COURSE OUTLINE DP LANGUAGE & LITERATURE

Similar documents
IB SUMMER READING / ENGLISH 12 IB / IB Language A: Literature

Internal assessment details SL and HL

English 2019 v1.3. General Senior Syllabus. This syllabus is for implementation with Year 11 students in 2019.

Guide aux évaluations BI Mme Lewis

Literature 2019 v1.2. General Senior Syllabus. This syllabus is for implementation with Year 11 students in 2019.

Course: Film, Higher Level (HL)

Programme School Year

California Content Standards that can be enhanced with storytelling Kindergarten Grade One Grade Two Grade Three Grade Four

English Literature AS Level AQA (Specification B) Preparing to study Aspects of Tragedy

Shelley McNamara.

Curriculum Map: Academic English 11 Meadville Area Senior High School English Department

0 The work does not reach a standard described by the descriptors below.

Philosophy of Art and Aesthetic Experience in Rome PHIL 277 Fall 2018

Eleventh Grade Language Arts Curriculum Pacing Guide

SUGGESTED SUMMER REVIEW WORK

Seymour Public Schools Curriculum Early British Literature

ENGLISH LITERATURE. Preparing for mock exams: how to set a question A LEVEL

MUSIC Advanced Higher

Music in Practice SAS 2015

Treasure Coast High School AICE Summer Reading List

PROGRAMME SPECIFICATION FOR M.ST. IN FILM AESTHETICS. 1. Awarding institution/body University of Oxford. 2. Teaching institution University of Oxford

Curriculum Map: Comprehensive I English Cochranton Junior-Senior High School English

SCHEME OF WORK College Aims. Curriculum Aims and Objectives. Assessment Objectives

Research question. Approach. Foreign words (gairaigo) in Japanese. Research question

SAMPLE COURSE OUTLINE VISUAL ARTS ATAR YEAR 11

MARK SCHEME for the May/June 2006 question paper 0486 LITERATURE (ENGLISH)

ENGLISH 11 (MASTER MAP)

National Standards for Visual Art The National Standards for Arts Education

PETERS TOWNSHIP SCHOOL DISTRICT CORE BODY OF KNOWLEDGE ADVANCED PLACEMENT LITERATURE AND COMPOSITION GRADE 12

12th Grade Language Arts Pacing Guide SLEs in red are the 2007 ELA Framework Revisions.

ROSEDALE HEIGHTS SCHOOL OF THE ARTS

Adjust oral language to audience and appropriately apply the rules of standard English

Due date: August 28, 2017 First day of school

7. Collaborate with others to create original material for a dance that communicates a universal theme or sociopolitical issue.

English - Higher Level - Paper 2

AP English Language and Composition

Exploring film production roles

Curriculum Plan: English Language Arts Grade August 21 December 22

IB/MYP English 2 Pre-IB Diploma Program Summer Reading Assignment

EE: Music. Overview. recordings score study or performances and concerts.

PHILOSOPHY. Grade: E D C B A. Mark range: The range and suitability of the work submitted

AP English Literature 1999 Scoring Guidelines

PETERS TOWNSHIP HIGH SCHOOL

Music Scope and Sequence

Incoming Eleventh Grade Honors Students will be required to read Catch-22

Individual Oral Commentary (IOC) Guidelines

Middleton High School Theatre Winter Audition Packet

MARK SCHEME for the May/June 2008 question paper 0411 DRAMA. 0411/01 Paper 1 (Written Examination), maximum raw mark 80

Syllabus Snapshot. by Amazing Brains. Exam Body: CCEA Level: GCSE Subject: Moving Image Arts

2002 HSC Drama Marking Guidelines Practical tasks and submitted works

Independent Reading due Dates* #1 December 2, 11:59 p.m. #2 - April 13, 11:59 p.m.

PKUES Grade 10 Music Pre-IB Curriculum Outline. (adapted from IB Music SL)

OIB class of th grade LV1. 3 h. H-G Literature. 4 h. 2 h. (+2 h French) LV1 Literature. 11th grade. 2,5 h 4 h. 6,5 h.

Specification MUSIC BTEC FIRST. From September Certificate Extended Certificate Diploma

GCE English Literature 2015: Contemporary Poetry

Getting ready to teach

Turnitin Student Guide. Turnitin Student Guide Contents

SpringBoard Academic Vocabulary for Grades 10-11

NAVRACHANA INTERNATIONAL SCHOOL, VADODARA

Mark Scheme (Results) Summer 2010

CURRICULUM MAP. British Literature

Seymour Centre 2017 Education Program THE TEMPEST CURRICULUM LINKS. English Stage Content Objective Outcomes

Effective citing and referencing

Curriculum Standard One: The student will use his/her senses to perceive works of art, objects in nature, events, and the environment.

GCSE Music Composing Music Report on the Examination June Version: v1.0

ENGLISH FIRST PEOPLES 12 (4 credits)

GENERAL CERTIFICATE OF EDUCATION (ADVANCED LEVEL)

Music Written Examination Student Samples

MINISTRY OF PRIMARY AND SECONDARY EDUCATION

THE BASIS OF JAZZ ASSESSMENT

Music Diplomas Syllabus

College of the Desert

Year 7. Year 8. Year 9

Indiana Academic Standards for Visual Arts Alignment with the. International Violin Competition of Indianapolis Juried Exhibition of Student Art

Syllabus for Music Secondary cycle (S1-S5)

K to 12 BASIC EDUCATION CURRICULUM SENIOR HIGH SCHOOL ACADEMIC TRACK

SQA Advanced Unit specification. General information for centres. Unit title: Philosophical Aesthetics: An Introduction. Unit code: HT4J 48

Seymour Centre 2019 Education Program THE MERCHANT OF VENICE CURRICULUM LINKS. English Stage Content Objective Outcomes

General Standards for Professional Baccalaureate Degrees in Music

Year 12 Literature Conditions for SACs and due dates 2018

Correlated to: Hawaii Content and Performance Standards III for Language Arts American Literature

SAMPLE ASSESSMENT TASKS MUSIC GENERAL YEAR 12

Seymour Centre 2019 Education Program THE TEMPEST CURRICULUM LINKS. English Stage Content Objective Outcomes

INFORMATION FOR TEACHERS

Songwriting Workshop: Swedish Pop Music Spring 2018 Credits: 3 Location: Stockholm Major Discipline: Music Faculty Member: Maria Carlsson

JEFFERSON COLLEGE COURSE SYLLABUS ENG225 ENGLISH LITERATURE: BEFORE Credit Hours. Prepared by: Andrea St. John

SYLLABUSES FOR THE DEGREE OF MASTER OF ARTS

Syllabus for PED 442 and GPED 642 Secondary Music Methods and Evaluation 2.0 Credit Hours Fall 1999

CARIBBEAN EXAMINATIONS COUNCIL

AP Literature and Composition

Unit title: Music First Study: Composition (SCQF level 7)

Lake Elsinore Unified School District Curriculum Guide & Benchmark Assessment Schedule English 11

Music 2 Stage 6 Syllabus. Musicology Elective Aural Skills Core (35 Marks)

TCS VERTICAL ARTICULATION DOCUMENT FOR GROUP 6 VA DOCUMENT NEEDS TO MAP THE TEACHING & LEARNING EXPERIENCED BY THE STUDENT ACROSS THE DP PROGRAMME

MAYWOOD PUBLIC SCHOOLS Maywood, New Jersey. LIBRARY MEDIA CENTER CURRICULUM Kindergarten - Grade 8. Curriculum Guide May, 2009

Writing Essays. Ex.: Analyze the major social and technological changes that took place in European warfare between 1789 and 1871.

Course Prerequisites: The student should have successfully completed sophomore English.

Music. educators feedback

Standard reference books. Histories of literature. Unseen critical appreciation

GCE English Literature 2015: Poetry Collections

Transcription:

COURSE OUTLINE DP LANGUAGE & LITERATURE Course Description: English A: Language and Literature is a two-year course that focuses on the study and appreciation of language and literature across our culture and the cultures of other societies. Parts 1 and 2 are intended to broaden the students perspectives and develop their skills in analysis and language production through the study of a wide range of text-types. Students are given opportunities to explore how language develops in specific cultural contexts, how it affects the world and how it shapes both individual and group identity. Students are also asked to consider the way language is used in the media and address the issue of how the production and reception of texts is influenced by the medium in which they are delivered. Parts 3 and 4 focus on the detailed study of literature. Students are asked to consider the changing historical, cultural and social contexts in which particular texts are written and received, to demonstrate how form, structure and style influence both meaning and context and to understand the attitudes and values expressed by texts and their impact on readers. Assessment Objectives: There are four assessment objectives at SL and at HL for the language A: language and literature course. 1. Knowledge and understanding Demonstrate knowledge and understanding of a range of texts Demonstrate an understanding of the use of language, structure, technique and style Demonstrate a critical understanding of the various ways in which the reader constructs meaning and of how context influences this constructed meaning Demonstrate an understanding of how different perspectives influence the reading of a text 2. Application and analysis Demonstrate an ability to choose a text type appropriate to the purpose required Demonstrate an ability to use terminology relevant to the various text types studied Demonstrate an ability to analyse the effects of language, structure, technique and style on the reader Demonstrate an awareness of the ways in which the production and reception of texts contribute to their meanings Demonstrate an ability to substantiate and justify ideas with relevant examples 3. Synthesis and evaluation Demonstrate an ability to compare and contrast the formal elements, content and context of texts Discuss the different ways in which language and image may be used in a range of texts Demonstrate an ability to evaluate conflicting viewpoints within and about a text At HL only: Produce a critical response evaluating some aspects of text, context and meaning 4. Selection and use of appropriate presentation and language skills Demonstrate an ability to express ideas clearly and with fluency in both written and oral communication Demonstrate an ability to use the oral and written forms of the language, in a range of styles, registers and situations Demonstrate an ability to discuss and analyse texts in a focused and logical manner At HL only: Demonstrate an ability to write a balanced, comparative analysis

