Kirk Quinsland. Dealy Hall 533e New York, NY Fordham University (860) Bronx, NY (718)

Similar documents
PHILIP C. CHANG

From. THEA115 America in Prison: Theater Behind Bars X. THEA135 Documentary Performance: Theater and Social Justice X X

Virginia English 12, Semester A

Curriculum Vitae of Hong Zhou

Ellen Bakulina. Bachelor of Music in Music Theory 2007 McGill University, Montreal

Curriculum Vitae Shayne Pepper

ISTINYE UNIVERSITY FACULTY OF ARTS AND SCIENCES. DEPARTMENT OF ENGLISH LANGUAGE and LITERATURE COURSE DESCRIPTIONS

WELCOME TO THE DEPARTMENT OF THEATRE AND DANCE. A Statement of Philosophy

Laura Kasson Fiss Walker 333, 1400 Townsend Dr., Houghton, MI 49931

Psychology. Department Location Giles Hall Room 320

MICHAEL SCHACHTER 1900 Dunmore Rd., Ann Arbor, MI (508) Curriculum Vitae

ENG English. Department of English College of Arts and Letters

Introduction to American Literature 358: :227 AHp Major Topics and Authors in American Literature 358: :228 AHp

DEPARTMENT OF ENGLISH LANGUAGE AND LITERATURE

English English ENG 221. Literature/Culture/Ideas. ENG 222. Genre(s). ENG 235. Survey of English Literature: From Beowulf to the Eighteenth Century.

John Trafton. Curriculum Vitae

WELCOME TO THE DEPARTMENT OF THEATRE AND DANCE. A Statement of Philosophy

Aaron T. Pratt Current Appointment. Previous Appointment. Education.

CURRICULUM VITAE. Ph.D. University of California / Santa Barbara, CA / September 2010 Music Theory

Magdalena M. Ostas. Boston University Department of English 236 Bay State Road Boston, MA (617) EDUCATION AND EMPLOYMENT

English 12A. Syllabus. Course Overview. Course Goals

New Prereq # Old # Old Course Title Old Descrption Cross- listed? NEW. Engl 221 Engl 222 Engl 223 Engl 224 Engl 225 Engl 226. Engl 299.

English. English 80 Basic Language Skills. English 82 Introduction to Reading Skills. Students will: English 84 Development of Reading and Writing

ENGLISH (ENGL) 101. Freshman Composition Critical Reading and Writing. 121H. Ancient Epic: Literature and Composition.

New Prereq # New Cross- list Old # NEW. Engl 221 Engl 222 Engl 223 Engl 224 Engl 225 Engl 226. Engl 299. Engl 302. Engl 317 Engl 311 ENG 300 ENG 300

GALE LITERATURE CRITICISM ONLINE. Centuries of Literary, Cultural, and Historical Analysis EMPOWER DISCOVERY

Principal version published in the University of Innsbruck Bulletin of 4 June 2012, Issue 31, No. 314

Bachelor of Arts in Theatre Program Rationale Statement. The core curriculum in the semester based Bachelor of Arts in Theatre consists of:

Course Numbering System

ANCA E. PARVULESCU. Department of English Washington University Campus Box 1122 St. Louis MO

Graduate Bulletin PSYCHOLOGY

Assistant Professor, Department of Philosophy, University of California Los Angeles

SPRING 2015 Graduate Courses. ENGL7010 American Literature, Print Culture & Material Texts (Spring:3.0)

Shira Segal Department of Art and Art History University at Albany, State University of New York Fine Arts 216, 1400 Washington Ave.

Curriculum Vitae - October 2018 Tiger C. Roholt

English 10B Introduction to English I Poetics and Politics in Medieval and Renaissance Literature Spring

Minor Eighteen hours above ENG112 or 115 required.

Block C1. (re) Arts Comparative and transnational studies of Asian and Asian American cultures with a focus on literature, film, and visual arts.

