The Esther Effect: Interactive Frames in the Case of Grassroots Animal Rights Activism Mira Lieberman-Boyd Goldsmiths College

Similar documents
The Esther Effect: Interactive Frames in the Case of Grassroots. Animal Rights Activism

Review. Discourse and identity. Bethan Benwell and Elisabeth Stokoe (2006) Reviewed by Cristina Ros i Solé. Sociolinguistic Studies

Um... yes, I know that. (laugh) You don't need to introduce yourself!

Untie the Donkey: Comfort

Do you feel my pain?

CHANGING TUNE. Written by. Baron Andrew White

Ireti Eda. Episode 18. Characters

Intertextuality in interaction: Reframing family arguments in public and private*

PEARLS BEFORE SWINE By Rod

Prince Charmin (Prodigal Son) (Forgiveness) (God s Love)

Discourse analysis is an umbrella term for a range of methodological approaches that

TAYO Episode 6 Thanks, Cito! TAYO (VO) Thanks, Cito!

ORCHARD BOOKS 338 Euston Road, London NW1 3BH Orchard Books Australia Level 17/207 Kent Street, Sydney, NSW 2000

The Wonder of Dads A Puppet Script by Tom Smith

Happy/Sad. Alex Church

MORNING STORIES TRANSCRIPT. Le Plus ça Change: We look at a time of crisis in public broadcasting, then and now. Also, the Ipswitch mashup.

THE READING ROAD. Chapter 2: CVC Words

SCREEN ACTING ENSEMBLE AUDITIONS 2017

Language Sample. Key (identifying individuals) C: child E: examiner (myself) M: mother J: Joy Au: Austin (older brother) Transcript

Sample Copy. Not For Distribution.

MARRIAGE AND GUY AND GAL JOKES

Listenership in Japanese Interaction: The Contributions of Laughter Ayako Namba

But that s not completely fair to Josh. He cares about Luna, too. I think about Luna, her branches reaching up to the sky like huge arms in prayer,

3 rd CSE Unit 1. mustn t and have to. should and must. 1 Write sentences about the signs. 1. You mustn t smoke

Linguistic Statement Analysis Linguistic Statement Analysis Methodologies as a Tool in the Conduct of Investigations

Q1. Name the texts that you studied for media texts and society s values this year.

The Tutor by Mitch Teemley

Representation and Discourse Analysis

Chapter 1. Introduction

As Requested Author : Kitex989. As Requested

ANNIE Perfect. The boys. Hello boys, come and sit down. ANNIE You are feeling very sleepy. You are a baby.

UNIT 7 A CLOSE SHAVE. Script [Track 45]

A short dramedy by Jeri Weiss

CAILLOU MARCHES ON. Caillou Eps. # Disappearing Carrots - Recording p.1

G: Hi, I m the best hunter, i never fail a shot, and now I had my eyes on her, the inventor s daughter.

LISTENING ANSWER KEY. Candidate Number: Task Three: Radio Programme Task One: Short Conversations 1-6. Task Two: Making Notes 7-15

I CAN HELP, TOO CFE 3255V

4-H Science Investigation Script

THE BADEST. twitter.com/sttitus

EXTRA in English Episode 12: Football Crazy Script

"The Happiness Squad. A short play. Written and Translated from Hebrew by: Ido Setter. Characters: GLEE SMILEY HAPPY H.

Discourse as action Politeness theory

Lexie World (The Three Lost Kids, #1) Chapter 1- Where My Socks Disappear

The Plan Episode 2. by Tom Pascal

Ebony and her little gang of friends!

Sower and the Seeds1

Spoken Grammar Key features of spoken grammar Implications and ideas for teaching

Reading Lines: Responses to Pain

Suitable Class Level: Materna 1st - 2nd Elementary

Chapter One The night is so cold as we run down the dark alley. I will never, never, never again take a bus to a funeral. A funeral that s out of town

5 girls sitting in classroom and 1 teacher. (In a car: Mom, dad, 2 kids)

DRAMA SCRIPTS - 3 x 5 minute plays Target audience: 7-11 year olds

APPENDIX A. CBSC Decision 11/ CFNY-FM re the Dean Blundell Show (Easter)

Editorial Evaluating evaluative language

A CONVERSATION ANALYSIS OF VERBAL BACKCHANNEL RESPONSE IN RADIO PROGRAM VALENTINE IN THE MORNING INTERVIEW WITH MICHAEL BUBLÉ.

