The Night Club. MASKING Proscenium with SR split and SL Step unit to the ground level for entrances. Limited SR wing space. No crossover possible

Similar documents
THE DINING ROOM SEATING 120 STAGE 6m wide by 4.5m deep MASKING SUSPENSION 3710mm

ROSE THEATRE BASEMENT

THE DEBATING HALL. There is no crossover behind the stage but it is possible to cross around the house to make an entrance

ROSE THEATRE MAIN THEATRE

Capacity: 60 2 Roxburgh Place, EH8 9SU. Assembly Roxy - Downstairs

Gilded Balloon s Basement Theatre is a brand new 120 capacity theatre space in the heart of Edinburgh s West End.

DEREHAM MEMORIAL HALL

Technical Pack. Attenborough Arts Centre

New Theatre Royal Lincoln Technical Information

Tech specs: Main Auditorium. Dimensions. Prompt Corner. Stage Floor. Dressing Rooms (Under stage)

Main House Technical Specification

COURTYARD!!!!! THEATRE

Technical requirements & conditions for hirers

JERWOOD VANBRUGH THEATRE

O Donoghue Centre for Drama, Theatre and Performance National University of Ireland Galway

Pleasance London Main House Visiting Company Information Pack May 2017

Technical specifications Main theatre. Sound. Console: Soundcraft Si Performer 3

DANCE BASE TECHNICAL SPECIFICATION

The Tower Theatre Contact - Peter Heselden Theatre Manager Tel

"A Dance Tribute to Ping Pong " by Jo Strømgren Kompani. Technical Requirements

SR Wing space = 2m SL Wing space = 1.1m There is an upstage cross over with pass doors onto stage USR & USL.

Marjorie S. Deane Little Theater

Dr JOHN GALLAGHER CONCERT CHAMBER

Dr. Fred Speckeen Theatre. Information and Technical Specifications

The performance is about 100 minutes long, excluding intermission. ACT 1 is 75min, ACT 2 is 20min. Intermission 20-25min.

HIRE AND TECHNICAL INFORMATION

TECHNICAL SPECIFICATIONS: STICKS STONES BROKEN BONES Company: Bunk Puppets, contact :Jeff Achtem,

Technical Specification

Main House Technical Specifications

TECHNICAL SPECIFICATIONS

Technical Services and Specification

Theatre Technical Specifications

PRELIMINARY TECHNICAL RIDER - LITTLE RED RIVER

The Haymarket Basingstoke Technical Specifications

Scheman Building Suite 102, 1805 Center Drive, Ames, IA Fax Number: Website:

Technical Information

TECHNICAL RIDER GENERAL INFORMATION

Technical Specification Pavilion Dance

Technical Pack. Embrace Arts at the RA Centre

* All public events require the presence of Centerville High School Security. Contact Theatre Manager for details.

20 hemp bars, set at random intervals (SWL=150lbs) Fixed position situated Stage Right. Operated stage level, SL (counterweighted)

Matt Dann Cultural Centre

DOMINO THEATRE INC. THEATRE TECHNICAL SPECIFICATIONS AND INFORMATION

The Standard Bank Studio is a music venue made from the choir stalls and the stage of the Cape Town City Hall Auditorium. It

Technical Specification

RPAC REDLANDS PERFORMING ARTS CENTRE

Technical Specification

Production Advance Information

Lighthouse Theatre Technical Specification

Studio 180. Electronic and Print versions of the venue ground plan are available from the Technical Director.

University of Pittsburgh at Bradford Blaisdell Hall/Pitt-Bradford Arts

There are 18 wheelchair positions which will result in the loss of one seat for every wheelchair position allocated.

Stage. Get In & Parking

W.L. LYONS BROWN THEATRE TECH PACK. Under the Management of

Main Stage Technical Specs - Hall #2

MAJESTIC (Circus Tent)

Centre Stage and City Room at Surrey City Hall Venue Information

UNIVERSITY CONCERT HALL. Technical Specification

Standard (with END ON seating) 8.75m Wide x 7.3m Deep (to US black) Open Floor (seating retracted) 8.75m Wide x 13m Deep (to US black)

TECHNICAL SPECIFICATIONS AND INVENTORY RIALTO THEATER

Arcadia Performing Arts Center Technical Specifications and Information

HALFWAY TO DAWN TOUR

Little River Band Production Rider 2018

Phil L. Thomas Performing Arts Center Shiprock, New Mexico

Technical Specification for the Alley Theatre, Strabane

Studio Theatre. Technical Specifications. Theatre Manager Kim Scarlata Box Office Coordinator Laura Johnston

Ed Blackwell Production Manager Mike Weller Head of Music

TECHNICAL INFORMATION

Faris Family Studio at the Dance Centre, Vancouver BC 677 Davie Street, Vancouver, British Columbia. V6B 2G6

Hopgood Theatre NOARLUNGA CENTRE

BANYULE THEATRE TECHNICAL INFORMATION. 10 Buckingham Drive Heidelberg VIC Page 0 of 10

Where performance matters

PLEASE NOTE THAT DUE TO A VOIDED FLOOR PYROTECHNICS ARE NOT PERMITTED IN THE STUDIO.

Analog General Information West End Ave. Nashville, TN, Time Zone: CST

Theatre SPECIFICATIONS UPDATED: 13/08/13 21 KINGLAND ROAD, POOLE, DORSET, BH15 1UG TELEPHONE: FAX: ADDRESS: TECHNICAL MANAGER:

CENTRE FOR PERFORMING ARTS

ISLAND HALL TECHNICAL INFORMATION

Stephen Roy s. Black & White. On-Site Requirements Stage Setup. Ideal Performance Space Set-up Other Practical Considerations Load In Show Control

Barney Simon Theatre Technical Specifications

Project manager (PM): Pamela Næss Mail: Phone:

Theatre Royal Pre-Production Requirements

Jane Mallet Theatre Technical Specifications

Technical Rider received by: Signed: Date: Name: Position: Venue:

2017 TECHNICAL SPECIFICATIONS

Technical specifications Main theatre. Sound

Technical Data Sheet

The Breen Center for the Performing Arts Saint Ignatius High School

Theatre Technical Specification

Technical Informa on.zack Theater

Visy Theatre technical information and general specifications 2019

Irish Heartbeat TECHNICAL RIDER. Video Projection Requested

Technical Specifications

SOUND. * All instruments and circuits have standard 2 pin and ground stage pin connectors. Page 1 of 5

Technical Specifications Updated 01/10/2017. Stage

Theatre Technical Specifications

SECREST AUDITORIUM TECHNICAL PACKAGE

Project manager (PM): Pamela Næss Mail: Phone:

TECH SHEET AND INFORMATION (Updated )

SHUT DOWN FILM INSTALLATION TECHNICAL SPECIFICATION

Bell Cultural Events Center MidAmerica Nazarene University 2030 E. College Way Olathe, KS 66062

Transcription:

The Night Club Teviot Row House Venue Technical Specification SEATING The Night Club has 0 rows of seating on the floor followed by 3 rows on a small platform at the back of the room. There are benches built into the venue along the walls, which provide additional seating. There is seating, for 38 on the balcony level. The total capacity is 50 seated OR 50 standing. STAGE The performance area is approximately m wide by 3m deep and is covered by black dance floor. The stage is raised 500mm above floor level. There is limited backstage space in the stage right wing. This space is also used for storage. There is no crossover. There is a column at the DSL and the DSR corner of the stage. MASKING Proscenium with SR split and SL Step unit to the ground level for entrances. Limited SR wing space. No crossover possible SUSPENSION The Front of house bars are attached to the ceiling 500mm and 900mm respectively from the floor. The side and rear bar is hung 500mm from the floor. There are no overhead bars above the stage. There are no flying facilities. Lightweight items of Scenery may be hung at the discretion of the Technical Manager. LIGHTING The control position for both lighting and sound is located upstairs at the rear of the room at the top of the staircase. It is possible for one person to operate both. Equipment CONTROL DIMMING Max power supply loading Avolites Pearl Expert with Touch Wing x 0Amp (5 unused in standard rig) 7kW A good general cover of warm (L06) and cold (L0) light is provided over the performance area. This is split into areas, SL & SR. Due to the stage layout and the pillar to one side of it these are crossed over to cover alternate sides. A centre stage spot is provided which is focussed with a semi-hard edge to provide light for a single performer. A soft focussed breakup gobo cover is also provided from two profiles at the rear corners of the stage.

