Highlights o the Romantic Reertoire or Cello and Piano
Cello Reertoire rom eethoven Sonatas rahms Sonata or Piano and O 8 rahms Sonata or Piano and O 99 T 7 T 9 T eethoven Sonaten ür und Klavier Mit der assung der Hornsonate o 7 Wieseneldt / Schi / er rahms Sonate ür Klavier und e-moll o 8 Müller / oettcher / Kraus rahms Sonate ür Klavier und -ur o 99 Müller/oettcher/Kraus Works or and Piano Reinecke The Comlete Sonatas or and Piano S ach Suite or solo T T 7 T Werke ür und Klavier, Rondo, Slaischer Tanz, Waldesruhe (Klid) öge / Rivinius / Kann Reinecke Sämtliche Sonaten ür und Klavier Wieseneldt / ischer-ieskau / Roggenkam S ach Suite ür solo (WV 7) Leisinger S ach Suites or solo T S ach Suiten ür solo (WV 7 ) Leisinger Wiener rtext oers even more: Easy to read musical score in needle-shar rint Practical age layout ith tested age turns antasy Pieces or cello and iano O 7 T 8 Vivaldi Sonatas or and asso Continuo T 7 Clear rint on textured and glare-ree aer antasiestücke ür und Klavier o 7 Kue / Noh / Roggenkam Vivaldi Sonaten ür und asso continuo Moosauer / armstadt High-quality inding or easy oening and age turning KAT 7-99 Ne Wesite! iener-urtextcom
rom a homage to ach to the symhonically insired chamer music o the late Romantic eriod ohannes rahms Sonatas in E minor O 8 and maor O 99 or cello and iano Edited rom the sources y Hans-Christian Müller ingerings (cello) and Notes on nterretation y Wolgang oettcher ingerings (iano) y etle Kraus Levels: intermediate advanced (O 8), advanced (O 99) T 9/ rahms s Sonata in E minor O 8 comosed during the summer months in 8 and 8 is art o every cellist s standard reertoire The ork is a homage to S ach rahms ased the rincial theme o the irst movement on Contraunctus and the inale on Contraunctus o The Art o ugue rahms descried the ork as a violoncello sonata hich, as ar as oth instruments are concerned, is certainly not diicult to lay, and indeed, this cello sonata can also e executed y exerienced amateurs t as thanks to the erlin cellist Roert Hausmann that rahms rote his second Sonata in maor or violoncello and iano O 99, and that s hy this ork is very demanding ts ourmovement structure, its concentrated musical exression, and its reminiscence o the theme rom the inale o the comoser s Third Symhony make the ork, hich as comosed in 88, an extraordinary aradigm o its genre The edition is ased on the original edition and on rahms s autograh manuscrit, the only extant sources Their comarison gives interesting insights into the genesis o the ork rahms Sonata or Piano and O 8 T 9 rahms Sonata or Piano and O 99 T rahms Sonate ür Klavier und e-moll o 8 Müller / oettcher / Kraus rtext on the asis o the extant sources Sonata or cello and iano in E minor O 8 T 9 rahms Sonate ür Klavier und -ur o 99 Müller/oettcher/Kraus Sonata or cello and iano in maor O 99 T
A assionate agitation, at times touched y a melancholy air, at times uilding u to uilating sounds o oy that ould e the character o the antasy Pieces here under revie Extracted rom a revie o Roert s antasy ieces O 7 y Eduard ernsdor (Neue Zeitschrit ür Musik, eruary 8) Carl Reinecke The comlete Sonatas or cello and iano Edited rom the sources y Christiane Wieseneld ingerings (cello) and Notes on nterretation y Manuel ischer-ieskau ingerings (iano) y Peter Roggenkam T 7 Roert antasy ieces or cello and iano O 7 Edited rom the sources y Michael Kue ingerings and Notes on nterretation (cello) y i-eun Noh ingerings and Notes on nterretation (iano) y Peter Roggenkam T 8 i-eun Noh on the later added metronome indications: Roert rote his antasy ieces O 7 originally or clarinet and iano The irst edition o s antasy Pieces O 7 ulished in uly 89 contained not only a clarinet art ut also a violin and a cello art Since then, they have ecome an integral art o the Romantic reertoire or cello and iano This edition is ased on the text o the irst edition, s ersonal coy and his comosition manuscrit The reace gives interesting insights into the ork s origin and the ulishing rocess The notes on interretation rovide inormation on metronome indications, oing, articulation, virato and ingering n the autograh o the antasy Pieces MM is notated aove each iece, ut ithout any numerical values These are hoever included in the Neue durchgesehene Ausgae ( Ne Revised Edition ) o 8 t is not conclusively estalished that these indications are y himsel, ut cannot e excluded either resumaly oned several metronomes that orked dierently deending on origin, make and technical las that ere requent in his time n his last years he considered his on indications as generally too ast The metronome indications should in any case not e regarded as asolute They can only serve as a oint o reerence and have more relevance or the character o the ieces than or their temo Antonín vořák Works or cello and iano Manuel ischer-ieskau on Carl Reinecke s Sonatas or cello and iano: Reinecke as one o the most imortant igures among musicians in the second hal o the 9th century His three Sonatas or violoncello and iano are o amazing musical quality hich uts them right u ith the sonatas o ohannes rahms t is all the more surrising, hoever, that an urtext edition o these orks did not exist u until, the th anniversary o Reinecke s death; cellists had to all ack on coies o the irst editions only a e o hich are extant This ga is no closed y the edition o Wiener rtext t encomasses all three sonatas in one volume, thus adding three masterieces o Romantic chamer music to the less than comrehensive reertoire o the 9th century or violoncello and iano Even though e cellists are already ortunate hen it comes to a numer o magniicent orks or cello and iano ritten y signiicant 9th century comosers, the resources or this sort o reertoire, hoever, are still quite limited, comared to hat is availale or violin and iano or or solo iano or this reason, cellists kee utting on the same concert reertoire rom this eriod, hether sonatas y ohannes rahms, orks y Roert scored or this setting or more rarely sonatas y elix Mendelssohn Thus, it is even more delightul to see ho this ne edition o sonatas y Carl Reinecke gives concert erormers, home musicians and listeners alike a chance to rediscover these masterieces that had een rongully removed rom the ulic eye Edited rom the sources and rovided ith Notes on nterretation y Klaus öge ingerings (cello) y Gustav Rivinius ingerings (iano) y Hans Kann T esides the amous Concerto in minor O, vořák s oeuvre includes our smaller, chamer music comositions or cello and iano: the in A maor, the Rondo in G minor O 9, an arrangement o the ell-knon Slavonic ance in G minor rom ous and the mood iece Woodland dyll (Klid) The ne Wiener rtext edition resents these our orks all together in a single volume Manuel ischer-ieskau manuelischer-dieskaude 7 Manuel ischer-ieskau s recording o the comlete cello sonatas y Carl Reinecke (aringhaus Grimm) antasiestücke Roert (8 8) # # # n n n # n c Ó n n # as iderrechtliche Koieren von Noten ist gesetzlich veroten und kann rivat- und strarechtlich verolgt erden nauthorized coying o music is oridden y la, and may result in criminal or civil action n # N # # # # Sonate n n Piano Pia P iian orte ian n n # # # # # Adagio! = n /h /h Klavier # - # # # n # con aetto # # # ### rit # stringendo # y, Musikverlag, Ges m H Co, K G, Wien No # n n m # # n /h /h # # L n n n # # # # n n # # # # n n # e string M # M M # # # # # # y, Musikverlag, Ges m H Co, K G, Wien No # # e string # Kue / Noh / Roggenkam n n # n # n n n n Ç # n esressivo # n n # n # # n # n # # n # n # # # n n n de # n n # n # n # n # n # # n # # n dolce # n nn # T 8 as iderrechtliche Koieren von Noteen ist gesetzlich veroten und kann rivat- und strarechtlich vverolgt erden nauthorized coying o mu usic is oridden y la, and may result in criminal or civil acttion # n # # # n # n antasy Pieces or cello and iano O 7 antasy ieces O 7 T 8 Sonate # # - n # con aetto n # àà # as iderrechtliche Koieren von Noten ist gesetzlich veroten und kann rivat- und strrarechtlich verolgt erden nauthorized coying o music is oridden y la, and may result in criminal or civil acction as iderrechtliche Koieren von Noten ist gesetzlich veroten und kann rivat- und strarechtlich verolgt erden nauthorized coying o music is oridden y la, and may result in criminal or civil action # n # # # n # n dolce n # n n n ## n n K C C n ür antasiestücke und Klavier o 7 y, Musikverlag, Ges m H Co, K G, Wien No 8 N N Ad dagio! = Antonín n vorák (8 9) ür Pianoorte und o 8 n # n # n en Manen