Love Song Jocelyn Hagen $.50 baritone, violin Love Song for baritone and violin In honor and celebration of the marriage of Judy Schumaker and Richard Larson
Love Song Ho can I keep my soul in me, so that it doesn t touch your soul Ho can I raise it high enough, past you, to other things I ould like to shelter it, among remote lost objects, in some dark and silent place that doesn t resonate hen your depths resound. Yet everything that touches us, me and you, takes us together like a violin s bo, hich dras one voice out of to separate strings. Upon hat instrument are e to spanned And hat musician holds us in his hand Oh seetest song. ~ Rainer Maria Rilke (1875-1926) Translator Unknon Note: The translation of this poem as chosen by my husband and I three years ago to be read at our edding. Setting it to music as a happy and surprising endeavor. I had no idea it ould be a dance! Maybe it s the time of year and all the joyful singing ~ but this text manifested itself into a little dance, hich I am sure ill be fun to sing and play. I plan to expand this song into a set of songs, or dances, for baritone and piano, hen I have the opportunity. ~Jocelyn Hagen December 2, 2009
Rainer Maria Rilke (1875-1926) Translator Unknon Vln. B a r. 7 A light dance, ith rubato Andante q = 80 # # does-n't touch your soul In honor and celebration of the marriage of Judy Schumaker and Richard Larson # # Love Song baritone and violin # # J Ho can I keep my # # # #.. Jocelyn Hagen J soul in me, so that it # J Ho can I raise it #. # F #. high e-nough, past you, to oth - er things
Love Song / Hagen 10 # # # Ó p # p pizz. arco pizz. arco j # j N I ould like to shel - ter it, a-mong re-mote lost 1 pizz. arco j N. ob # b b - jects, in some dark and si-lent place that does-n't re -so-nate hen your b. j b b. b 2 2 17 2 2 N # # # # # # n F # f F # # # R. R. 2 2 depths re - sound. 21 2 2 # # p #. Y e t ev - 'ry - thing that touch - es us, # J 2
Love Song / Hagen 2 J j # # # # F J molto # # me and you, takes us to - geth - er like a vi - o - lin's 27 b b b f b. f # b J 5 5 # p N #. U,. # U b o, hich dras one voice out of to sep -'rate strings. 2. #. F #.. J p J Up-on hat in-stru-ment are. #. e to spanned 7.. p J # #. And hat mu -si -cian holds us in his hand Oh seet-est seet - # freely F #.
Love Song / Hagen 1 j # n. # - - - - - - # # est # song. # # # 5 5 # detached j p pizz. j
Jocelyn Hagen Jocelyn Hagen (b.1980), a native of Valley City, North Dakota, composes music that has been described as dramatic and deeply moving (Star Tribune, Minneapolis/St. aul). Her first forays into composition ere via songriting, and this is very evident in her ork. The majority of her compositional output is for voice: solo, chamber and choral. In 2012 she collaborated ith choreographer enelope Freeh to create Slippery Fish, a quartet for 2 dancers, soprano and viola, and the piece as revieed as completely original in all respects. (Star Tribune, Minneapolis/St. aul). Currently she is Artist-in-Residence at the North Dakota State University School of Music, here she teaches, rites curriculum and brings in collaborators to perform her ork. Jocelyn holds degrees in Theory, Composition, and Vocal Music Education from St. Olaf College, as ell as a Masters degree in Composition from the University of Minnesota. Jocelyn has received grants and aards from ASCA, the American Composers Forum, Minnesota Music Educators Association, the McKnight Foundation, the Jerome Foundation, VocalEssence, the Yale Glee Club, the Lotte Lehman Foundation, the Sorel Medallion Competition, the Cincinnati Camerata, the University of Minnesota, and the San Francisco Song Festival. Her commissions include the American Choral Directors Association, Texas, Georgia and Connecticut Choral Directors Associations, the North Dakota Music Teacher s Association, The Singers Minnesota Choral Artists, Trio Callisto, the Murasaki Duo, Cantus, the Houston Chamber Choir, the Metropolitan Symphony Orchestra, the St. Olaf Band, NDSU Gold Star Band, the ND Army Band, and the Copper Street Brass Quintet. Her music is independently published through her ebsite as ell as through Graphite ublishing, Santa Barbara Music ublishing and Boosey and Hakes. Independently published vocal orks by Jocelyn Hagen: and then e ere left Dear Theo: Letters from Vincent Van Gogh Hope Kiss love. songs love. songs Songs of Fields and rairies The Seetness of my Dreams The Time of Singing Has Come song cycle for baritone, cello, and guitar extended song for tenor and percussion song cycle for high voice and piano song cycle for soprano and piano song cycle for baritone and piano song cycle for soprano and piano song cycle for soprano and piano song cycle for mezzo-soprano and piano song cycle for soprano, tenor, and piano The Floer of the Field from Songs of Fields and rairies high voice and piano Gendolen s Dream soprano, clarinet in A, and cello i carry your heart from love. songs voice and piano In My Soul from amass baritone, cello, and guitar Inventing Truths from amass tenor and cello Love Song baritone and violin ara mi corazòn medium-high voice and piano Silver Wing from Test ilot soprano and viola To My Daughter, After a Fight voice and piano The Wedding is the romise from The Time of Singing Has Come voice and piano Recordings available at JocelynHagen.com: