OUTER SPACE USER GUIDE

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Transcription:

OUTER SPACE USER GUIDE 2017/10/18

Table of Contents 1. Outer Space...3 1.1 Specifications...3 1.2 Installation...3 1.3 Registration...3 2. Parameters...4 2.1 Main Panel...4 2.2 Second Panel...5 2.3 Tape Modelling...6 2.4 Mode Selector...6 3. Features...7 3.1 Randomizer...7 3.2 Preset Copy/Paste...7 3.3 Window Size...7 3.4 Clear Buffer on Playback...7 3.5 Wet Only Lock...7 4. End...8 4.1 Credits...8 4.2 EULA...8 4.3 Thank You...8 AudioThing Outer Space 2

1. Outer Space Outer Space is a faithful emulation plugin of a famous vintage tape echo made in the early seventies. As the original unit, Outer Space features an echo section with three playback heads and a spring reverb tank. We have modelled three different tape frequency responses and saturations, along with all the analog imperfections of tape recording/playback. We ve also modelled the ballistic response of the delay rate (repeat rate) which can create eerie pitch shifts (due to the Doppler effect), one of the classic tape echo-based sound effects 1.1 Specifications Vintage Tape Echo 3 Tape modes: Original, Modern, Old Spring Reverb (with short/long Decay) Background Noise with Envelope Oversample up to 16x Preset system with randomizer Formats: VST, AU, and AAX (32/64bit) Platforms: OSX, Windows 1.2 Installation OSX Double click on the DMG image AudioThing_OuterSpace.dmg Right click on the package Outer Space.pkg and click open Follow the instructions to install the plug-in(s) Windows Extract AudioThing_OuterSpace.rar Run OuterSpaceSetup.exe Follow the instructions to install the plug-in(s) 1.3 Registration To register the plugin, click on the More button and then choose Registration. A popup window will open, click on Load License File... and locate your license file (outerspace_license.atl). AudioThing Outer Space 3

2. Parameters 2.1 Main Panel Input Volume Output Volume Controls the volume of the input signal. Can be pushed to add a slight saturation. Controls the volume of the output signal. Mode Selector Chooses between 12 different modes (see below). Bass Treble Decay Reverb Volume Boosts/cuts the low frequencies of the echo signal. Boosts/cuts the high frequencies of the echo signal. Selects a short or long decay for the reverb. Controls the amount of reverb signal. Repeat Rate Intensity WOW/Flutter Echo Volume Controls the rate of the echo signal, emulating the changes in speed of the tape. Controls the amount of feedback, increasing the amount of repetitions in the echo signal. Controls the amount of pitch and volume imperfections in the sound. Controls the amount of echo signal. Send Wet Only Stereo Noise Envelope Sync Also known as Dub switch, when set to off the echo section will not receive any input, but will continue to play any repetition or self-oscillating sounds. Disables the Dry signal. Off is the normal behaviour. Stereo enables a delay on the right channel (can be controlled by the Stereo Delay parameter in the second panel). Controls the volume of the background noise. Enables/disables the envelope to activate the noise only when an input signal is passing through. Syncs the delay time to the host/daw BPM. Tape Selector Selects between three kind of tape emulations. AudioThing Outer Space 4

2.2 Second Panel * You can show/hide the second panel by clicking on the cog icon next to the bypass button. Meter Gain VU Meter Switch Adjust the sensibility of the VU meter. Selects the read point for the VU meter, before processing (input) or after processing (output). Pan (1, 2, 3) Volume (1, 2, 3) Controls the pan for the selected head. Controls the volume for the selected head. Low Cut Hi Cut Ducking Pre-Emphasis Controls a high-pass filter inside the feedback loop. Controls a low-pass filter inside the feedback loop. Controls the amount of volume loss in the tape emulation. Boosts high frequencies before the tape emulation section. Rate Ballistic Variable Speed Adjusts the amount of time the Repeat Rate knob takes to get to the desired value. Adjusts the Repeat Rate by an additional +/- 50 ms. HQ Limiter Toggles the HQ mode on/off. HQ mode uses more CPU but it's more accurate and smooth when you automate parameters (especially the Reverb section). Toggles the soft limiter on/off. AudioThing Outer Space 5

Mono (L+R) EQ to Reverb When the plugin is loaded on a stereo track, enabling this will merge both left and right channel. By default the EQ section (Bass and Treble) affects the Echo section only. By enabling this option, the EQ will also affect the Reverb section. Stereo Delay Noise Tone Oversample Preamp Adjust the delay (in ms) added to the right channel when the Stereo switch is on. Changes the tone of the background noise. You can oversample the Echo section by up to 16x, to avoid some aliasing caused when moving the Repeat Rate. Toggles the preamp emulation on the input on/off. 2.3 Tape Modelling We've modelled three different tape types. The original RT-1L, a more modern replacement, and an older worn out tape. Each tape will affect the sound in a subtle but different way, especially at higher feedback (Intensity) settings. WOW/Flutter, Ducking, and other parameters will also change according to the selected tape, creating different amount of pitch and volume changes. Changing the speed of the repetitions (Repeat Rate) will also affect the tape frequency response. 2.4 Mode Selector Just like the original unit, with the Mode selector you can choose 12 different combinations of echo playback heads and reverb (4 Echo only, 7 Echo+Reverb, 1 Reverb only). AudioThing Outer Space 6

3. Features 3.1 Randomizer It is possible to randomize all the parameters in the interface by clicking on the Random button in the top bar. Right-clicking on a parameter will show the Randomizer menu. Lock/Unlock Random Lock All Unlock All Decides if the parameter can be randomized No parameters will be randomized All parameters will be randomized By clicking on the More button you can access additional features. 3.2 Preset Copy/Paste You can easily share presets by using this Copy/Paste feature instead of sharing the actual preset file. By clicking on Copy to Clipboard, the status of all parameters will be saved to the Clipboard. By clicking on Paste from Clipboard instead, you can load a preset shared using the previous function. 3.3 Window Size You can resize the plugin window using three predefined sizes (small, standard, big). You can also resize the plugin window by clicking and dragging the bottom-right corner of the interface. Double clicking will reset to the standard size. 3.4 Clear Buffer on Playback When enabled, everytime your host/daw starts playback, Outer Space will clear the feedback loop. Switching off this option can save CPU and avoid strange behaviours on old DAWs or 32bit configurations. 3.5 Wet Only Lock If this option is enabled, changing presets won't affect the Wet Only selector. This option can be useful when using Outer Space as a send effect while browsing the presets. Notice: from v1.1.0, some additional features that were present in this menu, are now moved to the second panel. AudioThing Outer Space 7

4. End 4.1 Credits Programming: Carlo Castellano Design: John Gordon (vstyler) 4.2 EULA Please visit www.audiothing.net/eula/ to review this product EULA. 4.3 Thank You Thank you for your purchase! We hope you will have as much fun using it as we had making this product. For help or any question, feel free to contact us here: www.audiothing.net/contact/ AudioThing Outer Space 8