DITZIES TEN MINUTE PLAY. By Deborah Karczewski

Similar documents
DITZIES By Deborah Karczewski

ABBOTT AND COSTELLO TEN MINUTE PLAY. By Jonathan Mayer

THE CELEBRITY. By Paul D. Patton. Copyright MMVII by Paul D. Patton All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

THE GREAT IRONY HEIST

B-I-N-G OH! TEN MINUTE PLAY. By Jonathan Markella. Copyright MMXIV by Jonathan Markella All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

NO IT ISN T. By Joe Musso. Copyright MMVII by Joe Musso All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

ANTI-DEPRESSANTS TEN-MINUTE PLAY

DRIVER S ED TEN MINUTE PLAY. By Steven Schutzman. Copyright MMV by Steven Schutzman All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

FRUIT SKINS TEN MINUTE PLAY. By Amanda Burris. Copyright MMXII by Amanda Burris All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

SERIAL STAR A TEN MINUTE MONOLOGUE. By Deborah Karczewski

ROMEO & WHAT S HER NAME

ANTI-DEPRESSANTS. By Jeff Weisman

CONFESSIONS OF A FACEBOOK ADDICT

THE ISOLATION BOOTH TEN-MINUTE PLAY

DEVIOUS DATING By David Burton

CANDI WITH AN I By Macee Binns

HO HO HO. By Joseph Sorrentino

THREE LITTLE WORDS By Krista Boehnert

THE ELEVENTH MINUTE TEN MINUTE PLAY. By Marika Barnett. Copyright MMV by Marika Barnett All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

ADAM By Krista Boehnert

ART IMITATES LIFE. By Mike McCafferty. Copyright MMIX by Mike McCafferty All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

GHOSTS By Bradley Walton

I DON T WANT YOUR PITY I WANT YOUR BROCCOLI By Bradley Walton

THE TEXT ON THE DRIVE HOME By Bradley Walton

ABBOTT AND COSTELLO By Jonathan Mayer

THANK YOU FOR TEXTING By Camila Vasquez

A SMALL, SIMPLE KINDNESS By Bradley Walton

THE SCRIPT A COMEDY IN ONE ACT. By Kamron Klitgaard. Copyright MMVIII by Kamron Klitgaard All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

PERFORMANCE RIGHTS AND ROYALTY PAYMENTS:

TODD AND BECKY. By Phil Olson. Copyright MMV by Phil Olson All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

HO. HO. HO. TEN-MINUTE PLAY

TIS NOT ME SHE LOVES

Clint Snyder Big Dog Publishing

FRANK AND HARRY: A WALK IN THE WOODS By Joseph Sorrentino

A WHOLE LATTE By Joe Salvatore

THE CASHIER IN LANE 8 By Jerry Rabushka

PARASOL UNIVERSES TEN MINUTE PLAY. By Jim Bain. Copyright MMVIII by Jim Bain All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

LESSON PLAN. By Carl L. Williams

TWO GUYS AND A BENCH TEN-MINUTE PLAY

BOXED IN TEN MINUTE PLAY

THE BEST THANKSGIVING EVER

I LIKE ART TEN-MINUTE PLAY

The Case of the Escaping Elephants

MY DAILY LIFE. By Tom Akers. Copyright MM by Tom Akers All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

I start walking toward the bus stop,

I DID IT ALL FOR THE SCISSORS By Bradley Walton

THE HABITUAL INSOMNIAC By Krystle Henninger

THE GLASS SLIPPER By Claudia Haas

DRINKING UP HOT. By Jerry Rabushka

Clint Snyder Big Dog Publishing

A PRESCRIPTION FOR EMBARRASSMENT By Jerry Rabushka

It Happens to Everyone

FISHBOWL ONE ACT PLAY. By Donald Tongue. Copyright MMX by Donald Tongue All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

NOT READY! A TEN MINUTE MONOLOGUE. By Kelly Meadows

HE WON T QUIT SMOKING

BROOKLYN PUBLISHERS, LLC

Lit Up Sky. No, Jackson, I reply through gritted teeth. I m seriously starting to regret the little promise I made

