SAMPLE REPERTOIRE LIST

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SAMPLE REPERTOIRE LIST NOTE: Each list of repertoire is representative of the recommended level. One movement of a sonata is considered one selection, unless otherwise noted. Bring two (2) copies, if possible, of each selection for the jury. Repertoire that requires piano ensemble must be performed with piano; collaborative pianists are not provided; however, the department can refer you to professionals in the Regina area. WOODWINDS All pieces with piano must be performed with accompaniment. Flute Two contrasting selections from the following list (either two solo works, or one solo and one study), preferably at a minimum of Gr. 8 Royal Conservatory of Music or equivalent. Baroque & classical Sonata in Eb major, BWV 1031 Sonata in G minor, BWV 1020 Sonata in G major, op. 1, no. 5 Andante in C major, K 315 J.S. Bach J. S. Bach G.F. Handel W.A. Mozart Romantic and contemporary Reverie et petite valse Suite en trios morceaux: Allegretto and Idylle Romance Sonatina Icicle (for unaccompanied flute) André Caplet Benjamin Godard Camille Saint-Saëns Bernhard Heiden Robert Aitken 18 : any of nos. 1-10 Antoine Berbiguier 25 célèbres: any of nos. 17-25 Louis Drouet Twenty-four Exercises, op. 33: any one. Karl Andersen 1

Oboe Two contrasting selections from the following list (either two solo works or one solo and one study), preferably at a minimum of Gr. 8 Royal Conservatory of Music or equivalent. Saint-Saens Sonata for Oboe and Piano, op. 166 (any movement) Schumann Three Romances Op. 94 (any one movement) Mozart Oboe Concerto in C Major, K. 314, m. 1 Britten Six Metamorphoses after Ovid Op. 49 (any two movements) Ferling 48 for Oboe or Saxophone (one fast and one slow study) Clarinet Two contrasting selections from the following list (either two solo works, or one solo and one study), preferably at a minimum of Gr. 8 Royal Conservatory of Music or equivalent: Saint-Saëns Sonata for Clarinet, m. 1 and 2 Weber Concerto in F minor, op. 73, m. 2 Schumann Fantasy Pieces, op. 72, any one Vanhal Sonata in Bb major, m. 1 or 3 Jacob, Gordon Five Pieces for Solo Clarinet, any 2 Rose Forty, Book 1; any one Gates Odd Meter ; any one Polatschek Advanced ; any one Bassoon Two selections from the following list (either two solo works, or one solo and one study), preferably at a minimum of Gr. 8 Royal Conservatory of Music or equivalent. Vivaldi Concerto for Bassoon (any one 1 st Movement) Mozart Concerto for Bassoon (1 st Movement) Weber Concerto for Bassoon (1 st Movement) Saint-Saens Sonata for Bassoon (2 nd Movement) 2

Weissenborn Fifty Bassoon (any one) Milde Concert Vol. 1 (any one) Saxophone Two contrasting selections from the following list (either two solo works, or one solo and one study), preferably at a minimum of Gr. 8 Royal Conservatory of Music or equivalent: Alto saxophone Bedard, D. Chailleux, A. Dubois, P.M. Lunde, L. Maurice, P. Rueff, J. Tenor saxophone Clerisse, R. Hartley, W. Schmidt, W. Singelee, J.B. Stein, L. Ferling, W. Small, J. L. Voxman, H. Sonate Andante et Allegro Pieces caracteristiques (any two) Sonata Tableaux de Provence (two contrasting mvts) Chanson et Passepied Prelude et Divertissement Poem Sonatina Fantaisie or other Sonata 48 27 Melodious and Rhythmic Exercises Selected BRASS Two contrasting selections or. All pieces with piano must be performed with an accompanist. Trumpet Concert for Trumpet Voxman - Selected Hering - 32 Traditional - Barbara Allen Cable - Point Pelee 3

Handel - Concertino (arr. Benoy) Bach - Bach Suite (arr. Fitzgerald) Corelli - Sonata in e minor op. 5 #8 (arr. Fitzgerald) Rachmaninoff - Vocalise Bozza - Lied Balay - Petit piece concertante Alary - Contest Piece Trombone Bordogni/Rochut Melodious for Trombone Book I Kopprash Sixty for Trombone book I Fink Legato Galliard or Marcello Sonatas Smith for the Trombone Player de la Nux Concert Piece Euphonium Arban-Randall and Mantia Arban s Famous Method for Trombone and Baritone Bordogni-Rochut Melodious for Trombone Clark Method for Trombone, Concone-Shoemaker Legato Campbell Master Capuzzi Andante and Ronda Galliard Sonatas (I-VI) Haddad Suite for Euphonium and Piano Tuba Gower-Voxman Advanced Method for Tuba Rubank Bell Complete Method Bordogni-Roberts 43 Bel Canto, Getchell Practical Bach-Bell - Air and Bourree Haddad - Suite for Tuba Holmes - Lento 4

STRINGS All pieces with piano must be performed with an accompanist. Violin. Viola, Cello A three octave scale A movement from an unaccompanied Bach suite, sonata or partita One concerto from the standard repertoire A selection (not a sonata - exception: the Baroque period) from any musical period excluding the musical period represented by the own choice concerto movement Double Bass Two contrasting movements of a Baroque sonata or concerto (Examples: Capuzzi, Dittersdorf, etc.) Etude/Study Simandl, Bille, etc. Excerpt Symphonic literature (Examples: Beethoven 5,9 / Mozart 35,40 / Bach orchestral Suite 2) Technique 3 octave scale in F major KEYBOARD, GUITAR, PERCUSSION, and VOICE Piano Three contrasting pieces, preferably at a minimum of Grade 9 level Royal Conservatory of Music or equivalent. Memorization is preferred. Baroque (Ex., Bach Invention, Sinfonia, Prelude & Fugue, Scarlatti Sonata, Handel: Suite) Any one movement from a sonata (Mozart, Haydn, Beethoven, Schubert, etc.) Romantic, 20 th, or 21 st century Technique and sight-reading may be requested at audition Organ Two contrasting pieces: Bach: one chorale prelude from Orgelbüchlein A work (including pedals) written after 1800 5

Guitar The candidate must play three pieces: two from the lists below, including at least one from List 2, and one piece of their choosing. LIST 1 Henry Purcell Prelude Renaissance Anon Greensleeves Renaissance Anon La Rotta Renaissance Johan Logy Sarabande (Partita in A minor) Baroque Gaspar Sanz Rujero Baroque Ferdinando Carulli Exercise in A minor Classical Ferdinando Carulli Exercise in G Major Classical LIST 2 Carlo Calvi Allemande Baroque Johan Logy Aria (Partita in A minor) Baroque Johan Logy Capriccio (Partita in A minor) Baroque Robert de Visee Bouree (Lute suite in D minor) Baroque Anon Romance Romantic Anon Russian Valse Romantic All music can be found at these sites: http://gallarda.narod.ru/ http://www.klassiskgitar.net/freescores.html PERCUSSION Note: Candidates must perform on each of snare drum, keyboard, and timpani. Snare drum Technique: long roll; closed roll (ppp to fff to ppp) Sightreading One Concert-Style study or Solo from the following list: Delecluse, J. Methode de Caisse-Claire or Douze Cirone, A. Portraits in Rhythm Peters, M. Intermediate Snare Drum Albright, F. Contemporary for the Snare Drum Whaley, G. Recital for Snare Drum Keyboard (mallets) 6

Technique: two-octave major scales Sightreading One two or four-mallet etude or solo from the following list: Goldenberg, M. Modern School for Xylophone, Marimba and Vibes McMillian, T. Masterpieces for Marimba Whaley, G. Musical for the Intermediate Mallet Player Hatch, E. Furioso and Valse Peters, M. Sea Refractions or Yellow After the Rain Rosauro, N. Seven Brazilian Children s Songs Quartier, B. Image Timpani Technique: Demonstrate a basic knowledge of tuning the drums, including the intervals of fourths and fifths. Play one etude or solo from the following list: Whaley, G. Fundamental for Timpani or Musical or the Intermediate Timpanist Peters, M. Fundamental Method for Timpani Goodman, S. Modern Method for Timpani VOICE Three selections representing three different style periods (ex. Baroque, Romantic Lied, Twentieth Century) Demonstration of three languages is preferred Auditions must be accompanied by piano 7