Teviot Row House The Night Club Venue Technical Specification The rig also features 6 moving lights to make it as versatile as possible. There are Martin Mac 700 Profiles which are rigged front of house and Martin Aura Washlights which are rigged front of house and at the rear of the stage The standard venue rig cannot be refocussed or recoloured in any way. Additional lanterns can be rigged as company specials, but due to rigging and power considerations these must be approved for use before arrival. As well as fixtures, cabling for any extras must be provided to reach the dimmers (located off SR). All dimming channels run on 5A round pin connectors. The standard rig uses 7 of the available channels, however you are welcome to repatch fixtures for your production as long as they are returned to the standard state daily in your get out time. We recommend the use of our supplier to hire any additional equipment, where you will receive a discount. If this is arranged before mid July it may be able to travel with our main hire, saving you any additional transportation costs. We will try our best to assist as much as possible in speccing any extras, but it is up to you to finalise the hire with our supplier and arrange payment. We will not hire company specials on your behalf. You are also welcome to source extras from elsewhere, but all electrical equipment brought into the venue must have been PAT tested in the previous months and paperwork to prove this will be required. We can provide this service on site, but due to time and staffing constraints a premium of 0 per item will be charged. Blackout is acceptable, but full blackout is not possible due to emergency lighting regulations. The above information is subject to change - for the most current plans and specifications, to discuss company specials or for any other Lighting related queries please get in touch with the Head of Lighting: lighting@gildedballoon.co.uk SOUND The control position for both lighting and sound is located at the rear of the venue house left. There is only room for one operator to operate both sound and lighting. Equipment CONTROL Yamaha LS9-6 Mixing Console AMPLIFICATION 3 x d&b D6 Stereo Amplifier x d&b LAB Gruppen 00c ch 380w Amplifier 3 x d&b E6 Loudspeaker x d&b Q7 Loudspeaker x d&b C7 Sub Bass Speaker 3 x L-Accoustic MTD08a Loudspeaker PLAYBACK x Tascam CD-500b Pro CD Player x Tascam HD-R Solid State Recorder MICROPHONES & STANDS x MTR3 DI Box x Orbital PC DI Box x Sure SM58 Dynamic Cardioid Microphone x K+M 0/9 Tall Black Mic Stand with Boom x Ultimate Live-St Freedom One Handed Mic Stand