James Prakash Younger Associate Professor of English Trinity College, Department of English 115 Vernon Street Hartford CT 06106

GERMAN AND GERMAN STUDIES (BI-CO)

HANDBOOK FOR GRADUATE STUDENTS IN MUSICOLOGY

SPGR Methods in Christian Spirituality Spring 2016 Session A

Curriculum Vitae: MARIA TALERO. Department of Philosophy University of Colorado at Denver

1. Master of Music in Vocal Performance: Goals and Objectives

Worksheet on the new English Major

COMPARATIVE WORLD LITERATURE

Loyola University Chicago Archives & Special Collections

THEATRE 1930 Voice and Diction 3 Credits The study of the speaking voice; vocal production, articulation, pronunciation and interpretation text.

205 Topics in British Literatures Fall, Spring. 3(3-0) P: Completion of Tier I

THEATRE ARTS (THEA) Theatre Arts (THEA) 1

SELF AND SOCIETY IN EUROPE,

MUS 173 THEORY I ELEMENTARY WRITTEN THEORY. (2) The continuation of the work of MUS 171. Lecture, three hours. Prereq: MUS 171.

Curriculum Vitae. Dallas, TX 75243

Emily Fletcher Mellon Chair in Ancient Greek Philosophy University of Wisconsin-Madison

THEATRE (TH) Theatre (TH) 1

GEN ED COURSES (Approved as of 6/1/17)

LAMONT SCHOOL OF MUSIC

JMU SCHOOL OF MUSIC VOICE AREA GRADUATE HANDBOOK

Samantha M. Inman. Curriculum Vitae

UNIVERSITY OF MINNESOTA, MORRIS Multiple Course Revisions

THEATRE AND DANCE (TRDA)

Bachelor of Arts in Psychology

English (ENGL) English (ENGL) 1

MAJORING IN MUSIC COURSE LOAD

Level 4 Level 5 Level 6 x Level 7 Level 8 Mark the box to the right of the appropriate level with an X

NICHOLAS DEAN JOHNSON

Introduction to American Literature 358: :227 AHp Major Topics and Authors in American Literature 358: :228 AHp

20 performance, design/production, or performance studies Total Semester Hours 44

B.A. Honours:16 th and 17 th century Literature. Prepared by: Dr. Iqbal Judge Asso.Prof. PG Dept of English

ENGL S092 Improving Writing Skills ENGL S110 Introduction to College Writing ENGL S111 Methods of Written Communication

HCOL 186N: Shakespeare and the Classical Tradition Spring 2016 Sophomore Seminar MWF 1:10 2:00 PM ~ North Complex 16 Professor Angeline Chiu

Princeton University

dianaheney.com Collins Hall E. Fordham Road Bronx, NY 10458

Course Description 2018 Department of English University of Kalyani

FREE Professional Development Workshops

PSYCHOLOGY APPLICATION DEADLINES

I. Introduction Assessment Plan for Ph.D. in Musicology & Ethnomusicology School of Music, College of Fine Arts

DEPARTMENT OF ENGLISH SPRING 2018 COURSE OFFERINGS

Course Revision Form

COURSE SLO ASSESSMENT 4-YEAR TIMELINE REPORT (ECC)

(2) Engage the student body as a whole by producing performances of historical, contemporary, literary and/or theatrical merit

English 100A Literary History I Autumn Jennifer Summit and Roland Greene

Course HIST 6390 History of Prisons and Punishment Professor Natalie J. Ring Term Fall 2015 Meetings Mon. 4:00-6:45

English (ENGLSH) English (ENGLSH) 1. ENGLSH 1107: Reading Literature, 1603 to See ENGLSH 1100 course for description.

Requirements for the English Majors:

SPRING NEWSLETTER: WEEK 5 DEPARTMENT NEWS

The Body: Phenomenology and Aesthetics. The Case of Dance Chair: Jay Bernstein Committee: Taylor Carman, Simon Critchley, and Danielle Goldman.

TEACHER/SCHOLAR OF THE YEAR University of Florida TEMPLATE

Performing Arts Minors

STANLEY V. KLEPPINGER

St. Michael s Choir School St. Michael s Cathedral Basilica

CURRICULUM VITAE MEHMET M. ERGINEL

LIT 99/English Department Orientation Seminar (fall) LIT 200/Introduction to Poetry (every semester) LIT 201/Approaches to Literature (every semester)

Course MCW 600 Pedagogy of Creative Writing MCW 610 Textual Strategies MCW 630 Seminar in Fiction MCW 645 Seminar in Poetry

Florida Atlantic University Dorothy F. Schmidt College of Arts and Letters Department of Music Promotion and Tenure Guidelines (2017)

THOMAS R. SIMONS 1160 Ridge Rd. Waukesha, WI (978)

Cultural Identity Studies

I. Introduction Assessment Plan for M.A. in Musicology School of Music, College of Fine Arts

A Guide to Acquisitions

Comprehensive Musicianship: An Innovative Approach to the Music Curriculum. John Allemeier, Ph.D. James A. Grymes, Ph.D. Department of Music

Transcription:

Kirk Quinsland English Department 261 Seaman Avenue Apt. E6 Dealy Hall 533e New York, NY 10034 Fordham University (860) 794-1284 Bronx, NY 10458 (718) 817-4023 kquinsland@fordham.edu EDUCATION Ph.D., English Literature, Fordham University, Bronx, NY (December 2014). Dissertation: Interactive Performance and the Early Modern Stage Committee: Mary Bly (Director), Heather Dubrow, Stuart Sherman Taking early modern antitheatrical writing seriously as a coherent performance theory, I argue that early modern drama is best understood as a new medium that attempted to educate its audiences in how to become part of London s theatergoing culture. I examine various metatheatrical strategies including induction scenes, the playwright s interpretation of allegorical drama, and site-specific performance that Shakespeare, Jonson, Middleton, Beaumont, Day, Marston, and others used to create interactivity between audiences and performers. M.A., English Literature, Fordham University, Bronx, NY, 2006. B.A., English Literature, Phi Beta Kappa, Trinity College, Hartford, CT, 2004. PUBLICATIONS The Sport of Asses in A Midsummer Night s Dream, invited submission for Queer Shakespeare, edited by Goran Stanivukovic, under proposal for the Arden Shakespeare s Shakespeare and Theory Series (Bloomsbury, 2016). Hereby was signified : Antitheatricalism and the Interpretation of Allegorical Performance, SEL 55.2 (2015). The Acquisition of Masculinity in Shakespeare s Venus and Adonis, under review at the Journal for Early Modern Cultural Studies. Production Review, Twelfth Night Chekov International Theatre Festival, November 7-12, 2006. Shakespeare Bulletin 26.1 (Spring 2008): 154-6. SEMINAR/SYMPOSIUM PARTICIPATION NEH Summer Institute, Advanced Challenges in Theory and Practice in 3D Modeling of Cultural Heritage Sites, UMass Amherst July 2015; follow-up meeting at UCLA, June 2016. Introduction to English Paleography, Folger Shakespeare Library, May 2015. Periodization and its Discontents: Medieval and Early Modern Pathways in Literature. Folger Shakespeare Library, September December 2011. Theatre and the Reformation of Space. Folger Shakespeare Library, October 2009. The Second Shepherds Play and Early Drama Studies. Folger Shakespeare Library, December 2007.