ohannes rahms ür Pianoorte und o 8 à en Manen ohannes rahms # 7 # # n # n n n n y, Musikverlag, Ges m H Co, K G, Wien No 8 # # n n n n n # n n # Pianoorte c c Klav Roert Sch humann (8 8) ous ost # n # n rit, a temo # ƒ raidamente n n # # ƒ 9 c Ó Antonín vorák (8 9) o 7 o 7 m # ous ost When the cello enters the irst theme o the irst sonata (O ), it ecomes clear right aay ho naturally Reinecke has internalised the character o this string instrument antasiestücke or the rearation o this edition the vořák exert Klaus öge has studied original manuscrits alongside corrected roos and irst editions, suorted y reerence to the orchestral and iano scores ocumented comments y the comoser himsel have rovided an additional source o authentic suggestions or erormance n oco iù animato! = 9 esressivo # n # # n n # # n n n de - esressivo n oco iù animato! = 9 # Klaus öge on vořák s autograh manuscrit o the Rondo O 9 or cello and iano: n Works or and Piano T # # n n n esressivo # # # esressivo n # # n # # # # Werke ür und Klavier, Rondo, Slaischer Tanz, Waldesruhe (Klid) öge / Rivinius / Kann # 7 izz non ritard # # vořák s autograh o the Rondo or violoncello and iano has the character o a irst ritten drat, in hich deletions, overritten assages and corrections make traces o the comositional rocess tangile Moreover, this character o a irst ritten drat ecomes evident on another level: in the autograh, dynamics and articulation are only notated soradically Additions o this tye (ith a dierent en and oten scriled in ith oly crescendo and decrescendo marks, as i they had een ritten in rom the iano stool) ere roaly made to the autograh together ith certain changes in register or oth solo and accomanying instruments during vořák s rehearsals o the Rondo ith the cellist Hanuš Wihan or the areell tour at the eginning o 89 # ÚÚ Works or cello and iano T universaleditioncom/grooveconnection
A assionate agitation, at times touched y a melancholy air, at times uilding u to uilating sounds o oy that ould e the character o the antasy Pieces here under revie Extracted rom a revie o Roert s antasy ieces O 7 y Eduard ernsdor (Neue Zeitschrit ür Musik, eruary 8) Carl Reinecke The comlete Sonatas or cello and iano Edited rom the sources y Christiane Wieseneld ingerings (cello) and Notes on nterretation y Manuel ischer-ieskau ingerings (iano) y Peter Roggenkam T 7 Roert antasy ieces or cello and iano O 7 Edited rom the sources y Michael Kue ingerings and Notes on nterretation (cello) y i-eun Noh ingerings and Notes on nterretation (iano) y Peter Roggenkam T 8 i-eun Noh on the later added metronome indications: Roert rote his antasy ieces O 7 originally or clarinet and iano The irst edition o s antasy Pieces O 7 ulished in uly 89 contained not only a clarinet art ut also a violin and a cello art Since then, they have ecome an integral art o the Romantic reertoire or cello and iano This edition is ased on the text o the irst edition, s ersonal coy and his comosition manuscrit The reace gives interesting insights into the ork s origin and the ulishing rocess The notes on interretation rovide inormation on metronome indications, oing, articulation, virato and ingering n the autograh o the antasy Pieces MM is notated aove each iece, ut ithout any numerical values These are hoever included in the Neue durchgesehene Ausgae ( Ne Revised Edition ) o 8 t is not conclusively estalished that these indications are y himsel, ut cannot e excluded either resumaly oned several metronomes that orked dierently deending on origin, make and technical las that ere requent in his time n his last years he considered his on indications as generally too ast The metronome indications should in any case not e regarded as asolute They can only serve as a oint o reerence and have more relevance or the character o the ieces than or their temo Antonín vořák Works or cello and iano Manuel ischer-ieskau on Carl Reinecke s Sonatas or cello and iano: Reinecke as one o the most imortant igures among musicians in the second hal o the 9th century His three Sonatas or violoncello and iano are o amazing musical quality hich uts them right u ith the sonatas o ohannes rahms t is all the more surrising, hoever, that an urtext edition o these orks did not exist u until, the th anniversary o Reinecke s death; cellists had to all ack on coies o the irst editions only a e o hich are extant This ga is no closed y the edition o Wiener rtext t encomasses all three sonatas in one volume, thus adding three masterieces o Romantic chamer music to the less than comrehensive reertoire o the 9th century or violoncello and iano Even though e cellists are already ortunate hen it comes to a numer o magniicent orks or cello and iano ritten y signiicant 9th century comosers, the resources or this sort o reertoire, hoever, are still quite limited, comared to hat is availale or violin and iano or or solo iano or this reason, cellists kee utting on the same concert reertoire rom this eriod, hether sonatas y ohannes rahms, orks y Roert scored or this setting or more rarely sonatas y elix Mendelssohn Thus, it is even more delightul to see ho this ne edition o sonatas y Carl Reinecke gives concert erormers, home musicians and listeners alike a chance to rediscover these masterieces that had een rongully removed rom the ulic eye Edited rom the sources and rovided ith Notes on nterretation y Klaus öge ingerings (cello) y Gustav Rivinius ingerings (iano) y Hans Kann T esides the amous Concerto in minor O, vořák s oeuvre includes our smaller, chamer music comositions or cello and iano: the in A maor, the Rondo in G minor O 9, an arrangement o the ell-knon Slavonic ance in G minor rom ous and the mood iece Woodland dyll (Klid) The ne Wiener rtext edition resents these our orks all together in a single volume Manuel ischer-ieskau manuelischer-dieskaude 7 Manuel ischer-ieskau s recording o the comlete cello sonatas y Carl Reinecke (aringhaus Grimm) antasiestücke Roert (8 8) # # # n n n # n c Ó n n # as iderrechtliche Koieren von Noten ist gesetzlich veroten und kann rivat- und strarechtlich verolgt erden nauthorized coying o music is oridden y la, and may result in criminal or civil action n # N # # # # Sonate n n Piano Pia P iian orte ian n n # # # # # Adagio! = n /h /h Klavier # - # # # n # con aetto # # # ### rit # e string stringendo # y, Musikverlag, Ges m H Co, K G, Wien No n n m # n # # # # # n n # # # # n n # # n /h /h # # L n n M # M M # # # # # # y, Musikverlag, Ges m H Co, K G, Wien No # # e string # Kue / Noh / Roggenkam n n # n # n n n n Ç # n esressivo # n n # n # # n # n # # n # n # # # n n n de # n n # n # n # n # n # # n # # n dolce # n nn # T 8 as iderrechtliche Koieren von Noteen ist gesetzlich veroten und kann rivat- und strarechtlich vverolgt erden nauthorized coying o mu usic is oridden y la, and may result in criminal or civil acttion # n # # # n # n antasy Pieces or cello and iano O 7 antasy ieces O 7 T 8 Sonate # # - n # con aetto n # àà # as iderrechtliche Koieren von Noten ist gesetzlich veroten und kann rivat- und strrarechtlich verolgt erden nauthorized coying o music is oridden y la, and may result in criminal or civil acction as iderrechtliche Koieren von Noten ist gesetzlich veroten und kann rivat- und strarechtlich verolgt erden nauthorized coying o music is oridden y la, and may result in criminal or civil action # n # # # n # n dolce n # n n n ## n n K C C n ür antasiestücke und Klavier o 7 y, Musikverlag, Ges m H Co, K G, Wien No 8 N N Ad dagio! = Antonín n vorák (8 9) ür Pianoorte und o 8 n # n # n en Manen ohannes rahms ür Pianoorte und o 8 à en Manen ohannes rahms # 7 # # n # n n n n y, Musikverlag, Ges m H Co, K G, Wien No 8 # # n n n n n # n n # Pianoorte c c Klav Roert Sch humann (8 8) ous ost # n # n rit, a temo # ƒ raidamente n n # # ƒ 9 c Ó Antonín vorák (8 9) o 7 o 7 m # ous ost When the cello enters the irst theme o the irst sonata (O ), it ecomes clear right aay ho naturally Reinecke has internalised the character o this string instrument antasiestücke or the rearation o this edition the vořák exert Klaus öge has studied original manuscrits alongside corrected roos and irst editions, suorted y reerence to the orchestral and iano scores ocumented comments y the comoser himsel have rovided an additional source o authentic suggestions or erormance n oco iù animato! = 9 esressivo # n # # n n # # n n n de - esressivo n oco iù animato! = 9 # Klaus öge on vořák s autograh manuscrit o the Rondo O 9 or cello and iano: n Works or and Piano T # # n n n esressivo # # # esressivo n # # n # # # # Werke ür und Klavier, Rondo, Slaischer Tanz, Waldesruhe (Klid) öge / Rivinius / Kann # 7 izz non ritard # # vořák s autograh o the Rondo or violoncello and iano has the character o a irst ritten drat, in hich deletions, overritten assages and corrections make traces o the comositional rocess tangile Moreover, this character o a irst ritten drat ecomes evident on another level: in the autograh, dynamics and articulation are only notated soradically Additions o this tye (ith a dierent en and oten scriled in ith oly crescendo and decrescendo marks, as i they had een ritten in rom the iano stool) ere roaly made to the autograh together ith certain changes in register or oth solo and accomanying instruments during vořák s rehearsals o the Rondo ith the cellist Hanuš Wihan or the areell tour at the eginning o 89 # ÚÚ Works or cello and iano T universaleditioncom/grooveconnection
A assionate agitation, at times touched y a melancholy air, at times uilding u to uilating sounds o oy that ould e the character o the antasy Pieces here under revie Extracted rom a revie o Roert s antasy ieces O 7 y Eduard ernsdor (Neue Zeitschrit ür Musik, eruary 8) Carl Reinecke The comlete Sonatas or cello and iano Edited rom the sources y Christiane Wieseneld ingerings (cello) and Notes on nterretation y Manuel ischer-ieskau ingerings (iano) y Peter Roggenkam T 7 Roert antasy ieces or cello and iano O 7 Edited rom the sources y Michael Kue ingerings and Notes on nterretation (cello) y i-eun Noh ingerings and Notes on nterretation (iano) y Peter Roggenkam T 8 i-eun Noh on the later added metronome indications: Roert rote his antasy ieces O 7 originally or clarinet and iano The irst edition o s antasy Pieces O 7 ulished in uly 89 contained not only a clarinet art ut also a violin and a cello art Since then, they have ecome an integral art o the Romantic reertoire or cello and iano This edition is ased on the text o the irst edition, s ersonal coy and his comosition manuscrit The reace gives interesting insights into the ork s origin and the ulishing rocess The notes on interretation rovide inormation on metronome indications, oing, articulation, virato and ingering n the autograh o the antasy Pieces MM is notated aove each iece, ut ithout any numerical values These are hoever included in the Neue durchgesehene Ausgae ( Ne Revised Edition ) o 8 t is not conclusively estalished that these indications are y himsel, ut cannot e excluded either resumaly oned several metronomes that orked dierently deending on origin, make and technical las that ere requent in his time n his last years he considered his on indications as generally too ast The metronome indications should in any case not e regarded as asolute They can only serve as a oint o reerence and have more relevance or the character o the ieces than or their temo Antonín vořák Works or cello and iano Manuel ischer-ieskau on Carl Reinecke s Sonatas or cello and iano: Reinecke as one o the most imortant igures among musicians in the second hal o the 9th century His three Sonatas or violoncello and iano are o amazing musical quality hich uts them right u ith the sonatas o ohannes rahms t is all the more surrising, hoever, that an urtext edition o these orks did not exist u until, the th anniversary o Reinecke s death; cellists had to all ack on coies o the irst editions only a e o hich are extant This ga is no closed y the edition o Wiener rtext t encomasses all three sonatas in one volume, thus adding three masterieces o Romantic chamer music to the less than comrehensive reertoire o the 9th century or violoncello and iano Even though e cellists are already ortunate hen it comes to a numer o magniicent orks or cello and iano ritten y signiicant 9th century comosers, the resources or this sort o reertoire, hoever, are still quite limited, comared to hat is availale or violin and iano or or solo iano or this reason, cellists kee utting on the same concert reertoire rom this eriod, hether sonatas y ohannes rahms, orks y Roert scored or this setting or more rarely sonatas y elix Mendelssohn Thus, it is even more delightul to see ho this ne edition o sonatas y Carl Reinecke gives concert erormers, home