Capstone Courses

Similar documents
NORCO COLLEGE SLO to PLO MATRIX

English English ENG 221. Literature/Culture/Ideas. ENG 222. Genre(s). ENG 235. Survey of English Literature: From Beowulf to the Eighteenth Century.

What counts as a convincing scientific argument? Are the standards for such evaluation

Mass Communication Theory

PHILOSOPHY 2018/2019 SEMESTER 1/FALL

DEPARTMENT OF ENGLISH SPRING 2018 COURSE OFFERINGS

UNIT SPECIFICATION FOR EXCHANGE AND STUDY ABROAD

Humanities Learning Outcomes

SYLLABUSES FOR THE DEGREE OF MASTER OF ARTS

Art History, Curating and Visual Studies. Module Descriptions 2019/20

Discourse analysis is an umbrella term for a range of methodological approaches that

UNIVERSITY OF TORONTO INSTRUCTORSHIPS IN PHILOSOPHY CUPE Local 3902, Unit 1 SUMMER SESSION 2019

English/Philosophy Department ENG/PHL 100 Level Course Descriptions and Learning Outcomes

ENGLISH FIRST PEOPLES 12 (4 credits)

Edward Winters. Aesthetics and Architecture. London: Continuum, 2007, 179 pp. ISBN

Program General Structure

CAS Exploratory Sets

Standards Covered in the WCMA Indian Art Module NEW YORK

Trinity College Faculty of Divinity in the Toronto School of Theology

ISU: Comparative Art History Essay (10%)

Sub Committee for English. Faculty of Humanities & Social Sciences Curriculum Development

CHIN 385 Advanced Chinese Cultural Communication

Procedia - Social and Behavioral Sciences 174 ( 2015 ) INTE Sound art and architecture: New horizons for architecture and urbanism

HUMANITIES (HUM) Humanities (HUM) San Francisco State University Bulletin

ENG English. Department of English College of Arts and Letters

Critical Spatial Practice Jane Rendell

International School of Kenya Creative Arts High School Theatre Arts (Drama)

Making Meaning Interdisciplinary Humanities at UCG

The Shimer School Core Curriculum

Curriculum Map: Academic English 11 Meadville Area Senior High School English Department

Saint Louis University Madrid Campus

Department of Philosophy Florida State University

205 Topics in British Literatures Fall, Spring. 3(3-0) P: Completion of Tier I

Years 10 band plan Australian Curriculum: Music

Tamar Sovran Scientific work 1. The study of meaning My work focuses on the study of meaning and meaning relations. I am interested in the duality of

Department of Philosophy Course list-fall 2013

ENCYCLOPEDIA DATABASE

GLOSSARY for National Core Arts: Visual Arts STANDARDS

Eng 104: Introduction to Literature Fiction

Interpreting Museums as Cultural Metaphors

AESTHETICS. Key Terms

Philosophy in the educational process: Understanding what cannot be taught

Content. Philosophy from sources to postmodernity. Kurmangaliyeva G. Tradition of Aristotelism: Meeting of Cultural Worlds and Worldviews...

Phenomenology and Structuralism PHIL 607 Fall 2011

CONTENTS. i. Getting Started: The Precritical Response 1

Visual Arts Colorado Sample Graduation Competencies and Evidence Outcomes

Social Sciences (Active Courses/11 May 2018)

Saint Louis University Madrid Campus

PHILOSOPHY. haverford.edu/philosophy

Course Numbering System

HUMANITIES. Associate Professors. College of Liberal & Creative Arts. Majors. Minors. Program Scope. Masters. Professors

Phenomenology and Non-Conceptual Content

General Education Listing Fall 2011

And what does Michel Foucault s work have to do with these questions? How can Michel Foucault s work help us to respond to these questions?

The Body: Phenomenology and Aesthetics. The Case of Dance Chair: Jay Bernstein Committee: Taylor Carman, Simon Critchley, and Danielle Goldman.

will house a synagogue, a church, and a mosque under one roof. While this structure that

PHIL 415 Continental Philosophy: Key Problems Spring 2013

2018 Advertising Rates and Specifications

Students will be able to cite textual evidence that best supports analyses and inferences drawn from text.

BORDERS AND BORDERLANDS Interview with Associate Professor Stephen Wolfe

PHILOSOPHY AT THE CROSSROADS: BUILDING BRIDGES BETWEEN MEDIA, COMMUNICATION AND COGNITION

Natika Newton, Foundations of Understanding. (John Benjamins, 1996). 210 pages, $34.95.

A Comprehensive Critical Study of Gadamer s Hermeneutics

IMPORTANT QUESTIONS TO ASK IN TEXTUAL CRITICISM

Plan. 0 Introduction and why philosophy? 0 An old paradigm of personhood in dementia 0 A new paradigm 0 Consequences

Theory or Theories? Based on: R.T. Craig (1999), Communication Theory as a field, Communication Theory, n. 2, May,

By Rahel Jaeggi Suhrkamp, 2014, pbk 20, ISBN , 451pp. by Hans Arentshorst

Deconstruction is a way of understanding how something was created and breaking something down into smaller parts.