Curriculum Vitae Quinsland 2 MULTIMEDIA/DIGITAL PROJECTS Creator of Digital Blackfriars, an ongoing project to map the Loseley Collection, documents related to the Blackfriars Theater and District housed at the Folger Shakespeare Library; subject of a NEH Digital Start- Up Grant proposal (September 2015). Collaborators: Rebecca Rouse and Marc Destefano, Rensselaer Polytechnic Institute. Woyzeck. Co-producer, sound editor, organist, and documentary filmmaker for an augmented reality production of Georg Büchner s Woyzeck (Rebecca Rouse, director. M.A. Thesis, York University, Toronto). 2007-2008. CONFERENCE PRESENTATIONS The Sport of Asses. The Shakespeare Association of America s Annual Conference, Vancouver, Canada. April 2015. The Digital Alchemist: A Mixed Reality Exploration of Ben Jonson s The Alchemist as Site-Specific Theatre. Digital Humanities 2014, Lausanne, Switzerland. July 2014. [T]heir jangling I esteem a sport : Staging Antitheatricalism in A Midsummer Night s Dream. The Shakespeare Association of America s Annual Conference, St. Louis, MO. April 2014. Site-Specificity in Early Modern English Theater. The Shakespeare Association of America s Annual Conference, Toronto, Canada. March 2013. Is Shakespeare Our Contemporary? The Shakespeare Association of America s Annual Conference, Boston, MA. April 2012. The Anti-Theatrical Contribution to Theater History. The Shakespeare Association of America s Annual Conference, Bellevue, WA. April 2011. The Acquisition of Masculinity in Venus and Adonis. The Early Modern Interdisciplinary Group conference, What a piece of work is man: Exploring Early Modern Masculinity, CUNY Graduate Center, New York. April 2010. I thought he would never ha taken the Latin tongue : Middleton s Latin Jokes and Out, damned spot! : The Marked Body and the Etiology of Sin. The Group for Early Modern Cultural Studies (GEMCS) Annual Conference. Philadelphia, PA. November 2008. The Self-Authorized Woman: Elizabeth I s Translations from Latin. Poetry Symposium, Transformation, Translation, Transportation, Princeton University. May 2007. TEACHING EXPERIENCE Fordham University English 3453 Oscar Wilde 2014 Explores the full diversity of Wilde s writing novels, plays, poetry, fairy tales, literary criticism, and letters as well as critical evaluations of Wilde as an author. English 3218 Shakespeare and His Rivals 2011 Provides a full view of the variety of dramatic experiences and theatrical entertainments presented in London theaters of the late 16 th and early 17 th centuries through discussing plays by Shakespeare, Kyd, Marlowe, Jonson, and Middleton.

Curriculum Vitae Quinsland 3 English 3206 Shakespeare 2015 Beginning with close attention to Shakespeare s language, we analyze of how these texts shape and are shaped by issues like political power, gender, sexuality, race, religion, family dynamics, performance practices, and the natural world in Shakespeare s culture. English 2000 Texts and Contexts: Banned Books 2015 Investigates the historical and cultural contexts in which books in a variety of genres have been banned, asking how we respond to books that we find offensive or troubling. English 2000 Texts and Contexts: Visions and Revisions 2015 Devoted to texts that inspired later authors to write responses, adaptations, or revisions, asking questions about how and why authors choose certain stories to remediate. English 2000 Texts and Contexts: Spectators, Spectacle, and the Spectacular 2014 Examines spectacle and the spectacular in order to ask what it means to be a spectator, and the ways authors use spectacle in order to control or limit interpretation. English 2000 Texts and Contexts: Crime and Punishment 2012 Considers how texts from different eras, genres, and traditions explore crime and punishment, both institutionally and aesthetically. English 2000 Texts and Contexts: Revenge and Tragedy 2011 Defines, interprets, and analyzes the mechanisms of revenge and tragedy in multiple genres and eras. English 2000 Texts and Contexts: Literature of New York City 2011 Considers representations of New York City in poetry, drama, and novels spanning the entire twentieth century. English 1102 Composition 2: The Rhetoric of Social Justice 2010, 2012, 2013, 2015 Course in expository writing based on the integration of grammar, logic, and rhetoric, with a specific focus on topics connected with social justice. English 1102 Composition 2: Writing New York City 2010, 2012, 2015 Course in expository writing based on the integration of grammar, logic, and rhetoric, focused on topics concerning New York history, geography, government, and institutions. English 1101 Composition 1: The College Experience 2011 Basic writing and grammar for under-prepared students, with assignments centered on the first semester experience. English 1101 Composition 1: Writing New York City 2009 Basic writing and grammar for under-prepared students, with assignments centered on New York City s history and social institutions. English 1100 English Composition/Rhetoric 2007 2009 Course in expository writing based on the integration of grammar, logic, and rhetoric. English 1000 Close Reading and Critical Writing: Tragedy and Violence 2008 Interprets and analyzes changing definitions of tragedy, beginning with classical sources and models, and representations of violence in multiple genres and eras.

