Doing Art History Digitally Doing Digital Art History?

Doing Art History Digitally Doing Digital Art History?

http://www.britishmuseum.org/explore/online_tours/africa/africa_05/bronze_head_of_augustus.aspx

http://www.googleartproject.com/museums/freer

www.digitalsculpture.org

T. Zuk and S. Carpendale and W. D. Glanzman. "Visualizing Temporal Uncertainty in 3D Virtual Reconstructions". In Proceedings of the 6th International Symposium on Virtual Reality, pp. 99--106, 2005. http://www.sci.utah.edu/~kpotter/library/papers/zuk:2005:vtur/index.html

http://www.mappinggothicfrance.org/

Anne Helmreich, Goupil network analysis

http://www.inscriptifact.com/aboutus/index.shtml

Bibliographical Foundations of Chinese Classification Systems http://www.emeraldinsight.com/journals.htm? articleid=17030677&show=html

Lisa Snyder, Columbian Exposition model

http://www.gravityroad.com/298/we-have-been-practising-this-routine-for-you/

Jason Salavon http://aperture64.wordpress.com/2012/08/25/collective-memory/

Jason Salavon http://aperture64.wordpress.com/2012/08/25/collective-memory/

Idris Khan, Every Bernd and Hilla Becher Gable Sided House Photograph

http://en.wikipedia.org/wiki/history_of_whaling

Douglas Coupland, Digital Orca, Vancouver

Project: Le Petit Journal Des Réfusées Log Index Search I.Home Published: (JD) 11.30.2008 + Search Compose Link Annotate Network Log: Date / Author / Topic This display used just to show how files in the project could be organized and searched. In a Read/Write publish mode, openended, participants could continue to add files and comments, though recovery of various states of the project could be linked to a timeline of events within the workspace. JD / Images / March 2, 2007 MM / Themes / April 2 2008 MM / Japonisme / March 5, 2008 ST / Poetics / February 16, 206 WM / Small Magazines / May 5, 2008 YB / Experimental Prints / May 2, MM, Discussion, 12/08/2008 2004 MM s discussion starts here and goes on and on until it ends. But should and could occupy a great deal of the center of this screen. The commentaries are linked and appear as the discussion unfolds, but can also be accessed by the same search means Discussion as other files: author, date, keyword, and any other tags that have been introduced or XX discussion Discussionstarts attached. here The main point is to remember that the screen can be redrawn, the display and goes and until it XX discussion Discussionstarts resized, here and all information searched from ends. and goes and until it XX discussion Discussion the same interface. The dimensions starts here ends. identified in the previous page depend on and goes and until it ends. XX discussion Discussion tagging starts and metadata here in order to be retrieved and displayed. At any point, an and goes and until it ends. XX discussion Discussion array can open starts in here the screen space -- and and links goes and until it XX discussion Discussion and possibilities for multi-faceted starts here ends. reading can open in this published display and mode. goes and until it XX By discussion Discussion acquiring starts the file here and/or Artifacts ends. permission to proceed, the reader can and goes on and on until it become a XX writer/commentator discussion starts here and add to ends. Images Artifacts and page the discourse and goes field on that and is on already until in it play. facsimiles or Links can ends. be made from author to author, transcribed Images and texts commentary to discussion, reference to or other page facsimiles Artifacts work and artifact, etc. etc. materials or transcribed displayed texts or here. Images other ArtifactsArtifacts and page facsimiles materials or transcribed texts or other displayed materials here. Images Artifacts displayed and page here. facsimiles or transcribed texts or other Images Artifacts and page facsimiles materials displayed here. or transcribed texts or other Images Artifacts and page facsimiles materials displayed here. or transcribed texts or other Images and page Images Artifacts facsimiles and page facsimiles materials displayed here. or transcribed or texts transcribed or other texts or other Images and page facsimiles materials displayed materials here. displayed here. or transcribed texts or other materials displayed here. Linked commentary Commentary - Item: weblink Notes Commentary and discussion added - Item: local by the author to call attention Notes Commentary artifact to and a local discussion issue, or added - Item: comment added by by the another author to author call as addition. attention Notes Commentary to and a local discussion issue, or added - Item: discussion added by by the another author to author call as addition. attention Notes Commentary to and a local discussion issue, or added added by by the another author to author call Notes Commentary and discussion as added addition. attention to a local issue, or added by by the another author to author call Notes Commentary and discussion as added addition. attention to a local issue, or Topic map or other added by by the another author to author call Notes Commentary and discussion as added display of addition. attention to a local issue, or added by by the another author to author call information or Notes Commentary and discussion as added addition. attention to a local issue, or related materials, added by by the another author to author call Notes and discussion as added linked argument, or addition. attention to a local issue, or commentary. added by by the another author to author call as Commentary addition. attention to a local issue, or added by another author as Notes Commentary and discussion added addition. by the author to call Notes Commentary and discussion added attention to a local issue, or added by by the another author to author call Notes Commentary and discussion as added addition. attention to a local issue, or added by by the another author to author call Notes Commentary and discussion as added addition. attention to a local issue, or added by by the another author to author call Notes and discussion as added addition. attention to a local issue, or added by by the another author to author call as addition. attention to a local issue, or added by another author as addition. References and links References and links References and links References and links References and links References and links