Culture and Aesthetic Choice of Sports Dance Etiquette in the Cultural Perspective

Kant s Critique of Judgment

Postmodernism. thus one must review the central tenants of Enlightenment philosophy

CONTENT MAP. Unit EQ How can the reading of and response to literature help us find a connection between a culture and its individuals?

Colonnade Program Course Proposal: Explorations Category

Curriculum Map: Challenge II English Cochranton Junior-Senior High School English

Engl 794 / Spch 794: Contemporary Rhetorical Theory Syllabus and Schedule, Fall 2012

GRADUATE SEMINARS

The Approved List of Humanities and Social Science Courses For Engineering Degrees. Approved Humanities Courses

Course MCW 600 Pedagogy of Creative Writing MCW 610 Textual Strategies MCW 630 Seminar in Fiction MCW 645 Seminar in Poetry

NORMANTON STATE SCHOOL CURRICULUM OVERVIEW. THE ARTS (Including Visual Arts, Dance, Drama, Media Arts)

English (ENGL) English (ENGL) 1

Research Topic Analysis. Arts Academic Language and Learning Unit 2013

SCOTT MARRATTO ASSOCIATE PROFESSOR OF PHILOSOPHY HUMANITIES DEPARTMENT MICHIGAN TECHNOLOGICAL UNIVERSITY CONTACT INFORMATION

Course Equivalencies for Popular and High Enrolment Courses at the University of Toronto

Theory or Theories? Based on: R.T. Craig (1999), Communication Theory as a field, Communication Theory, n. 2, May,

Emotion, an Organ of Happiness. Ruey-Yuan Wu National Tsing-Hua University

COURSE: PHILOSOPHY GRADE(S): NATIONAL STANDARDS: UNIT OBJECTIVES: Students will be able to: STATE STANDARDS:

Second Grade: National Visual Arts Core Standards

Aesthetics. Phil-267 Department of Philosophy Wesleyan University Spring Thursday 7:00-9:50 pm Location: Wyllys 115

[T]here is a social definition of culture, in which culture is a description of a particular way of life. (Williams, The analysis of culture )

K Use kinesthetic awareness, proper use of space and the ability to move safely. use of space (2, 5)

ISTINYE UNIVERSITY FACULTY OF ARTS AND SCIENCES. DEPARTMENT OF ENGLISH LANGUAGE and LITERATURE COURSE DESCRIPTIONS

Approved Experiential Essay Topics Humanities

Texas A&M Commerce ACCOUNTING. Business/Computer Science/Communication ANTHROPOLOGY ART BUSINESS BIOLOGY

National Standards for Visual Art The National Standards for Arts Education

GALLATIN SCHOOL OF INDIVIDUALIZED STUDY. The Sublime

Insight Contexts Edited by Blair Mahoney & Robert Beardwood

DARWIN, GOD, AND THE POETS

Kitap Tanıtımı / Book Review

Curriculum Map: Accelerated English 12 Meadville Area Senior High School English Department

What is Rhetoric? Grade 10: Rhetoric

Transcription:

Capstone Courses 2014 2015 Course Code: ACS 900 Symmetry and Asymmetry from Nature to Culture Instructor: Jamin Pelkey Description: Drawing on discoveries from astrophysics to anthropology, this course explores the history and manifestations of symmetry geometric, physical, organic, musical, linguistic, rhetorical, textual, neurological, psychological, social and political. Students apply evolutionary insights from cybernetics and cognitive semiotics to their own embodied experiences and cultural observations to discover potential ways in which the tensions between symmetry and asymmetry provide analogical, or aesthetic, grounding for human inquiry. Visual and textual symmetries become focal, with special attention being given to chiasmus: the X figure. Course Code: FRE 900 TBA Instructor: Dr. Kathleen Kellett Term: Fall 2014/ TBA Description: This course is intended to prepare students to undertake advanced studies in French and/or Francophone cultures and literatures. While analyzing the works of specific authors and/or literary and cultural movements (e.g. surrealism, postcolonialism, écriture féminine, etc.) in the Francophone world, students will learn to conduct bibliographical research effectively, to use secondary sources critically, and to give seminar presentations as well as to write a senior research paper on a topic of their choice. Although the organization of this course and its readings will be largely determined by the students' research interests, all students will be expected to do general readings on discourse analysis as well as on literary and/or linguistic theory and to discuss these readings as a group. Class preparation and participation are essential.

