Unisa Piano syllabus 2012 until further notice Piano Piano Duet Two Pianos (four hands)
ii Copyright 2012 by Unisa All rights reserved Published and printed by the University of South Africa Directorate Music PO Box 392 Unisa 0003 5-31 OR Tambo Administration Building Preller Street Muckleneuk Ridge Pretoria Tel: +27 (0)12 429 2535 Fax: +27 (0)12 429 3644 www.unisa.ac.za/music
iii Unisa Piano Syllabus Contents General Information 1 Prescribed Repertoire... 1 2 Alternative and Own Choice Works... 2 3 Specific Requirements... 2 4 Technical Work... 3 5 Sight-reading... 3 6 Practical Musicianship... 3 7 Theory of Music Prerequisites... 3 8 Exemptions... 5 9 Duration... 5 10 Participation in the Unisa Music Scholarship Competitions... 6 Basic Requirements and Allocation of Marks 1 Piano Grade Examinations... 8 2 Performance Level Assessments (PLAs)... 8 3 Evaluations... 9 4 Piano Duet... 9 5 Two Pianos (four hands) Grade 8... 10 6 Allocation of Marks... 11 7 Marks Categories.... 11 Technical work and Repertoire PIANO Pre-Grade 1 to Grade 8... 12 Tegniese werk en Repertorium KLAVIER Voorgraad 1 tot Graad 8... 12 Repertoire requirements PIANO Performer s Assessment... 32 Repertoriumvereistes KLAVIER Voordraersassessering... 32 Repertoire requirements PIANODUET Pre-grade 1 to Grade 8... 40 Repertoriumvereistes KLAVIERDUET Voorgraad 1 tot Graad 8... 40 Repertoire requirements TWO PIANOS (FOUR HANDS) Grade 8 and Performer s Assessment... 50 Repertoriumvereistes TWEE KLAVIERE (VIER HANDE) Graad 8 en Voordraersassessering... 50 Annexures 1: Errata: 2008 Piano Examination Albums... 54 Bylaag 1: Errata: 2008 Klaviereksamenbundels... 54 Annexure 2: Marks Categories for Graded Exam and Performance Level Assessments across all instruments... 56 Bylaag 2: Puntekategorieë vir Graadeksamens en Voordragvlakassesserings vir alle instrumente... 56
General Information 1 General Information General Information Grade Examinations and Performance Level Assessments (PLAs) in Piano Piano Duet Two Pianos (four hands) 1 Prescribed Repertoire 1.1 The prescribed repertoire lists for each grade appear from page 13 in this publication. 1.2 Candidates must perform a balanced programme which should be diverse in character and tempo. 1.3 Piano Examination Albums for pre-grade 1 to Grade 7 examinations are published by Unisa. These albums may be ordered directly from Unisa by using the official order form (also available on the website). These albums may also be purchased from various sheet music dealers. Under no circumstances will candidates be allowed to use photocopies of the official examination albums in the examination room, with the exception of one or two pages to facilitate page-turning. 1.4 Prescribed music for Piano Grade 8 examinations, Piano duet and Two pianos (four hands) which is not published by Unisa, should be purchased from the publishers, sheet music dealers or the internet. Only original printed music may be used in the examination room. Copies of all these works must be submitted to the examiner at the examination and will be destroyed afterwards. 1.5 Candidates making use of the optional List E piece in a piano examination or assessment must provide the examiner with a copy of the piece to be performed. This will be destroyed after the examination. 1.6 The use of music that is in public domain and downloadable from the internet is permitted provided that no copyright restrictions are being violated. The source of this piece must be indicated on the sheet music. 1.7 Candidates must take cognisance of the fact that photocopying of music, without written permission from the publishers, is strictly prohibited by the Copyright Act (Act 98 of 1978, as amended). Examiners may refuse to conduct the examination if the original works are not present in the examination room. In such cases the examination will be downgraded to an Evaluation. 1.8 Examiners may listen to either an entire work or only part of it. Repeats [II: :II] need not be played unless requested by the examiner, indicated as compulsory in the sheet music or if the section is repeated in ornamented form. Da Capo sections should, however, be performed unless the examiner requests the candidate not to do so. 1.9 Candidates may use any edition of the prescribed works.
General Information 2 General Information 1.10 It is not essential to follow performance indications such as articulation, dynamics, phrasing, pedalling, metronome indications, etc., appearing in a specific edition unless they have obviously been inserted by the composer and not by the editor. When candidates use an edition with different editing, they should bring this to the examiner's attention. 1.11 Ornaments in prescribed works for pre-grade 1, Grades 1 and 2 may be omitted. 1.12 Works by South African composers are marked with an asterisk (*) in the repertoire lists. 1.13 Errata to the piano examination albums appear in Appendix 1 on page 71. 2 Alternative and Own Choice Works 2.1 No alternative works may be performed for the pre-grade 1 to Grade 7 piano examinations. 2.2 For Grade 8 and all performance level assessments, one alternative work may be presented. 2.2 Own choice works are applicable to the Performance Level Assessments only. 2.3 Applications to present an alternative or own choice work must: be made on the official application form obtainable from the internet or Directorate Music; include a copy of the alternative work concerned which copy will not be returned; reach the Deputy Director (Professional), Directorate Music not later than the closing date for entries (preferably with the entry form). 2.4 Alternative and own choice works should match the length, level of virtuosity, musical standard and style period of the work to be replaced. 2.5 The University of South Africa reserves the right to refuse permission for works which do not meet any or all of the criteria. 2.6 Requests to present an alternative or own choice work received after the closing date for entries, will only be considered in highly exceptional cases. 3 Specific Requirements Page turners No page turners are allowed in the examination venue for up to and including Grade 7 examinations. Grade 8 candidates may make use of a page turner without prior permission from the University. This person may not be the candidate's teacher or the examiner.