Project: Le Petit Journal Index Log References Home Artifact: Facsimile reprint cover 1/16 + Notes: sort by: author, date, keyword Keyword search: Identifier Magazines: reference, title, author, date reference, title, author, date reference, title, author, date reference, title, author, date Burgess and his friends reference, title, author, date reference, title, author, date reference, title, author, date San Francisco reference, title, author, date Bohemia reference, title, author, date Discussion: Cover image More disucsion and momre discussion and it could contain any number of words and comments and has its own place here on the page. The primary discussion is of the artifacts and is a commentary. The commentary is more or less directly related to the artifacts. Of course there may be long stretches of commentary for a single artifact and it would be tedious to have to scroll through this endlessly. So we might want to pop this up. This is another discussion and it could contain any number of words and comments and has its own place here on the page. The primary discussion is of the artifacts and is a commentary. The commentary is more or less directly related to the artifacts. Of course there may be long stretches of commentary for a single artifact and it would be tedious to have to scroll through this endlessly. So we might want to pop this up. This is another discussion and it could contain any number of words and comments and has its own place here on the page. The primary discussion is of the artifacts and is a commentary. The commentary is more or less directly related to the artifacts. Of course there may be long stretches of commentary for a single artifact and it would be tedious to have to scroll through this endlessly. So we might want to pop this up. Identifier Display sort by: Discussion / Author / Timeline / Keyword / Artifact (Title, Author, Date, Source, Other) 12/ 14 Artifacts: Sort by:author, date, keyword, title, other - Jones, FF. The title, Publisher, date, info - Jones, FF. The title, Publisher, date, info - Jones, FF. The title, Publisher, date, info - Jones, FF. The title, Publisher, date, info

Project: Le Petit Journal Des Réfusées Log Index Search I.Home Published: (JD) 12.04.2008 Publish: Article + Graphic + Typographic + Bio Gelett Burgess and the Le Petit Journal des Refusées 2 / 24 Medieval style in the lettering create a combination of stylistic elements that is consistent with the pseudomedievalisms of the British Arts and Crafts sensibility. Burgess has more humor than William Morris ever brought to his projects, and certainly one would not look to Thomas Cobden-Sanderson or Emery Walker for anything hinting of irreverence. The attitude of the San Francisco Bohemians is that much more delightful for its originality of impulse, and for the self-consciousness about historicism as fantasy. Burgess s imagination is wilder than that of his more conservative colleagues a half a world away, and his capacity for mimicry serves his project well. The hint of Byzantium in the squared angles of the O and S is either an original invention or else taken from some of the studies published in the mid-19th century and beyond. Jones, Owen, The Grammar of Ornament, (London: 1867) Taylor, Isaac, The Alphabet (London: Allen Unwin and Company, 1888) in two volumes. Bostich and Curtain, eds., Typographic Elements of Arts and Crafts Style, (NY: Harper and Company, 1923) http://www.fontlibrary/archive/projecttype.ucss.edu see in particular folio no.316 and commentary by J.K. Chester on the derivation of hand-drawn fonts from medieval sources. Purcell, Jane, Rackham s Life and Work, (London: Winscott and Charmes,1954) Aubrey Beardsley, title, date. While Burgess has nothing like Aubrey Beardsley s control over the elegant line and suggestive properties of his medium, the graphic qualities, stylistic chic, patterns and borders, all clearly served as inspiration for the San Francisco artist. The use of the curved neckline to create a portrait bust within the illustration, for instance, is a conspicuous element in both Beardsley s image above and in the figure to the far right in Burgess s cover illustration. Burgess s linoleum cuts may be crude, but they are expertly designed, with a good sense of rhythm, timing, and values created by the dark and light patterns. Beardsley s mastery is superb, of course, and his understanding of the spread and role of the gutter as a divide shows distinct influences from Japanese book design. Only Arthur Rackham, among his contemporaries, had any of