LT 401: Signs and signifiers

Similar documents
Pick a Peck of. Poetry. Haiku. Metaphor

Through the Looking-Glass: Translating Nonsense

Nonsense for a Reason in Alice in Wonderland

Welcome. 4 things to bring on the day

Shakespeare paper: Romeo and Juliet

ALICE THROUGH THE LOOKING-GLASS

Do now: 1. In the following sentence underline the noun and circle the verb. The flink glopped.

Poet Craft: Word Choice & The Sonnet

Senior Honors Recital. An Honors Thesis (HONRS 499) James K. Randall

Romeo and Juliet Act Three (study guide) Choices and Consequences

RJ2FINALd.notebook. December 07, Act 2:

Shakespeare into Writing: Romeo and Juliet

Cecily Cardew 5 Gwendolen 6 Algernon 8 Gwendolen (7) (Miss Prism / Chasuble) Miss Prism 7 Chasuble / (Cecily)

"Jabberwocky" by Lewis Carroll

Tyr s Day 2/10: Poetry Definition #3 Sound

Crossroads. March 13, from Gianni Schicchi Quando m en vo from La Boheme. Si mes vers availent des ailes Quand je fys pris au Pavillon.

The Balcony Scene: GROUP 1

Lewis Carroll Illustrations by John Tenniel

She cried, Oh Croc, you naughty boy, you re playing tricks again!

Romeo and Juliet: A Tale of Two Balconies

In which Romeo loves Juliet.

NAME Romeo & Juliet 1 PER DATE Romeo and Juliet Reading Response Questions

*** START OF THIS PROJECT GUTENBERG EBOOK THROUGH THE LOOKING-GLASS ***

Romeo & Juliet: Check Your Understanding

Poetry Commentary Outline Spring 2016 Andrews/Bersaglia/Gibbs Name Due: Wed., 8 Feb.

Famous Quotations from Alice in Wonderland

The Tragedy of Romeo and Juliet

ROMEO & WHAT S HER NAME

VOCABULARY MATCHING: Use each answer in the right-hand column only once. Four answers will not be used.

Before using and/or reading any book published by BOOKYARDS.com, you must read and accept the following conditions:

CHARACTERS. ESCALUS, Prince of Verona. PARIS, a young nobleman LORD MONTAGUE LORD CAPULET. ROMEO, the Montagues son. MERCUTIO, Romeo s friend

Scene 1: The Street.

- Act 2, Scene 1. Romeo was feeling depressed because he had to leave Juliet at the end of Act 1.

The Role of Prosody in Text Interpretation

Exam: Romeo & Juliet

Contents. vii. Series editors preface Acknowledgements

The Enchanted Garden

ASPIRE. HEANOR GATE SCIENCE COLLEGE Develop all learners to achieve their full potential Create a culture of aspiration

Please respond to the following in complete sentences on your own paper. Answers not in complete sentences will earn only partial credit.

Romeo & Juliet Act Questions. 2. What is Paris argument? Quote the line that supports your answer.

Excerpt from Romeo and Juliet, Act 3, Scene 3

Romeo and Juliet Vocabulary

Abstract. Keywords: Carroll, Lewis; 'Jabberwocky'; literary pragmatics; poetics: pragmatics; semiotics. I Introduction

How the Fox and Rabbit Became Friends

Romeo & Juliet Study Guide Questions

Confrontation between Jackie and Daniel s ex-girlfriend

SCENE 1 (This is at school. Romeo is texting on his phone and accidently bumps into Juliet, knocking the books out of her hand)

Alice's Adventures In Wonderland

Fry Instant Phrases. First 100 Words/Phrases

Caryl: Lynn, darling! (She embraces Lynn rather showily) It s so wonderful to see you again!