WHATEVER HAPPENED TO GODOT? By Jonathan Dorf

A Lion in the Bedroom

QUACK. By Patrick Gabridge

Have You Seen Him? Jason Bullock

SO YOU WANNA MARRY MY DAUGHTER

Section I. Quotations

DUELING PHOBIAS By Brenda Cohen and Jonathan Mayer

NO MORE TEEN STEREOTYPES By Kelly Meadows

live in me from think by onetimeblind

DADDY S HOME By Alan Haehnel

CAN T GET THERE FROM HERE

WHEN AMOEBAS ATTACK By Jerry Rabushka

THE GARAGE SALE TEN MINUTE PLAY. By Mike Willis. Copyright MMVIII by Mike Willis All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

PERFECT STRANGERS TEN MINUTE PLAY. By Peter Snoad. Copyright MMXII by Peter Snoad All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

LORD HEAR ME ERIC CHANDLER

Chapter One The night is so cold as we run down the dark alley. I will never, never, never again take a bus to a funeral. A funeral that s out of town

"SEE SAW" Written by. Luke Prince

THE TICK OF THE CLOCK By Ron Dune

DESTITUTE. By Bradley Walton

Hello! & Welcome to A Twisted Plays/Junior Drama Sample Script! On the following pages you will find a sample of the script that is available for

THE LIBRARIAN AND THE JOCK

HOW I GOT A RHINOCEROS INTO THE ELEVATOR AT SAKS By Kelly Meadows

FOR OLD TIME S SAKE By David MacGregor

FAT CANS TEN MINUTE PLAY

THE BEST THANKSGIVING EVER By Monica Bauer

WHY I HATE MY SISTER By Kelly Meadows

No Clowning Around. Jeffrey Dean Langham

Up and Over. This surprises me. Most of the time, he dismisses these eerie feelings of mine, saying I m just

FIVE EX-WIVES IN ICU

Dark and Purple and Beautiful

Script Cast of Characters. Camp Script Summer 2010 Tween Idol. JILL second to oldest, nerdy, smart one. JOE youngest, little jerk face

As Requested Author : Kitex989. As Requested

RED By Kelly Meadows

HEALTHY RELATIONSHIPS PUPPET SHOWS

We came to the bottom of the canyon of Alum Rock Park. There was

Snake in the House. by Far From Ordinary

THE GOOD FATHER 16-DE06-W35. Logline: A father struggles to rebuild a relationship with his son after the death of his wife.

The Plan Episode 2. by Tom Pascal

The Kidz Klub 2. The Curse of the Step Dragon

Admit One. Mike Shelton

HOW TO MEET MY MOTHER

I GOT A BALLOON ANIMAL FROM A CLOWN AT A FAST FOOD RESTAURANT NOW WHAT? By Bradley Walton

THE VENT BUTTON TEN MINUTE PLAY. By Scott Haan. Copyright MMXIV by Scott Haan All Rights Reserved Heuer Publishing LLC, Cedar Rapids, Iowa

Transcription:

DITZIES TEN MINUTE PLAY By Deborah Karczewski Copyright MMII by Joseph Sorrentino All Rights Reserved Heuer Publishing LLC in association with Brooklyn Publishers, LLC The writing of plays is a means of livelihood. Unlawful use of a playwright s work deprives the creator of his or her rightful income. The playwright is compensated on the full purchase price and the right of performance can only be secured through purchase of at least three (3) copies of this work. PERFORMANCES ARE LIMITED TO ONE VENUE FOR ONE YEAR FROM DATE OF PURCHASE. The possession of this script without direct purchase from the publisher confers no right or license to produce this work publicly or in private, for gain or charity. On all programs and advertising this notice must appear: "Produced by special arrangement with Heuer Publishing LLC of Cedar Rapids, Iowa." This dramatic work is fully protected by copyright. No part of this work may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without permission of the publisher. Copying (By any means.) or performing a copyrighted work without permission constitutes an infringement of copyright. The right of performance is not transferable and is strictly forbidden in cases where scripts are borrowed or purchased second hand from a third party. All rights including, but not limited to the professional, motion picture, radio, television, videotape, broadcast, recitation, lecturing, tabloid, publication, and reading are reserved. COPYING OR REPRODUCING ALL OR ANY PART OF THIS BOOK IN ANY MANNER IS STRICTLY FORBIDDEN BY LAW. PUBLISHED BY HEUER PUBLISHING LLC P.O. BOX 248 CEDAR RAPIDS, IOWA 52406 TOLL FREE (800.) 950-7529 FAX (319.) 368-8011

