F-sharp fingerings for bassoon

Similar documents
California Subject Examinations for Teachers

COMPARISON AND ANALYSIS OF THE VIVALDI BASSOON CONCERTO IN C MAJOR, RV 477, AND THE WEBER CONCERTO IN F MAJOR, OP. 75 A CREATIVE PROJECT

New Orleans Baptist Theological Seminary Division of Church Music Ministries MUTH5301 Music in Theory and Practice Mission Statement Core Values:

Free Ebooks The New Weissenborn Method For Bassoon

"A Competence Checklist for the Advanced High School Bassoonist"

MUS 326 Advanced Conducting

APA FORMATTING for MAT Coursework

AP Music Theory Course Syllabus Mr. Don Leonard

ATSSB AUDITION MUSIC BASSOON

Contrabassoon Fingering Chart

REQUIRED TEXT: Griswold, H. Gene: Teaching Woodwinds. Upper Saddle River, NJ: Pearson, 2008

Clarinet Studios University of Idaho GUIDELINES for ADMISSION TO MusA 115

Honors Music Theory South Carroll High School : Fall Semester

Bassoon Fingering Issues By Michael Burns

KUTZTOWN UNIVERSITY KUTZTOWN, PENNSYLVANIA DEPARTMENT OF MUSIC COLLEGE OF VISUAL AND PERFORMING ARTS MUS 379 DIRECTED STUDIES IN MUSIC

The Journal of the International Double Reed Society 20 (July 1992): A Bassoonist's Expansions upon Marcel Tabuteau's "Drive" by Terry B.

Challenges in Beginning Trombone Pedagogy

Hit the Ground Running! RDA Training for Music Catalogers

Commonwealth of Pennsylvania KUTZTOWN UNIVERSITY Kutztown, Pennsylvania MUP 281 UNIVERSITY BAND

Clinic by: Jan Eberle, Professor of Oboe at Michigan State University. Presented: May 12, 2017 at the Iowa Bandmaster s Association Conference

COURSE OF STUDY UNIT PLANNING GUIDE INSTRUMENTAL MUSIC GRADE LEVEL: 4-5 REVISED AUGUST 2017 ALIGNED TO THE NJSLS FOR VISUAL AND PERFORMING ARTS

MUSC 133 Practice Materials Version 1.2

MUS122: Ear Training and Sight Singing II Spring 2017 M/W/F 11:00 11:50 am / 2:00 2:50 pm Fine Arts Center C100

AP Music Theory Syllabus

BRAY, KENNETH and PAUL GREEN (arrangers) UN CANADIEN ERRANT Musical Features of the Repertoire Technical Challenges of the Clarinet Part

RGC Department of Humanities Spring 2014 Book Adoption List. ENGL Structure and History of the English Language

APA Format Sample Entries for Reference List. Napoli, P. M. (1999). The marketplace of ideas metaphor in communications regulation.

Physics HomeWork 4 Spring 2015

about half the spacing of its modern counterpart when played in their normal ranges? 6)

about half the spacing of its modern counterpart when played in their normal ranges? 6)

Course Objectives The objectives for this course have been adapted and expanded from the 2010 AP Music Theory Course Description from:

2015 University of Georgia Bassoon & Oboe Symposium. Sunday, January 18th

Major topics of study include the following, in both written in aural form (where applicable):

The Goal of this Session is to help attendees answer the three questions.

The instrumental music educator is concerned with teaching a variety of fundamental

2016/17 MSBOA Middle School All-State BAND Audition Requirements

VIOLIN FOA All-State Information & Audition Materials

Professor Bond s APA Style (6th ed.) Reference Guide

Book - One Author. Thomas, Ronald R. Detective Fiction and the Rise of Forensic Science. Cambridge: Cambridge UP, Print.

Training String Players for Rhythmic Mastery American String Teachers Association National Conference, 2008 Albuquerque, NM

VIOLA FOA All-State Information & Audition Materials

Bass FOA All-State Information & Audition Materials

Arkansas All-State Orchestra and All-Region Orchestra Audition Music for (Set 1) Violin Page 1 of 4

2 e ffort W hen to Cite in Your Journal Thank you so much for the excellent job you are doing in the discussion forums and the that you are putting in

MOLDING THE ENSEMBLE S SOUND

University of Idaho Oboe Studio Levels of Instruction and Admission Criteria

MENC: The National Association for Music Education

Major Scale Crash Course

Developing Musicianship through Improvisation: An Eclectic Teaching Module for Pre-school Children Preeyanun Promsukkul

Alleghany County Schools Curriculum Guide

Douglas E. Spaniol office:

FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC AN ANNOTATED CATALOG OF SELECTED I.D.R.S. BASSOON ARTICLES, WITH AN APPENDIX OF CATEGORIZED BASSOON ARTICLES