Course Syllabus, Assessment Overview & Timeline The English A1 (HL) syllabus is divided into four compulsory parts. Below is a sampling of the texts used. Texts are subject to change. Parts Text IB Assessments Part I: Language in cultural context In this part of the course students are given the opportunity to explore how language develops in specific cultural contexts, how it impacts the world and how language shapes both individual and group identity. Documentary Internet Essays 1984 Control Room Web Sites Blogs Legal Documents Oral Activity 1- last 2 weeks of November Written Task 1- end of February Propaganda Allison,Rob, Brian Chanen English A: Language and Literature, Course Companion Part II: Language and Mass Communication In part 2 students consider the way language is used in the media. Mass media include newspapers, magazines, the Internet (i.e. social networking), mobile telephony, radio and film. This section also addresses the issue of how the production and reception of texts is influenced by the medium through which they are delivered.. Huxely, Aldous Allison,Rob, Brian Chanen Advertising Newspaper articles Opinion pieces TV shows Mobile media Brave New World English A: Language and Literature, Course Companion Oral Activity 2 April Written Task 2 - middle of May Oral Activity: 15% Written Tasks: 20% O Brien, Susie, Imre Szeman Popular Culture: A User s Guide

Course Syllabus, Assessment Overview & Timeline cont. Part III: Literature Texts & Contexts In part 3, students consider the changing historical, cultural and social contexts in which particular texts are written and received. This section also explores how the formal elements of the text, genre and structure can not only be seen to influence meaning but can also be influenced by context. Also, students will examine and understand the attitudes and values expressed by literary texts and their impact on readers. Three texts, one of which is a text in translation chosen from the Prescribed Literature in Translation (PLT), one from the Prescribed List of Authors (PLA) for the Language A studied. The other may be freely chosen. Life of Pi (Yann Martel) Persepolis (Marjane Satrapi) The Penelopiad (Margaret Atwood) May 2016 Examination Session (External Assessment) Paper 1 (25%): Comparative Textual Analysis (Unseen Passages) based on both years of the course. (2 hours) Paper 2 (25%): Essay (based on Part 3 texts) Students select one of six questions on which to write their essay. Part IV: Literature Critical Study Part 4 encompasses the importance of close skills to the interpretation and understanding of a text. During this section of the course, students will explore 2(SL) and 3(HL) literary works in detail, examining various meanings of a text and responding to items such as language, characterization, and structures. Further, students analyze themes, ethics, and moral values of literary characters, as well as understand and make appropriate literary terms such as imagery, persona, tone, metaphor and irony. Part 4: Literature Critical Study three texts all chosen from the Prescribed List of Authors (PLA) for the Language A studied: The Great Gatsby (F. Scott Fitzgerald) Macbeth (William Shakespeare) Death of a Salesman (Arthur Miller) Written Task 1 (10%): A Creative Approach (800-1000 words) with a 200-300 word rationale to support. *you will write one for each reading and in the spring choose ONE to submit to IB Written Task 2 (HL only) (10%): A Formal Essay; this is a critical response to one of six prescribed questions (800-1000 words) no rationale needed. *you will write one for each reading and in the spring choose ONE to submit to IB Individual Oral Commentary (15%)*The orals will take place before the winter holiday at the end of the Part 4 section of the course. IB assessments are comprised of a combination of internal and external assessments (see table above).