DITZIES By Deborah Karczewski SYNOPSIS: Trixy takes Roxy out driving to prepare for her road test. After a near-accident, the two ditzies are left stranded in the woods to face a series of hilarious mishaps. ROXY (f) TRIXY (f) CAST OF CHARACTERS (2 WOMEN) 2

AT RISE: Two chairs are placed facing full front, about a foot apart, representing a compact car. ROXY, the driver, sits in the stage left chair and pantomimes driving. The actress should wear high-heeled shoes and an outfit which incorporates a cute, little shirt. TRIXY, the passenger, sits stage right. Both fluctuate between focusing beyond the audience to represent looking out of a moving car and occasionally at each other. ROXY: Trixy, you are like my best friend. No, I mean it. My very own parents refuse to take me out driving before my road test, but not you, Trixy. You re a real pal. TRIXY: Well hey that s what friends are for, Roxy! You need a licensed driver in the car I have a license Voila! a match made in heaven! ROXY: And even though you re a year older, we re in the same grade. It s like FATE! TRIXY: My mother said there was a reason why I was held back in the fifth grade. I bet this was it. BOTH: (Nodding knowingly.) Spooky. TRIXY: Roxy, move your hands down on the wheel a little bit. They re supposed to be at 10:00 and 2:00. You re at midnight. ROXY: (Sliding her hands from the top of the wheel to the sides.) Right, Coach! How s this? TRIXY: Super-perfect. Now, slow down and turn right at the next intersection. ROXY: How come? TRIXY: It s the scenic route through the woods. These trucks are like getting to be a drag. ROXY: Yeah, trucks are a bummer. Turn here? (As TRIXY nods, ROXY turns the wheel to her right.) How was that? TRIXY: Super-great, babe! Top-banana! Or should I say, Awesome Apple like this new lipstick I just bought: Awesome Apple Red. ROXY: Lemme see! (TRIXY sticks out her lips and looks like a fish.) Oh wow! Can I wear some? TRIXY: (Pantomimes digging in a purse and pulls out an invisible lipstick.) Sure, but not too much. A little goes a long way. 3

ROXY grabs the lipstick and starts applying it while looking in the rearview mirror. TRIXY: Roxy! ROXY: (Oblivious.) What? TRIXY: Watch out for that tree! ROXY: What tree? TRIXY: (Yelling in horror.) Slam on the brakes! Both girls scream as ROXY pantomimes stepping hard on the brake pedal, shifting to park, and turning off the engine. Once the car is stopped the girls do a facial gimmick: staring ahead for a 5-count, staring at each other for another 5 seconds, and then back ahead in shock. TRIXY: (Staring ahead, gasping for breath.) OK so I guess the rule to remember is no Awesome Apple while you re driving. ROXY: (Also breathless and staring ahead.) Right, Coach. TRIXY: (Snapping back into her ditzy self.) Where is my lipstick? ROXY: Holy cow! It flew out of my hand when we almost hit that tree! TRIXY: We? ROXY: OK-OK, when I almost hit that tree. TRIXY: Well, did it fly into the back seat? (Getting on her knees on her chair and bending over to check the back seat..) That s my favorite lipstick. ROXY: There it is under the steering wheel! (SHE reaches toward her feet and hits her head on the steering wheel..) Yowch! Darn wheel! Got it! (Hands the lipstick to TRIXY.) TRIXY: What a relief! They re phasing this color out. It s really hard to find, now-a-days. Luckily, I found it at a super-cool booth at the downtown flea market. ROXY: Oh, I love that place! I got this shirt there last weekend. (Modeling pose.) Like it? TRIXY: (Gushing.) It s the living end! ROXY: Only cost two dollars! TRIXY: (In awe.) Get out! ROXY: No, really! End of the summer sale! 4