**Welcome To The World of Free Plain Vanilla Electronic Texts** **ebooks Readable By Both Humans and By Computers, Since 1971**

A Midsummer Night s Dream. Speak the Speech

The Tragedy of Romeo and Juliet Final Review Packet. Name

Teacher s Pet Publications

Name Class. Analyzing Mood Through Diction in Romeo and Juliet Act I, scene V

TEACHER S PET PUBLICATIONS. PUZZLE PACK for Romeo And Juliet based on the play by William Shakespeare

CHRISTMAS COMES to DETROIT LOUIE

Little Jackie receives her Call to Adventure

Excerpt from Romeo and Juliet, Act I Scene 5

Day one : departure : Boulogne Billancourt to London London: we went to the Shakespeare s Globe theatre :

Commonly Misspelled Words

OLD FLAME. Eléonore Guislin

Act 2, Scenes 1 and 2

Learning English podcasts from the Hellenic American Union. Level: Lower Intermediate Lesson: 10 Title: The Roots of Stress

The Road to Health ACT I. MRS. JACKSON: Well, I think we better have the doctor, although I don t know how I can pay him.

All the World Still a Stage for Shakespeare's Timeless Imagination

Romeo and Juliet You ll need to know what characters are Capulets, what characters are Montagues, and what characters are from the royal family:

Juliet seeks counsel from Friar Laurence because she does not want to marry Paris. Friar derives a plan for her to meet with Romeo.

- Act 3, Scene 1. - Act 3, Scene 2

Alice in Wonderland. A Selection from Alice in Wonderland. Visit for thousands of books and materials.

BITESIZE THEATRE COMPANY. Alice in Wonderland. Teacher s Pack BITESIZE THEATRE COMPANY

Home Burial. Blind creature; and a while he didn t see. But at last he murmured, Oh, and again, Oh. What is it what? she said. Just that I see.

Romeo and Juliet Test study guide. Read the directions for each section carefully.

Dinosaurs. B. Answer the questions in Hebrew/Arabic. 1. How do scientists know that dinosaurs once lived? 2. Where does the name dinosaur come from?

AUDITION SCENE - DAVID BLISS & MYRA ARUNDEL. This scene takes place midway through the second act.

Instant Words Group 1

Teacher. Romeo and Juliet. "What's in a name? That which we call a rose by any other name would smell as sweet." Page 1

Preliminary English Advanced

Unit 2 The Wonderful Wizard of Oz

Romeo and Juliet. Small group performance of a scene Value 20 (presentation date to be determined later)

TEACHER PREPARATION GUIDE

Name Period Table Group. Act II Study Guide. WORD DEFINITION SENTENCE IMAGE My neighbor s house is Adjacent. adjacent to ours.

i When Romeo leaves after the party to look for Juliet, what do Mercutio and Benvolio speak about?

MONOLOGUE PERFORMANCE PART ONE: CHARACTER ANALYSIS

Heights & High Notes

WHEREFORE ART THOU ROMEO

GREAT NEW ADVENTURE ADVENTURE IN WONDERLAND 100% MACHINE LANGUAGE

1. At the beginning of this act, Paris thinks that Juliet is upset and crying over.

English I grade 9. Romeo and Juliet Unit Exam. Student Name:

The Four Artistic Processes: Creating, Performing, Responding and Connecting!

Much Ado About Nothing

A Tomato in the Sun. Applegail Young adult female, dressed in all red with a green leaf as an apple

A Doctoral Candidate's Aduentures Through the LooKing-Glass

Cambridge First Certificate (FCE) Sentence Transformations- Same or Different

Go: You re ready to show that God is our loving Father, always ready to forgive us and to let us start all over again whenever we are truly sorry.

GERUNDS AND INFINITIVES

Living Through the Looking Glass

Nicolas ROMEO AND JULIET WILLIAM SHAKESPEARE : Ppppppp

The Moon Bowl. The Moon Bowl LEVELED READER BOOK SA. Visit for thousands of books and materials.

This project and its actions were made possible due to co-financing by the European Fund for the Integration of Third-Country Nationals

Transcription:

