ara mi corazòn ocelyn Hagen $50 medium-high voice and iano H - V006 ara mi corazòn for medium-high voice and iano
ara mi corazón ara mi corazón asta tu echo, ara tu liertad astan mis alas Desde mi oca llegará hasta el cielo lo que estaa dormido sore tu alma Es en ti la ilusión de cada día Llegas como el rocío a las corolas Socavas el horizonte con tu ausencia Eternamente en fuga como la ola He dicho que cantaas en el viento como los inos y como los mástiles Como ellos eres alta y taciturna Y entristeces de ronto, como un viae Acogedora como un vieo camino Te uelan ecos y voces nostálgicas Yo deserté y a veces emigran y huyen áaros que dormían en tu alma ~alo Neruda Your Breast Is Enough (oetic Translation) Your reast is enough for my heart, and my ings for your freedom What as sleeing aove your soul ill rise out of my mouth to heaven In you is the illusion of each day You arrive like the de to the cued floers You undermine the horizon ith your asence Eternally in flight like the ave I have said that you sang in the ind like the ines and like the masts Like them you are tall and taciturn, and you are sad, all at once, like a voyage You gather things to you like an old road You are eoled ith echoes and nostalgic voices I aoke and at times irds fled and migrated that had een sleeing in your soul ~translated y WS Merin (Literal Translation) ara mi corazón asta tu echo, or my heart enough is your chest ara tu liertad astan mis alas or your lierty (freedom) enough are my ings Desde mi oca llegará hasta el cielo rom my mouth came to heaven lo que estaa dormido sore tu alma That hich as sleeing over your soul Es en ti la ilusión de cada día It is in you that illusion of each day Llegas como el rocío a las corolas Arrives like the de drolets in the floers Socavas el horizonte con tu ausencia You make less secial the horizon ith your asence Eternamente en fuga como la ola Eternally in flight like the ave He dicho que cantaas en el viento I have said that you have sang in the ind como los inos y como los mástiles Like the ines and like the masts Como ellos eres alta y taciturna Like them you are tall and taciturn Y entristeces de ronto, como un viae And in sadness alays, like a voyage
(Literal Translation, continued) Acogedora como un vieo camino Gathered like an old road Te uelan ecos y voces nostálgicas Your city is echoes and voices nostalgic Yo deserté y a veces emigran y huyen I aake and at times migrated and uoyed áaros que dormían en tu alma Birds that had slet in your soul ROGRAM NOTES: This art song as commissioned for a edding and the oem as chosen y the coule I as immediately dran to the first to lines of text: Your reast is enough for my heart, and my ings for your freedom It reminds me of the ond eteen to married eole, and ho hen you are married to another erson you are also inevitaly married to comromise This iece reflects the art of comromise eteen the singer and the ianist The accomaniment sets u the iece in common time, ut the singer egins outside of that rhythmic scheme or most of the iece, the musicians go ack and forth eteen different time signatures and temos, until the last verse, here they finally settle into their on rhythm The tonality also reflects this comromise, never comletely settling into a key ~ocelyn Hagen, uly, 00
alo Neruda Commissioned y ames Sharon Buhr for the event of their son's marriage dedicated to Christian Elizaeth ara mi corazón for medium-high voice iano ocelyn Hagen Andante q = 0- - a - - ra mi co-ra-zón edal Harmonically - N N - n 6 6 as - ta tu e - cho, a - ra tu li - er - tad as - N
1 1 - tan mis a - las Des - - - - N ara mi corazón / Neruda / Hagen N N de mi 1 1 o - ca lle - ga - rá ha - sta el ci - e - lo lo que es - ta - a dor - mi - do so - re tu al - ma Es en ti la il - u-si- accel 5 5 5 n accel