TRIXY: You always find the best bargains! ROXY: Not according to my mother. She says these flea markets are rip-offs. (Mimicking her mother.) You have no idea what you re getting at those places! Just wait till you wash it. It ll shrink three sizes. The second water hits that cheap fabric BOOM it starts shrinking. Mothers! TRIXY: Yeah, they think we like have no common sense. Anyway (Referring to the shirt.), I think it s gorgeous. ROXY: Thanks, pal TRIXY: OK, enough procrastinating. The best thing to do when you have a setback is to go forward! Get back on the horse! If at first you don t succeed, try, try again. ROXY: (Confused.) Meaning? TRIXY: Meaning let s get back on the road, girl! Turn the key and step on the gas! ROXY: (Pantomiming happily.) Turning the key, Coach! TRIXY: Go for it! ROXY: Stepping on the gas! TRIXY: All right! ROXY: And and Trixy? TRIXY: Yeah? ROXY: Nothing s happening. TRIXY: Nothing s happening! ROXY: What am I doing wrong? TRIXY: (With a guilty expression.) It s not you, Roxy. It s me. ROXY: You? TRIXY: I think I forgot to fill up the tank before I took you out driving. ROXY: You what? TRIXY: I forgot to put gas in the car. ROXY: (Annoyed.) Oh, this is really great. TRIXY: Hey, it was an honest mistake. ROXY: It was a stupid mistake! TRIXY: Yeah? Well, who almost crashed us into a tree, huh? ROXY: (Anger rising.) Yeah? Well, who got us stranded in the woods, huh? Do you have any idea where we even are? Do you, oh-brainless-one? TRIXY: Don t you use that tone with me, Missy! 5

ROXY: I can use whatever tone I want, you joke of a driving coach! TRIXY: (Infuriated.) Oh! Get out of my car! Get out this instant! ROXY: Gladly! ROXY pantomimes opening the car door and slamming it. SHE stomps away stage left a few steps and then screams loudly. TRIXY opens her door and runs to protect her friend. The actress must make it clear that SHE has left her car door open, and must run around the perimeter of the car before reaching her friend. TRIXY: What happened? Are you all right? ROXY: Not only do I stink as a driver not only did I almost crash into a tree not only did you get us stuck in the middle of the woods but I just stepped in doggy doo! TRIXY: Actually, it s probably raccoon doo, or deer doo, or even grizzly bear doo! ROXY: I don t care what kind of doo it is. This is my best pair of high heels! (Takes off one shoe, looks at it, and throws it off stage.) Disgusting! TRIXY: That wasn t too smart. How are you going to walk with one high heel? ROXY: (Hobbling ridiculously a few steps.) I ll manage. TRIXY: (Following her.) Oh Roxy, I m so sorry! ROXY: (Hobbling away from her.) You should be. TRIXY: Roxy, please forgive - Yowch! ROXY: (Turning in surprise.) What happened? TRIXY: (Grabbing her eye.) A branch! It poked my eye! It s getting so dark that I didn t even see it coming! ROXY: Omigosh, Trixy! It s swollen twice its size already. TRIXY: (Squinting in an overly exaggerated facial expression.) Oh no! I think I m having an allergic reaction! ROXY: (Trying to pry open the eye.) Here, open it up so I can see if you have anything in there. TRIXY: I can t! It s swollen shut! ROXY: Trixy, you might have a thorn or a sticker in there. Try to open up just a little bit. TRIXY: (Sobbing.) I m trying, but I can t! 6

ROXY: There, there. Everything will be fine. Come here. Sit on this clear spot of grass over here. We ll just wait for the next car to drive by and wave it down. Then we ll get you to a doctor. OK? TRIXY: (Crying as SHE sits.) What if nobody drives by? It s getting dark! It s cold! My eye hurts! I want to go home! ROXY: (Putting her arm around her friend soothingly.) I know. I know, honey. Come on, cheer up. Everything will turn out OK. Hey, I know what will make you laugh! Have you ever seen my greatest talent? TRIXY: Your greatest talent? ROXY: Yeah! I can stretch my tongue all the way up and touch my nose! TRIXY: No way! ROXY: I sure can! TRIXY: Prove it! ROXY: OK. Watch and learn! (ROXY begins to stretch her tongue upwards toward her nose. Then, SHE leaps up in pain. SHE starts screaming, Ow! Ow! Ow! etc. as SHE runs in circles, hobbling on her one high-heeled shoe.) TRIXY: Roxy, what is it? What happened? Speak to me! ROXY: (From this point on and throughout the remainder of the scene, ROXY must speak while keeping her tongue protruding between her lips, which should greatly distort her speech. Although this will produce a comic effect, ROXY must speak clearly enough to be understood.) A bee! A bee! TRIXY: A what? ROXY: A bee! It stung my tongue! TRIXY: Your what? ROXY: My tongue! My tongue! TRIXY: (Running to her.) A bee stung your tongue? ROXY: That s what I said! A bee stung my tongue! TRIXY: Holy cow! Is the stinger still in your tongue? ROXY: The what? TRIXY: The stinger! We ve got to make sure it s out! Hold still; I ve only got one working eye, you know! ROXY: Ow! TRIXY: Hold still! 7