Teviot Row House The Night Club Venue Technical Specification CABLING x Stereo MiniJack to XLR We provide an audio system of good, undistorted even coverage across the entire seating area sufficiently powerful to satisfy most productions. If you feel that you have specific requirements regarding the sound system in a venue, please be in touch with our head of sound at: sound@gildedballoon.co.uk. A professional audio engineer, prior to artist companies arrival, tunes each venues audio rig. This System cannot be refocused or amended in any way. Radio Microphones Gilded Balloon does not provide any radio microphones. Any company is welcome to supply their own radio microphone. We recommend the use of our supplier to hire any additional equipment, where you will receive a discount. If this is arranged before mid July it may be able to travel with our main hire, saving you any additional transportation costs. We will try our best to assist as much as possible in spec ing any extras, but it is up to you to finalize the hire with our supplier and arrange payment. We will not hire company specials on your behalf. You are also welcome to source extras from elsewhere, but all electrical equipment brought into the venue must have been PAT tested in the previous months and paperwork to prove this will be required. We can provide this service on site, but due to time and staffing constraints a premium of 0 per item will be charged. You can be connected to our web portal rental site here: By entering a voucher code, which can be obtained from Gilded Balloon s Production management or Head of Sound, you will enjoy a discount on your hire. In the United Kingdom, there are two legal mix frequencies for Radio Microphones; 38 and 70. If your radio microphone does not fall into one of these two channels, you will not be allowed to use it your production. If your radio microphone is on channel 38, you will be required to provide a copy of your license prior to being able to plug in and use your microphone on our system. If you need to purchase a radio microphone licence for the duration of the festival please contact the Head of Sound at sound@gildedballoon.co.uk, who will be able to help you through the process. Fear not, it takes less than ten minutes. Sound Insulation & Sound Bleed As this space is adjacent to two other spaces, we do monitor sound levels and will require limitation to the volume of a show if necessary. We will always endeavour to find an amicable solution to sound issues from other venues as they arise. Gilded Balloon is surrounded by many other venues, which all run programming concurrently to our own. We work with all of the venues in and around Bristo Square to limit the amount of sound bleed from other venues. We encourage any production having issues with sound bleed to be in touch right away during your run, so that we may work to mitigate the issue. The above information is subject to change - for the most current plans and specifications, to discuss company needs, radio microphones or for any other Sound related queries please get in touch with the Head of Sound: sound@gildedballoon.co.uk 3

Teviot Row House The Night Club Venue Technical Specification DRESSING ROOM There is a small dressing room in this venue. This space is also used for scenic storage so the space available varies from year to year. STORAGE There are two small storage areas within the venue. SR and a small dressing room adjacent to the venue. All set items must easily pass through a standard door. ACCESS THE NIGHT CLUB is located at: Gilded Balloon Teviot Row House 3 Bristo Square Edinburgh EH8 9AJ Entry for loading is from the rear lane through a standard width door. STAFF The venue has one assigned technician who will oversee all technical rehearsals and turnarounds. It is up to the company to provide sufficient staff to help turnaround the venue into and out of the adjacent time slots. If any additional staff is required to assist with turnarounds this can be arranged at a cost of 5 per extra technician per performance. If your show requires our technician to operate lighting and/or sound or to stay for the duration of the performance for any other reason a show call charge will be levied. A reduced rate is charged when the show simply requires lights up/down (one cue to put light on stage and set microphone live then one cue to return to audience exit state). Companies are welcome to bring their own Technicians, but must ensure the person designated for the role is suitably technically competent to operate the venue equipment. We are happy to assist staff as much as required during the technical rehearsals, but should additional assistance be required once the run has begun, show call rates will be charged The show call rate is 0 per performance per technician plus VAT. The reduced lights up/down rate is 5.00 per performance per technician plus VAT. SECURITY Please remember that this is a festival situation. We work very hard to make sure that the venues are safe and free from molestation. Due to the multitude of people coming and going, it is almost impossible to recover any stolen items. We highly recommend that you not bring any valuable personal items to Gilded Balloon.

Teviot Row House The Night Club Venue Technical Specification We cannot accept any responsibility for any lost or stolen items within the building. Under no circumstances should any electronics be left within the building, unless they are wired into our system for your production. Take all computers, tablets, and desk top projectors with you every day. NOTES Any additional staff or items of equipment which the management are requested to provide will be charged to the visiting company. Any electrical equipment you wish to use must have a current PAT certificate dated less than months prior. All electrical items must also be cleared with us before use. We reserve the right to refuse the use of any equipment which is deemed unsafe. Each company is assigned a get in/rehearsal time prior to their first performance. This is the time for you to load your set and props into the venue and to re-tech your show. You will also need to allow sufficient time to rehearse your daily turnaround and set storage. Please note that your time slot must include get-in and get-out time. All use of naked flames, smoke, haze, strobe, laser or pyrotechnic effects must be cleared with management before bringing onsite. Smoking is not permitted in any venues, on or offstage however e-cigarettes are other non burning stage types are allowed. At the end of the festival, please arrange for removal or disposal of your set and any unused publicity material. Any company who does not comply will be charged to pay for the cost of disposal. Please note, since this is a temporary conversion and not a permanent performance space, all measurements and quantities quoted in the above specification are approximate and may be subject to change. For the most current plans and specifications or to discuss any other queries please get in touch with the production team: production@gildedballoon.co.uk 5