General Information 3 General Information 4 Technical Work 4.1 All technical work must be played: from memory ascending and descending according to the specified range legato and non legato as prescribed. 4.2 Any practical and systematic fingering which produces a good result will be accepted. 4.3 The following abbreviations will be used to distinguish between the hands: LH = left hand RH = right hand. 4.4 The compass of the prescribed scales is indicated with Roman numerals which are to be interpreted as follows: I one octave II two octaves III three octaves IV four octaves. 5 Sight-reading Candidates must play one sight-reading test. Sufficient time will be allowed to study the piece without playing it. In preparation to play the sight-reading test, candidates will be permitted to silently finger the notes without making a sound. 6 Practical Musicianship 6.1 The requirements for each grade appear in a separate publication which is available free of charge from the Directorate Music. 6.2 The Practical Musicianship requirements per grade are the same for all instruments. 6.3 The examiner will play all practical musicianship tests on the piano. 6.4 The candidate must play the visualisation test on the piano. 7 Theory of Music Requirements 7.1 There are no theoretical requirements for Performance Level Assessments (PLAs) and Piano duet examinations pre-grade 1 to Grade 7.
General Information 4 General Information 7.2 The Theory of Music examinations required for the various practical grade examinations are as follows: Grade Examinations Practical examination Theory of Music requirement Pre-Grade 1 to Grade 3 None Grade 4 Grade 3 Grade 5 Grade 4 Grades 6 and 7 Grade 5 Grade 8 Grade 6 7.3 If a Theory of Music examination is a requirement for a practical examination, and the candidate has not passed the required Theory of Music examination before the practical examination is played, the candidate must enter and pass the required Theory of Music examination by the second session of the following year. 7.3.1 A candidate who passes the practical examination during the first examination session but passes the required Theory of Music examination only in the second or any later examination session will only receive the certificate once the relevant Theory of Music examination has been passed. 7.3.2 If a candidate passed the required Theory of Music examination at the same or an earlier examination session, the practical certificate will be issued without delay. 7.3.3 If a candidate only meets the Theory of Music requirement by the end of the following year, the Directorate Music must be contacted and requested to issue the practical certificate. 7.3.4 If a candidate does not meet the Theory of Music requirement by the end of the following year, the candidate must re-enter for the practical examination and play again. 7.4 Grade 8 practical candidates who do not yet meet the Theory of Music requirement must register for the practical and theory components in the same calendar year. (Theory of Music may be written earlier.) Both Grade 6 Theory of Music papers must have been passed by the end of the following year. 7.5 Theory of Music Grades 6 and 7 examinations consist of two papers each. Candidates may enter for one or both papers (in any order) at any time. 7.5.1 Theory of Music Grades 6 and 7 candidates will retain credit for individual papers passed. 7.6 Candidates entering for the Grade 7 Theory of Music will have to pass both the examination papers in order for the Theory of Music qualification to be awarded. 7.6.1 Grade 7 Theory of Music examinations are presented in the second session of each year only. 7.7 Please do not contact Unisa to enquire about certificates if the candidate has not yet passed the required Theory of Music examination.
General Information 5 General Information 8 Exemptions Prospective Practical candidates may request for exemption according to the following principles: 8.1 BMus degrees obtained from South African Universities 8.1.1 Theory of Music Grade 6 A completed first year of a BMus degree at a South African University (second year if the BMus includes bridging/extended degree programmes). 8.1.2 Theory of Music Grade 7 A completed second year of a BMus degree at a South African University (third year if the BMus includes bridging/extended degree programmes). 8.1.3 Practical Grade 8 A completed first year of the first instrument of a BMus degree at a South African University (second year if the BMus includes bridging/extended degree programmes) 8.2 National and International Music Qualifications Candidates in possession of other national and international qualifications may apply for exemption. Qualifications/syllabi concerned will be evaluated by the Directorate Music regarding Theory of Music Grade 6 and 7 and Practical Grade 8. 8.3 Application procedure Please use the official Request for Exemption form, obtainable from the internet or the Directorate Music. A certified copy of the candidate s academic record must accompany the application. 9 Duration Performance Level Assessments Pre-Level 1 Level 1 Level 2 Level 3 Level 4 Level 5 Level 6 Level 7 Level 8 Performer s Assessment 10 minutes 10 minutes 10 minutes 10 minutes 15 minutes 20 minutes 20 minutes 25 minutes 30 minutes 45 minutes
General Information 6 General Information Grade Examinations Pre-Grade 1 Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade 7 Grade 8 15 minutes 20 minutes 20 minutes 20 minutes 25 minutes 30 minutes 35 minutes 40 minutes 50 minutes Piano Duet examinations Pre-Grade 1 Grade 1 Grade 2 Grade 3 Grade 4 Grade 5 Grade 6 Grade 7 Grade 8 10 minutes 10 minutes 15 minutes 15 minutes 20 minutes 20 minutes 25 minutes 25 minutes 35 minutes Two Pianos (Four Hands) examinations Grade 8 35 minutes 10 Participation in the Unisa Music Scholarship Competitions 10.1 Age Restrictions 10.1.1 Candidates qualifying for the Unisa South African Music Scholarship Competition for Grade 8 should not be more than 20 years of age on 31 October of the competition year and must have passed the required Grade 6 Theory of Music examination by the first session of that particular year. Candidates who only write the required Theory of Music Grade 6 in the second session of the relevant year will not be eligible for participation since the results will not yet be available at the time of the competition. 10.2 Requirements for participation The following requirements must be fulfilled in order to qualify for participation in the scholarship competitions: 10.2.1 Mark allocation
General Information 7 General Information Grade 8 achieve at least 85% in the examination as a whole achieve an average of at least 85% for the prescribed pieces. 10.2.2 Memorisation Memorisation is not a requirement for participation in the South African Competitions. 10.2.3 No deferred participation Candidates must participate in the scholarship competitions in the same year that they play the examination and qualify. Participation will not be deferred to the following year.