ROXY: You re pulling my tongue! TRIXY: Well, you have to hold it out enough for me to see the stinger! ROXY: Get away from me. Haven t you caused enough problems for one day? TRIXY: Me? Who was the idiot who had to put on my lipstick while she was supposed to keep her eyes on the road? ROXY: Well, at least I have two goods eyes. TRIXY: (Covering her squinty eye with her hand.) That was cruel! ROXY: Oh, no. TRIXY: That was so mean! ROXY: Trixy, look. TRIXY: That was so heartless! ROXY: Trixy, shut up and look! TRIXY: What? ROXY: (Palms upward.) Rain. TRIXY: I can t understand what you re saying, you freak. ROXY: Rain. Rain! It s raining! TRIXY: It s raining! ROXY: That s what I said! TRIXY: Oh great. This is all we need. Here we are stuck in the middle of Nowheres-ville with not a car to be seen and it s starting to pour! ROXY: My shirt! TRIXY: What? ROXY: My shirt! TRIXY: Enunciate, girl. You hurt? Is that what you re trying to say? ROXY: No, my shirt! It s shrinking! It s starting to shrink! (SHE starts tugging at the bottom of her shirt.) TRIXY: Oh my God. Your mother was right! It is shrinking! Here, let me help. Maybe we can stretch it out. ROXY: Don t you touch me! Haven t you done enough? 8

TRIXY: Roxy, come back here. I just want to help! (The following staging should be stylized and slapstick. TRIXY, squinting with a grossly distorted face, should be running after ROXY who is hobbling on one high heel. TRIXY tries repeatedly to grab at Roxy s shirt while ROXY is slapping at her yelling, Stop it! Stop it! etc. At the directed moment the girls should freeze for a few seconds and stare beyond the audience, at a spot stage left.) It s a car! Yay! Finally! We re saved! ROXY: (Thumb out to hitch-hike a ride, hobbling, tongue protruding, pulling on her shirt.) Stop! Stop! We need help! TRIXY: (Squinting comically and waving her arms furiously.) Hello! Hello! Stop! Please! We re desperate! Hey! The girls should synchronize their focus from stage left to off stage right to indicate that the car has passed them by. ROXY: I can t believe it. TRIXY: Why would a car, full of red-blooded, teenage boys, pass by two, hot babes like us? ROXY: Look at us, Trixy. TRIXY: (Understanding after a beat.) Oh. I get it. ROXY: I m sopping wet. TRIXY: Yeah. We might as well wait in the car until the rain stops. Come on Roxy. (They walk to their sides of the car..) ROXY: Trixy, did you leave your car door open the whole time? TRIXY: You were screaming when you stepped in the grizzly bear doo-doo, so I didn t even think about shutting it. (They climb in the car, sit on their chairs, and pantomime shutting their doors.) ROXY: Great. The seats are all wet. TRIXY: Sorry. ROXY: Wonderful. This is just peachy. TRIXY: Well, if you weren t screaming like someone had chopped your leg off, I d have remembered to shut the door. ROXY: So now it s my fault? TRIXY: Hey, you re the one who begged me to take you out driving before your road test, aren t you? ROXY: (Sniffing.) Trixy? 9

TRIXY: (Oblivious.) I mean, here I let you drive my family s car out of the kindness of my heart and - - ROXY: - -Trixy, do you smell something? TRIXY: Don t look at me. You re the one who stepped in grizzly doo. ROXY: (Staring ahead in fright.) Trixy, do you hear something? TRIXY: (Listens, gasps, and also stares ahead in fear.) Uh-huh. It s in the back seat! Both girls face full front and synchronize the following quick, stylized reactions: a huge facial expression of shock, quick turn to look at each other in panic, focus back to front, facial reaction of having noticed a disgusting smell, and hands covering noses. BOTH: SKUNK! The girls sustain a long scream as they open their doors. TRIXY runs off stage right while ROXY hobbles off stage left. The scene ends in screaming confusion. THE END 10

NOTES 11

NOTES 12