaping the hospital and avenging the death of his wife.

ALL OF THIS IS DONE TO GET OUT OF THE HOSPITAL AND FIND THE MAN WHO MURDERED HIS WIFE. EXERCISE: Divide the story in 11 sections. Identify the setting and narration of each section. This is how you will identify what occurs in Memento Mori