Basic Requirements and Allocation of Marks 8 Basic Requirements and Allocation of Marks Basic Requirements and Allocation of Marks 1 Piano Grade Examinations 1.1 General 1.1.1 Candidates will be allowed to enter at any grade for a grade examination. 1.1.2 Candidates will be allowed to switch from a grade examination to a Performance Level Assessment (PLA) or Evaluation. No excess fees will be refunded. 1.1.3 One work must be chosen from each list: A, B and C. At least two contrasting styles must be included in the performance. 1.1.4 For Piano Grade 8 only, one alternative work may be presented with prior permission (see page 2 paragraph 2). 1.1.5 A certificate will be issued upon successful completion of an exam and, where applicable, its theory requirement. 1.2 Technical Work As prescribed. 1.3 Performance Candidates must play three pieces, one selected from each of prescribed lists A and B and one piece selected from either lists C, D or E (where applicable). Playing from memory is not compulsory. 1.4 Sight-reading Candidates will be required to play a piece at sight. 1.5 Practical Musicianship As prescribed in the Practical Musicianship syllabus. 2 Performance Level Assessments (PLAs) 2.1 General 2.1.1 Candidates will be allowed to enter at any level for a Performance Level Assessment. 2.1.2 Candidates will be allowed to change from a Performance Level Assessment to an Evaluation. 2.1.3 No Theory of Music requirements need to be met. 2.1.4 At least two contrasting styles must be included in the performance. 2.1.5 One own choice work may be presented (see page 2 paragraph 2). 2.1.6 A single overall symbol with commentary will be given. No individual marks will be allocated. 2.1.7 A statement and not a certificate will be issued upon successful completion of a particular level. 2.1.8 The Roll of Honour is not applicable to Performance Level Assessments. 2.2 Technical Work No technical work is required.
Basic Requirements and Allocation of Marks 9 Basic Requirements and Allocation of Marks 2.3 Performance 2.3.1 Pre-Level 1 to Level 8 The prescribed pieces from the existing graded examinations will apply. Candidates must play three pieces, one selected from each of the prescribed lists A and B and one work of own choice. The latter may also be chosen from the prescribed lists C, D or E (where applicable). 2.3.2 Performer's Assessment 2.3.2.1 The Performer s Assessment is the highest assessment level and the only option that follows the Level 8 Performance Level Assessment. Candidates must perform a balanced programme of four works, one selected from each of the prescribed lists A to D. The List D work may also be an own choice, ensemble or chamber work. Permission to perform this work must be obtained from the Directorate Music (see page 2 paragraph 2). 2.3.2.2 All assessments will be conducted by one examiner at any of the existing practical examination centres. 2.4 Sight-reading No sight-reading is required. 2.5 Practical Musicianship No practical musicianship is required. 3 Evaluations 3.1 The purpose of an Evaluation is to encourage inadequately prepared candidates to play, rather than withdraw from a grade examination or Performance Level Assessment. 3.2 Candidates may change from a grade examination or Performance Level Assessment to an Evaluation. This may be done up to the day of the examination, but excess fees will not be refunded. Please note that candidates cannot enter for an Evaluation specifically. 3.3 Any combination of work may be presented for an Evaluation and may include any of the three pieces, sight-reading, technical work or practical musicianship. 3.4 No marks or symbols are awarded, only commentary. 3.5 No certificate or special report is issued. The examiner report serves as confirmation of the Evaluation. 3.6 One teacher or parent may be present at the Evaluation. 4 Piano Duet 4.1 General 4.1.1 Candidates will be examined as an ensemble and not as individuals. 4.1.2 A certificate will be issued to both candidates. 4.1.3 This examination is intended for two candidates and not for a candidate together with his or her teacher.
Basic Requirements and Allocation of Marks 10 Basic Requirements and Allocation of Marks 4.1.4 Prescribed music for the duet examinations which should be purchased from the publishers, sheet music dealers or the internet. Only original printed music may be used in the examination room. Copies of all these works must be submitted to the examiner at the examination and will be destroyed afterwards. 4.1.5 No Theory of Music examination is required as a prerequisite for the piano duet examinations for pre-grade 1 to Grade 7. For Grade 8, however, Theory of Music Grade 6 is required for both candidates. 4.2 Performance 4.2.1 Candidates must perform three works selected from the prescribed list(s). One alternative work will be allowed (see page 2, paragraph 2). 4.2.2 No more than one composition by a specific composer may be presented during the examination. 4.2.3 Candidates from Grade 1 to Grade 8 must take different styles and tempos into consideration when choosing their programme. 4.2.4 Candidates from grades 2 to 8 must cover at least two different style periods in their programme. 4.2.5 Candidates may play any part (primo or second) of their chosen works, but they must change positions for the performance of at least one of the three pieces. 4.3 Sight-reading No sight-reading is required for pre-grade 1. However, sight-reading is required for Grades 1 to 8. Candidates will be given the opportunity to discuss the sight-reading piece for a short while before playing it. 4.4 Practical Musicianship No practical musicianship is required. 5 Two Pianos (four hands) Grade 8 5.1 General 5.1.1 Candidates will be examined as an ensemble and not as individuals. 5.1.2 A certificate will be issued to both candidates. 5.1.3 This examination is intended to be for two candidates and not for a candidate together with his or her teacher. 5.1.4 Copies of all performance works must be submitted to the examiner before the examination commences. 5.1.5 The prerequisite Theory of Music examination for the Grade 8 Two Pianos (four hands) is Grade 6 for both candidates. 5.1.6 Candidates will be responsible for the tuning of the second piano and venue hire. 5.2 Performance 5.2.1 Candidates must perform three works, one selected from each of the prescribed lists. 5.2.2 No more than one composition by a specific composer may be presented during the examination. 5.2.3 When choosing a programme, different styles and tempos must be taken into consideration. 5.2.4 Works must cover at least two different style periods.
Basic Requirements and Allocation of Marks 11 Basic Requirements and Allocation of Marks 5.3 Practical Musicianship No Practical Musicianship is required. 5.4 Sight-reading Sight-reading will be required for Grade 8. Candidates will be given the opportunity to discuss the sight-reading piece for a short while before playing it. 6 Allocation of Marks Marks or symbols allocated by the examiners are final. No correspondence will be entered into regarding the outcome of an assessment or examination. Performance Level Assessments and Performer s Assessment A++ 90-100% C+ 65-69% A+ 85-89% A 80-84% B+ 75-79% C 60-64% D+ 55-59% D 50-54% B 70-74% E 49% and below Technical work Sight-reading Practical Musicianship Performance List A List B List C Grade Examinations Pre-Grade 1 to Grade 7 Grade 8 Total 100; Pass 50; Merit 70; Distinction 80; Roll of Honour 90 (pre-grade 1 to Grade 7), Roll of Honour 85 (Grade 8) 20 10 10 20 20 20 15 10 10 20 25 20 Piano Duet / Two Pianos (four hands) Gr 8 Sight-reading Performance List A List B List C General Impression Pre-Grade 1 Grade 1 to Grade 8 Total 100; Pass 50; Merit 70, Distinction 80; Roll of Honour 90 (pre-grade 1 to Grade 7), Roll of Honour 85 (Grade 8) 0 30 30 30 10 10 30 30 30 0 7 Marks Categories For the marks categories please refer to Annexure 2 on page 56.