Curriculum Vitae Quinsland 4 ACADEMIC APPOINTMENTS Fordham University Lecturer 2015 2016 Competitive appointment; I am responsible for teaching writing, introductory literature, and elective courses in addition to creating a pedagogy seminar for graduate students being trained to teach introductory literature courses. Postdoctoral Teaching Fellow 2014 2015 Competitive appointment; I am responsible for designing and teaching undergraduate courses in writing and literary study. Director, Writing Center 2009 2011 I trained and scheduled M.A. and Ph.D. students to serve students from all levels and departments. I also created a series of in-class workshops designed to be adaptable to a wide range of courses, disciplines, instructors, and assignments; assisted in editing a journal of exemplary student writing; and created a presentation/workshop on writing for the Gabelli School of Business. Senior Teaching Fellowship, English Department, Fordham University 2009 2010 A university-wide competitive award based on teaching effectiveness as measured by course evaluations. I participated in Fordham s Jesuit Pedagogy Seminar as a part of the fellowship. Tutor, Writing Center 2004 2007 I assisted students from various disciplines and at all stages of the writing process. I also created and maintained a database to track student appointments and tutor activity. Special experience working with ESL and non-traditional students. PROFESSIONAL SERVICE Mentor, Service Learning Interdisciplinary Seminar, Dorothy Day Center for Service and Justice, Fordham University. Spring 2012, Spring 2015. Mentor, Composition Teaching Practicum, Fordham University. 2007, 2008, 2012, 2013, and 2015. Organizer and Co-chair, Queer Theory Reading Group, Fordham University, Spring 2012 Present. Writing Orientation Leader, Gabelli School of Business first-year seminar The Ground Floor, 2009 Present. Co-Editor, Eloquentia Perfecta 5.0 and Eloquentia Perfecta 6.0. 2009 2011. EP is Fordham College at Lincoln Center s journal for outstanding undergraduate student writing. Co-chair, Renaissance Reading Group, Fordham University. 2007 2008. HONORS AND AWARDS Fordham University GSAS Travel Grant for attending Digital Humanities 2014, July 2014. Graduate Student Travel Grant from the Shakespeare Association of America for attending the Annual Conference, April 2014. Alumni Dissertation Fellowship, Fordham University, 2013-2014. McCloskey Summer Research Fellowship, The Digital Alchemist, Fordham University, 2013.

Curriculum Vitae Quinsland 5 Graduate English Essay Prize for The Acquisition of Masculinity in Venus and Adonis, Fordham University, May 2013. Summer Fellowship, Fordham University, 2012. Grant-in-aid from the Folger Shakespeare Library for the semester-long seminar Periodization and its Discontents, Fall 2011. Fordham University GSAS Travel Grant for attending the Shakespeare Association of America s Annual Conference, April 2011. Grant-in-aid from the Folger Shakespeare Library for the weekend symposium The Second Shepherds Play and Early Drama Studies, December 2007. Graduate Fellowships, Fordham University, 2004-2008. PROFESSIONAL AFFILIATIONS Alliance of Digital Humanities Organizations Modern Language Association Shakespeare Association of America REFERENCES Dr. Mary Bly, Professor of English, Fordham University mbly@fordham.edu Dr. Heather Dubrow, Professor of English, Fordham University hdubrow@fordham.edu Dr. Stuart Sherman, Professor of English, Fordham University sherman@fordham.edu Dr. Moshe Gold, Associate Professor of English, Fordham University mgold@fordham.edu Dr. Anne Fernald, Professor of English, Fordham University fernald@fordham.edu Dr. Rebecca Rouse, Assistant Professor of Communication and Media, Rensselaer Polytechnic Institute rouser@rpi.edu