: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name; Or, if thou wilt not, be but sworn my love, And I'll no longer be a Capulet. [Aside] Shall I hear more, or shall I speak at this? Because it is an enemy to thee; Had I it written, I would tear the word. My ears have not yet drunk a hundred words Of that tongue's utterance, yet I know the sound: Art thou not Romeo and a Montague? 'Tis but thy name that is my enemy; Thou art thyself, though not a Montague. What's Montague? it is nor hand, nor foot, Nor arm, nor face, nor any other part Belonging to a man. O, be some other name! What's in a name? that which we call a rose By any other name would smell as sweet; So Romeo would, were he not Romeo call'd, Retain that dear perfection which he owes Without that title. Romeo, doff thy name, And for that name which is no part of thee Take all myself. Neither, fair saint, if either thee dislike. Jack Gwendolen Charming day it has been, Miss Fairfax. Pray don t talk to me about the weather, Mr. Worthing. Whenever people talk to me about the weather, I always feel quite certain that they mean something else. And that makes me so nervous. I do mean something else. I take thee at thy word: Call me but love, and I'll be new baptized; Henceforth I never will be Romeo. What man art thou that thus bescreen'd in night So stumblest on my counsel? By a name I know not how to tell thee who I am: My name, dear saint, is hateful to myself, I thought so. In fact, I am never wrong. And I would like to be allowed to take advantage of Lady Bracknell s temporary absence... I would certainly advise you to do so. Mamma has a way of coming back suddenly into a room that I have often had to speak to her about.! 1 of! 5

[Nervously.] Miss Fairfax, ever since I met you I have admired you more than any girl... I have ever met since... I met you. Yes, I am quite well aware of the fact. And I often wish that in public, at any rate, you had been more demonstrative. For me you have always had an irresistible fascination. Even before I met you I was far from indifferent to you. [Jack looks at her in amazement.] We live, as I hope you know, Mr. Worthing, in an age of ideals. The fact is constantly mentioned in the more expensive monthly magazines, and has reached the provincial pulpits, I am told; and my ideal has always been to love some one of the name of Ernest. There is something in that name that inspires absolute confidence. The moment Algernon first mentioned to me that he had a friend called Ernest, I knew I was destined to love you. You really love me, Gwendolen? Passionately! Darling! You don t know how happy you ve made me. My own Ernest! But you don t really mean to say that you couldn t love me if my name wasn t Ernest? But your name is Ernest. Yes, I know it is. But supposing it was something else? Do you mean to say you couldn t love me then? [Glibly.] Ah! that is clearly a metaphysical speculation, and like most metaphysical speculations has very little reference at all to the actual facts of real life, as we know them. Personally, darling, to speak quite candidly, I don t much care about the name of Ernest... I don t think the name suits me at all. It suits you perfectly. It is a divine name. It has a music of its own. It produces vibrations. Well, really, Gwendolen, I must say that I think there are lots of other much nicer names. I think Jack, for instance, a charming name. Jack?... No, there is very little music in the name Jack, if any at all, indeed. It does not thrill. It produces absolutely no vibrations... I have known several Jacks, and they all, without exception, were more than usually plain. Besides, Jack is a notorious domesticity for John! And I pity any woman who is married to a man called John. She would probably never be allowed to know the entrancing pleasure of! 2 of! 5

a single moment s solitude. The only really safe name is Ernest. Gwendolen, I must get christened at once I mean we must get married at once. There is no time to be lost. What a beautiful belt you ve got on! Alice suddenly remarked. (They had had quite enough of the subject of age, she thought: and if they really were to take turns in choosing subjects, it was her turn now.) At least, she corrected herself on second thoughts, a beautiful cravat, I should have said no, a belt, I mean I beg your pardon! she added in dismay, for Humpty Dumpty looked thoroughly offended, and she began to wish she hadn t chosen that subject. If I only knew, she thought to herself, which was neck and which was waist! Evidently Humpty Dumpty was very angry, though he said nothing for a minute or two. When he did speak again, it was in a deep growl. It is a most provoking thing, he said at last, when a person doesn t know a cravat from a belt! I know it s very ignorant of me, Alice said, in so humble a tone that Humpty Dumpty relented. It s a cravat, child, and a beautiful one, as you say. It s a present from the White King and Queen. There now! Is it really? said Alice, quite pleased to find that she had chosen a good subject, after all. They gave it me, Humpty Dumpty continued thoughtfully, as he crossed one knee over the other and clasped his hands round it, they gave it me for an un-birthday present. I beg your pardon? Alice said with a puzzled air. I m not offended, said Humpty Dumpty. I mean, what is an un-birthday present? A present given when it isn t your birthday, of course. Alice considered a little. I like birthday presents best, she said at last. You don t know what you re talking about! cried Humpty Dumpty. How many days are there in a year? Three hundred and sixty-five, said Alice. And how many birthdays have you? One. And if you take one from three hundred and sixty-five, what remains? Three hundred and sixty-four, of course. Humpty Dumpty looked doubtful. I d rather see that done on paper, he said. Alice couldn t help smiling as she took out her memorandum book, and worked the sum for him: 365-1 364 Humpty Dumpty took the book, and looked at it carefully. That seems to be done right he began. You re holding it upside down! Alice interrupted. To be sure I was! Humpty Dumpty said gaily, as she turned it round for him. I thought it looked a little queer. As I was saying, that seems to be done right though I haven t time to look it over! 3 of! 5