12 Piano pre-grade 1 Klavier Voorgraad 1 Technical work and Repertoire Tegniese werk en Repertorium PIANO KLAVIER Pre-Grade 1 Voorgraad 1 Technical work/tegniese werk Compass and Key Omvang en Toonsoort Motion Rigting Hands Hande Articulation Artikulasie Minimum Tempo I: C, G, F From the lowest note Vanaf die laagste noot Separately Afsonderlik Major scales Majeurtoonlere I: C Contrary motion, from the middle; beginning and ending in unison Teenoorgestelde rigting, vanaf die middel; begin en eindig in eenklank Separately and Afsonderlik en iq = 84 Broken chords Gebroke akkoorde Triads Drieklanke
13 Piano pre-grade 1 Klavier Voorgraad 1 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C or D Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C of D List A Lys A Bach JS Bach JS Handel GF Gavotte Minuet/Menuet Allegretto List B Lys B Ryba JJ Türk DG Vaňhal J Flowing Waters/Vloeiende Water Spring and Winter/Lente en Winter Allegretto List C Lys C Diabelli A Diabelli A Tansman A Strolling/Wandeling Bagatelle Carousel/Mallemeule List D Lys D Hurnik I Olivier G * Paciorkiewicz T Roos JS * Van Namen Arie A * Big Dog, Little Dog/Groot Hond, Klein Hond We roll down the dune and into the sea!/ons rol van die duin af tot onder in die see! March/Mars La-la á la Brahms Cat and Mouse/Kat en Muis
14 Piano Grade 1 Klavier Graad 1 Grade 1 Graad 1 Technical work/tegniese werk Key Toonsoort Motion Rigting Hands Hande Compass Omvang Interval distance Intervalafstand Articulation Artikulasie Minimum Tempo Major scales Majeurtoonlere C, G, D, F Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk Separately: 2 octaves : Afsonderlik: 2 oktawe : iq = 92 Harmonic or Melodic minor scales Harmoniese of Melodiese mineurtoonlere C, G Contrary motion, from the middle a Teenoorgestelde rigting, vanaf die middel Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk Begin and end in unison Begin en eindig in eenklank Separately: 2 octaves : Afsonderlik: 2 oktawe : iq = 86 iq = 92 Broken chords Gebroke akkoorde Triads Drieklanke
15 Piano Grade 1 Klavier Graad 1 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C or D Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C of D List A Lys A Barrett J Handel GF Telemann GP The Holy St Catherine/Die Heilige Katharina Allegro Allegro List B Lys B Kauer F Mozart L Neefe C Minuet/Menuet Polonaise Minuet/Menuet List C Lys C Goedicke A Playtime, op 6 no 6 Gurlitt C Little Flowers/Blommetjies op 205 no 1 Maykapar S Prelude List D Lys D Coutts D * I Like to Dance/Ek hou van Dans Kabalevsky D Clowns/Narre op 39 no 20 Panebianco-Warrens C * Dance of the Fireflies/Dans van die Vuurvliegies Randell E * Saudade Świerzyński M Playing/Speel
16 Piano Grade 2 Klavier Graad 2 Grade 2 Graad 2 Technical work/tegniese werk Compass and Key Omvang en Toonsoort Motion Rigting Hands Hande Interval distance Intervalafstand Articulation Artikulasie Minimum Tempo Major scales Majeurtoonlere II: D, A, E, F I : D, A Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Separately and together Afsonderlik en tegelyk Beginning and ending in unison Begin en eindig in eenklank iq = 108 iq = 92 Harmonic or Melodic minor scales Harmoniese of Melodiese mineurtoonlere II: d, a Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk iq = 108 Chromatic scales Chromatiese toonlere I : Ab From the lowest note Vanaf die laagste noot Separately Afsonderlik - - iq = 108 Broken chords Gebroke akkoorde C iq = 108 Triads Drieklanke
17 Piano Grade 2 Klavier Graad 2 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C or D Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C of D List A Lys A Handel GF Kirnberger JP Scarlatti A Air Minuet/Menuet Minuetto Scherzando List B Lys B Beethoven L von German Dance/Duitse Dans, WoO 13 no 2 Beethoven L von German Dance/Duitse Dans, WoO 13 no 6 Haydn FJ Minuet/Menuet List C Lys C Czerny C Allegretto Czerny C Andante Oesten T Polka-Mazurka, op 155 no 2 List D Lys D Bell D Khumalo A * Loeb van Zuilenburg P * Reid D * Starer R After a shower of rain/na n reënbui Let s Play/Kom ons Speel Kweliccia Rain Dance/Reëndans Bright Orange/Helder Oranje
18 Piano Grade 3 Klavier Graad 3 Grade 3 Graad 3 Technical work/tegniese werk Compass and Key Omvang en Toonsoort Motion Rigting Hands Hande Interval distance Intervalafstand Articulation Artikulasie Minimum Tempo Major scales Majeurtoonlere II: B, F#, Bb, Eb I : Eb Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Separately and together Afsonderlik en tegelyk Begin and end in unison Begin en eindig in eenklank i = 120 iq = 112 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere II: c, g Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk iq = 120 Chromatic scales Chromatiese toonlere II: D From the lowest note Vanaf die laagste noot Separately Afsonderlik - - i = 120 Major arpeggios Majeur arpeggio s II: C, D in root position in grondposisie From the lowest note Vanaf die laagste noot Separately Afsonderlik - - i = 84 Minor arpeggios Mineur arpeggio s II: c, d in root position in grondposisie From the lowest note Vanaf die laagste noot Separately Afsonderlik - - i = 84 Broken chords Gebroke akkoorde c See example as for Grade 2. 1st and 5th fingers on black notes Sien voorbeeld soos vir Graad 2. 1e en 5e vinger op swart klawers = 62 Triads Drieklanke