Carr EFA 214 (325) Hours 9-10 am, M-F. Syllabus: Music Bibliography and Research MUSI Fall 2016

**Students need to have all of the signed paperwork with them at the time of their audition.**

Marion BANDS STUDENT RESOURCE BOOK

Class Notes November 7. Reed instruments; The woodwinds


DOWNLOAD OR READ : PEARSON STANDARD OF EXCELLENCE BOOK 1 TROMBONE BASS CLEF PDF EBOOK EPUB MOBI

Bassoon Music Reviews

Turabian Style Citations (Notes-Bibliography Style)

Fig. 1: Wire Adjustment Tip Resistance Pitch Tone

Music Department Columbia University Ear Training Curriculum, Fall 2012 Sing and Play at the Piano Face the Music

SAMPLE MLA PAPER. This sample paper lays out some guidelines for papers in Modern Language Association

Curriculum Map - Band 7 & 8. Concepts Competencies Vocabulary Standard( s) Playing musical

Chicago Style Citations (Author-Date Style)

Gilbert Audin and L Association Bassons

Audition Guidelines & Repertoire Lists Season

At the end of the nine weeks, we will take the combination of the grades of each section to form your Quarter Grade.

Turabian Style Citations (Author-Date Style)

**Students need to have all of the signed paperwork with them at the time of their audition.**

Music à la Mode : Sensory Learning Preferences Visual, Auditory, and Kinesthetic Modalities Dr. Stephen Allen

Audition components. Audition Etude See list of audition etudes below Students should adhere to suggested tempi

THE EVOLUTION OF THE CLARINET AND ITS EFFECT ON COMPOSITIONS WRITTEN FOR THE INSTRUMENT. Victoria A. Hargrove

Brass Scales, Major (to be played in tongued quarter notes at a minimum speed of 110 bpm)

GRADUATE PLACEMENT EXAMINATIONS - COMPOSITION

Resource Descrip,on and Access Overview: Making RDA Work

HOW CAN MY STUDENTS SOUND LIKE PROFESSIONALS?

American Band College of Sam Houston State University

The New York Public Library Billy Rose Theatre Division

EMMC605 is a basic and foundational course for biblical and theological studies. Its purpose is four-fold:

MLA Documention Guide Prepared by St. Peter Chanel s English Department

Plainfield Music Department Middle School Instrumental Band Curriculum

Clarinet (Armando Martinez, Del Valle HS) Artistic Studies, Book 1 - From the French School, David Hite, Southern Music Company

SYKESVILLE MIDDLE SCHOOL Band and Orchestra Handbook

The Extension Technique and Interpretation of George Crumb s Solo Piano Works

Hund My Music Lab with E-book / Listen to This Mark Evan Bonds Prentice Hall 1st 10: : Hackett & Lindeman

Keyboard Theory and Piano Technique

MLA Works Cited Format Simplified

AP Music Theory

Music Theory 1 The Beginnings - Pitch Second Chances Band Program

Course Outcome Summary

WSMTA Music Literacy Program Curriculum Guide modified for STRINGS

In-Text Citations. The first words of the in-text citation should mirror the first words of the source on the References page.

Allen Say ONLINE RESOURCES PACKET. AuthorStudy Grade 3

Page 4 Lesson Plan Exercises Score Pages 50 63

Theory of Music 3/MUT Dr. Leslie Odom School of Music University of Florida Fall, 2017

3b- Practical acoustics for woodwinds: sound research and pitch measurements

You Are Only As Good As Your Last Breath: Improving Brass Pedagogy

Building Great Clarinetists: Teaching Tips & Literature

SY KESVILLE MIDDLE SCHOOL Band and Orchestra Handbook

Transcription:

F-sharp fingerings for bassoon a perhaps-unnecessarily-comprehensive listing version 1.0 bretpimentel.com corrections welcomed: bret@bretpimentel.com Legato fingering and variants, with LH3 1. Carroll Cooper/BFFC Cooper/Toplansky (Alternate) Corey/BFFC (Alternate: technical) Dietz Fox (Alternate) Hammel (Standard) Hoyt (Standard) Hess (Standard) Kopp Moritz/BFFC Reichard (Standard) Schroeder Skornicka Spencer (Alternate: technical) Wilson/BFFC 2. Cooper/Toplansky (Alternate: pianissimo) Dowdakin/BFFC 3. Schroeder 4. Cooper/BFFC Schroeder (Alternate: technical) Swanson/BFFC 1

