St. Louis Metro District #8 High School Concert Band. Set IV ( ) District Audition Music - Revised

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St. Louis Metro District #8 High School Concert Band Set IV (2015-2016) District Audition Music - Revised The following music should be prepared for district auditions on November 3, 2015. This music is taken from the Missouri All-State Band Audition Materials. Please look over the state list to become familiar with the required materials as well as to access the state scales. All scales are to be MEMORIZED. Prepare them all slurred and all tongued in sixteenth notes at quarter note = 88. Scales should be performed ascending and descending. Scales given are the starting note. Do not transpose. All scales are to be prepared from required scale sheet as written. missouribandmasters.org Chromatic: full range of instrument Major scales: C G D A E F Bb Eb A b Melodic Minor scales: a e b f# c# d g c f Flute & Piccolo Advanced Method p. 12 #34, slurred p. 16 #54, slur in groups of 4 p. 54 #14, measure 7 to end p. 57 #22, line 3, measure 4 to end Selected Studies p. 17 beginning to line 8, note 1 p. 40 * Allegro, line 6 to end (the first edition of this list read line 5 to end ) Oboe and English Horn Selected Studies p. 20 D major, beginning through line 6, measure 4, beat 1 Advanced Method p. 17 #66 p. 15 #58 p. 15 #59 p. 42 #24, beginning through line 5, bar 2 Bassoon Practical Method p. 31 Andante, lines 8, 9 and 10, no repeats p. 37 Andante, lines 3, 4 and 5, no repeats p. 47 line 8, bar 2, beat 4, to line 9, bar 4, beat 3 p. 67 #10 p. 82 #4

Bb Soprano Clarinet Thirty-two Etudes p. 17 #17, line 6, bar 3 to end p. 26 #26, first 4 lines Klose p. 127 B major, line 2, bar 3, through line 3, bar 3 p. 128 lines 1, 2 and 3 p. 129 line 8, bar 2 through line 9, bar 1 Eb Alto Clarinet 21 Foundation Studies p. 21 #13, beginning through line 6, measure 3, first note Introducing p. 11 #1, beginning to fermata p. 12 #5, no repeats p. 15 #4, beginning through line 4, bar 4 p. 42 Pastorale, beginning through line 7, bar 8 Bb Bass Clarinet 21 Foundation Studies p. 16 #9, beginning through line 6, bar 1 Introducing p. 13 #5 p. 16 #5, lines 3 and 4 p. 20 #6, no repeats p. 36 #2, slurred Eb or Bb Contra Clarinet 21 Foundation Studies p. 29 #19, beginning through line 9, bar 2, first note (take 2 nd ending ) Introducing p. 14 #5 p. 22 #3, beginning through line 2, bar 3, beat 1 p. 24 #3, beginning through line 3, bar 5, beat 1 p. 36 #5 Alto Saxophone Selected Studies p. 8 Andante, beginning through line 5 p. 15 Vivace, line 6, bar 2 to end Universal-Prescott p. 44 #86 p. 210 #15 p. 210 #18 p. 212 #6, line 1 p. 214 lines 4, 5 and 6

Tenor Saxophone Selected Studies p. 3 Molto Allegro, line 5, bar 2 to end p. 6 Andante, beginning through line 7, bar 4, beat 1 Universal-Prescott p. 42 #78 p. 208 #3 p. 208 #5 p. 212 #3, line 1 p. 214 lines 1, 2 and 3 Baritone Saxophone Selected Studies p. 9 Allegro furioso, line 6, bar 3 to end p. 29 Andante, Beginning through line 5 Universal-Prescott p. 42 #79 p. 209 #8 p. 209 #9 p. 212 #4, line 1 p. 214 last 3 lines Trumpet & Cornet Arban p. 22 #50, lines 1 and 2 p. 47 #29, first 4 lines p. 125 #1, line 3 p. 190 #143 p. 213 #76 p. 287 #3, line 4, bar 2, to end French Horn Pottag-Hovey p. 24 #92 60 Selected Studies p. 5 #6, line 3, beginning to line 3, bar 6, note 1 p. 13 #19, line 6 to end, no repeat Preparatory Melodies p. 27 #67 Trombone Arban p. 29 #50, first 2 lines p. 52 #29, first 4 lines p. 126 #1, line 8 (F) p. 202 #143 p. 231 #3, beginning to line 6, bar 4, note 1 Melodious Etudes p. 58 #43, first page only

Bass Clef Baritone Arban p. 28 #47, line 4, bar 2, to end p. 31 #9, beginning to line 3, bar 5, note 1 p. 61 #1, line 11 (C) p. 201 #138, no D.C. p. 204 #1, first 5 lines p. 236 #5, lines 5, 6, 7 and 8 Treble Clef Baritone Arban p. 21 #47, line 4, bar 2, to end p. 24 #9, beginning to line 3, bar 5, note 1 p. 56 #1, line 13 (D) p. 189 #138, no D.C. p. 285 #1, first 5 lines p. 313 #4, lines 6,7 and 8 Tuba Advanced Method p. 15 #32 (slur 3, tongue 3) p. 32 #5, lines 5, 6, 7, 8, 9 p. 38 #17 p. 41 #22, beginning through line 4, note 1 p. 52-53 #15, beginning through line 3, bar 3 Practical Studies p. 11 #83, first 3 lines p. 19 #97 Percussion All percussion options may be found on the next page.

Percussion Option 1 Snare Drum: Portraits in Rhythm p. 48 #44 (buzz rolls) Keyboard: Audition Etudes p. 24 #11 Timpani: Audition Etudes p. 15 #7 Buzz Roll ( p to f to p ) 30 seconds total Single Ratamacue (slow to fast to slow) Option 2 Keyboard: Sequential Studies p. 72 Moderato, beginning thru m. 16 Keyboard: Modern School p. 76 (2 mallets) beginning through line 7, bar 2 Snare Drum: Audition Etudes p. 8 #8 (buzz rolls) Timpani: Audition Etudes p. 17 #11 Keyboard Scales Please see required scale sheet on MBA website. ALL scales are to be memorized in the pattern written on the scale sheet. Option 3 Timpani: Solo Timpanist p. 39 XXII Snare Drum: Audition Etudes p. 11 #14(buzz rolls) first 3 lines Keyboard: Audition Etudes p. 24 #11, first 3 lines Tuning: Solo Timpanist p. 25 #14 (two drums) Roll Technique: 30 second single stroke roll pp-ff-pp (28 /29 drum)