THE BULLY. Book by David L. Williams. Perusal Copy. Music and Lyrics by John Gregor

By Issie Singleton Passion Project 2016

Confessions. by Eddie James and the Skitiots

Ronnie & Julie. Simon Colligan.

Conversation analysis

RealLife Podcast Connected Speech Lesson

BBC LEARNING ENGLISH 6 Minute Grammar The present perfect with just, already and yet

Critical Discourse Analysis and the Translator

Pragmatics: How do we speak appropriately and politely?

STAN FREBERG Scene Eight: Ben Franklin Signs the Declaration of Independence

Face-threatening Acts: A Dynamic Perspective

Using Dialogue in our Writing

PAM&PAUL, track 1. Pam and Paul, Story 1

Interview with Amin Weber

LORD HEAR ME ERIC CHANDLER

Hello! & Welcome to A Twisted Plays/Junior Drama Sample Script! On the following pages you will find a sample of the script that is available for

THE GIFT: 7 POUNDS, 3 OUNCES

SERIAL STAR A TEN MINUTE MONOLOGUE. By Deborah Karczewski

DOOR BANG. A Play in One Act. by Leslie Hewett. Performance Rights

MGTV. by Stephen Murray. Performance Rights

Worth Saving. Jeff Smith

I see what is said: The interaction between multimodal metaphors and intertextuality in cartoons

The Talent Store. by Rene Gutteridge. Cash register and table Cash Three colorful sacks of different sizes Three boxes of different sizes

Dynamic vs. Stative Verbs. Stative verbs deal with. Emotions, feelings, e.g.: adore

Overseen by: Prof. Judy Freedman Fask, College of the Holy Cross

Pennies on the Dollar. by Ryan Warren.

Copyright Thinking Back by

(Attending Ms. Johansson) by (Rock Kitaro) Current Revisions by (Current Writer, date)

From Chemical Bonding

HEALTHY RELATIONSHIPS PUPPET SHOWS

View From The Top: Justin Bieber s Rise to Fame. Written and Illustrated By: Paige Lemaster

Contradictions, Dialectics, and Paradoxes as Discursive Approaches to Organizational Analysis

Unit 2 The Parrot. 2A Introduction. 2B Song Lyrics. attractive / captivity / carefree / coax / desire / frantic / plead / release / tragic / vast

2006 The Christian Broadcasting Network, Inc.

K: Yeah, so it was great, Dr. Upchurch was amazing through all of it. He s just an excellent doctor and I am blessed to be able to work with him.

Big Hamburger / Little Hamburger Grover the waiter - Sesame Street

The Wonder of Moms by Tom Smith

SAMPLE LESSON FROM THE PEACE OF MIND CORE CURRICULUM FOR GRADES 1 AND 2

Dee-Cy-Paul Story What Can I Do? Dee-Cy-Paul Bookends

<This human body> <Mary Higgins> Mary Higgins

TAYO Episode 18. Frank and Alice are Awesome! TAYO (VO) Frank and Alice are Awesome! NA Tayo and Rogi are going back to the bus garage after work.

(Name of Project) by (Name of First Writer) (Based on, If Any) Revisions by (Names of Subsequent Writers, in Order of Work Performed)

Introducing your students to spoken grammar

The Innkeeper s Dilemma Original Version

INSTITUTO NACIONAL 8 TH GRADE UNITS UNIT 6 COUNTABLE AND UNCOUNTABLE NOUNS

Transcription:

The Esther Effect: Interactive Frames in the Case of Grassroots Animal Rights Activism Mira Lieberman-Boyd Goldsmiths College mlieb002@gold.ac.uk 2017

Overview Introduction Background Methodology Findings and examples What next? Future research

Research question How do Esther s dads shift footing and frames, and negotiate counter-discourse on FB live feed in their construction of animal rights activist identity?