6 6 a little faster, q = - N ón de ca- da dí - a Lle - gas co- mo el ro - cí - o a las co - < ara mi corazón / Neruda / Hagen 0 0 ro - las So - ca - vas el ho - ri - zon - te con tu au - N - - - - 5 sen - ci - a E - ter - na - men - te en fu - ga co-mo la o - 5 5 f - oco rit oco rit la
molto rit molto rit ara mi corazón / Neruda / Hagen Sloly, q = 5-60 He N di- cho que can - ta - - - N as en el vi n - en - to co -mo los i - nos y co-mo los N rit rit aster, q = -6 f f 6 má - sti-les Co - mo ell-os e - res al - ta y ta - ci - tur - N N na 6 N N N
50 50 - Yen - trist-e -ces de ron - to, co-mo un vi - a - ara mi corazón / Neruda / Hagen Very Sloly colla voce Temo I e 55 55 A - co - ge - dor - a co-mo un vi - e - o ca - mi - no 60 60 Te ue-lan e - cos y vo - ces no - stál - gi - cas 5
65 65 - n Yo de - ser - té ya ve - ces e - - ẇ ara mi corazón / Neruda / Hagen - n - n 0 0 mi 5 5 5 6 6 6 - gran y hu - yen á - a-ros á - a - ros N suito π suito π n que N dor ẇ rit 6 rit 6 6 - mí - an en tu al - ma - n 6
ocelyn Hagen ocelyn Hagen (10), a native of Valley City, North Dakota, comoses music that has een descried as dramatic and deely moving (Star Triune, Minneaolis/St aul) Her first forays into comosition ere via songriting, and this is very evident in her ork The maority of her comositional outut is for voice: solo, chamer and choral In 01 she collaorated ith choreograher eneloe reeh to create Sliery ish, a quartet for dancers, sorano and viola, and the iece as revieed as comletely original in all resects (Star Triune, Minneaolis/St aul) Currently she is Artist-in-Residence at the North Dakota State niversity School of Music, here she teaches, rites curriculum and rings in collaorators to erform her ork ocelyn holds degrees in Theory, Comosition, and Vocal Music Education from St Olaf College, as ell as a Masters degree in Comosition from the niversity of Minnesota ocelyn has received grants and aards from ASCA, the American Comosers orum, Minnesota Music Educators Association, the McKnight oundation, the erome oundation, VocalEssence, the Yale Glee Clu, the Lotte Lehman oundation, the Sorel Medallion Cometition, the Cincinnati Camerata, the niversity of Minnesota, and the San rancisco Song estival Her commissions include the American Choral Directors Association, Texas, Georgia and Connecticut Choral Directors Associations, the North Dakota Music Teacher s Association, The Singers Minnesota Choral Artists, Trio Callisto, the Murasaki Duo, Cantus, the Houston Chamer Choir, the Metroolitan Symhony Orchestra, the St Olaf Band, NDS Gold Star Band, the ND Army Band, and the Coer Street Brass Quintet Her music is indeendently ulished through her esite as ell as through Grahite ulishing, Santa Barara Music ulishing and Boosey and Hakes Indeendently ulished vocal orks y ocelyn Hagen: and then e ere left Dear Theo: Letters from Vincent Van Gogh Hoe Kiss love songs love songs Songs of ields and rairies The Seetness of my Dreams The Time of Singing Has Come song cycle for aritone, cello, and guitar extended song for tenor and ercussion song cycle for high voice and iano song cycle for sorano and iano song cycle for aritone and iano song cycle for sorano and iano song cycle for sorano and iano song cycle for mezzo-sorano and iano song cycle for sorano, tenor, and iano The loer of the ield from Songs of ields and rairies high voice and iano Gendolen s Dream sorano, clarinet in A, and cello i carry your heart from love songs voice and iano In My Soul from amass aritone, cello, and guitar Inventing Truths from amass tenor and cello Love Song aritone and violin ara mi corazòn medium-high voice and iano Silver Wing from Test ilot sorano and viola To My Daughter, After a ight voice and iano The Wedding is the romise from The Time of Singing Has Come voice and iano Recordings availale at ocelynhagencom: