AutoVelocity Dynamics and the dbx 160SL. White Paper

Similar documents
The basic concept of the VSC-2 hardware

560A 500 SERIES COMPRESSOR/LIMITER OWNER S MANUAL

DOD OWNER'S MANUAL 866 SERIES II GATED COMPRESSOR/LIMITER SIGNAL PROCESSORS

L+R: When engaged the side-chain signals are summed to mono before hitting the threshold detectors meaning that the compressor will be 6dB more sensit

OLD WORLD AUDIO U33A VARI-MU STEREO COMPRESSOR INSTALLATION AND OPERATING NOTES

Liquid Mix Plug-in. User Guide FA

Renaissance Compressor

CAUTION RISK OF ELECTRIC SHOCK DO NOT OPEN

Sub Kick This particular miking trick is one that can be used to bring great low-end presence to the kick drum.

Dynamic Range Processing and Digital Effects

FAT MAN FAT 1. TLAudio. user manual. stereo valve compressor. TL Audio Limited, Sonic Touch, Iceni Court, Icknield Way, Letchworth, SG6 1TN England

Vacuum Tube Preamplifier & Compressor

Welcome to compressor wonderland!

MTurboComp. Overview. How to use the compressor. More advanced features. Edit screen. Easy screen vs. Edit screen

FAST FET COMPRESSOR. CDSoundMaster Original Concept FET Compressor

ACME Audio. Opticom XLA-3 Plugin Manual. Powered by

Neo DynaMaster Full-Featured, Multi-Purpose Stereo Dual Dynamics Processor. Neo DynaMaster. Full-Featured, Multi-Purpose Stereo Dual Dynamics

NOVATRON. novatron DEEPER INTO THE CONTROLS -1-

SV-315 Compressor Operation Guide

The Warm Tube Buss Compressor

76-KT ## ## ## ## ## MIDAS - The Legend in Sound Quality

VTMC-M2 MASTERING COMPRESSOR THE VINTAGE TUBE. Michael Heiler and Michael Angel. From CDSoundMaster Created by Mx2-

BRTC-M2 COMPRESSOR. CDSoundMaster BIG ROUND TUBE COMPRESSOR BY MX2 MICHAEL HEILER AND MICHAEL ANGEL

Stereo Compressor SC4

NOTICE. The information contained in this document is subject to change without notice.

LX20 OPERATORS MANUAL

BAE AUDIO 500C INSTRUCTION MANUAL

Product Information Document. Compressors/Limiters

MDynamicsMB. Overview. Easy screen vs. Edit screen

Scheps Omni Channel User Guide

Compressors/Limiters. Reference-Class 4-Channel Expander/Gate/ Compressor/Peak Limiter with Dynamic Enhancer and Low Contour Filter

GAMBIT DS1 OPERATING MANUAL

Analog Code MicroPlug Manual. Attacker Plus

MWobbler. The plugin provides 2 user interfaces - an easy screen and an edit screen. Use the Edit button to switch between the two.

Eventide Inc. One Alsan Way Little Ferry, NJ

Heat: This product should be situated away from other heat sources such as fire, high heat emitting devices, heaters, etc.

soothe audio processor Manual and FAQ

500 SERIES DE-ESSER OWNER S MANUAL

ENGLISH. Technical Specifications. Version 1.1 May 2000 MULTICOM PRO MDX4400.

1 Prepare to PUNISH! 1.1 System Requirements. Plug-in formats: Qualified DAW & Format Combinations: System requirements: Other requirements:

Chameleon Labs Model 7720

USERS MANUAL. Version , PreSonus Audio Electronics, Incorporated. All rights reserved.

SPL Analog Code Plug-in Manual

MODEL Operation Manual

Dual Compressor/Limiter/Gate

MTurboReverb. Overview. Under the hood

Abbey Road TG Mastering Chain User Guide

Mixing and Mastering Audio Recordings for Beginners

ACTION! SAMPLER. Virtual Instrument and Sample Collection

Dynamic Spectrum Mapper V2 (DSM V2) Plugin Manual

SPL Analog Code Plug-in Manual

Pro VLA II PROFESSIONAL TWO CHANNEL VACTROL /TUBE LEVELING AMPLIFIER USER S GUIDE

Golden Age Project Comp-3A Optical Compressor Hardware > Processor Published August 2016 By Matt Houghton

PLUGIN MANUAL. alpha compressor

CHANNEL STRIP. manual ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ ÀÀÀÀÀ

Audiocation Compressor AC1. Version 1.0

Red Range Manual. featuring Red 1,3,7 & 8

Precautions. Do not cover circulation vents.

Master Section

MANLEY LABORATORIES, INC.

Sonnox Oxford Limiter. Operation Manual

Precision DeEsser Users Guide

Digital Versatile Compressor DVC

Manual. Model Stereo Compressor

Acoustical Testing 1

THERMIONIC CULTURE. TheEarlybird 2.2. valve microphone pre-amplifier OPERATING MANUAL

MULTI PROCESSOR OPERATION MANUAL

GAMBIT DS1-MK2 OPERATING MANUAL

Lindell 354E User Manual. Lindell 354E. User Manual

DLM471S-5.1 MULTICHANNEL AUDIO LEVEL MASTER OPERATION MANUAL IB B. (Mounted in RMS400 Rack Mount & Power Supply) (One of 4 Typical Cards)

«Limiter 6» Modules and parameters description

Analog Code MicroPlug Manual. Attacker

Manual. DynaMaxx. Model Compressor/De-Compressor, Limiter, Noise Gate

T L Audio. User Manual C1 VALVE COMPRESSOR. Tony Larking Professional Sales Limited, Letchworth, England.

DP1 DYNAMIC PROCESSOR MODULE OPERATING INSTRUCTIONS

UnFairchild 670M II User Manual Version 1.0

McDSP plug-ins. Intro. Classic Pack

ADR Compex F760X RS. Analogue Compressor

Oxford Limiter Plug-in Manual. For. Digidesign ProTools

E D. User s Manual Bedienungsanleitung. Version 1.0 December 1998 TUBE COMPOSER T

SPL Analog Code Plugin Manual

spiff manual version 1.0 oeksound spiff adaptive transient processor User Manual

Vintage Audio MSL. Quad VCA Buss Compressor

MAutoDynamicEq. Now, how is the level measured? Overview. The Band Settings

EUROPA I PREAMPLIFIER QUICK START GUIDE Dave Hill Designs version

ALESIS NanoCompressor. Reference Manual

ACP88. Eight Channel Compressor/Limiter/Gate. User s Manual. Version 1.2

bx_townhouse Buss Compressor

Model 1176AE. Anniversary Edition Limiting Amplifier. Universal Audio Part Number Revision 1.0. Universal Audio, Inc.

bx_console Plugin Manual

Hugo Technology. An introduction into Rob Watts' technology

SAFETY INSTRUCTIONS CAUTION: To reduce the risk of electric shock, do not remove the cover (or back). No user serviceable parts inside; refer servicin

Vintage Audio MSL-MK2. Quad VCA Buss Compressor

Compex F760X-RS by. Initial Unpacking and Set-up. Further information

The z-cl6 Six-Channel Mastering Dynamics Processor

Portico 542. Operations Manual. 500 Series Tape Emulator. Serial #: By:

ULTRAGRAPH PRO FBQ6200

WAVES Cobalt Saphira. User Guide

Lindell 254E User Manual. Lindell 254E. User Manual

COMPRESSOR LIMITER MANUAL VER See the next page for startup switch settings E5th street Superior WI USA davehilldesigns.

Transcription:

AutoVelocity Dynamics and the dbx 160SL White Paper

Many audio compressors employ an Auto mode to set the attack and release of the VCA so that the compressor will be well behaved when used in a variety of situations such as compressing vocals, piano, or program material. Well behaved means that pumping and breathing are minimized and that dynamic distortion, caused by low frequencies modulating the control line feeding the VCA, is not audible. The Auto mode works beautifully for most compression needs, however, we often need to compress signals that require a quicker attack time to catch leading edge transients such as a snare drum hit. Many compressors on the market have manually adjustable attack and release controls to give the engineer greater creative control over how the compressor reacts to a signal. dbx compressors having manual controls include the 266/266XL, 1066, 165/165A, the MC6, and new dbx 160S/160SL. If we look at the markings around the dbx 1066 attack and release controls, we find the attack range is 3 to.04 db/msec and the release range is 250 to 5 db/sec. These markings may seem cryptic at first but, upon further investigation, we find that an attack setting of 3 db/msec means that the VCA will reduce its gain at a rate of 3 db for every millisecond (0.001 second) of time, or 3000 db for every second of time. Whereas a release rate of 250 db/sec means that the VCA will release its gain reduction at a rate of 250 db for every second of time. These attack and release times may seem incredibly fast, but believe it or not, they are not fast enough for all compression needs. So, why not just speed up the range of the attack and release controls? Well, let s examine the dbx 165/165A. Her attack and release times ranges are 400 to 1 db/msec and 4000 to 10 db/sec respectively. Anyone who has used the 165/165A in the manual attack/release mode knows that it has an extremely wide range of control and how effective it is for compressing fast transients by dialing in a fast attack time. However, they also know how easy it is to get a bad sound out of the 165A if the attack and release controls are AutoVelocityª Dynamics and the dbx 160SL White Paper - November 1998 Page 1

adjusted too fast for a particular application. In fact, most users find that they use only the upper half (12:00 and clockwise) of both the attack and release controls for 99% of their compression needs. Inappropriately fast attack and release times can chew up a signal yielding unpleasant results. This is why we have chosen to limit the range of the attack and release controls on other compressors we manufacture such as the 1066. The ultra-fast response of the 165/165A is one reason for its longevity and classic status in the pro audio arena, enabling it to dynamically alter fast signals as well as provide a creative tool for intentionally shredding the sound, adding bite to vocals, for example. To preserve the heritage of the 165/165A, we chose to include its manual attack and release characteristics in the new Blue Series 160S. But in striving to constantly improve our products, we sought a way to combine the benefits of having ultra-fast response to fast signals with the forgiving program-dependent characteristics of the Auto mode. Enter AutoVelocity Dynamics processing (AVD). AutoVelocity Dynamics circuitry allows the engineer to set the attack and release controls for relativity fast settings and not have the dynamic distortion problems associated with these faster settings. The AutoVelocity Dynamics circuitry allows the compressor to operate in a manually adjustable program-dependent mode, meaning signals that change slowly experience slower attack and release times than what are indicated by the attack and release controls; see Figures 1 and 2. For signals that change quickly (i.e. snare drum hit), the attack and release response speeds up to reflect the actual settings of the attack and release controls; see Figures 3 and 4. The faster attack time allows us to catch the transients without allowing overshoot and to release quickly from the larger change of compression without punching holes in our sound. So, we get to use the full range of the attack and release controls without being overly cautious of setting the controls AutoVelocityª Dynamics and the dbx 160SL White Paper - November 1998 Page 2

too fast and still have the quick response of the VCA needed to tame transient signals. This essentially means that AutoVelocity Dynamic circuitry creates a fast peak limiting function which rides on top of a slower compression function. AutoVelocity Dynamics is now available on all dbx 160SL units manufactured after January 1, 1998. A retrofit kit is available so that any dbx 160S can be updated to include this new technology. One might ask how this retrofit kit affects the manual attack and release settings that were modeled after the 165/165A. Die-hard fans of this sound, of course, would not want to give up the sound they know and love for a different one. No problem, just remove the lid of the 160S and depress a push-push type switch to disengage the AVD circuitry in each channel, and instantly the original attack and release characteristics of the 165/165A are restored giving the user ultimate flexibility in compression needs. Instructions to do this are included in the manual for new units and in the retrofit kit instructions for the existing units. Figure 1. The graph on left shows the small step attack curve of the 160SL in response to a sine wave burst input with AVD circuitry disengaged. The graph on the right shows the attack curve of the 160SL to the same burst input with AVD circuitry engaged. Note the slower attack time in the graph on the right. AutoVelocityª Dynamics and the dbx 160SL White Paper - November 1998 Page 3

Figure 2. The graph on the left shows the small step release curve of the 160SL in response to a sine wave burst input with AVD circuitry disengaged. The graph on the right shows the release curve of the 160SL to the same burst input with AVD circuitry engaged. Note the slower release time in the graph on the right. Figure 3. The graph on the left shows the large step attack curve of the 160SL in response to a sine wave burst input with AVD circuitry disengaged. The graph on the right shows the attack curve of the 160SL to the same burst input with AVD circuitry engaged. Note the slope of the curves are essentially the same. AutoVelocityª Dynamics and the dbx 160SL White Paper - November 1998 Page 4

Figure 4. The graph on the left shows the large step release curve of the 160SL in response to a sine wave burst input with AVD circuitry disengaged. The graph on the right shows the release curve of the 160SL to the same burst input with AVD circuitry engaged. Note the slope of the curves are essentially the same. AutoVelocityª Dynamics and the dbx 160SL White Paper - November 1998 Page 5

8760 South Sandy Pkwy. Sandy, Utah 84070 Phone: (801) 568-7660 Fax: (801) 568-7662 IntÕl Fax: (219) 462-4596 Questions or comments? E-mail us at: customer@dbxpro.com or visit our World Wide Web home page at: www.dbxpro.com A Harman International Company