Steve Derek Finnegan Esther T. W. Pig Delores Shelby Reuben

Background The Animal Rights Movement Kenneth Shapiro (1996) press's conferral of the terrorist image on contemporary animal advocates has threatened to discredit the current movement by marginalizing it as extremist Lyle Munro (2011) non violence positive radical flank effect (Haines, 1984)

Background Esther s Approach EDs approach rests on the foundation of kindness and positivity Counter discourse on two fronts Elevate Esther s status to that of an ambassador and leader

Approach to Spoken Discourse Analysis Interactional Sociolinguistics Social constructionist view of discourse as a series of habitual, reinforced social practices in which language is used as a resource for participants to actively and creatively reshape their surroundings shaped by macro, pre-existing social structures.(cameron, 2001:88)

Interactional Sociolinguistics Frames Bateson (1955) Goffman interactive frames (1974) - Gumperz (1982) speech activity Laminating frames (Gordon, 2008) Footing Goffman (1986) a change in the alignment we take up to ourselves and others present as expressed in the way we manage the production or reception of an utterance.

Approach to Spoken Discourse Analysis extra-communicative knowledge (Jaspers, 2012:135) Schemas (Tannen and Wallat, 1993) The constructionist approach to identity as a fluid, fragmentary and crucially, constituted in discourse (Benwell and Stokoe, 2007:17)

Findings Three frames: 1. 2. 3. Activist Frame Supporter appreciation frame ( fun register) Dark story frame ( serious register) Family identity: 1. 2. Baby talk (Tannen, 2004) Daddy (Tannen, 2004)

1. Negotiating activist identity through frame shifts Ableson (1976):...attitude towards an object consists in the ensemble of scripts concerning that object. Bakhtin (1986): intertextuality

(43) Derek: uhh and he says I love you guys my heart was broken(.) when this accident in Burlington please give Esther a big hug for me and he hand drew a picture of a pig ahh (44) Steve: aww (45) Derek: there was a accident that happened a transport accident (.) that happened here locally about 15 minutes away where a transport truck of pigs uh flipped over on the way to processing and spilled pigs all over the road/ and uh (.) a really dark story unfortunately they mishandled the situation we were there to try to help uh but instead they let these pigs suffer all over the road and on the front lawn for four or five hours uhh and that s uh (1) Transcript 1: The accident 08:54 Line 43-44 mark the shift between fun register to serious register

(46) Steve:..yeah hhh that s that so anyway sorry this went a little bit [=dark didn t it.= (47) Derek:*=uuuuhhh yes so here is a picture of a pig playing a guita:::::::::r* ]and it says rock and roll Esther love Lynette and that is from(.) WI where is WI (48) Steve: Wisconsin/ I think/ (49) Derek: Wyoming/ Transcript 1: The accident

2. Negotiating Family identity EDs position Esther as their baby, thus contributing to the construction of family identity accomplished by two linguistic strategies: (a) baby talk register and (b) referring to themselves as Daddy (Tannen, 2004, 401)

(1) Steve: yeah go to beddies baby it s *tired piggy* (2) Esther: [side-eye]= (3) Steve:=yeah:: (3) (4) Esther: grunt (5) Steve: mmm/ you re tired/ (6) Esther: grunt (.) (7) Steve: you re ready for bed/= (8) Esther: =[grunt (9) Steve: yeah] go to beddies (10) Esther: grunt (-) grunt [Esther knocks down chair] (11) Steve: hey {hahaha} (-) *who put that there* (1) {laugh} good girl go to bed Transcript 3: Daddy talk

(30) Steve: good girl go to beddies (3) [Esther stands and waits] %*come on* daddy will make your beddies hey/% look daddy will make your beddies ok/(.) hmm/ %come on% (31) Esther: [comes over to her daybed] (32) Steve: %the:re% Transcript 3: Daddy Talk

Conclusion New schemas Counter-discourse New family identity

What next? Analysing comments Broader multimodal analysis Comparative analysis Narrative vs non-narrative

References Gordon, C. (2008) A(p)parent play: Blending Frames and Reframing in Family Talk, Language in Society 37, 310-349. Munro, L. (2011) Strategies, Action Repertoires and DIY Activism in the Animal Rights Movement, Social Movement Studies: Journal of Social, Cultural and Political Protest, 4:1, 75-94 Tannen, D. and Wallat, C. (1993b) Interactive Frames and Knowledge Schemas in Interaction: Examples from a Medical Examination/Interview, ed Tannen in Framing in Discourse, New York, Oxford University Press, pp. 57-76 Tannen, D. (2004) Talking the Dog: Framing Pets as Interactional Resources in Family Discourse, Research on Language and Social Interaction, 37:4, pp 339-420