Course Code: PHL 900 Art and Human Experience Instructor: David Ciavetta Description: What is it like to experience an artwork as compared to the other, more mundane objects we encounter in the world? Why are we drawn to artworks, and what sort of thing do they put us into touch with? Is it merely a matter of a certain kind of pleasure, one that we can ultimately do without? Or is art somehow necessary to human living? Are artworks able to give us access to meanings or truths that we are incapable of accessing in other ways? Is there a clear distinction between art and everyday life, or is there an element of artistic creativity at play in all our experience? Is personal identity itself something that ought to be thought of on the model of an artistic creation? Addressing these and similar questions will be the focus of this class. We will be engaging in a close reading of a small selection of some of the most influential philosophical texts ever written on the nature of art and beauty. Authors to be considered may include Kant, Hegel, Nietzsche, Heidegger, Merleau-Ponty, Arendt and Derrida. Course Code: ACS 900 Aboriginal Rights Instructor: Bob Murray Description: As Dale Turner put it, [a]s Canadians begin this millennium, understanding the meaning of Aboriginal rights, in both so-called theory and practice, will be one of our most immediate serious moral and political challenges. This course considers the meaning of Aboriginal rights as an inter-group moral issue viewed from different perspectives. By their very nature inter-group moral issues are charged, complex, and multi-faceted. First of all, the differences across Aboriginal and non-aboriginal perspectives are characterized in terms of fundamental philosophical and spiritual differences. Furthermore, the social circumstances concerning Aboriginal rights have been morally problematic in group-differentiated ways, and this gave rise to quite different perspectives on the basic workings and fairness of society. In that case, inter-group discussions are prone to further misunderstandings, which would only make our inter-group issues even more charged, complex, and multi-faceted from what they already are. In this light, the basic question of our course is the following: How is inter-group deliberative dialogue on the meaning of Aboriginal rights possible, and what would be the meaning of Aboriginal rights determined in that way?

Course Code: ACS 800 Corporate Responsibility Instructor: Prof. Alex Gill Description: A growing number of Canadian corporations are playing a more active role in addressing community issues, taking them beyond their normal focus on profitability. This increasing trend towards corporate citizenship has attracted both criticism and praise. Students in this version of ACS 800 will explore this debate and conduct practical case studies of Canadian corporations, their nonprofit partners and the social issues they address. The results of these research projects will be presented at an end-of-term community event organized by the students and open to the university, media and broader public. Course Code: ENG 900 The Sacred and Secular in Contemporary Fiction and Culture Instructor: Dr. Randy Boyagoda Description: This course will study a series of contemporary novels -- by Salman Rushdie, Orhan Pamuk, Marilynn Robison, and others and approach them as at once explorations and cultural documentations of traditional religion s enduring and complicated position in late secular culture. Drawing on work by philosopher Charles Taylor, the seminar will assess how these writers represent the consequences of fragmented and contested religious propositions on human relations, self-understandings in individual and communal terms, and even geopolitics, just as the writers themselves sometimes feel these consequences personally, as a result of their writings. As we shall see, in their negotiations of the sacred and secular in contemporary contexts, these works reveal contemporary human experience as both pressured and invigorated by the clash of traditional belief systems with the promises and perils of modernity.

Course Code: HST 990 (formerly HST 900) The Battle for History: The World Wars in Canadian and American Film and Literature Instructor: Dr. Robert Teighrob Description: Both Canada and the United States participated in the world wars, and were shaped profoundly by the experience. By examining the representation of the wars in films, memoirs, novels, and history writing, this course examines the myriad ways in which the memory and meaning of the wars have been shaped, challenged, and altered in both nations. We will analyse the war s impact on the construction of national identities, and the ways in which narratives of the war have been utilised to inform present-day politics. Along the way we will discover that the process of forgetting can be just as important to the establishment of national war narratives as remembering, that tensions often exist between the individual and collective (or official ) memories of these conflicts, and that some profound and unexpected differences are apparent in the ways Canadians and Americans recall their war experiences. Course Code: HIS 903 (Formerly HIS 900) Gaming the City: Urban History through Play Instructor: Dr. Art Blake Description: This seminar class offers you the chance to take ideas fundamental to historical studies analyzing evidence, forming arguments, writing clearly, understanding political and cultural contexts and apply them to the meaning of "play" in and about cities. The games/play we will examine address urban issues of justice, diversity, equality, and citizenship (local and global). We will get out into Toronto as a lab for our class. No technical knowledge or experience playing games is required. Two texts we will read together are Mary Flanagan's Critical Play (http://www.maryflanagan.com/writing) and Ian Bogost's Persuasive Games (http://www.bogost.com/).

Course Code: HIS 957 (new) Everyday Life in the Middle Eastern and North African City, c.1700-1950 Instructor: Dr. F. Vejdani Description: This course explores the material, social, and cultural history of the Middle Eastern and North African city. It begins by considering the environmental and geographical features impacting daily life in such cities, such as access to water and food, street layouts, and building materials. It then considers the city s religious landscape, the spatial politics of cooperation and contestation between various urban groups, and the modes of municipal governance and law. Finally, the course examines how colonial and state planning policies and reforms began to fundamentally reshape city life over the course of nineteenth and twentieth centuries. In addition to secondary readings, students will be introduced to visual sources, travelogues, diaries, and works of fiction germane to the study of the Middle Eastern and North African city.