Arkansas School Band and Orchestra Association SENIOR HIGH ALL-REGION / ALL-STATE TRYOUT MATERIAL 14- ~ -1 ~ 1-17 MAJOR AND MINOR SCALES FOR ALL INSTRUMENTS Scales are not listed in concert pitch for transposing instruments. They are to be played by memory at a tempo of quarter=, and in the following rhythmic pattern: 2/4: One th note, followed by six 1th notes, etc. to be TONGUED, ASCENDING and DESCENDING unless noted otherwise. CHROMATIC SCALES FOR ALL INSTRUMENTS Play in 1 counts of th note triplets followed by 1 quarter note, tongued, 2 octaves. Each instrument will start on pitch indicated. Check figure below for a starting pitch for each instrument. FLUTE Major: c1, g1, d1, a1, e1, b1, f1, bb1, eb1, ab1, db1, gb1 Minor: a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1 Chromatic: c1 OBOE Major: c1, d1, e1, b, f1, bb, eb1, db1 Minor: e1, b, c#1, d1, c1, f1, bb, eb1 Chromatic: c1 Major: g1, a1, ab1, gb1 Minor: a1, f#1, g#1, g1
SR SCALES CONTINUED BASSOON Major: C, G, D, A, E, BB, F, BBb, Eb, Ab, Db, Gb Minor: A, E, BB, F#, C#, G#, D, G, C, F, BBb, Eb Chromatic: F CLARINET Major: c1, g, d1, a, e, b, f, bb, eb1, ab, db1, gb Minor: a, e, b, f#, c#1, g#, d1, g, c1, f, bb, eb1 Chromatic: c1 LOW CLARINET Major: c1, g, a, e, b, f, bb, ab, gb Minor: a, e, b, f#, g#, g, c1, f, bb Chromatic: c1 Major: d1, eb1, db1 Minor: c#1, d1, eb1 SAXOPHONE Major: c1, d1, e1, b, f1, bb, eb1, db1 Minor: e1, b, c#1, d1, c1, bb, eb1, f1 Chromatic: c1 Major: g1, a1, ab1, gb1 Minor: a1, f#1, g#1, g1 TRUMPET and BARITONE TC Major: c1, g, a, b, bb, ab, gb Minor: a, b, f#, g#, g, c1, bb Chromatic: g Major: d1, e1, f1, eb1, db1 Minor: e1, c#1, d1, f1, eb1 FRENCH HORN Major: c, g, d, a, e, b, f, bb, eb, ab, db, gb Minor: a, e, b, f#, c#, g#, d, g, c, f, bb, eb Chromatic: f
SR SCALES CONTINUED TROMBONE and BARITONE BC Major: G, A, E, F, Bb, Ab, Gb Minor: A, E, F#, G#, G, F, Bb Chromatic: F Major: C, d, B, eb, db Minor: B, c#, d, c, eb BASS TROMBONE Major: C, G, D, A, E, BB, F, BBb, Eb, Ab, Db, Gb Minor: A, E, BB, F#, C#, G#, D, G, C, F, BBb, Eb Chromatic: F TUBA Major: GG, AA, EE, FF, BBb, AAb, GGb Minor: AA, EE, FF#, GG#, GG, FF, BBb Chromatic: FF Major: C, D, BB, Eb, Db Minor: BB, C#, D, C, Eb STRING BASS Major: c, G, d, A, E, B, F, Bb, eb, Ab, db, Gb Minor: A, E, B, F#, c#, G#, d, G, c, F, Bb, eb Chromatic: F XYLOPHONE Major: c1, g1, d1, a1, e1, b1, f1, bb1, eb1, ab1, db1, gb1 Minor: a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1 Chromatic: g
WHEN AN EXERCISE EXTENDS TO THE SECOND PAGE, BOTH PAGES ARE TO BE USED UNLESS OTHERWISE NOTED. FLUTE (Revised 14) SELECTED STUDIES FOR FLUTE by H. Voxman, Rubank (Material Revised 1999) 25 75 C Major 3rds, lines 3 & 4 bb minor 3rds, lines 5 & Line 3 Dotted eighth note 42 144 4 17 23 24 25 9 71 7 (In one) b minor 3rds, lines 7 & Ab Major 3rds, lines 5 & Line 3 4 54 0 75 40 50 71 70 75 This page only (In one) B Major 3rds, lines 9 & f# minor 3rds, lines 5 & c minor, line 7 9 0 5 OBOE SELECTED STUDIES FOR OBOE by H. Voxman, Rubank (Material Revised 0) * Indicates to use Articulation A * * 75 F Major d minor Bb Major G Major 3rds D Major Arpeggio 7 1 19 37 * 9 * 74 g minor D Major f minor D Major 3rds g minor Arpeggio 5 1 34 * 9 * 75 g minor this page only b minor Ab Major this page only g minor 3rds Eb Major Arpeggio 2 0 0 * Indicates to use Articulation A
BASSOON PRACTICAL METHOD FOR BASSOON by Weissenborn, Carl Fischer 7 9 70 47 2 3 4 5 3 Lines 7 5 Lines 1 5 + 2 measures 7 4+ 4+ 4+ Dotted half note + 37 4 71 5 Lines 7 & Lines 12 Bottom line Line 5, 3rd ms. To end 0 4+ 7+ 2+ 2 4+ 4+ 70 2 4+ 1 2 2 4 4+ 9 Last 3 lines 41 Lines 7 2 CLARINET (Revised ) ARTISTIC STUDIES BOOK 1 FROM THE FRENCH SCHOOL FOR CLARINET Edited by David Hite, Southern Music Company H. KLOSE METHOD FOR CLARINET, Revised Bellison, Carl Fishcer, (Klose Prescott) ARTISTIC 94 95 9 (measure 50 End) 49 3 5 KLOSE [Klose Prescott page numbers] 127 [43] E Major 0+ 12 [44] Lines, 12, 0+ 1 [47] 7 (1st 5 lines) 0+ 4 [50] 1 0+ ARTISTIC (1st page only) 0 4 19 4 KLOSE [Klose Prescott page numbers] 12 [42] 12 [44] 2 [4] 3 [49] d minor Lines 2, 3, 4 0+ 0+ 0+ 0+ ARTISTIC 2 17 23 Andante Adagio 5 KLOSE [Klose Prescott page numbers] 12 [42] c minor 0+ 12 [44] Lines, 9, 0+ 0 [4] 1st 5 lines 0+ 3 [49] 14 0+
LOW CLARINET ADVANCED STUDIES (Weissenborn) Rhoads, SMC (Material Revised 1999) 1 4 14 1 1 (1st 4 lines + 2 measures) 1 24 2 + 90 0 1 2 3 1 5 9 23 42 52 2 1 2 3 5 7 27 Adante Allegro Tranquillo 1 12 1 5 2 1 SAXOPHONE SELECTED STUDIES FOR SAXOPHONE by H. Voxman, Rubank * Indicates to use Articulation A 37 * * 70 * 74 0 Bb Major A Major F Major Lines 1 Dotted 5 19 * 9 * 9 * 74 0 Eb Major D Major Bb Major Lines 7 12 Dotted 0 54 0 9 * * * 75 d minor G Major Eb Major Lines 5 & * Indicates to use Articulation A 0 0 51 1 0+
TRUMPET SECOND BOOK OF FOR CORNET/TRUMPET, Getchell Hovey, Belwin STUDIES FOR TRUMPET, Voisin, International Music STUDIES FOR TRUMPET 1 0 1 4 5 9 4 0 54 0 7 0 1 12 0 0 STUDIES FOR TRUMPET 2 5 7 93 99 1 7 0 4 0 1 2 5 4 STUDIES FOR TRUMPET 79 97 5 4 0 0 0 4 FRENCH HORN PREPARATORY MELODIES TO SOLO WORK FOR FRENCH HORN, Pottag, Belwin SECOND BOOK OF FOR FRENCH HORN. Getchell, Belwin (Material Revised 1999) PREPARATORY MELODIES 3 14 32 14 27 3 1 2 Half note 5 5 7 90 70 0 4 2 PREPARATORY MELODIES 19 2 2 31 47 52 71 4 93 7 4 0 94 5 4 1 2 5 0 PREPARATORY MELODIES 22 34 7 17 30 5 51 Half note 4 54 5 95 5 7 79 0 7 1 2
TENOR TROMBONE AND BARITONE BC (Revised ) MELODIOUS ETUDES FOR TROMBONE BOOK 1, Selected from the Vocalises of Marco Bordogni (Material Revised ) Arr. By Joannes Rochut, Carl Fischer 40 PROGRESSIVE STUDIES FOR TROMBONE, H. W. Tyrell, Boosey Hawkes MELODIOUS ETUDES 4 9 PROGRESSIVE STUDIES 1 ( lines plus 1 quarter) 24 MELODIOUS ETUDES 0 PROGRESSIVE STUDIES 22 2 70 144+ MELODIOUS ETUDES 3 (measure 1 39) 4 PROGRESSIVE STUDIES 144 4 Indicated Trills are for Baritones Only BARITONE TC (Revised ) MELODIOUS ETUDES FOR TROMBONE BOOK 1, Selected from the Vocalises of Marco Bordogni (Material Revised ) Arr. By Joannes Rochut, Carl Fischer Transposed Available on request from ASBOA Office by permission of Carl Fischer 40 ADVANCED STUDIES FOR TRUMPET, H. W. Tyrell, Boosey Hawkes MELODIOUS ETUDES 4 9 ADVANCED STUDIES 1 (12 lines stop at count 1 in the last ms.) 22 MELODIOUS ETUDES 0 ADVANCED STUDIES 1 Quarter Note 70 144+ MELODIOUS ETUDES 3 (measure 1 39) 4 ADVANCED STUDIES 144 4
4 5 9 2 27 BASS TROMBONE ETUDES FOR BASS TROMBONE, Gillis, Southern (Material Revised 0) All va markings are va basso 2 5 17 3 0 14 1 17 2 29 9 1 19 9 50 2 12 22 23 24 25 7 9 9 0 1 All va markings are va basso TUBA 24 ARTISTIC STUDIES, Woodruff, Southern SECOND BOOK OF FOR TUBA, Getchell Hovey, Belwin (Material Revised 02) WOODRUFF 4 5 9 IV V VII Half note 0 0 0 GETCHELL 1 90 1 1 140 WOODRUFF 3 23 1 17 II XVIII XIV 1 4 1 144 GETCHELL 2 0 1 1 1 2 WOODRUFF 27 XIII XXI IX 0 12 4 1 GETCHELL 7 7 3 0
COMPREHENSIVE PERCUSSION Snare Drum PORTRAITS IN RHYTHM Adler/Cirone Adler/Belwin Keyboard MODERN SCHOOL FOR XYLOPHONE Goldenberg Chappell/Presser [ #'s for New Goldenberg Edition MODERN SCHOOL FOR MALLET KEYBOARD Sewrey Hans Schneller Hal Leonard ISBN # 97 0 7935 193 5 Hal Leonard Order # HL 0034777] Timpani MUSICAL STUDIES FOR THE INTERMEDIATE TIMPANIST Whaley JR Publications (Revised 14) Snare Keyboard Timpani 12 7 31 XX [ 71] All 9 0 90 0 Snare Keyboard Timpani 25 94 2 23 Beginning to C [140 141 to ct. 1 ms. 5, 141] All 90 0 5 Snare Keyboard Timpani 42 97 39 Beginning to J [143 144 to line 5 ms. 2, 144] All 4 2 Snare Rudiments: (all years) All are to be played open closed open/slow fast slow (#PAS number) Roll Rudiments: Single Stroke Roll (#1); Double Stroke Open Roll (#); Five Stroke Roll (#7); Seven Stroke Roll (#9); Nine Stroke Roll (#), Diddle Rudiments: Single Paradiddle (#1); Double Paradiddle (#17), Flam Rudiments: Flam (#), Flam Accent (#); Flamacue (#23); Flam Paradiddle (#24), Drag Rudiments: Drag (#31); Double Drag Tap (#33); Single Ratamacue (#3) Keyboard Scales: (all years) play 2 octaves: Major: C1, G1, D1, A1, E1, B1, F1, Bb1, Eb1, Ab1, Db1, Gb1 Minor: a1, e1, b1, f#1, c#1, g#1, d1, g1, c1, f1, bb1, eb1 Chromatic: G to G Timpani Fundamental (all years) 1 Tune the starting notes for the listed exercise. 2 Then, beginning with the lowest pitch, strike each drum lowest highest consecutively in a half note rhythm quarter note = 0 STRING BASS SIMANDL NEW METHOD FOR DOUBLE BASS, BOOK I, Carl Fischer BELWIN STRING BUILDER, BOOK III, Applebaum, Belwin SIMANDL 31 (Bb) (F) + BELWIN 31 2 95 (C) (G) 4+ 2+ SIMANDL 7 (Bb) 7 (Ab) BELWIN 30 31 94 (G) 97 (Bb) SIMANDL 14 (Ab) 4 (C) Half note + 0 BELWIN 27 32 4 (Eb) 9 (D) 1