19 Piano Grade 3 Klavier Graad 3 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Rameau JP Scarlatti D Türk DG Minuet/Menuet Aria, K32/L423 Four sharps? Keep it up!/vier kruise? Hou so aan! List B Lys B Benda JA Allegro assai from/uit Sonata in G Müller AE Minuet/Menuet Vaňhal J Allegretto from/uit Sonatina no 6 List C Lys C Grechaninov/Gretsjaninof A The Little Would-be Man/Die Kamma-mannetjie Kabalevsky/Kabalefski D Slow Waltz/Stadige Wals, op 39 no 23 Tchaikovsky/Tsjaikofski PI The Barrelorgan Man/Die Draaiorrelspeler, op 39 no 23 List D Lys D De Villiers, H * Pauer J Rollin C Watt M * Zaidel-Rudolph J * 5/8 Dance/5/8Dans March/Mars Cotton King Jazz African Lullaby/Afrika Wiegeliedjie Times They Are A-Changing List E Lys E Kay U Norton C Norton C Norton C Norton C Price FB Tender Thought, Piano Music of Africa and the African Diaspora Vol 1 (OUP) Chinese Walk, Microstyles Collection (B&H) Feeling Lazy, Microstyles Collection (B&H) Oriental Flower, Microstyles Collection (B&H) Without a Care, Microstyles Collection (B&H) Tinklin Toes, Piano Music of Africa and the African Diaspora Vol 1 (OUP)
20 Piano Grade 4 Klavier Graad 4 Grade 4 Graad 4 Technical work/tegniese werk Compass and Key Omvang en Toonsoort Motion Rigting Hands Hande Interval distance Intervalafstand Articulation Artikulasie Minimum Tempo Major scales Majeurtoonlere II: C#, Eb, Ab Similar motion, from the lowest note vanaf die laagste noot II: B Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Separately and together Afsonderlik en tegelyk Begin and end in unison Begin en eindig in eenklank jjj = 69 jjj = 60 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere II: e, f Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk jjj = 69 Harmonic minor scales Harmoniese mineurtoonlere II: c Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Begin and end in unison Begin en eindig in eenklank jjj = 60 Chromatic scales Chromatiese toonlere II: Bb Similar motion, from the lowest note vanaf die laagste noot II: Ab Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Separately and together Afsonderlik en tegelyk Separately Afsonderlik Begin and end in unison Begin en eindig in eenklank jjj = 69 jjj = 60 Major arpeggios Majeur arpeggio s II: Eb In root position and 1 st inversion In grondposisie en 1 e omkering Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk i = 100 Minor arpeggios Mineur arpeggio s II: c# In root position and 1 st inversion In grondposisie en 1 e omkering Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk i = 100 Chords Akkoorde
21 Piano Grade 4 Klavier Graad 4 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Blow J Courante Handel GF Rigaudon Telemann GP Fantasia no 9 List B Lys B Benda G Kuhlau F Vaňhal JK Allegretto from/uit Sonatina in d Theme and Variations/Tema en Variasies Allegretto List C Lys C Grieg E Poetic Sounds/Poëtiese Klankbeelde, op 3 no 1 Karganov G Arabesque/Arabesk Pachulski/Patsjoelski H Prelude List D Lys D Benjamin A Harvey P Hofmeyr Hendrik * Klatzow Peter * Temmingh Henk * Haunted House Rumba Toccata March of the Lilliputians/Mars van die Lilliputters Bubbles Ferreira in C List E Lys E Capers V Dett RH Norton C Norton C Norton C Norton C Sweet Mister Jelly Roll, Piano Music of Africa and the African Diaspora Vol 1 (OUP) Honey, Piano Music of Africa and the African Diaspora Vol 2 (OUP) Clock Rock, Microstyles Collection (B&H) Habanera, Microstyles Collection (B&H) Island Song, Microstyles Collection (B&H) Misty-Eyed, Microstyles Collection (B&H)
22 Piano Grade 5 Klavier Graad 5 Grade 5 Graad 5 Technical work/tegniese werk Compass and Key Omvang en Toonsoort Motion Rigting Hands Hande Interval distance Intervalafstand Articulation Artikulasie Minimum Tempo Major scales Majeurtoonlere III: G, A, Bb II : Ab Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Separately and together Afsonderlik en tegelyk Begin and end in unison Begin en eindig in eenklank ii = 112 jjj = 66 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere III: bb, f# Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk ii = 112 Harmonic minor scales Harmoniese mineurtoonlere II : g Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Begin and end in unison Begin en eindig in eenklank jjj = 66 Chromatic scales Chromatiese toonlere III: F II : G Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the extremes Teenoorgestelde rigting, vanaf die uiterstes Separately and together Afsonderlik en tegelyk Begin and end on the tonic Begin en eindig op die tonika jjjjj = 58 jjj = 66 Major arpeggios Majeur arpeggio s II : D, Bb In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk jjj = 66 Minor arpeggios Mineur arpeggio s II : d, bb In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk jjj = 66 Chords Akkoorde * mediant degree / mediant toontrap
23 Piano Grade 5 Klavier Graad 5 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Bach JS Bourrée from/uit English Suite no 1, BWV 806 Handel GF Allemande Telemann GP Vivace from/uit Fantasia no 5 List B Lys B Hummel JN Polonaise Kuhlau F Second Movement from/uit Sonatina, op 88 no 3 Schubert F Minuet & Trio/Menuet & Trio, Sonata, op 122 List C Lys C Grieg E Folk-tune/Volkswysie from/uit Lyrical Pieces, op 12 no 5 Maykapar S Romance/Romanse, op 8 no 16 Schumann R Remembrance/Herinnering, op 68 no 28 List D Lys D Copland A Jazzy Johnson Alexander * Elegie Kabalevsky D Theme and Variations/Tema en Variasies, op 40 no 2 Roosenschoon Hans * Rêverie Van der Watt Niel * Leaving School Blues List E Lys E Norton C Norton C Norton C Norton C Cha Cha, Microstyles Collection (B&H) Hebridean Song, Microstyles Collection (B&H) In the Sun, Microstyles Collection (B&H) Orchid Garden, Microstyles Collection (B&H)