thoroughly just now and that shows that there are three hundred and sixty-four days when you might get un-birthday presents Certainly, said Alice. And only one for birthday presents, you know. There s glory for you! I don t know what you mean by glory, Alice said. Humpty Dumpty smiled contemptuously. Of course you don t till I tell you. I meant there s a nice knock-down argument for you! But glory doesn t mean a nice knock-down argument, Alice objected. When I use a word, Humpty Dumpty said in rather a scornful tone, it means just what I choose it to mean neither more nor less. The question is, said Alice, whether you can make words mean so many different things. The question is, said Humpty Dumpty, which is to be master that s all. Alice was too much puzzled to say anything, so after a minute Humpty Dumpty began again. They ve a temper, some of them particularly verbs, they re the proudest adjectives you can do anything with, but not verbs however, I can manage the whole lot of them! Impenetrability! That s what I say! Would you tell me, please, said Alice what that means? Now you talk like a reasonable child, said Humpty Dumpty, looking very much pleased. I meant by impenetrability that we ve had enough of that subject, and it would be just as well if you d mention what you mean to do next, as I suppose you don t mean to stop here all the rest of your life. That s a great deal to make one word mean, Alice said in a thoughtful tone. When I make a word do a lot of work like that, said Humpty Dumpty, I always pay it extra. Oh! said Alice. She was too much puzzled to make any other remark. Ah, you should see em come round me on a Saturday night, Humpty Dumpty went on, wagging his head gravely from side to side: for to get their wages, you know. (Alice didn t venture to ask what he paid them with; and so you see I can t tell you.) You seem very clever at explaining words, Sir, said Alice. Would you kindly tell me the meaning of the poem called Jabberwocky? Let s hear it, said Humpty Dumpty. I can explain all the poems that were ever invented and a good many that haven t been invented just yet. This sounded very hopeful, so Alice repeated the first verse: Did gyre and gimble in the wabe; That s enough to begin with, Humpty Dumpty interrupted: there are plenty of hard words there. brillig means four o clock in the afternoon the time when you begin broiling things for dinner. That ll do very well, said Alice: and slithy? Well, slithy means lithe and slimy. Lithe is the same as active. You see it s like a portmanteau there are two meanings packed up into one word.! 4 of! 5

I see it now, Alice remarked thoughtfully: and what are toves? Well, toves are something like badgers they re something like lizards and they re something like corkscrews. They must be very curious looking creatures. They are that, said Humpty Dumpty: also they make their nests under sun-dials also they live on cheese. Andy what s the gyre and to gimble? To gyre is to go round and round like a gyroscope. To gimble is to make holes like a gimlet. And the wabe is the grass-plot round a sun-dial, I suppose? said Alice, surprised at her own ingenuity. Of course it is. It s called wabe, you know, because it goes a long way before it, and a long way behind it And a long way beyond it on each side, Alice added. Jabberwocky Did gyre and gimble in the wabe: He took his vorpal sword in hand; Long time the manxome foe he sought So rested he by the Tumtum tree And stood awhile in thought. And, as in uffish thought he stood, The Jabberwock, with eyes of flame, Came whiffling through the tulgey wood, And burbled as it came! One, two! One, two! And through and through The vorpal blade went snicker-snack! He left it dead, and with its head He went galumphing back. And hast thou slain the Jabberwock? Come to my arms, my beamish boy! O frabjous day! Callooh! Callay! He chortled in his joy. Did gyre and gimble in the wabe: Beware the Jabberwock, my son! The jaws that bite, the claws that catch! Beware the Jubjub bird, and shun The frumious Bandersnatch!! 5 of! 5