5. Swanson/BFFC 6. Cooper/Toplansky (Alternate: technical) 7. Cooper/Toplansky (Alternate: technical) Legato variants without LH3 8. Cooper/BFFC Cooper/Toplansky (Standard) Corey/BFFC (Alternate: slurs) Davis (Standard) Groeling/BFFC Hardisty Pence Reichard (Alternate) Skornicka Spencer Sweeney (Alternate: technical) Waln 9. Cooper/BFFC 2

10. Cooper/BFFC Spencer (Alternate: slurs) Swanson/BFFC 11. Swanson/BFFC 12. Cooper/BFFC Legato variants with LH1 half-hole 13. Ewell (Alternate) Groeling/BFFC Moritz/BFFC 14. Skornicka 15. Cooper/Toplansky (Alternate: technical) 3

16. Cooper/Toplansky (Alternate: technical) 17. Cooper/Toplansky (Alternate: technical) Legato variants with LH fork 18. Reichard (Alternate) Skornicka 19. Reichard (Alternate) Swanson/BFFC 20. Davies/BFFC French fingerings and variants 4

21. Cooper/Toplansky (Standard) Davis (Standard) Griswold (Standard) Pence Reichard (Alternate) Rose Schroeder Sweeney (Standard) Wilson/BFFC 22. Schroeder 23. Cooper/Toplansky (Alternate: technical) Fox (Standard) Hammel (Alternate) Hess (Standard) Hoyt (Standard) Reichard (Standard) Wells (Standard) 24. Cooper/Toplansky (Alternate: technical) 25. Corey/BFFC Ewell (Standard) Moritz/BFFC 5

26. Sweeney (Alternate: pianissimo) 27. Conn-Selmer 28. Brightman Jones Schroeder (Alternate: technical) Spencer (Alternate: slurs, pianissimo) 29. Swanson/BFFC 30. Swanson/BFFC 6

31. Swanson/BFFC 32. Swanson/BFFC (Alternate: slurs) 33. Swanson/BFFC Fingerings derived from high G 34. Pence Reichard (Alternate) Rose Swanson/BFFC Waln Wilson/BFFC 35. Davis (Alternate: technical) Fox (Alternate) Reichard (Alternate) Schroeder Swanson/BFFC 7

36. Reichard (Alternate) 37. Schroeder (Alternate: technical) Turkovic/BFFC (Alternate: technical) 38. Cooper/Toplansky (Alternate: technical) 39. Cooper/Toplansky (Standard: technical) Fingerings using LH fork 40. Cooper/Toplansky (Standard: technical) 41. Swanson/BFFC 8

Fingerings using LH2 alone 42. Cooper/Toplansky (Alternate: technical) 43. Grossman/BFFC (Alternate: slurs) 44. Reichard (Alternate) 45. Grossman/BFFC (Alternate: slurs) 46. Birnstingl/BFFC (Alternate: pianissimo) 47. Karr/BFFC 9

Fingerings with LH1 open 48. Cooper/Toplansky (Alternate: pianissimo) Jones Winstead/BFFC 49. Cooper/Toplansky (Alternate) Moritz/BFFC 50. Cooper/BFFC (Alternate: pianissimo) Cooper/Toplansky (Alternate: technical) Spencer Weissenborn 51. Cooper/BFFC (Alternate: pianissimo) Weissenborn Fingerings not using LH1, 2, or 3 52. Cooper/Toplansky (Alternate: slurs, pianissimo, technical) 10

53. Cooper/Toplansky (Alternate: slurs, pianissimo, technical) 54. Cooper/Toplansky (Alternate: technical) Winstead/BFFC (Alternate: technical) 55. Cooper/Toplansky (Alternate: technical) Huff/BFFC 56. Reichard (Alternate) 57. Reichard (Alternate) 58. Blackman/BFFC 11

59. Friedman/BFFC Sources Birnstingl, Roger (BFFC). In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993. Blackman, Paul (A. Hennige) (BFFC). In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993. Brightman, Kay (BFFC). In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993. Carroll, Dave. Bassoon Fingerings: Keyboard Visualization, http://www.fingering-charts.com/results/bassoon.pdf. Retrieved June 2013. Conn-Selmer, Inc. Basic Fingering Chart: Bassoon, http://www.veritas-online.com/edarchive/bassoon.pdf. Retrieved June 2013. Cooper, Lewis Hugh (BFFC). Bassoon Clinic Series, Part Four, Etude: the Music Magazine 47/6 (June 1949). Cooper, Lewis Hugh, and Howard Toplansky. Essentials of Bassoon Technique. Union, NJ: Howard Toplansky, 1968. Corey, Gerald E. (BFFC). How to Improve Your Tuning on the Bassoon. The Journal of the International Double Reed Society 8 (1980). Davies, Mark (BFFC). In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993. Davis, William. Standard Fingering Guidance. Unpublished. Dietz, William. Teaching Woodwinds. Belmont, CA: Schirmer, 1998. Dowdakin, J. Daniel (BFFC). In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993. Ewell, Terry. German System Bassoon Fingerings, https://www.idrs.org/resources/bsnfing/bsnfingerings.pdf. Retrieved June 2013. Entries attributed to Ewell are found in this source. Ewell, Terry. The Bassoon-Family Fingering Companion, https://www.idrs.org/resources/bsnfing/finghome.htm. Retrieved June 2013. Entries attributed to an author and marked BFFC are found in this source; the sources cited by Dr. Ewell are included here for reference, though I did not personally consult all the original sources. Fox, Hugo. Let s Play Bassoon, http://www.foxproducts.com/pdfs/letsplaybassoon.pdf. Retrieved June 2013. Friedman, Jonathan (BFFC). The Double Reed 1/3 (December 1978). 12