24 Piano Grade 6 Klavier Graad 6 Grade 6 Graad 6 Technical work/tegniese werk Compass and Key Omvang en Toonsoort Motion Rigting Hands Hande Interval distance Intervalafstand Articulation Artikulasie Minimum Tempo Major scales Majeurtoonlere IV: C#, Bb II : C#, Bb Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Third, tonic in LH Terts, tonika in LH Begin and end on the tonic Begin en eindig op die tonika jjj = 84 jjj = 84 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere IV: d, e Similar motion, from the lowest note vanaf die laagste noot Third, tonic in LH Terts, tonika in LH jjj = 84 Harmonic minor scales Harmoniese mineurtoonlere II : d, e Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Begin and end on the tonic Begin en eindig op die tonika jjj = 84 Chromatic scales Chromatiese toonlere IV: C# II : F Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the extremes Teenoorgestelde rigting, vanaf die uiterstes Begin and end on the tonic Begin en eindig op die tonika jjj = 100 jjj = 84 Major arpeggios Majeur arpeggio s IV: F#, C# in root position and inversions in grondposisie en omkerings Similar motion, from the lowest note vanaf die laagste noot jjj = 80 Minor arpeggios Mineur arpeggio s IV: f#, f in root position and inversions in grondposisie en omkerings Similar motion, from the lowest note vanaf die laagste noot jjj = 80 Diminished sevenths Verminderde sewendes IV: on/op A, F in root position in grondposisie Similar motion, from the lowest note vanaf die laagste noot jjj = 80 Chords Akkoorde
25 Piano Grade 6 Klavier Graad 6 Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Bach JS Prelude no 9, BWV 928 Galuppi B Adagio from/uit Sonata in D Handel GF Courante, HWV 441 List B Lys B Haydn FJ Theme and Variations/Tema en Variasies, Hob XVII:5 Kuhlau F Allegro Scherzando from/uit Sonatina, op 20 no 2 Vaňhal JK Allegro from/uit Sonatina in A List C Lys C Chopin F Mazurka, op 7 no 1 Mendelssohn F Song without Words/Lied sonder Woorde, op 19 no 1 Schumann R The Wayside Inn/Herberg langs die pad, op 82 no 6 List D Lys D Potgieter J * Habanera Roux I * Dr Kwela Mr Ragtime Tcherepnin A Bagatelle, op 5 no 6 Temmingh R * Prelude for Liezl/Prelude vir Liezl Von Einem G Piano Piece, op 3 List E Lys E Gardes AR Norton C Norton C Norton C Preludio Cubano, Piano Music of Africa and the African Diaspora, Vol 2 (OUP) Moving Along, Microstyles Collection (B&H) Piano Exchange Rag, Microstyles Collection (B&H) No 2 Rumba or/of no 5 Bassa Nova, Latin Preludes (B&H)
26 Piano Grade 7 Klavier Graad 7 Grade 7 Graad 7 Technical work/tegniese werk Compass and Key Omvang en Toonsoort Motion Rigting Hands Hande Interval distance Intervalafstand Articulation Artikulasie Minimum Tempo IV: F, Ab Similar motion, from the lowest note vanaf die laagste noot Tenth, tonic in LH Desiem, tonika in LH and non legato en non legato jjj = 108 Major scales Majeurtoonlere II : A, Eb Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Begin and end on the tonic Begin en eindig op die tonika and non legato en non legato jjj = 100 II : G, D From the lowest note Vanaf die laagste noot Separate Afsonderlik Double note thirds: Tonic as lowest note Dubbelnoottertse: Tonika as laagste noot Non legato Non legato i = 80 II : G, D From the lowest note Vanaf die laagste noot Separate Afsonderlik Double note octaves Dubbelnootoktawe Non legato Non legato i = 88 Harmonic and Melodic minor scales Harmoniese en Melodiese mineurtoonlere IV: f#, f Similar motion, from the lowest note vanaf die laagste noot Tenth, tonic in LH Desiem, tonika in LH and non legato en non legato jjj = 108 Harmonic minor scales Harmoniese mineurtoonlere II : c#, bb Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Begin and end on the tonic Begin en eindig op die tonika and non legato en non legato jjj = 100 Chromatic scales Chromatiese toonlere IV: C II : A Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Major or minor third Majeur- of mineurterts Begin and end on the tonic Begin en eindig op die tonika and non legato en non legato and non legato en non legato jjj = 116 jjj = 100 Major arpeggios Majeur arpeggio s IV: Eb, F In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note vanaf die laagste noot jjj = 92 Minor arpeggios Mineur arpeggio s IV: eb, f In root position and inversions In grondposisie en omkerings Similar motion, from the lowest note vanaf die laagste noot jjj = 92
27 Piano Grade 7 Klavier Graad 7 Dominant sevenths Dominant sewendes Diminished sevenths Verminderde sewendes IV: of/van C, D In root position In grondposisie IV: on/op C#, Eb, Ab In root position In grondposisie Similar motion, from the lowest note vanaf die laagste noot Similar motion, from the lowest note vanaf die laagste noot jjj = 92 jjj = 92 Chords Akkoorde Repertoire/Repertorium Three pieces, one from List A, one from List B, and one from List C, D or E Drie stukke, een gekies uit Lys A, een uit Lys B, en een uit Lys C, D of E List A Lys A Bach JS Allemande from/uit French Suite no 5, BWV 816 Bach JS Three-Part Invention no 7/Driestemmige Invensie no 7, BWV 793 Scarlatti D Sonata, K 444 List B Lys B Beethoven L van Rondo from/uit Sonata in g, op 49 no 1 Haydn F Rondo from/uit Sonata in C, Hob XVI:48 Mozart WA Six Variations on/ses Variasies op "Mio caro adone", K 180 List C Lys C Lyadov/Ljadof A Prelude, op 10 no 1 MacDowell E Of Br er Rabbit from/uit Fireside Tales, op 61 no 2 Poldini E She Smiles from/sy Glimlag uit Episodes à la cour, op 93 no 4 List D Lys D Debussy C Golliwogg s Cake-walk from/uit Children s Corner Grové Stefans * Obstinacy/Hardnekkigheid Rajna Thomas * Oriental Feast Van Dijk Péter Louis * On quiet nights starlight pulses gently from your fingertips Weiner L Hungarian Peasant Song/Hongaarse Boerelied, op 33 no 24 List E Lys E Norton C Norton C Solal M No 6 (Beguine) or/of no 7(Mambo), Latin Preludes (B&H) No 5, Latin Preludes 2 (B&H) No 4 or/of no 5, Jazz Preludes (B&H)