musicians and listeners alike a chance to rediscover these masterieces that had een rongully removed rom the ulic eye Edited rom the sources and rovided ith Notes on nterretation y Klaus öge ingerings (cello) y Gustav Rivinius ingerings (iano) y Hans Kann T esides the amous Concerto in minor O, vořák s oeuvre includes our smaller, chamer music comositions or cello and iano: the in A maor, the Rondo in G minor O 9, an arrangement o the ell-knon Slavonic ance in G minor rom ous and the mood iece Woodland dyll (Klid) The ne Wiener rtext edition resents these our orks all together in a single volume Manuel ischer-ieskau manuelischer-dieskaude 7 Manuel ischer-ieskau s recording o the comlete cello sonatas y Carl Reinecke (aringhaus Grimm) antasiestücke Roert (8 8) # # # n n n # n c Ó n n # as iderrechtliche Koieren von Noten ist gesetzlich veroten und kann rivat- und strarechtlich verolgt erden nauthorized coying o music is oridden y la, and may result in criminal or civil action n # N # # # # Sonate n n Piano Pia P iian orte ian n n # # # # # Adagio! = n /h /h Klavier # - # # # n # con aetto # # # ### rit # e string stringendo # y, Musikverlag, Ges m H Co, K G, Wien No n n m # n # # # # # n n # # # # n n # # n /h /h # # L n n M # M M # # # # # # y, Musikverlag, Ges m H Co, K G, Wien No # # e string # Kue / Noh / Roggenkam n n # n # n n n n Ç # n esressivo # n n # n # # n # n # # n # n # # # n n n de # n n # n # n # n # n # # n # # n dolce # n nn # T 8 as iderrechtliche Koieren von Noteen ist gesetzlich veroten und kann rivat- und strarechtlich vverolgt erden nauthorized coying o mu usic is oridden y la, and may result in criminal or civil acttion # n # # # n # n antasy Pieces or cello and iano O 7 antasy ieces O 7 T 8 Sonate # # - n # con aetto n # àà # as iderrechtliche Koieren von Noten ist gesetzlich veroten und kann rivat- und strrarechtlich verolgt erden nauthorized coying o music is oridden y la, and may result in criminal or civil acction as iderrechtliche Koieren von Noten ist gesetzlich veroten und kann rivat- und strarechtlich verolgt erden nauthorized coying o music is oridden y la, and may result in criminal or civil action # n # # # n # n dolce n # n n n ## n n K C C n ür antasiestücke und Klavier o 7 y, Musikverlag, Ges m H Co, K G, Wien No 8 N N Ad dagio! = Antonín n vorák (8 9) ür Pianoorte und o 8 n # n # n en Manen ohannes rahms ür Pianoorte und o 8 à en Manen ohannes rahms # 7 # # n # n n n n y, Musikverlag, Ges m H Co, K G, Wien No 8 # # n n n n n # n n # Pianoorte c c Klav Roert Sch humann (8 8) ous ost # n # n rit, a temo # ƒ raidamente n n # # ƒ 9 c Ó Antonín vorák (8 9) o 7 o 7 m # ous ost When the cello enters the irst theme o the irst sonata (O ), it ecomes clear right aay ho naturally Reinecke has internalised the character o this string instrument antasiestücke or the rearation o this edition the vořák exert Klaus öge has studied original manuscrits alongside corrected roos and irst editions, suorted y reerence to the orchestral and iano scores ocumented comments y the comoser himsel have rovided an additional source o authentic suggestions or erormance n oco iù animato! = 9 esressivo # n # # n n # # n n n de - esressivo n oco iù animato! = 9 # Klaus öge on vořák s autograh manuscrit o the Rondo O 9 or cello and iano: n Works or and Piano T # # n n n esressivo # # # esressivo n # # n # # # # Werke ür und Klavier, Rondo, Slaischer Tanz, Waldesruhe (Klid) öge / Rivinius / Kann # 7 izz non ritard # # vořák s autograh o the Rondo or violoncello and iano has the character o a irst ritten drat, in hich deletions, overritten assages and corrections make traces o the comositional rocess tangile Moreover, this character o a irst ritten drat ecomes evident on another level: in the autograh, dynamics and articulation are only notated soradically Additions o this tye (ith a dierent en and oten scriled in ith oly crescendo and decrescendo marks, as i they had een ritten in rom the iano stool) ere roaly made to the autograh together ith certain changes in register or oth solo and accomanying instruments during vořák s rehearsals o the Rondo ith the cellist Hanuš Wihan or the areell tour at the eginning o 89 # ÚÚ Works or cello and iano T universaleditioncom/grooveconnection