Grade Descriptors: Grade 7 Demonstrates excellent understanding and appreciation of the interplay between form and content in regard to the question or task; responses that may be convincing, detailed, independent in analysis, synthesis and evaluation; highly developed levels of expression, both orally and in writing; very good degree of accuracy and clarity; very good awareness of context and appreciation of the effect on the audience/reader; very effective structure with relevant textual detail to support a critical engagement with the thoughts and feelings expressed in the work(s). *Demonstrates refined appreciation of literary style and a full engagement with the act of transforming literature into performance; the personal qualities necessary to work with others in a purposeful and effective manner. Grade 6 Demonstrates very good understanding and appreciation of the interplay between form and content in regard to the question or task; responses that are, mainly, convincing, as well as detailed and independent to some degree, in analysis, synthesis and evaluation; well-developed levels of expression, both orally and in writing; good degree of accuracy and clarity; good awareness of context and appreciation of the effect on the audience/reader; effective structure with relevant textual detail to support a critical engagement with the thoughts and feelings expressed in the work(s). *Demonstrates clear appreciation of literary style and a solid engagement with the act of transforming literature into performance; willingness to work with others in a constructive manner. Grade 5 Demonstrates good understanding and appreciation of the interplay between form and content in regard to the question or task; responses that offer generally considered and valid analysis, synthesis and / or evaluation; good levels of expression, both orally and in writing; adequate degree of accuracy and clarity; awareness of context and appreciation of the effect on the audience/reader; clear structure with relevant textual detail to support an engagement with the thoughts and feelings expressed in the work(s). *Demonstrates an appreciation of literary style and an engagement with the act of transforming literature into performance; recognisable involvement to work with others in a cooperative manner. Grade 4 Demonstrates adequate knowledge and understanding of the question or task; responses that are generally valid in analysis and / or synthesis; satisfactory powers of expression, both orally and in writing; only some lapses in accuracy and clarity; some awareness of context and appreciation of the effect on the audience/ reader; a basic structure within which the thoughts and feelings of the work(s) are explored. *Demonstrates some appreciation of literary style and some commitment in the act of transforming literature into performance; an acceptance of the need to work with others. Grade 3 Demonstrates some knowledge and some understanding of the question or task; responses that are only sometimes valid and / or appropriately detailed; some appropriate powers of expression, both orally and in writing; lapses in accuracy and clarity; limited awareness of context and appreciation of the effect on the audience/reader; some evidence of a structure within which the thoughts and feelings of the work(s) are explored. *Demonstrates little appreciation of literary style and modest commitment to the act of transforming literature into performance; little apparent attempt to work with others effectively. Grade 2 Demonstrates superficial knowledge and understanding of the question or task; responses that are of generally limited validity; limited powers of expression, both orally and in writing; significant lapses in accuracy and clarity; little awareness of context and appreciation of the effect on the audience/reader; rudimentary structure within which the thoughts and feelings of the work(s) are explored. *Demonstrates very little appreciation of literary style and little commitment to the act of transforming literature into performance; sparse evidence of involvement in working with others effectively. Grade 1 Demonstrates very rudimentary knowledge and understanding of the question or task; responses that are of very limited validity; very limited powers of expression, both orally and in writing; widespread lapses in accuracy and clarity; no awareness of context and appreciation of the effect on the audience/reader; very rudimentary structure within which the thoughts and feelings of the work(s) are explored. *Demonstrates very little appreciation of literary style and negligible involvement with the act of transforming literature into performance; inability to work with others. * Applies to literature and performance only

BC Ministry Requirements: In line with the philosophy of the IB Diploma Programme, students will be assessed against the course objectives at their current level of achievement on the 7-point scale throughout the course. As required by the Ministry of Education, students will also be given a percentage converted from the IB level that reflects their achievement in relation to the corresponding BC Curriculum course. Approaches to Learning (ATL) Approaches to learning across the Diploma Programme refer to deliberate strategies, skills and attitudes which are intrinsically linked with the learner profile attributes, enhance student learning and assist student preparation for the Diploma Programme assessment and beyond. The five approaches to learning categories in the DP are: thinking skills social skills communication skills self-management skills research skills Development of these skills are key to success in the Diploma Programme and will be formally and informally taught and assessed. Academic Honesty and Personal Integrity The faculty at Carson Graham expects our students to complete academic and nonacademic work that is authentic and respectful of intellectual property. As diploma candidates, you are expected to adhere to the school s Policy for Academic Integrity, and also to the principles and practices set out in the IB document, Diploma Programme: Academic Honesty, 2011. Ignorance of the standards related to academic honesty and student integrity is not an excuse for dishonesty, plagiarism and malpractice. You are expected to familiarize yourself with the policy. http://www.sd44.ca/school/carson/documents/carson%20graham%20policy%20for%20academic%20honesty%20june%202015.pdf