28 Piano Grade 8 Klavier Graad 8 Grade 8 Graad 8 Technical work/tegniese werk Compass and Key Omvang en Toonsoort Motion Rigting Hands Hande Interval distance Intervalafstand Articu-lation Artiku-lasie Minimum Tempo IV: C#, Bb Similar motion, from the lowest note vanaf die laagste noot Sixth:Tonic in RH Sekst: Tonika in RH and non legato en non legato jjj = 120 Major scales Majeurtoonlere II : D, Eb II : A, Bb Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Similar motion, from the lowest note vanaf die laagste noot Separately and together Afsonderlik en tegelyk Third: Tonic in LH Terts: Tonika in LH Double note thirds: Tonic as lowest note Dubbelnoottertse: Tonika as laagste noot and non legato en non legato Non legato Non legato jjj = 112 jjj = 72 Melodic minor scales Melodiese mineurtoonlere II : Eb, E IV: g, ab Similar motion, from the lowest note vanaf die laagste noot Similar motion, from the lowest note vanaf die laagste noot Double note octaves Dubbelnootoktawe Sixth: Tonic in RH Sekst: Tonika in RH Non legato Non legato and non legato en non legato jjj = 72 jjj = 120 Harmonic minor scales Harmoniese mineurtoonlere IV: d, b II : f, ab Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Sixth: Tonic in RH Sekst: Tonika in RH Thirds: Tonic in LH Terts: Tonika in LH and non legato en non legato and non legato en non legato jjj = 120 jjj = 112
29 Piano Grade 8 Klavier Graad 8 IV: Bb Similar motion, from the lowest note vanaf die laagste noot Major or minor sixth: Tonic in RH Majeur- of mineursekst: Tonika in RH and non legato en non legato jjj = 120 Chromatic scales Chromatiese toonlere II : C# Contrary motion, from the middle and extremes Teenoorgestelde rigting, vanaf die middel en uiterstes Major or minor third: Tonic in LH Majeur- of mineurterts: Tonika in LH and non legato en non legato jjj = 120 II : A# From the lowest note Vanaf die laagste noot Separate Afsonderlik Double note minor thirds: Begin on A#/C# Dubbelnoot mineurtertse: Begin op A#/C# Non legato Non legato jjj = 72 Major arpeggios Majeur arpeggio s Minor arpeggios Mineur arpeggio s Dominant sevenths Dominant sewendes Diminished sevenths Verminderde sewendes IV: F#, A In root position and inversions In grondposisie en omkerings II : F#, A In root position and inversions In grondposisie en omkerings IV: d, b In root position and inversions In grondposisie en omkerings II : d, b In root position and inversions In grondposisie en omkerings IV: of/van C#, F In root position and inversions In grondposisie en omkerings II: on/op B, C In root position In grondposisie Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Similar motion, from the lowest note vanaf die laagste noot Contrary motion, from the middle Teenoorgestelde rigting, vanaf die middel Similar motion, from the lowest note vanaf die laagste noot From the lowest note Vanaf die laagste noot Separate Afsonderlik Begin and end on the tonic Begin en eindig op die tonika Begin and end on the tonic Begin en eindig op die tonika Double note octave Dubbelnootoktaaf Non legato Non legato jjj = 100 jjj = 100 jjj = 100 i = 100
30 Piano Grade 8 Klavier Graad 8 Repertoire/Repertorium Three pieces, one chosen from each list Drie stukke, een gekies uit elke lys List A Lys A Bach JS Any one of the following 48 Preludes and Fugues/Enige een van die volgende 48 Preludes en Fugas: Bk 1: No 2, 6, 17, 21 Bk 2: No 2, 6, 9, 12, 15 Bach JS Any one of the 4 Duettos/Enige een van die 4 Duettos, BWV 802-805 Bach JS Fantasie in c, BWV 906 Handel GF Any two movements from/enige twee bewegings uit Suite no 9 Rameau JP La Triomphante Scarlatti D One of the following sonatas/een van die volgende sonates: K29/L461, K175/L429, K178/L162, K209/L428, K239/L281, K405/L43, K481/L187, K517/L266 Soler A Sonata in A, R 1 (Faber) Villa-Lobos H Preludio, No 4 from/uit Bachianas Brasileiras List B Lys B Bach CPE Sonata in A, No 5 from/uit Phil E Bach Piano Works Bk 1 (UE548a) Beethoven L van 12 Variations on Menuet a la Viganò, WoO 68 Beethoven L van Sonata in f, op 2 no 1 Beethoven L van Sonata in c, op 10 no 1 Beethoven L van Sonata in F, op 10 no 2 Beethoven L van Sonata in E, op 14 no 1 Beethoven L van Sonata in G, op 14 no 2 Beethoven L van Sonata, op 79 Clementi M Sonata, op 47 no 2 Dello Joio N Introduction and Fantasies on a Chorale Tune (AMP) Haydn FJ Sonata in E, Hob XVI:22 Haydn FJ Sonata in F, Hob XVI:23 Haydn FJ Sonata in D, Hob XVI:33 Haydn FJ Sonata in Eb, Hob XVI:49 Hindemith P Sonata no 2 (Schott 2519) Kabalevsky D Sonatina, op 13 no 1 Medtner N Theme and Variations in c, op 55 Mendelssonn F Variations serieuses, op 54 Milhaud D Sonatina, op 354 (UMP) Mozart WA Sonata in C, K 279 Mozart WA Sonata in F, K 280 Mozart WA Sonata in Bb, K 281 Mozart WA Sonata in Eb, K 282 Mozart WA Sonata in G, K 283