Griswold, H. Gene. Teaching Woodwinds. Upper Saddle River, NJ: Pearson Prentice Hall, 2008. Groeling, Charles R. (BFFC). Cultivating Bassoonists. The Instrumentalist 47/1 (August 1992). Groeling, Charles R. (BFFC). Cultivating Bassoonists. The Instrumentalist 47/1 (August 1992). Cooper p. 226. Grossman, Arthur (BFFC). (18 September 1996). Hammel, Bruce. Fingerings, http://www.people.vcu.edu/~bhammel/main/bassoon/fingers/chart.html. Retrieved June 2013. Hardisty, Donald M. (BFFC). Tuning those Bassoons: Part II--Tuning Individual Notes and Registers. The Instrumentalist 36/8 (March 1982). Hess, Susan. Standard Bassoon Fingerings, http://www.webpages.uidaho.edu/uibassoon/fingeringchart.pdf. Retrieved June 2013. Hoyt, Lisa. Heckel-System Bassoon Standard Fingerings, https://www.idrs.org/resources/bsnfing/note/heckstnd.htm. Retrieved June 2013. Huff, Douglas (Dickie, James) (BFFC). In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993. Jones Double Reed Products. Bassoon Fingering Chart, http://www.teacherweb.com/ca/dartmouthmiddleschoolhemet/mrolsen-band/bassoon_chart.pdf. Retrieved June 2013. Jones, Lorraine. In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993. Karr, Matt (BFFC). In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993. Kopp, James B. The Not-Quite-Harmonic Overblowing of the Bassoon, http://www.koppreeds.com/harmonic.html. Retrieved June 2013. Moritz, Frederick (BFFC). A Dissertation on the Use of Alternate Fingerings for Some of the High Register Notes on the Heckel and Heckel-Type Bassoons. The Double Reed 8/3 (Winter 1985). Pence, Homer. Teacher s Guide to the Bassoon. Elkhart, IN: H. & A. Selmer, 1963. Reichard, Timothy. The Woodwind Fingering Guide, http://www.wfg.woodwind.org. Retrieved June 2013. Rose, Saxton. Saxton Rose s Fingering Chart, http://www.saxtonrose.com/resources/fingerings/. Retrieved June 2013. Schroder, John Best Top Register Bassoon Fingerings, http://johnschroder.co.uk/js/?page_id=201. Retrieved June 2013. Skornicka, J. E. Elementary Method: Bassoon. Milwaukee: Rubank/Hal Leonard, 1935. Spencer, William. The Art of Bassoon Playing. Evanston, IL: Summy-Birchard, 1958. Swanson, Robert (BFFC). Pictorial Bassoon Fingerings. Woodwind Magazine 4/2 (September 1951). Sweeney, Michael. Fingering chart for German-system bassoons, http://www.michaelsweeney.com/fingerings.html. Retrieved June 2013. Turkovic, Milan (BFFC). In Klimko, Ronald. Bassoon Performance Practices and Teaching in the United States and Canada. Idaho: University of Idaho, 1974. Waln, Ronald L. Pictoral Fingering Chart. Self-published. 13

Weissenborn, Julius. Method for Bassoon. Revised by Fred Bettoney. New York: Carl Fischer, 1940. Wells, David. Fingering Charts, http://davidawells.com/2012/02/fingering-charts/. Retrieved June 2013., Frederick. Guide to Teaching Woodwinds, Fifth Edition. Boston: McGraw Hill, 1990. Wilson, George H. (BFFC). Bassoon Intonation: No Mystery! The Instrumentalist 18/7 (February 1964): 66. Reprinted inwoodwind Anthology (Evanston: The Instrumentalist Company, 1976). Winstead, William (BFFC). In Apfelstadt, Marc and Klimko, Ronald. Bassoon Performance Practice, Teaching Materials, Techniques and Methods. Idaho: University of Idaho, 1993, p. 53. 14