3 3.5 0.5 3 3 5 7 7 O/W 6 O/W 6 Dimmers & Amps R,G,B 3 03 R,G,B 0 Wing space s/b C L.88.5 0.5 O/W 3 5 6 7 Seating and standing on balcony 8 CYM 0 R,G,B 0 7 L06 6 5 L0 L06 3 O/W 3 L0 O/W CYM 0 R,G,B 0 0.3 0.3 0.3 0.3 0.3 0.3 0.3 0.3 0.3. 8 9 Audience Entrance Control 50 Seats in Venue Artistic Director: KAREN KOREN Production Manager: STEPHEN ARNOLD Technical Manager: ANDREW KIRKBY Head of Lighting: MARTIN MCLACHLAN Head of Sound: NEIL MCLEAN THE N IGHT 0 CLUB Drawing By: Date: SRA 6//03 Scale: :75 Drawing Name: GB [TEVOIT] Drawing No. of

THE EDINBURGH FESTIVAL FRINGE 03 GILDED BALLOON VENUE SCHEDULE Page of GILDED BALLOON [Teviot].lw5 7//3 TEVIOT ROW HOUSE ARTISTIC DIRECTOR: KAREN KOREN 3 BRISTO SQUARE, EDINBURGH, EH89AJ PRODUCTION MANAGER: STEPHEN ARNOLD REV : 0 FRINGE : 7 DEC 03 PRODUCTION@GILDEDBALLOON.CO.UK Position Unit# Chan DMX Purpose Inst Type Watt Access Color Gobo Night Club Night Club FOH Pipe (0) 9 Moving LED Wash VaryLED A7 Zoom " (7) 7 House Lights Strand Coda 500/ 36w 500w R, G, B " 3 (5) 5 Front Spot S-9 575w " O/W " (0) 87 Moving LED Wash Night Club FOH Pipe (0) 56 Moving LED Profile VaryLED A7 Zoom MAC 700 Profile " Sound D&B E3 36w.kw 0w R, G, B CYM " 3 () Cool Front Fill " () Warm Front Fill " 5 (3) 3 Cool Front Fill Strand Quartet Fresnel kw Quartet Barn Door L0 " " " L06 " " " L0 " 6 Sound D&B E3 0w " 7 () Warm Front Fill Strand Quartet Fresnel kw Quartet Barn Door L06 " 8 (0) 5 Moving LED Profile MAC 700 Profile.kw CYM Night Club DS Truss Night Club SL Column Night Club SR Column (7) 7 House Lights Strand Coda 500/ Sound D&B Q7 500w 5w O/W " " " " " Stephen Arnold / Lightwright 5 Night Club

THE EDINBURGH FESTIVAL FRINGE 03 GILDED BALLOON VENUE SCHEDULE Page of GILDED BALLOON [Teviot].lw5 7//3 Position Unit# Chan DMX Purpose Inst Type Watt Access Color Gobo Night Club Night Club SR Column Night Club US Pipe Sound D&B E3 (6) 6 3/ Bax Temp Wash " (0) 83 Moving LED Wash 0w S-50 575w O/W 77805 VaryLED A7 Zoom 36w R, G, B " 3 (03) 5 " " " " " (6) 6 3/ Bax Temp Wash S-50 575w O/W 77805 Night Club Deck Mount Sound D&B Q Sub w Stephen Arnold / Lightwright 5 Night Club