31 Piano Grade 8 Klavier Graad 8 Ravel M Sonatina Reger M Any one of Sonatinas/Enige een van Sonatines 1, 2 & 3, op 89 Richardsson A Sonatina in F, op 27 (Weinberger/Elkin) Schubert F Sonata in B, op 147 Sutermeister H Sonatina in Eb (Schott 4119) Tchaikovsky P Theme and Variations, op 19 no 6 (Peters 4652) List C Lys C Brahms J Capriccio, op 76 no 2 Brahms J Intermezzo, op 116 no 4 or/of op 117 no 2 or/of op 118 no 2 Brahms J Rhapsody, op 119 no 4 Chopin F Polonaise, op 26 no 1 Chopin F Nocturne, op 9 no 2 or/of op 27 no 1 or/of op 48 no 1 Chopin F Grande Valse brillante, op 34 no 1 De Falla M Montanesa (Durand) Debussy C Voiles Debussy C Feuilles mortes Du Plessis H * No 2 or/of No 4 from/uit Four piano pieces, op 1 Du Plessis H * Any piece from/enige stuk uit Four Piano pieces, op 28 Dutilleux H Etude from/uit Six petites Pieces pour Piano (Leduc) Fricker PR Any study from/enige studie uit Twelve Studies, op 58 (Schott) Ginastera A Any piece from/enige stuk uit Tres Piezas para piano (Ricordi) Grové S * Toccata (Unisa) Hofmeyr H * Chaconne (MS) Johnson A * No 1 from/uit 3 Incantations (Studio 83) Kabalevsky D Any three preludes from/enige drie preludes uit 24 Preludes, op 38 (Peters 4785) Kalabis V Allegro impetuoso (Panton 5030) Klatzow P * Any two movements from/enige twee bewegings uit Moments of Night (Musications) Klatzow P * Makoemazaan (Musications) Martinů B Scherzo pro klavir (Panton) Medtner N No 1 or/of no 2 from/uit Conte, op 20 (Russe de Musique) Medtner N No 4 from/uit Conte, op 34 (B&H) Prokofiev S Etude, op 2 no 4 Rowley A Moto perpetuo (Chester) Shostakovitch D Any three preludes from/enige drie preludes uit 24 Preludes, op 34 (Anglo- Soviet) Temmingh R * Any three pieces from/enige drie stukke uit Ses oorblyfsels (Musications) Villa-Lobos H As tres Marias (Fisher) Villa-Lobos H Valsa da Dor Zaidel-Rudolph J * Virtuoso I (Unisa)
Piano Performer s Assessment Repertoire requirements Repertoriumvereistes 32 Klavier Voordraersassessering PIANO KLAVIER Performer s Assessment Voordraersassessering Four pieces, one chosen from each list Vier stukke, een gekies uit elke lys List A Lys A Bach JS Any one of the following 48 Preludes and Fugues/Enige een van die volgende 48 Preludes en Fugas: Bk 1: 1, 10, 16 Bk 2: 1, 7, 10, 19, 20 Bach JS Any one of the French Suites/Enige een van die Franse Suites Bach JS Toccata, BWV 914 Bach JS Any one of the following Preludes and Fugues/Enige een van die volgende Preludes en Fugas: BK 1: 3, 9, 11, 12, 13, 14, 15, 18, 19, 22 BK 2: 4, 5, 16, 17, 24 Bach JS Any movement from/enige beweging uit Italian Concerto Bach JS Any toccata except Toccata in e/enige tokkate behalwe Tokkate in e Bach JS Chromatic Fantasia and Fugue, BWV 903 Bach JS Italian Concerto, BWV 971 Bach JS Any English Suite/Enige Engelse Suite Bach JS Any one of the following 48 Preludes and Fugues/Enige een van die volgende 48 Preludes en Fugas: Bk 1: No 4, 7, 8, 20 Bk 2: No 3, 8, 11, 13, 14, 18 Bach JS Prelude and Fugue in a, BWV 894 Bach JS Any/Enige Partita Handel GF Prelude and Fugue from/uit Suite no 8 Handel GF Any one of the following/enige een van die volgende Suites: No 2, 5, 6, 7 Mendelssohn F Prelude and Fugue, op 35 no 1 Saint-Saëns C Prelude and Fugue, op 52 no 3 Scarlatti D One of the following sonatas/een van die volgende sonates: K96/L465, K132/L457, K318/L31, K319/L35, K358/L412, K381/L225, K427/L286, K432/L288, K436/L109, K491/L164 Shchedrin R Any Prelude and Fugue/Enige Prelude en Fuga Shostakovich D Any Prelude and Fugue from/enige Prelude en Fuga uit op 87 Soler A Sonata in G, R 4 (Faber)
Piano Performer s Assessment 33 Klavier Voordraersassessering List B Lys B Barber S Sonata in eb, op 26 Beethoven L van Sonata in c, op 13 Beethoven L van Sonata in F, op 54 Beethoven L van Sonata in F, op 78 Beethoven L van 12 Variations on a Russian Dance by Wranitzky, WoO 71 Beethoven L van 10 Variations on La stessa, la stessissima by Salieri, WoO 73 Beethoven L van Sonata in A, op 2 no 2 Beethoven L van Sonata in Eb, op 7 Beethoven L van Sonata in D, op 10 no 3 Beethoven L van Sonata in Bb, op 22 Beethoven L van Sonata in Eb, op 27 no 1 Beethoven L van Sonata in c, op 27 no 2 Beethoven L van Sonata in D, op 28 Beethoven L van Sonata in G, op 31 no 1 Beethoven L van Sonata in d, op 31 no 2 Beethoven L van Sonata in Eb, op 31 no 3 Beethoven L van Sonata in C, op 2 no 3 Beethoven L van Sonata in Ab, op 26 Beethoven L van Sonata in C, op 53 Beethoven L van Sonata in f, op 57 Beethoven L van Sonata in Eb, op 81a Beethoven L van Sonata in A, op 101 Beethoven L van Sonata in E, op 109 Beethoven L van Sonata in Ab, op 110 Beethoven L van Sonata in c, op 111 Beethoven L van 32 Variations in c, WoO 80 Beethoven L van 15 Variations on an Original Theme, op 35 Bennet RR Sonata for piano (UE) Brahms J Sonata in C, op 1 Brahms J Sonata in f, op 2 Brahms J Sonata in f, op 5 Brahms J Variations and Fugue on a theme by Handel, op 24 Brahms J Variations on a theme by Paganini, op 35 Chopin F Sonata in bb, op 35 Chopin F Sonata in b, op 58 Chopin F Etudes, op 10 (complete/volledig) Chopin F Etudes, op 25 (complete/volledig) Clementi M Sonata, op 26 no 3 Clementi M Sonata, op 25 no 2 Clementi M Sonata, op 39 no 2 Clementi M Sonata in b, op 40 no 2 (Peters) Clementi M Sonata in D, op 40 no 3 (Petres 146B) Dello Joio N Sonata no 2 (Schirmer)